Tokyo National Research Institute for Cultural Properties Center for Conservation Science
Department of Art Research, Archives and Information Systems Japan Center for International Cooperation in Conservation
Department of Intangible Cultural Heritage


Opening to the public of the mural paintings of Takamatsuzuka Tumulus

Guidance using a video projection screen before the tour of the mural painting conservation facility

 During the seven days between January 18th and January 24th, 2020, the mural paintings conservation room of the Takamatsuzuka Tumulus was opened to the public.
 Beginning in 2008, this was the 28th time the mural paintings were opened to the public. During this period, four researchers from Tokyo National Research Institute for Cultural Properties (TNRICP) worked as staff.
 In this exhibition, the black tortoise drawn on the north wall, the northern divine creature that symbolizes “winter,” the female figures painted on the west and east wall, and the male figures drawn on the west and east wall were placed to the side of the walkway for visitors. Many visitors have confirmed the current state of all mural paintings.
 In recent years, the difference in the condition of the murals post cleaning became increasingly evident and many visitors were amazed by the difference between the mural paintings and the photos of them displayed on the wall in the conservation room. Additionally, there were those who compared the drawn black tortoise to that in the Kitora tumulus mural paintings exhibition, which was held at the same time at the Center for Preservation of Kitora Tumulus Mural Paintings.
 A series of projects related to mural paintings of the Takamatsuzuka Tumulus are being conducted by the Agency for Cultural Affairs under the overarching project entitled “Research in relation to permanent preservation measures of the National Treasure Takamatsuzuka Tumulus.” In addition, the TNRICP has been centrally involved in the work for many years. The murals paintings have been taken out of the mound alongside the stone material from the mounds in 2007. After that, the conservation treatment of the painting or plain surfaces contaminated with mold and biofilm occurs and plaster with advanced porosity is consolidated and stabilized at the temporary conservation facility near the tombs. In this 12th year since the start of the conservation project, it will reach a break once. Research of conservation and utilization of the mural paintings will have continued by the time it exhibits in a new museum.


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