Tokyo National Research Institute for Cultural Properties Center for Conservation Science
Department of Art Research, Archives and Information Systems Japan Center for International Cooperation in Conservation
Department of Intangible Cultural Heritage


Survey and Training on Conservation of Mural Paintings at the ruins of a Brick-Built in Bagan (Myanmar)

Survey of conditions of roof damage at the brick-built ruin

 During a period from January 7th to January 18th at the Bagan Ruins in Myanmar, we conducted training on preservation/restoration of murals and temporary conservation work associated with the falling mural at No.1205 Temple within the Bagan Ruins. This was the last survey/training that was performed under the Networking Core Centers for International Cooperation in the Conservation of Cultural Heritage Project that had been entrusted by the Agency for Cultural Affairs, Japan.
 The training programs consisted of lectures on the mural pigment analysis with X-ray fluorescence analyzer, photographing the exteriors of the Temples using a UAV (Drone), and the 3D model production technique (SfM, Structure from Motion) using the pictures obtained, as well as the discussions held at the mural conservation work site. The training was attended by 4 expert staff members of the Department of Archaeology and National Museum, Bagan Branch and Mandalay Branch who were engaged in preservation and conservation of mural paintings and architecture. The attendees commented that they would like to use what they learned in the training also in other conservation projects and we also expect such future utilization. At one conservation work site where the survey team visited, the team saw that the particular method to adjust conservation materials that had been instructed in the past training was then in use and thus realized a favorable effect of the training. Further, with regard to the falling of the mural paintings at No.1205 Temple, all the temporary conservation works that had continued since 2014 were completed. Through the survey under this project, it was confirmed that roof leakage was one of the main factors that caused damages to mural paintings and the importance of taking appropriate measures against it was re-recognized. It is expected that the results of the survey and training under this project will continue to be utilized in mural paintings conservation in Bagan.


Cooperation to safeguard cultural heritages in Myanmar (1)

Practical training session on the preparation of materials used for restoration at No. 1205 temple

 Workshops and investigations on the conservation of mural paintings in the brick-made monument
 From June 14 to 23, we conducted workshops on the conservation and restoration of mural paintings that have been conducted since last year, and carried out investigations on the environment inside the No. 1205 temple of the Bagan Monuments and damage conditions of its roof, as well as emergency restoration of collapsed parts of mural paintings. Workshops were held for three officials specialized in the conservation of mural paintings from the Bagan and Mandalay branches of the Department of Archeology and National Museum (DoA) of Myanmar’s Ministry of Culture. While inspecting past restoration cases involving mural paintings of Bagan temples, we debated such topics as causes of damages to mural paintings and the countermeasures. After that, the trainees had a practical training session at the No. 1205 temple to learn methods of keeping investigation records for an actual restoration of mural paintings, ways of preparing materials used for restoration, and other issues. Meanwhile, as a measure to address contamination and damages caused by beasts, birds, and insects, a problem pointed out in the investigation in fiscal 2014, we provided instructions on how to use termiterepellent and installation of the entrance door to the temple, and introduced the repellent in the temple together with the staff from the DoA. The trainees said that they would like to make use of what they learned in the workshops for other restoration projects, so the future utilization of the techniques can be expected.


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