Exhibition of screens restored
Panel exhibitions showing the process of restoration
The National Research Institute for Cultural Properties, Tokyo is engaged in the cooperation of the conservation of Japanese art objects that are in the collection of art galleries and museums overseas and in conducting joint research concerning conservation of such objects with their respective institutions. On April 20, 5 paintings and 1 craftwork whose restoration was complete at the end of March 2006 were introduced to the Administrative Committee of the Cooperative Program for the Conservation of Japanese Art Objects Overseas. In addition, a special exhibition was held from May 15 to 27 at the Thematic Exhibition Room on the first floor of Heiseikan of the Tokyo National Museum so that this project may be more widely known. These objects are: Struggles of Genji and Heike Clans (a pair of folding screens; Osterreichisches Museum für Angewandte Kunst, Austria), Screens Illustrating Views of Kyoto and its Environs (a pair of folding screens; Royal Ontario Museum, Canada), Scenes from the Hogen Monogatari Tales (a folding screen; Naprstk Museum, Czech Republic), Meikocho (a folding screen; National Gallery in Prague, Czech Republic), Female Ghost (by Utagawa Toyoharu, a hanging scroll; ibid) and Makie Decoration Cabinet with Landscape and Human (Museo National de Artes Decorativas, Spain).
In fiscal year 2007, 5 paintings (4 new ones and 1 whose restoration will be continued from last year) and 4 craftworks (2 new ones and 2 which will be continued from last year) are being restored in Japan. These are: Kyoto Festivals (Hie Sanno Screen, a pair of folding screens; Museum of Fine Arts, Houston, USA), A Shinto Painting of Yuima (a hanging scroll; Kimbell Art Museum, USA), The Buddha and the Sixteen Protectors (a hanging scroll; National Gallery of Australia), Birds and Flowers (by Hagetsu Tosatsu, a pair of folding screens; National Gallery of Victoria, Australia), and The Descent of the Amitābha Trinity (Amida mit Seishi und Kannon, a painting on canvas; Museum Rietberg, Switzerland; second year of restoration), Large Box for Writing Implements (hakubako) (Ferenc Hopp Museum of East Asian Art, Hungary), Cabinet with Mounting, European influenced shape（Osterreichisches Museum für Angewandte Kunst, Austria), The Writing Desk with Flower Design with Nagasaki raden technique (National Museum in Krakow, Poland; second year of restoration), and The Cabinet with Drawer for Inro with Chinese landscape by Nagasaki raden technique (Museo D’Arte Giappone “Edoardo Chiosonne,” Italy; second year of restoration). In addition 2 craftworks are being restored at the overseas restoration studio at Museum für Ostasiatische Kunst in Cologne, Germany. These are: Mondlaute Japanese (Gekkin, (Museum für Vökerkunde Wien, Austria) and Ornamental Coffer with Flower and Bird Design, makie and raden technique（Museum für Ostasiatische Kunst, Germany）
Microfilm Explorer
The Institute has a collection of a great number of periodicals related to fine arts and has published and made available to the public an inventory of these periodicals. From April information concerning the Institute’s collection of periodicals in Japanese has been added to the information retrieval system and is available on the web site. One of the characteristics of the Institute’s collection is that it includes many periodicals related to fine arts that were published from the Meiji to the early years of the Showa periods. These periodicals are also valuable in that they provide historical information, such as that related to paper and printing techniques employed, of different periods. As is the case with many cultural properties, these periodicals must be conserved but must also be utilized. In order to conserve these periodicals, the Institute is making microfilms and CD-ROMs of these periodicals, taking into consideration the extent of deterioration, frequency of their use and other factors. With regard their utilization the public can access these microfilms and CD-ROMs while the originals are treated as valuable documents to be used only upon special request.
In time with the publicizing of the information in the Institute’s collection on the website, a Microfilm Explorer has been installed in the reading room. This equipment enables one to read microfilms on a computer and to make printouts
Leaflet for “Kuroda Memorial Hall:
The Works of Kuroda Seiki I”
In April 2007 the National Research Institute for Cultural Properties and the National Museum, both Independent Administrative Institutions, were integrated to form the Independent Administrative Institution, National Institutes for Cultural Heritage. On this occasion, works by Kuroda Seiki in the collection of the Kuroda Memorial Hall were exhibited in the Thematic Exhibition Room on the first floor of Heiseikan, Tokyo National Museum (April 10 to May 6) . Fourteen oil paintings and 8 sketches dating from the time Kuroda was studying in France to his later years were exhibited, including a representative and the most widely known Lakeside (nationally designated Important Cultural Property). These works introduce the essence of the art of Kuroda Seiki who revolutionized the mid-Meiji period world of western-style paintings in Japan through a new form of visual expression based on an awareness of plein air and color and supported by liberal philosophies.
Since the exhibition “The Mind of Leonardo – The Universal Genius at Work” was being held at the Museum during the same period, there was a record number of visitors, many of whom were able to appreciate the works of Kuroda as well. In that sense, this was a very good opportunity to make the works of Kuroda known to the public. Works by Kuroda will continue to be exhibited at the Kuroda Memorial Hall as before on Thursdays and Saturdays. The public will also be able to view the results of research on the artist and his works. The second of the series of exhibitions on the works of Kuroda is scheduled to be held at the Tokyo National Museum from November 6 to December 2.
