Regarding the Notes by Researcher Takurei HIRAKO: Seminar Held by the Department of Art Research, Archives and Information Systems

Portrait of Takurei HIRAKO (taken in 1908)
From the notes of Takurei HIRAKO, a sketch of Kongo-o-bosatsu (Vajrarāja) at Kongobuji Temple on Mt. Koya which burned down in 1926. Takurei often drew sketches of the ears of Buddhist statues.

 Takurei HIRANO (1877–1911) is a Buddhist art researcher who was active between the 1890s and the 1900s. He began working for the Tokyo Imperial Museum (present day Tokyo National Museum) from 1903 and was active in the front lines of research at that time, such as through his involvement in the issue of rebuilding Horyuji Temple. He died young at the age of 35 in 1911.
 In 2014, Tokyo National Research Institute for Cultural Properties received some materials in the possession of Takurei’s sculptor friend Taketaro SHINKAI (1868–1927) which included Takurei’s research notes. At the seminar which was held by the Department of Art Research, Archives and Information Systems on May 31st, 2019, Dr. Tetsuei TSUDA (Aoyama Gakuin University) gave a presention on these research notes from the perspective of Buddhist art history titled, “Introduction to Research Materials: The Notes of Takurei HIRAKO Housed at Tokyo National Research Institute for Cultural Properties.”
 These notes include numerous sketches of Buddhist statues and paintings that Takuei drew at various temples in the Kansai area. Among them are detailed drawings of Buddhist statues that have now been lost and are a valuable resource for today’s researchers. In a notebook bound in Japanese style titled Kogeishiso can be found the inscription on a Buddhist statue thought to have been recorded by Takurei during its disassembly and repair. This is an example of rare information that cannot be discovered without performing similar repairs on Buddhist statues.
 After Dr. TSUDA’s presentation, Dr. Shuji TANAKA (Oita University) a specialist on modern sculpture described the relationship between Taketaro SHINKAI and Takurei, and Ms. Junko ONISHI (Tokyo University of the Arts) who is knowledgeable about the modern history of Buddhist art research described the network of researchers surrounding Takurei at the time, and information was shared. Dr. Yuzo MARUKAWA (National Museum of Ethnology) a specialist on informatics also participated in a discussion on how this material should be released and applied.

to page top