Publication of Painted Silk Database of Paintings in the Tokyo National Museum Collection
Silk has been a traditional support material for Japanese and other Eastern paintings since the Tang Dynasty in China, which corresponded to the Heian period in Japan. Silk has been used mainly in clothing in East Asia from ancient times to the present. Although ancient silk clothing is rarely preserved, due to consumption, examples of painted silk have been handed down in better condition. Painted silk works can be compared in terms of their woven structure and fiber shape, as most of them were plain woven. The study of the woven structure and fiber form (composed of silk thread) of painted silk is an important research issue, not only for art historical research, but also for the history and transition of materials and techniques.
The Tokyo National Research Institute for Cultural Properties (TOBUNKEN), established a “Memorandum of Understanding (MOU) of the Joint Research on the Composition of Silk Painting Supports and Other Textiles Used in Artworks” with the Tokyo National Museum in 2019. As a part of the research, photography and measurement of silk paintings is being conducted using a digital microscope (HiRox RH-2000), focusing on works in the Tokyo National Museum’s collection.
We are pleased to announce that a database of the results of this project is now available as the “Tokyo National Museum Digital Research Archives,” in cooperation with the Infomatics Division of the Tokyo National Museum, accessible through the website below.
https://webarchives.tnm.jp/infolib/meta_pub/G0000002221214GK
The database contains images of important works such as the National Treasure “The Bodhisattva Fugen,” “The Biography of the Traveling Preacher Ippen,” and “Red and White Cotton Rosemallow” by Li Di, as well as images of the woven structure and the measured data of the fiber shape. We plan to add more works to the database in the future. We will use this database to promote research on works and material techniques.