On March 27th, 2017, a party of three members from Heritage Conservation Centre, National Heritage Board in Singapore visited the TNRICP for the purpose of exchanging opinions on the objectives of lacquer research and inspecting instruments used for the research, with a view to introducing analytical instruments for lacquer and related materials. They were given an explanatory tour by researchers at the Chemistry Laboratory.
|■Tokyo National Research Institute for Cultural Properties
|■Center for Conservation Science
|■Department of Art Research, Archives and Information Systems
|■Japan Center for International Cooperation in Conservation
|■Department of Intangible Cultural Heritage
On March 27th, 2017, two employees from the overseas business promotion department at Toppan Printing Co., Ltd. visited the TNRICP to refer projects in order to contribute overseas heritage conservation. Leading researchers briefed their operations at the Japan Center for International Cooperation in Conservation.
Namban lacquer, which is characterized by its unique style, was made upon the request of Portuguese , Spaniards and others who visited Japan in the latter half of the 16th century and thereafter. It was made in Makie(gold powder lacquer technique) workshops in Kyoto and exported to Western countries up until the first half of the 17th century. Namban lacquer came to be known in Japan around the late 1930s. Quite a few pieces have been brought back to Japan from around the 1970s and found their way into museums and galleries all over the country. Recent investigation has revealed that many pieces are still owned by Christian facilities and other places in Spain and Portugal. In recent years, many exhibitions focusing on Namban lacquer have been held both in and outside Japan, and many of you may have actually seen them before.
One of the major characteristics of Namban lacquer is its appearance, that is, a Western-style vessel decorated by Japanese traditional Makie and Raden (mother-of-pearl decoration). In addition, based on multiple studies, including art-historical, historiographical, organic chemical, wood antomical, conchological, and radiological studies, of its patterns, materials, and techniques, it has become clear that this object is a characteristic cultural asset strongly reflecting the Age of Commerce by having elements from not only Europe and Japan but also various Asian regions, such as East Asia, Southeast Asia, and South Asia.
With the aim of specifically confirming these multiple characteristics of Namban lacquer and sharing the recognition, the symposium was held at the Tokyo National Research Institute for Cultural Properties (TNRICP) for 2 days on March 4th and 5th, 2017, where 12 reports were presented by 11 domestic and foreign experts and enthusiastic discussions were held. Further, the number of participants in this symposium totaled 25 persons from overseas (Europe, the US, and Asia) and 160 persons from various places in Japan, reflecting a growing interest in Namban lacquer among people in Japan and overseas.
On March 14th, a research council meeting on the Yutaka MATSUZAWA Archives was held as part of the research project “Research/Study and Corpus Preparation of Modern & Contemporary Art.”
Yutaka MATSUZAWA(1922-2006), known for his work and performance based on unique concepts, developed his own thoughts and concepts by assimilating oriental religious views, cosmic views, modern mathematics, astrophysics, etc., and expressed them in the form of art. As a highly important figure, he has been well regarded as a pioneer of “conceptual art” not only in Japan but also in the world. This research council meeting was held with the objective of sharing, among concerned parties, the summary and development activities of the Yutaka MATSUZAWA Archives, which are now being managed by the General Incorporated Foundation “MATSUZAWA Yutaka Psi Room” (Executive Director Haruo MATSUZAWA), and of confirming their value as research materials. First, the following researches and reports were presented: Ms. Yoshiko SHIMADA (Artist) “Current progress towards establishment of the MATSUZAWA Archives: March 2017”; Mr. Shuhei HOSOYA (Research Assistant, Film and Media Department of Tohoku University of Art and Design) “Current status of research on films related to Yutaka MATSUZAWA and their digitization”; Dr. Midori YAMAMURA (JSPS Postdoctoral Fellowship for Research in Japan, Tokyo National Research Institute for Cultural Properties) “Letters of Yayoi KUSAMA – Character of Yayoi KUSAMA as seen through the Yutaka MATSUZAWA Archives”; and Dr. Reiko TOMII (Art historian, Co-founder of PoNJA-GenKon) “Position of the Yutaka MATSUZAWA Archives in archive studies” (in their order of presentation). In the discussions held following the presentations, experts of post-war Japanese art participated and opinions were exchanged on major tasks for the development of the Yutaka MATSUZAWA Archives, on the prevention of loss of archives of post-war and contemporary Japanese artists, and on the need to have specialized institutions to house archives for artists, etc.
The Workshop on Canoe Culture was held at the Institute on March 22nd, as a part of the activities on “Networking Core Centers for International Cooperation on the Conservation of Cultural Heritage Project in Oceania Island Countries” supported by Agency for Cultural Affairs in FY2016. In this workshop, four experts (Dr. Peter Nuttall, Ms. Alison Newell, Mr. Samual London-Nuttall, Mr. Kaiafa Ledua), who were invited to Japan from the University of the South Pacific, a base institution of the partner country, presented their research reports. They are actively promoting research to explore the possibility of exploiting the traditional techniques for voyage canoes of Oceania in the development of “sustainable transportation” using renewable energy such as wind power. At the same time, they are involved in the restoration of ancient canoes in Fiji and experimental voyage. In this workshop, they reported the present status and future prospects of such research and efforts.
In this workshop, three Japanese experts also made research reports. Prof. Akira GOTO, Director of Anthropological Institute, Nanzan University, gave a talk on Hawaii-style outrigger canoes in Ogasawara Islands. Ms. Kyoko MIYAZAWA, a visiting researcher at Department of Intangible Cultural Heritage, presented the method of visual recording of canoes. Mr. Masahiro UCHIDA, an ocean journalist and a lecturer at Tokyo University of Marine Science and Technology, discussed the rise of the canoe and kayak culture in Japan. At the end of the workshop, a comprehensive discussion among presenters and participants was organized. The workshop has been attended by more than 20 participants mainly consisting of experts and has provided the good opportunity for heated discussions and vivid information exchanges.
After the workshop, four invited researchers made a trip to Okinawa and visited Oceanic Culture Museum in Okinawa Ocean Expo Park, a national government park in Motobu Town. The Oceanic Culture Museum has founded as the government pavilion at the time of the Okinawa Expo 1975. The collection of ethnographic materials of Oceania is one of the world’s largest and is especially famous for canoes. While receiving a lecture by Dr. Hidenobu ITAI, curator, they investigated the canoe materials that are now almost
nonexistent in the area. In addition, in Nago city, they visited the atelier of a group restoring Sabani which is a traditional wooden fishing boat in Okinawa and could exchange valuable information.
The culture of driving canoes used to be quite common not only in Oceania but also in the wide region of the Pacific Rim including the Japanese archipelago. After the early modern times, these cultures have disappeared one after another in various places. In recent years, the movement called “canoe renaissance” to restore such culture has been developed in various places. It includes, for example, the canoe restoration in Fiji and the restoration of Sabani in Okinawa. The workshop and the subsequent trip to Okinawa have been quite successful and have demonstrated fruitful results of the collaboration between Oceania and Japan in the reconstruction of such canoe culture.
Publication of Reports and DVD Titled “Making Kizumi’s Winnowing Baskets – Kizumi, Sosa City, Chiba Prefecture”
The technique for making wisteria winnowing baskets transmitted in Kizumi, Sosa City, Chiba Prefecture, which we had researched from September 2015, was finally published as reports and visual recording at the end of March, 2017.
This program was conducted as part of the Cultural Heritage Disaster Risk Mitigation Network Promotion Project in order to examine what kind of record would work well for the restoration of any technique lost due to disaster or for other reasons. In cooperation with holders of that technique, we recorded a series of processes from the collection and processing of raw materials to winnowing basket weaving as an almost-7-hour-long video, as well as written and illustrated reports.
Now we are thinking of verifying the video and reports so as to explore the possibility of making better records for precious techniques. These PDF reports and DVD images are to be uploaded onto the website of the Department of Intangible Cultural Heritage, Tokyo National Research Institute for Cultural Properties around mid-June, 2017.
Seminar on Iranian Cultural Heritage and Exchange of Letter of Intent for Cooperation with Iran’s Cultural Heritage, Handicrafts and Tourism Organization and Research Institute of Cultural Heritage and Tourism
The Islamic Republic of Iran is famous for having the world’s most important cultural heritage sites, including Persepolis, the capital city of the Persian Empire during the Achaemenid Dynasty, and Esfahan, which had been called “half of the world” because of its prosperity.
The Tokyo National Research Institute for Cultural Properties (TNRICP) recently extended an invitation to Dr. Mohammad Hassan Talebian (Deputy Director of the Cultural Heritage, Handicrafts and Tourism Organization of Iran) and Dr. Mohammad Beheshti Shirazi (Head of the Research Institute of Cultural Heritage and Tourism of Iran) to hold the “Seminar on Iranian Cultural Heritage” on March 29th, 2017. Together with lectures by Japanese experts, the two guests delivered interesting lectures on the historical and cultural background of Iran as well as the protection of cultural heritage.
After the seminar, the TNRICP, the Cultural Heritage, Handicrafts and Tourism Organization, and the Research Institute of Cultural Heritage and Tourism expressed through a letter of intent their desire for a fiveyear cooperation in various academic fields to protect the cultural heritage in Iran.
Since fiscal year of 2011, the Tokyo National Research Institute for Cultural Properties (TNRICP) has been cooperating with the Department of Culture (DOC) of the Ministry of Home and Cultural Affairs of Bhutan on the study of traditional rammed earth buildings. This cooperation was triggered by the successive earthquakes in 2009 and 2011 that caused severe damage to buildings constructed with the traditional method. The urgent task of striking a balance between ensuring safety by improving the seismic capacity of both public and private buildings and protecting/inheriting the traditional method that is still widely used in housing construction, etc. has become the center of attention.
The research programme centered on the buildings constructed with earth rammed inside the wooden formwork from the perspective of both understanding and analyzing structural performance and clarifying traditional architectural techniques. Meanwhile, a legal framework for the preservation of private residential buildings as cultural heritage was being developed. Therefore, since fiscal year of 2016, investigation efforts have focused establishing basic typological and chronological indexing of rammed earthen traditional houses under the Grant-in-Aid for Scientific Research (“Research on the typology and chronology of rammed-earth buildings in Bhutan,” Principal Researcher: Nobuo KAMEI, Director General of TNRICP).
In the joint field survey conducted from March 4th to 16th, 2017, a measurement survey, among others, was conducted on a total of 16 traditional houses in Thimphu and Punakha prefectures, where efforts were made to collect information for studies of the original building shape, construction period, history of modification, etc., including observation of remaining traces and interviews with residents.
Further, during this time, a research cooperation agreement was signed by the representatives of both parties, the aim of which was to further strengthen cooperative relations between the Institute and DOC. While considering the feelings of the people of Bhutan, who are keen to continue protecting their tangible and intangible traditional culture, we will continue working on this investigative research in hopes of contributing to the clarification of cultural values of historic architectures.
Many historic settlements in Katmandu Valley were damaged by the Nepal Gorkha Earthquake in April 2015 and restoration efforts have continued to this day. In the process, however, the preserving historical value of historic settlements in the process of rehabilitation is inadequate. For example, traditional houses were demolished and replaced by new modern buildings. As a problem that lies in the background, even if people concerned wish to preserve historic settlements, there is no well-developed system to preserve them as cultural assets.
Although concerned authorities of the Government of Nepal have made efforts to establish a conservation system, actual conservation practice largely depends on local administrative bodies that have jurisdiction over target settlements and are responsible for the preparation of conservation guidelines. With this in mind, we co-hosted a conference in Nepal at the end of November where we invited concerned parties from six municipalities in Katmandu Valley, which have jurisdiction over the historic districts inscribed on the World Heritage List and the historic settlements inscribed on the World Heritage Tentative List. Our objectives were to share information about the current situation and tasks for preserving these districts and settlements and to convey information on Japan’s conservation system.
8 Nepalese experts and officers who are locally in charge of the preservation of historic settlements were invited by Tokyo National Research Institute for Cultural Properties from March 4th to 12th, 2017 to attend an on-the-job training regarding the preservation system for historic settlements. All the following visitors played important role at the “Conference on the Preservation of Historic Settlements in Kathmandu Valley” in November. They visited the important preservation districts for groups of historic buildings in Hokuriku Region and Chubu Region, including Kuroshima District in Wajima city and Gokayama Ainokura Settlement in Nanto city. They also received information from local officers and concerned personnel and actively exchanged opinions by referring to their own problems and the current situations of historic settlements and districts under the participants’ jurisdiction.
We would like to continue our technological support in hopes that an appropriate preservation system would be developed for the preservation of historic settlements in Nepal under the initiatives of the participants of this training.
Numerous Japanese artworks can be found in European and American collections overseas. However, there are few conservators of these artworks overseas, and many of them cannot be shown to the public since they have not been properly conserved. Thus, the Institute conducts the Cooperative Program for the Conservation of Japanese Art Objects Overseas in order to properly conserve and exhibit these works. For three days from February 28th, 2017, KATO Masato, EMURA Tomoko and Won Hee Jae of the Japan Center for International Cooperation in Conservation visited and surveyed eleven Japanese paintings of nine works in the Grassi Museum for Ethnology in Leipzig.
This museum houses around 200,000 pieces of fine art and craft, as well as folk materials, collected throughout the world except Europe. Of course, Japanese paintings, the historical value of which is high, are also included, such as the works previously owned by Dr. Heinrich Botho Scheube, who came to Japan as a foreign specialist employed by the government in the Meiji era, and paintings from Japan with a history of having been exhibited at the Third Paris International Exposition in 1878. The existence of these Japanese paintings has not been well known so far, but some are important works from the perspective of art history. Providing information obtained from this survey for the persons in charge of this museum, we expect it will be utilized for the appropriate conservation and management of these works. Based on the outcomes of this survey, we will proceed with the project by selecting the ones to be restored through consultation while considering the evaluation of the works in art history and the urgency of their restoration needs.