Networking Core Centers Project for the Conservation of Traditional Buildings in the Kingdom of Bhutan

Observations of a rammed earth wall using a soil color chart

Measurement of micro-tremors at a rammed earth temple in the City of Thimphu

　For the second time this year, experts from Japan were dispatched to the Kingdom of Bhutan from November 21 to December 2 in order to survey on the conservation of rammed earth buildings in the country within the framework of the Networking Core Centers for International Cooperation in the Conservation of Cultural Heritage Project commissioned by the Agency of Cultural Affairs. The survey was conducted jointly with Bhutanese counterparts from the Division for Cultural Properties, Department of Culture, Ministry of Home and Cultural Affairs. Experts split into 2 groups to do the following works in the capital Thimphu and its suburbs:
　Architectural survey group: In order to reveal the traditional techniques of rammed earth construction, multiple craftsmen were interviewed, and reinforce techniques for damaged houses, temples, and ruins with rammed earth structures were inspected and surveyed.
　Structural survey group: In order to quantitatively assess the performance of structures with rammed earth walls, specimens that Bhutanese personnel had prepared ahead of time were subjected to compressive strength testing. Micro-tremors were also measured at 2 small temple buildings of rammed earth structure. Basic data were obtained for analysis of the structural properties of those buildings.
　In addition to the current surveys, a workshop was conducted with Bhutanese counterparts in order to share the results of previous surveys (including prior cooperative projects involving Japanese personnel), as well as to introduce Japanese experiences for the conservation of 　traditional houses in Japan.
　Through such activities, the Core Centers Project seeks to explore prospects for appropriate conservation of traditional buildings and continuation of building techniques and deal with the issue of improved safety in the event of an earthquake. The project also seeks to train local personnel who are responsible for preserving cultural heritage. Hopes are to further enhance cooperation by transferring basic techniques through architectural surveys and structural analysis to eager Bhutanese personnel.

Facility Tour，October

An explanation at the Biology Laboratory (October 5)

Thirteen Visitors from the Agency for Cultural Affairs’s “Project to Encourage Active Use of Museums”

　On October 5, thirteen visitors from the Agency for Cultural Affairs’s “Project to Encourage Active Use of Museums” visited the Institute in order to view work involved in the conservation and restoration of cultural properties.
　They toured the Physics Laboratory, the Chemistry Laboratory, and the Biology Laboratory in the Center for Conservation Science and Restoration Techniques.
　The staff members in charge of each section explained the work they do.

The Department of Art Research, Archives, and Information Systems hosts its 46^th public lecture series

A lecture underway 1

A lecture underway 2

　This year marks the 46^th public lecture series of the Department of Art Research, Archives, and Information Systems. Lectures on the topic of Dialogues on Objects and Images were given in the Institute’s basement seminar hall starting at 1:30 PM on both October 19^th (Fri.) and 20^th (Sat.). Cultural properties and artworks are immobile objects that engender vivid imagery in people’s minds. With this in mind, the lecture series seeks to inform more people of new information about the Objects and Images they encounter every day.
　Presentations were made by PAI Shih-ming, an Associate Professor at National Taiwan Normal University (on the 19^th, entitled Firsthand Experiences from Ueno Modern to Modern Culture: The modern Japan that CHEN Cheng-po encountered) and MARUKAWA Yuzo, an Assistant Professor at the International Research Center for Japanese Studies (on the 20^th, entitled The Lines and Dots of Art History that Engender Mental Associations: What can be gleaned from archives). Presentations were also made by YAMANASHI Emiko, Assistant Director of the Department of Art Research, Archives, and Information Systems (on the 19^th, entitled Painters who Depicted the Mausoleum of the Tokugawa Shoguns) and TANAKA Atsushi, Director of the Department of Art Research, Archives, and Information Systems (on the 20^th, entitled October 20^th, 1912: Ueno & Art) from the Institute. Despite the great weather on both days, lectures on the 19^th had an audience of 96 and lectures on the 20^th had an audience of 80.

A survey of Filmon audio recordings in the collection of Myogan-ji Temple (Maki Ward, City of Joetsu, Niigata Prefecture)

IKENAGA Fumio, the chief priest of the Myogan-ji Temple (right)

portable player of the Filmon sound-belt

　The National Research Institute for Cultural Properties, Tokyo has conducted joint studies of Filmon sound-belts with the Tsubouchi Memorial Theatre Museum, Waseda University. Some of the results of those studies were previously reported in the March 2011 edition (Vol. 5) of Research and Reports on Intangible Cultural Heritage.
(http://www.tobunken.go.jp/~geino/pdf/kenkyu_hokoku05/kenkyu_hokoku05Ijima.pdf).
　Filmon endless sound-belts are a special type of audio recording medium (record) developed in pre-war Japan. At the time, the most ubiquitous records were 78 rpm records that had an average recording time of about 3 minutes. In contrast, Filmon sound-belts could record performances of 30 minutes or longer. These sound-belts were a ground-breaking invention, but they were produced only for a short period from 1938 to 1940. Moreover, they required a special player, so after the war they were soon forgotten. Only a few sound-belts and players have survived until today.
　About 120 types of sound-belts appear to have been sold. When the report mentioned earlier was written, 85 types were thought to have survived. Late last year, information became available that Myogan-ji Temple in Niigata Prefecture (Maki Ward, City of Joetsu) had a number of sound-belts in its collection, so the sound-belts were surveyed in October with the assistance of the Temple’s chief priest, IKENAGA Fumio. The survey found 49 types of sound-belts in the collection, and 16 of these types had not been seen before. Moreover, few portable players remain, but the Temple had one in working order. The survey was also a major milestone in terms of on-site studies.
　The sound-belts in Myogan-ji Temple’s collection consist of a number of public performances, most of which are Rokyoku or recited stories accompanied by music. According to the Temple’s chief priest, the Temple’s former chief priest, the late IKENAGA Takakatsu, fashioned a setup for wire broadcasts on the main building of Myogan-ji Temple (broadcasts started in 1937) because the region had little entertainment (it currently takes about an hour to reach the Temple by car from the JR Takada Station, which is the closest station). Apparently, the late IKENAGA Takakatsu bought large numbers of recordings to broadcast (primarily in the form of long recordings on Filmon sound-belts) along with players. Several broadcast facilities from that time still remain. The collection is also a wealth of material in terms of the history of folk culture in the region.

7^th Conference on the Study of Intangible Folk Cultural Properties held

the 7^th Conference

　On October 26^th, the 7^th Conference on the Study of Intangible Folk Cultural Properties was held with “Passing down Recollections and Records: Disasters and Intangible Folk Culture” as its theme. Following up on the 6^th Conference on “Intangible Cultural Heritage in Post-earthquake Reconstruction” that was held in December of last year, this year’s Conference delved further into the topic of disasters and intangible folk cultural properties.
　Ways of passing down intangible folk cultural properties to future generations are normally an extremely important topic, but this topic is particularly pressing in regions that were disrupted and depopulated by the tsunami and nuclear plant accident resulting from the March 11, 2011 earthquake. Thus, the 7^th Conference covered “Records,” which is one way of passing down intangible folk cultural properties. Invited to the Conference were 5 presenters who dealt with records in various capacities following the disaster and 2 commentators. These experts described and discussed previous efforts and issues and prospects for the future. Various recording techniques and uses of records were presented during the Conference. In addition, the importance of a network linking efforts was again confirmed from various perspectives.
　The 7^th Conference was also attended by many relevant personnel from regions potentially slated to suffer a large-scale disaster in the future. Steps that can be taken and steps that should be taken to prepare intangible folk cultural properties for crises in the near future, such as massive disasters, the falling birthrate, aging of the population, and depopulation of rural areas, are important topics warranting future discussion.
　Plans are to publish a report on the Conference’s proceedings in March 2013.

17^th Local Workshop on Materials Conservation held

Photo caption: A lecture on Pests by Researcher SATO Yoshinori

　Through various seminars and workshops, the Center for Conservation Science and Restoration Techniques provides information on knowledge and skills to individuals working to conserve materials in museums, art museums, and archives. The Local Workshop on Materials Conservation is conducted once a year in a specific region. Scheduled for 1 day, this workshop is for conservation specialists in that region. This year, the workshop was held in conjunction with the Committee of Okayama Prefectural Museums at the Okayama Prefectural Museum of Art on October 16^th. The workshop had 56 attendees. Lectures were given by SANO Chie (Head of the Conservation Science Section), SATO Yoshinori (Researcher in the Biology Laboratory), and YOSHIDA Naoto (Senior researcher) from the Center, and these lectures covered topics such as General Theories on Conservation Conditions, Temperature and Humidity, Climate Control, Light and Illumination, and Pests. The workshop was well-received even by individuals who were unable to attend the 2-week Training for Museum and Art Museum Conservators conducted by the Center each year in Tokyo. The lectures tended to discuss topics such as recommended conservation conditions and facilities, but the question “What if we don’t have such a facility?” was often raised. Clearly, individual museums and art museums have their own unique conditions, so offering a single answer to that question is difficult. With this in mind, Center personnel will strive to enhance their usual research and formulate answers in response to different situations.

International training in Conservation of Japanese Paper in Latin America conducted

A demonstration of mending techniques

A presentation involving active use of Japanese mounting and repair techniques

　Training in the Conservation of Japanese Paper in Latin America was conducted jointly by the Institute, ICCROM, and INAH (Mexico’s National Institute of Anthropology and History) as part of the ICCROM-LATAM Program (conservation of cultural heritage in Latin America and the Caribbean). Training took place at the INAH from October 17^th to 30^th and was attended by 12 experts in restoring cultural properties from 9 countries: Venezuela, Cuba, Ecuador, Brazil, Peru, Columbia, Argentina, and Mexico.
　Training sought to provide attendees with basic knowledge of traditional Japanese paper, adhesives, and tools. It also sought to enhance attendees’ understanding of Japanese mounting and repair techniques by having them practice reinforcing, mending, and attaching a backing using actual Japanese paper, adhesives, and tools. The first half of the training consisted of lectures by Japanese experts on materials and tools used in mounting and repair techniques and then practice by the attendees. In the latter half of the training, lecturers from Mexico, Spain, and Argentina with experience conserving works using mounting and repair techniques described how Japanese materials, tools, and techniques were actually used to restore cultural properties in Europe and the US, and then attendees practiced those techniques. Given the likelihood that Japanese mounting and repair techniques will be used to conserve cultural heritage in different countries, plans are to conduct similar training sessions in the future as well.

Lecture on Textile Conservation

Lecture by Ms. Ann French

A demonstration of textile storage

　On October 19, 2012, the Japan Center for International Cooperation in Conservation organized a lecture by Ms. Ann French, collections care manager and textiles conservator of the Whitworth Art Gallery, University of Manchester entitled “The Ancient, the Historic and the Contemporary: The Textile Collections of the Whitworth Art Gallery, and their Conservation.” Since its founding in 1889, the Art Gallery has amassed a host of textile objects ranging in date from the 3^rd century AD Egypt to contemporary Japanese textiles. Ms. French described the Art Gallery’s textile collection as a reference for textile techniques and design. Ms. French cited examples of innovative methods of display and storage used to make the collection’s 20,000 textile pieces accessible to researchers as well as school children. Ms. French also answered questions about the conservation of Japanese kimono, fabric scraps, and paper patterns, which led to an active discussion with the audience. Despite the specialized nature of the lecture, many people attended. The Center hopes to continue such lectures to share information on the conservation of cultural heritage abroad.

Department of Art Research, Archives, and Information Systems seminar held: Interim report on a joint study of Kasuga Gongen Kenki-e [The Kasuga Gongen Miracles] in the Sannomaru Shozokan [The Museum of the Imperial Collections, Imperial Household Agency]

　Kasuga Gongen Kenki-e is a voluminous work that was commissioned by SAIONJI Kinhira, the Minister of the Left, in the early 14^th century. The work consists of a total of 20 scrolls painted by TAKASHINA Takakane, head of the official court atelier. Masterfully painted, the work is a treasured part of the history of Japanese paintings. The work is currently curated by the Imperial Household Agency. The Imperial Household Agency has been dismantling and completely restoring the scrolls in line with a 15-year plan that started in 2004. As part of joint research by the Institute and the Imperial Household Agency, optical studies of the work were done prior to its restoration.
　On September 25^th, the Department of Art Research, Archives, and Information Systems held a seminar to report on the interim results of those studies. OTA Aya, a senior researcher from the Sannomaru Shozokan who is directing the restoration, described the restoration overall and findings yielded by the restoration. SHIRONO Seiji of the Department of Art Research, Archives, and Information Systems delivered a report focusing on the characteristics of high-resolution images in visible light. The various optical studies done by SHIRONO include visible-spectrum images as well as near-infrared reflectance, near-infrared transmittance, and fluorescent images. As the current point in time, studies of 12 scrolls have resulted in image information consisting of close to 6,700 sections. KOBAYASHI Tatsuro of the Department of Art Research, Archives, and Information Systems described some of that information in terms of its significance to art history. The optical studies also include a scientific study of pigments via X-ray fluorescence analysis done by HAYAKAWA Yasuhiro of the Center for Conservation Science and Restoration Techniques. The information that study is yielding is clearly quite valuable. Suitable ways of publishing that information will be explored in consultation with representatives from the Imperial Household Agency.

A survey of door paintings of Nissokan [meditation by contemplating the setting sun] in the Phoenix Hall of Byodoin Temple

Survey of the Nissokan [door paintings] (from the rear corridor)

　The Phoenix Hall of Byodoin Temple is a famed structure that was built around the first year of the Tengi Era (1053). Paintings on its doors and pillars are also a treasured part of the history of Japanese paintings. Behind the Seated Amida Nyorai (Amitabha Buddha) statue, the temple’s principal Buddhist image, are 2 doors to the entrance to the rear corridor from the west side of the main hall. The paintings on these doors depict Nissokan as described in the Kanmuryojukyo [“Sutra on the Contemplation of Buddha Amitayus”]. Although much of the paint has peeled off and the paintings were retouched a number of times in later centuries, the paintings are important because they have retained the major elements of their composition since they were originally created.
　The foot of the left door has a flush bolt that locks when the bolt is dropped into a hole in the doorsill. The lock’s wooden support is shaped like an “エ,” obscuring part of the painting. In conjunction with work to restore the Phoenix Hall, this support was removed, revealing the part of the painting that had been obscured. At the behest of Byodoin Temple, an optical study primarily of this portion was conducted. The study took place over 3 days from Sept. 4–6 and was done by HAYAKAWA Yasuhiro of the Center for Conservation Science and Restoration Techniques and SHIRONO Seiji and KOBAYASHI Tatsuro of the Department of Art Research, Archives, and Information Systems.
　Little pigment remains in what is thought to be the original portion of the painting behind the flush bolt. However, traces do remain. HAYAKAWA submitted these traces to X-ray fluorescence analysis while SHIRONO took high-resolution images, near-infrared reflectance images, and fluorescent images of these traces. Plans are to soon analyze and examine the data obtained and then publish those findings.

Research on the Kyogen of Yamguchi Sagi School

Interview with Mr. KOBAYASHI Eiji

　The 7^th Public Lecture, organized annually by the Department of Intangible Cultural Heritage will be held in December 2012, with the Kyogen of the Yamaguchi Sagi School as its theme. The Sagi School had been one of the Schools of Kyogen in central Japan until it was abolished under the confusion in the Meiji Restoration. In Yamaguchi prefecture, however, the tradition was maintained until present thanks to SYUNNICHI Syosaku, a Kyogen performer who taught his performing skills to the nonprofessionals. Now the preservation society for Yamaguchi Sagi School has formed and was designated as the intangible cultural properties of Yamaguchi prefecture. Department of Performing Arts, the predecessor of the Department of Intangible Cultural Heritage, conducted on-site recording of this Kyogen in 1958, which became the oldest record of the Kyogen of Yamaguchi Sagi School.
　The Department conducted the on-site research on September 18^th, and interviewed with Mr. KOBAYASHI Eiji, the eldest member of the preserving society, about the situation of the transmission of the Sagi School. Its result will be introduced in the coming Public Lecture.

Supporting the Conservation Center of the Grand Egyptian Museum Project: Conducting training in chemistry for conservation materials

Practice textiles cleaning

　In the framework of the supporting project for the Conservation Center of the Grand Egyptian Museum (GEM-CC) by the Japan International Cooperation Agency (JICA), the National Research Institute for Cultural Properties, Tokyo conducted training in chemistry for conservation materials for 10 Egyptian personnel of the GEM-CC in conjunction with JICA Tokyo. Trainees consisted of 8 conservators and 2 chemists in charge of analyses using scientific techniques. Training took place over 3 weeks from Aug. 31–Sept. 21. Trainees learned about the chemical and physical properties of materials used in conservation and they actually used these materials, providing them with firsthand knowledge of the characteristics of individual materials. This training further emphasized to the Egyptian trainees the importance of sharing information and evaluating materials so that appropriate conservation materials can be chosen. Hopes are to establish systems at the GEM-CC so that trainees can share this information among the staff and coordinate with one another.

International Course on Conservation of Japanese Paper

Photo of assembled personnel following the opening session

Practical training (lining for handscrolls)

　Every year, the Institute conducts international training with ICCROM. In a typical year, there are around 70–80 applications. This year, that number was winnowed down to 10 trainees from the US, Italy, Egypt, Australia, Austria, Thailand, Colombia, Denmark, Poland, and Russia. The course lasted 3 weeks starting on Aug. 27^th. The course focused particularly on Japanese paper and included classes from various perspectives such as materials science and history. During training, trainees mounted a paper-sheet cultural properties as handscrolls be steps such as infilling and lining, and they also prepared booklets with Japanese-style binding. Participants visited the Mino region in Gifu Prefecture, where a type of Japanese handmade paper that is used in restoration work is produced, and they also learned about the distribution of Japanese paper throughout history, from its manufacture to its transportation and sale. Participants also viewed the latest exhibits of cultural properties and conservation facilities at the Kyushu National Museum. Trainees visited a traditional mounting studio and stores selling traditional tools and materials in Kyoto, and they learned about circumstances involving the conservation and restoration of paper in Japan. The techniques and knowledge provided by this training will help encourage the conservation and exhibition of paper cultural properties from Japan in collections overseas and can also be used to conserve works abroad.

Project to Support the World Heritage Serial and Transnational Nomination of the Silk Road: Training Workshops in Kazakhstan and the Kyrgyz Republic

Geophysical survey training

On-site training using a Total Station

　Currently, five Central Asian countries and China are undertaking various activities to facilitate the serial nomination of historical sites along the Silk Road for inscription on the World Heritage List in 2014. The Japan Center for International Cooperation in Conservation (JCICC) participates in the UNESCO/Japanese Funds-in-Trust Project to support the World Heritage Serial and Transnational Nomination of the Silk Road. As part of the project, JCICC is undertaking various activities in Central Asian Countries. This year two training workshops were held in Kazakhstan and the Kyrgyz Republic.
　In Kazakhstan, a second training workshop on geophysical surveys was held from September 19 to 24. The workshop was co-organized with Nara National Research Institute for Cultural Properties and the Kazakhstan Archeological Expertise Scientific Research Organization. A total of 12 trainees, including eight Kazakhs, 2 Kyrgyzs, one Tajik, and one Uzbek, participated in the training workshop. The training workshop was held at the Boraldai burial mounds. After last year’s workshop, Kazakhstan purchased geophysical survey equipment and Kazakh specialists actively included geophysical surveys in their archaeological research. Hopes are that this workshop will motivate other Central Asian countries to conduct geophysical surveys in their own countries.
　In the Kyrgyz Republic, a training workshop on archaeological documentation was held from September 19 to 25. The workshop was organized jointly with the Institute of History and Cultural Heritage, National Academy of Sciences, Kyrgyz Republic. A total of eight young Kyrgyz archaeologists participated in the workshop. After three days of lectures on archaeological documentation at the National Academy of Sciences, trainees studied topographic mapping using Total Station, leveling, and photogrammetry at the site in Ak Beshim. The trainees gained a better understanding of archaeological documentation through the workshop.
　The Japan Center for Cooperation in Conservation will continue to support the World Heritage Serial and Transnational Nomination of the Silk Road next year as well.

The 11^th Seminar of the Japan Consortium for International Cooperation in Cultural Heritage was held on “Blue Shield and Cultural Property Emergency Rescue: The Role and Importance of the National Committee”

　The 11^th Seminar of the Japan Consortium for International Cooperation in Cultural Heritage was held on “Blue Shield and Cultural Property Emergency Rescue: The Role and Importance of the National Committee”
　In this symposium, discussion focused on the Blue Shield as one approach to urgent efforts in the future to protect cultural properties in Japan based on experience rescuing cultural properties after the Great Hanshin-Awaji Earthquake and the Great East Japan Earthquake.
　The keynote speech was given by Corine Wegener, President of the US Committee of the Blue Shield. Ms. Wegener described her experiences founding a national committee of the Blue Shield in the US and emergency assistance efforts by the US Committee of the Blue Shield in Haiti. Other lectures described the current state of emergency responses to protect cultural properties in Japan, such as efforts to rescue both movable and immovable properties after the Great East Japan Earthquake and steps to prevent fires in libraries. These lectures also described related issues.
　 A panel discussion featured an extremely important discussion of future emergency assistance efforts in Japan. Questions raised were which types of emergency assistance were needed and what role the Blue Shield has to play in Japan in that regard. The point was made that Japan needs to capitalize on its experience and expertise both in terms of domestic emergency responses and in terms of international cooperation.
　The seminar is the first to bring experts in a range of fields, such as museums, buildings, libraries, historical archives, and film, together in one place to discuss the purpose of the Blue Shield. This gathering represented an important step in terms of the future of emergency activities to preserve cultural properties in Japan.
　The Japan Consortium for International Cooperation in Cultural Heritage has planned future symposia on a range of topics to facilitate sharing of the latest information.

UNESCO Japanese Funds-in-Trust Project “Preservation of the Cultural Heritage Complex of Thang Long, Hanoi”

Setting up an exposure testing stand

Workshop on Historical Studies

Discussion among archaeologists in an artifact sorting area

Resin impregnation at the NNRICP

　A project to preserve the Thang Long Imperial Citadel site, a World Cultural Heritage located in the heart of Vietnam’s capital city, has been undertaken since 2010 with the close cooperation of Japanese and Vietnamese experts. The NRICPT has been commissioned by the UNESCO Office in Hanoi as the base for Japanese efforts　During the first half of this year, the following efforts were undertaken.

a) Field Study on Preservation of Excavated Remains
　From August 7 to 9, a field study was conducted at the excavation site next to the site where the new Parliament House is being constructed. Sensors to measure moisture migration in the soil where archaeological remains are located were replaced and added. An additional test area was established to measure inhibition of surface evaporation by a sand layer covering. An outdoor exposure test was also begun to examine the effectiveness of conservation techniques using brick specimens with physical characteristics similar to ancient bricks unearthed from the site. Automated monitoring of local meteorological conditions will continue. Analysis of the data obtained will lead to proposals for appropriate conservation approaches.

b) Workshop on Historical Studies
　On August 21, a workshop was co-organized with the Thang Long—Hanoi Heritage Conservation Center (TL Centre) and the Institute of Vietnamese Studies and Development Sciences, Hanoi National University (IVIDES). The on-site workshop covered the layout of the central area of the Thang Long Imperial Citadel and its comparison to other ancient capitals in East Asia. The workshop featured presentations by Japanese and Vietnamese experts based on their studies of historical records and results of recent excavations as well as a discussion. The layout and history of the Thang Long Citadel, much of which are still unclear, was actively discussed. In addition, “Selected Japanese and Vietnamese Papers on the Thang Long Citadel” was published in conjunction with the workshop.

c) Workshop on Archaeological Artifacts
　From September 10 to 12, the 1^st workshop on archaeological artifacts excavated at the Thang Long site was held in Hanoi. The workshop was co-organized with the TL Centre and enjoyed the cooperation of the Institute of Archaeology, the Imperial City Research Center, and the Nara National Research Institute for Cultural Properties (NNRICP). Participating Japanese and Vietnamese experts shared their knowledge and exchanged opinions on ceramics and roof tiles with regard to classification of their styles, techniques used to produce them, and sites where they were produced. These discussions took place while experts directly viewing unearthed objects. The participants were again reminded of the importance of such a joint study.

d) Invitation of a Vietnamese Expert
　From September 10 to 28, an expert on wood material from Vietnam Forestry University was invited to the NNRICP to carry out joint experiments on techniques to conserve excavated wooden objects. Different laboratory experiments were conducted, including identification of tree species and examination of the effectiveness of resin impregnation, using test pieces unearthed from the Thang Long site along with fresh specimens from Vietnam.

Facility Tour，August (1)

An explanation at the Fumigation Laboratory
(August 6)

Eight Visitors from the Kyujanggak Institute for Korean Studies

　On August 6, eight visitors from the Kyujanggak Institute for Korean Studies at the Seoul National University visited the Institute in order to view work involved in the conservation and restoration of cultural properties.
　They toured the Reading Room in the Department of Art Research, Archives and Information Systems, and the Biology Laboratory and the Restoration Laboratory in the Center for Conservation Science and Restoration Techniques.
　The staff members in charge of each section explained the work they do.

Facility Tour，August (2)

An explanation at the Photo Studio
(August 31)

Thirteen Visitors from ICCROM’s “International Course on Conservation of Japanese Paper”

　On August 31, thirteen visitors from ICCROM’s “International Course on Conservation of Japanese Paper” visited the Institute as part of their training session.
　They toured the Photo Studio in the Department of Art Research, Archives and Information Systems, the Performing Arts Recording Studio in the Department of Intangible Cultural Heritage, and the Restoration Studio, the Conservation Laboratory, the Chemistry Laboratory and the Biology Laboratory in the Center for Conservation Science and Restoration Techniques.
　The staff members in charge of each section explained the work they do.

Conference held prior to publication of the Archive of Art Studies: Yokoyama Taikan’s Yamaji [the Mountain Path]

Conference underway

　As mentioned in previous updates, the Institute has studied Yamaji by Yokoyama Taikan since 2010 through joint research with Eisei Bunko. Results of the 4^th survey of the piece, occasioned by its restoration, are finally being summarized. A conference primarily for individuals involved in the surveys was held at the Institute on August 3^rd. At the conference, the individuals listed below (including myself) reported on their own research topics related to Yamaji (individuals are listed in the order in which they made presentations):
　TAKEGAMI Yukihiro (Association for Conservation of National Treasures), ARAI Kei (Tokyo University of the Arts), TAIRA Yuichiro (Tokyo University of the Arts), OGAWA Ayako and MIYAKE Hidekazu (Eisei Bunko), HAYASHIDA Ryuta (Kumamoto Prefectural Museum of Art), SATO Shino (Yokoyama Taikan Memorial Hall), and NOJI Koichiro (Nerima Art Museum)
　Presenters discussed the piece with personnel of the Department of Art Research, Archives, and Information Systems. 　Presentations covered a range of topics, including reports on the restoration, analysis of the piece based on surveys, and re-examination of points raised during presentations. Multiple researchers investigated a single work from multiple perspectives. Such an approach is unprecedented in the study of modern Japanese-style painting, making the conference a groundbreaking event. Plans are to summarize the results in volume 6 of the Archive of Art Studies (published by the Institute) for publication next spring.

International Field School Alumni Seminar on Safeguarding Intangible Cultural Heritage in the Asia Pacific in Lamphun, Thailand

Participants of the International Seminar

　This international seminar was held in Lamphun town in Northern Thailand, from August 6–10, 2012, under the joint sponsorship of the Princess Maha Chakri Sirindhorn Anthropology Centre, Thailand, and the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region, Japan. MIYATA Shigeyuki from the Department of Intangible Cultural Heritage participated in the seminar as a guest Resource Person.
　In the seminar, young experts from Thailand, Cambodia, Vietnam, China, and Bhutan, who are involved in museum management and anthropological studies took part in practical case study reports and discussions, and fieldwork studies. Researchers from Thailand, the U.K., the United States and Japan also participated as Resource Persons, and in addition to giving presentations, they also participated in the discussions. Since most of the participants are practically involved in safeguarding intangible cultural heritage in their region through their daily research activities in museums, their discussions were extremely lively and valuable, reflecting their high level of practical concern. It was also very encouraging for us Resource Persons to hear the fresh voices of the young experts who are at the forefront of research. This seminar is planned to be held in the same way yearly from next year on. As a result, the Department of Intangible Cultural Heritage plans to actively participate in the seminar in cooperation with the International Research Centre for ICH in the Asia-Pacific, and to contribute as experts on Japan.