Publication of Web Contents “Records and Evaluation of Japanese Art –Research Notebooks of Art Historians”

TANAKA Ichimatsu Materials
Caricatures of the Japanese-Russo War, Fudeno Mani Mani (as I like) (TANAKA Ichimatsu)
DOI Tsugiyoshi Materials

 Tokyo National Research Institute for Cultural Properties (TOBUNKEN) preserves and utilizes research notebooks and meeting documents written by researchers—including ex-employees—in addition to books and photographs. On our website, we have published major notebooks from the materials of TANAKA Ichimatsu (1895–1983) owned by TOBUNKEN and the materials of DOI Tsugiyoshi (1906–1991) owned by the University Library of Kyoto Institute of Technologies. These were a part of the outcome of “Study on Record and Evaluation of Japanese Art – Preservation and Utilization of Survey Report of Artwork” that was carried out for three years from FY2019 as JSPS Grand-in Aid for Scientific Research (B) (JP19H01217).

 Among TANAKA Ichimatsu’s materials, lecture notebooks from Tokyo Imperial University, artwork research notebooks from 1923–1930, and sketch books from his elementary school and junior high school days between 1905–1914 were introduced. TANAKA found delight in drawing pictures from his childhood and continued to exercise to immediately depict what he saw; consequently, he mastered his ability. These experiences contributed to his later works as an art historian. Over half a century, TANAKA made remarkable achievements at the center of administration for cultural properties. He evaluated a large amount of art objects. As a result, he drove the research of Japanese painting history.

 Among DOI Tsugiyoshi’s materials, his main research notebooks, lecture notebooks from Kyoto Imperial University between 1928–1972, and a travel diary with haikus (Japanese poem) and sketches from 1947 were introduced. He observed details of art objects minutely through not only document investigation but onsite investigation as well. Based on these investigations, he discerned painters and reevaluated those whose names were passed down in temple histories. He made revolutionary contributions to the research of early modern painting history.

 The research notebooks of TANAKA and DOI from the pre-war period show us how they recorded shapes and expressions that they witnessed at a time when photos could not be taken as easily as they can now, and how they transformed their accumulated records into artwork evaluation. These materials recorded by their activities can be also called modern materials related to the art pieces during the Taishō and Shōwa eras. We hope they are used extensively as research materials. Some sketches are certainly visually entertaining. Please visit our website and enjoy them. https://www.tobunken.go.jp/researchnote/202203/

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