| ■Tokyo National Research
Institute for Cultural Properties |
■Center for Conservation
Science |
| ■Department of Art Research,
Archives and Information Systems |
■Japan Center for
International Cooperation in Conservation |
| ■Department of Intangible
Cultural Heritage |
|
Lecture with a restored Urushi lacquer work
Practice of adhesion with mugiurushi and attachment with kokuso
The Center for Conservation Science and Restoration Techniques held an Urushi restoration workshop at the Cologne Museum of East Asian Art in Germany as part of the Cooperative Program for the Conservation of Japanese Art Objects Overseas, in 2008. We held workshop I (elementary practice) with 10 trainees on November 5-7, workshop II (for first-time participants) with 10 trainees on November 8, workshop II (for students) with 7 trainees on November 8, and workshop III (mid-level practice) with 7 trainees on November 11-14. Two instructors who were experts performed restoration work at the local site. All participants were persons who were highly interested in the restoration of Japanese traditional Urushi lacquer works, such as curators and cultural property restorers from various parts of Europe outside of Germany as well, including the UK, Switzerland, Austria, and Poland. At these workshops we held various programs, including a report on examples of overseas Urushi lacquer works, the creation of Urushi spatulas, adhesion with mugiurushi and attachment with kokuso using hand plates for restoration practice, and core stretching practice using thin bamboo sticks. All the trainees were eager and asked many questions, resulting in a successful training session.
On December 15 and 16, we held trial training for 40 curators who are in charge of conservation in museums and art galleries: They studied the characteristics of atmosphere and indoor air contamination materials, damage examples, control methods, monitoring plan drafts, and examples of countermeasure implementation.
We continued difficult lectures and demonstrations, including state-of-the-art research results and technical content, in order to teach the ability to establish specifications for measuring contamination materials, read reports, evaluate the results, and determine countermeasures with architects and air-conditioning engineers. All participants worked diligently and earnestly.
The provision of a glossary, acquisition of information on necessary equipments and spaces, and other aspects of the workshop were highly regarded, and there were many requests for future disclosure on the Internet (38 of the participants expressed 100% satisfaction).
On December 4, 2008, a seminar on the theme of conserving energy at museums with a view to maintaining an appropriate environment for cultural properties was held in the seminar room of the National Research Institute for Cultural Properties, Tokyo. This theme had been chosen at a meeting of the Center for Conservation Science and Restoration Techniques as one that the Institute would study in cooperation with museums.
Two lectures were given at this seminar: Mr. Maekawa Shin of the Getty Conservation Institute (USA) spoke on energy conservation for museums with consideration for storage and display environment and Mr. Shiraishi Yasuyuki of the University of Kitakyushu spoke on comprehensive assessment system building environmental efficiency (CASBEE) and its case studies. Reports on concrete endeavors on this matter were also given by the Kyushu National Museum and Saitama Prefectural Museum of History and Folklore.
A total of 141 people participated in the seminar and held active discussions.
Surveying the status after storing mural pieces
Since 2008, the National Research Institute for Cultural Properties, Tokyo, has been working on the conservation and restoration of mural pieces owned by the National Museum of Antiquities, Tajikistan, together with the Institute of History, Archaeology and Ethnography, Academy of Science, Tajikistan. As part of this project, we invited a total of six specialists in conservation and restoration to Tajikistan from Uzbekistan, Kazakhstan, Kyrgyzstan, and Turkmenistan, and held a workshop at the National Museum from December 5 to10.
In the ruins of Central Asia, beautiful murals from the 5th to 12th century were discovered, but the number of specialists who can conserve and restore the murals is insufficient, so conservation and restoration activities have been delayed. Also in this area, mural conservation and restoration methods established in the former Soviet Union were widespread, so common problems have occurred, such as color change color of the mural surface due to the deterioration of reinforcement. At the workshop, we asked participants to report on the current status of conservation and restoration of murals in their home countries. We also introduced the new trials that we had performed in Tajikistan, and requested them to actually experience them in their work. We will hereafter hold similar workshops in which Japanese specialists and those at the local site will work together and exchange opinions, aiming to promote conservation and restoration activities for the murals in Central Asia, and improving the conservation and restoration methods thereof.
Five researchers from the Hunan Province Cultural Heritage Bureau and Museum in China
On November 11, the researchers came to study the repair, maintenance and conservation of old buildings, and toured the Japan Center for International Cooperation in Conservation on the fourth floor. The person in charge of the facility provided explanations and answered questions.
Director of Culture and Fine Arts Bureau of Ministry of Education, Culture and Science in Mongolia, along with four researchers
On November 13, the group visited us and toured the Audio-Visual Documentation Section of the Department of Intangible Culture Heritage on the basement floor, the Library of the Department of Research Programming on the second floor, the Restoration Studio and the Analytical Science Section of the Center for Conservation Science and Restoration Techniques on the third and fourth floors, and the Japan Center for International Cooperation in Conservation on the fourth floor. Those in charge of each facility provided explanations and answered questions.
25 Cultural Property Volunteers from Kawasaki City’s Tama Citizen Hall
On November 18, the group visited us to see our organizations and facilities for conserving cultural properties, as part of fostering volunteers to focus on using local cultural properties. They toured the Audio-Visual Documentation Section of the Department of Intangible Culture Heritage on the basement floor, the Conservation Science Section and the Restoration Studio of the Center for Conservation Science and Restoration Techniques on the third floor, and the Japan Center for International Cooperation in Conservation on the fourth floor. Those in charge of each facility provided explanations and answered questions.
Six Researchers from the National Palace Museum in Taiwan
On November 25, the researchers visited us to inspect scientific research on conservation technology and traditional techniques concerning ancient Japanese roof tiles. They toured the basement X-Ray Photographing Room, the Conservation Science Section and the Restoration Studio of the Center for Conservation Science and Restoration Techniques and the Fumigation Chamber on the third floor, and the Analytical Science Experimental Laboratory of the Center for Conservation Science and Restoration Techniques on the fourth floor. Those in charge of each facility provided explanations and answered questions.
An offer for donation was made by the Tokyo Arts Dealers’ Association to subsidize projects for the publication of the results of investigation and studies related to cultural properties conducted by the National Research Institute for Cultural Properties, Tokyo. Another offer was also made, this one by the Tokyo Bijutsu Club, to subsidize the Institute’s research projects.
The Tokyo Arts Dealers’ Association has donated 1 million yen each spring and autumn since the autumn of 2001; this was their 14th donation. The Tokyo Bijutsu Club has also donated 1 million yen in spring and autumn since the autumn of 2006, making this donation its fourth.
On November 28, we received bank transfers of donations from the Tokyo Arts Dealers’ Association (Director Shimojo Keiichi) and the Tokyo Bijutsu Club (President Asaki Masakatsu).
Although we did not have an opportunity to meet either Director Shimojo Keiichi of the Tokyo Arts Dealers’ Association or President Asaki Masakatsu of the Tokyo Bijutsu Club because they were busy, we are most grateful for their understanding of the Institute’s work and their donations. We would like to use these donations for valuable projects conducted by the Institute.
The Department of Research Programming concluded an agreement on collaborative investigation with the Nara National Museum (an optical survey of Buddhist art and a contract on the creation of high-definition digital content), as part of the research project Survey Research on Applications of High-definition Digital Images. From Tuesday, November 4 to Friday, November 7 of this year, we performed non-destructive analysis using fluorescent X-rays, high-definition full-color recording, high-definition fluorescent recording with visible light excitation, and reflective near infrared recording in the Nara National Museum. Our targets were the pedestal that is stored in Kasuga Taisha Shrine and used in reading the picture scroll Kasugagongenkenki, and the pedestals of Sakyamuni Buddha trinity and the Buddha of Healing, stored in the Golden Hall of Horyu-ji Temple. The purpose of this survey was to examine the materials and production processed used and create high-definition digital content based on the above optical survey. In this survey, we acquired various types of information that were not likely to be confirmed by the naked eye because of changes brought about by aging in every case. We are considering reporting our findings in discussions with the Cultural Department of Nara National Museum.
3rd Conference on Study of Intangible Folk Cultural Properties
The Department of Intangible Cultural Heritage held its third conference on the study of intangible folk cultural properties on November 20, 2008. This year’s topic was Conservation of Goods Related to Intangible Folk Cultural Properties. To conserve intangible folk cultural properties, including manners and customs, folkloric performing arts, and folklore techniques, not only must the skills be transferred, but many goods such as materials and tools, huge decorations, floats, and stalls must be appropriately secured and maintained. From this viewpoint, we listened to examples of four cases reported by relevant organizations engaged in actual maintenance and protection, and had discussions with people involved on the floor. Eager discussions were held on the difficulty of “conserving while using” (i.e. the organization of conservation activities with a view to new creation) and building a system to conserve both the tangible and intangible as a whole. The detailed agenda for this conference will be summarized and issued in March 2009.
Detaching painting of constellations
Ceiling after painting of constellations was detached
The National Research Institute for Cultural Properties, Tokyo is now engaged in the detachment of wall paintings from the Kitora Tumulus, as part of the project Survey on Conservation of Kitora Tumulus, a Special Historic Site entrusted from the Agency for Cultural Affairs. In July 2007, we started to detach the painting of constellations from the ceiling, and we finished the operation at the end of November, 2008. The status of plaster over the painting of constellations varied in different positions, as did work on the ceiling, so we had difficulties detaching the work. However, we eventually detached it as a total of 113 pieces of plaster. The completion of this work means that all paintings confirmed in the stone chamber have now been detached, including the paintings of the four guardian gods of the directions and the twelve horary signs. Hereafter we plan to detach the unpainted plaster around the painting of constellations. We will then combine the detached plaster pieces to reform the painting of constellations with plans to exhibit in the future.
Participants at the seminar of the Japan-Korea joint research
Investigation for making a deterioration map at the stone pagoda of Bulguksa temple
The Center for Conservation Science and Restoration Techniques is conducting joint research on environmental impact on cultural properties and development of restoration techniques together with the Conservation Science Division of the National Research Institute of Cultural Heritage, Korea. Currently, research is being conducted to find the causes of deterioration of stone heritage in an outdoor environment, including Buddhist images carved on natural cliff, and restoration materials and techniques are being developed and evaluated. In addition, a seminar is held once a year alternately in Japan and Korea.
This year’s seminar was held on November 6, 2008 in the lecture hall of the National Research Institute of Cultural Heritage, Korea. Director Suzuki Norio and 5 researchers from the National Research Institute for Cultural Properties, Tokyo, attended. Kuchitsu Nobuaki and Morii Masayuki of the Institute and Yamaji Yasuhiro of Beppu University presented case studies of the conservation of stone heritage in Japan. Before the seminar, visits were made to conservation sites in Kyongju – stone pagoda of Bulguksa temple and the three-storied pagoda of Gameunsa temple site – and discussions were held with Korean researchers on restoration materials and techniques. A visit was also made to the Museum of Kyungpook National University in Taegu to investigate the objects excavated from Dae-gaya.
We hope to continue such joint research and to increase interaction between Japan and Korea.
Surveying the status of mural pieces before joining, with local trainees
As part of an exchange program commissioned by the Agency for Cultural Affairs, the Japan Center for International Cooperation in Conservation is conducting conservation of mural paintings in the collection of the National Museum of Antiquities of Tajikistan. Three missions were dispatched from summer to autumn, and a workshop was held in early December 2008.
Since there are not many conservators in Tajikistan, the excavated mural painting fragments have been left in the storage of the National Museum without appropriate treatment. The goal of this project is to transfer to Tajikistan conservation knowledge and techniques that the Center has accumulated to date and to foster Tajik specialists in conservation. Until now, 4 trainees have participated in works related to the storage, investigation and photography as well as the cleaning of the mural painting fragments.
In December, a workshop was held at the National Museum to which a total of 5 conservation specialists were invited from Uzbekistan, Kazakhstan, Kyrgyzstan and Turkmenistan. The participants reported the actual conditions of the conservation of mural paintings in their respective countries. We introduced the new undertaking being conducted in Tajikistan, and the participants were able to actually experience a series of the work. We hope to promote activities for the conservation of mural paintings in Central Asia and to improve conservation methods by holding similar workshops in the future, working jointly with local experts and exchanging opinions.
General view of the Ajanta Caves
Agreement Signing Ceremony (ASI, New Delhi)
On November 21, 2008, the National Research Institute for Cultural Properties, Tokyo and the Archaeological Survey of India (ASI) concluded an agreement on a research project for the conservation of the mural paintings at Ajanta Caves.
There are many valuable Buddhist mural paintings at Ajanta Caves dating to both the earlier period (1st century BC to 2nd century AD) and the later period (5th century to 6th century AD). However, these mural paintings have deteriorated severely due to structural problems of the bedrock itself, damage from floods in rainy seasons, bat excrement, and blackened markings likely caused by smoke.
To deal with these problems, the National Research Institute for Cultural Properties, Tokyo will survey Caves no. 2 and no. 9 of Ajanta from 2008 to 2010 as part of an exchange program commissioned by the Agency for Cultural Affairs. Indian and Japanese specialists will exchange and share knowledge of conservation techniques and materials, expertise, and experience, aiming at improving the techniques and abilities of both groups of experts.
Workshop
Visit to Shunling Tomb
The conservation project for the stone statues of the tombs of the Tang dynasty, conducted jointly with the Xi’an Centre for the Conservation and Restoration of Cultural Heritage in China since 2004, will end this year. In this joint project, Chinese and Japanese specialists have held yearly workshops. The fifth and the final workshop, a larger one than the others, was held in Xi’an on November 17 and 18, 2008. The purpose was to show the results of the project to specialists in Chinese institutions and universities, to exchange opinions on various problems concerning the conservation of stone cultural properties, and to interact with each other. About 40 specialists participated in the workshop. The participants conducted an on-site inspection on November 17 and held presentations and active discussions on November 18. Contents of the workshop were as follows:
*Morii Masayuki (National Research Institute for Cultural Properties, Tokyo)
”Environmental observation after the construction of shelter on the Usuki stone Buddha”
*Tomoda Masahiko (National Research Institute for Cultural Properties, Tokyo)
”Conservation and management of stone sites: the case of the Angkor Site”
*Tsuda Yutaka (Geolest Co. Ltd., specialist of UNESCO Longmen Grottoes project)
”Condensation at Longmen Grottoes”
*Fang Yun (China University of Geosciences, Wuhan)
”Observation of cracks and deformation on the rock carvings of Shunling Tomb”
*Zhen Guangquan (Xi’an Centre for the Conservation and Restoration of Cultural Heritage in China)
”Research on materials for protecting stone cultural properties”
*Zhu Yiqing (Zhong Wei Kang Long Nano Science & Technology Development Co. Ltd.)
”Materials for the conservation of stone objects and its evaluation system”
*Wang Li (Nanjing Museum)
”Conservation of the cliff inscriptions at Huayangdong Cave in Mount Maoshan, Jurong, Jiangsu”
*Ma Tao (Xi’an Centre for the Conservation and Restoration of Cultural Heritage in China)
”Surface treatment for the conservation of the stone statues of Qianling Tomb”
One student from Kaichi Senior High School
On October 10, the student visited us as part of the educational activity, “Metropolitan District Fieldwork”, a Kaichi High School research activity. The student toured the Japan Center for International Cooperation in Conservation, focusing on World Heritage as the subject of study “World Heritage”. The person in charge of the facility provided explanations and answered questions.
Presentation of Professor Aoki Shigeru
(on the 2nd day)
On October 8 and 9, 2008, a public lecture was held in the basement seminar room of the Institute. Both presentations on the first day were related to the topic of the search for the origin of Buddhist art: Katsuki Gen’ichiro of the Department of Research Programming spoke on “the search for the origin of Hāritī (the protector of children),” and Nakagawara Ikuko of the Nagoya University on “the donors depicted in the cave temples of Kucha region and their religion.” On the following day, Tanaka Atsushi of the Department of Research Programming gave a lecture on “artists in photographs, with focus on Kuroda Seiki” in which he considered a artist’s creations and lives based on photographs. Aoki Shigeru of Bunsei University of Art spoke about “the year 10 of the Meiji era: the Seinan War and the Map of Ueno Park” in which he traced the course of the history of Ueno based on the Ueno Park Survey Map, a copperplate engraving.
The number of attendees was 150 on the first day and 127 on the second day. Responses to questionnaires showed that the presentations were well received.
Exhibit of Fukuda Miran’s Lakeside in Kuroda Memorial Hall
As mentioned in the monthly report of last July, October 9 we started to exhibit the “Lakeside” painted (in 1993) by Fukuda Miran, a contemporary artist, in Tokyo National Museum’s Kuroda Memorial Hall. This exhibition was in conjunction with the international symposium, Capturing the Original: Archives for Cultural Properties that will be held on December 6 – 8. This exhibit will continue until December 25. This event, entitled Lakeside Versus Lakeside, exhibits the work Fukuda Miran created based on Lakeside, the representative work Kuroda Seiki, a western painter in Meiji era, along with the original, which is in the permanent exhibition in Kuroda Memorial Hall. Fukuda Miran – a spirited contemporary artist – creates works using the fine arts of all ages and cultures as base materials, and is known for his creative activities that shake up the original images. Fukuda’s Lakeside extends the background of Kuroda’s Lakeside for painting, possibly upsetting the image of the celebrated picture that is so familiar in schoolbooks and stamps. It also prompts viewers to look at the original work from a new angle. Visitors looked puzzled, but nevertheless seemed to enjoy the contrast of Kuroda’s Lakeside and Fukuda’s Lakeside, which are exhibited facing each other across the hallway.
On October 8, we held an internal workshop at the Department of Research Programming with an eye toward the international symposium with the presentation of Mr. Morishita Masaaki, a visiting researcher of the Institute. In the presentation Issues Surrounding Art Museums and Originals: Contemporary Art, Mr. Morishita introduced activities which surpass the artwork concept of objects produced by traditional artists, mainly focusing on contemporary art in England. It highlighted one issue of contemporary museums: how those activities are to be conveyed.
While the works tend to be abstracted, we are deeply interested in the activities of the International Network for the Conservation of Contemporary Art (INCCA), which attempts to showcase the contemporary scene, particularly by recording interviews with writers and others as contemporary models for conserving works of art.
Based on the agreement for research exchange between Japan and Korea on the conservation of intangible cultural heritage, which was signed last June with the Folkloric Studies Division of the National Research Institute of Cultural Heritage of Korea, Hyoki Satoru of the Department of Intangible Cultural Heritage researched visual documents of intangible cultural heritage in South Korea for two weeks in October 2008. The purpose was to investigate the current condition of such visual documents and apply the results of this research to the management and utilization of similar documents in Japan. In South Korea, the National Research Institute of Cultural Heritage actively creates visual documents of intangible cultural heritage and manages them in cooperation with various organizations including the National Archives of Korea and the Korean Film Archive. There are many points to be learned from this organizational management system. For example, the active use of visual documents made by the Institute in television broadcasting was quite impressive. The Department of Intangible Cultural Heritage is now creating a database of locations of visual documents on Japanese intangible cultural heritage and would like to consider sharing information with Korea.
