Publication of “The Auction Catalogue Digital Archive: Exploring the Potential of Auction Catalogues in Art Historical Research”

The front cover of the research report

 Tokyo National Research Institute for Cultural Properties (TOBUNKEN) owns a total of 2,565 auction catalogues published from the Meiji Era to the Showa Era, which is the largest collection among those owned by public organizations. We have digitized them in collaboration with Tokyo Art Club since 2015 (refer to the Research Report for April 2015 https://www.tobunken.go.jp/
materials/ekatudo/206112.html
) and started publishing them as the Auction Catalogue Digital Archive on May 2019 (refer to the Research Report for April 2019 https://www.tobunken.go.jp/
materials/ekatudo/817176.html
). Further, in order to publicize this digital archive widely, we organized a seminar titled “The Auction Catalogue Digital Archive: Exploring the Potential of Auction Catalogues in Art Historical Research” on February 25, 2020. In this workshop, four people who participated from and outside of TOBUNKEN made presentations and curators and researchers who participated from various regions nationwide held discussion and question and answer sessions, which received a strong response and good reviews (refer to the Research Report for February 2020 https://www.tobunken.go.jp/materials/ekatudo/823156.html).
 Against this background, centered on what was discussed in the workshop, we published the results of our five-year efforts at digitizing the auction catalogues in the form of a research report by adding parts on the significance of the auction catalogues that have been offered for review over the years as one of TOBUNKEN’s important collections, and the background of digitization. This contains: “An Overview of the Auction Catalogue Digital Archive” by YASUNAGA Takuyo (senior researcher at TOBUNKEN) as a project overview; and “Research on the History of Sculpture and Auction Catalogues” by YAMAGUCHI Ryûsuke (senior researcher at Nara National Museum), “The Use and Development of Auction Catalogues in the Tôrei Hijikata: A Retrospective Exhibition Held at Tottori Prefectural Museum” by YAMASHITA Mayumi (curator at The Hosomi Museum), “How to ‘See’ and ‘Read’ Auction Catalogues: Decorative Arts as an Example of the Use of the Auction Catalogue Digital Archive by TSUKIMURA Kino (curator at Fukuyama Museum of Art), and “Various Issues Regarding Early Modern Paintings that Emerge from the Auction Catalogue Digital Archive” by YASUNAGA Takuyo as discussions; as well as “The Process of Making Auction Catalogues Available to the Public at the Tokyo National Research Institute for Cultural Properties” by NAKAMURA Setsuko (former librarian at TOBUNKEN) and “The Function of the Systems Used in the Creation of the Auction Catalogue Digital Archive” By OYAMADA Tomohiro (researcher at TOBUNKEN) as reports.
 We donated copies of the research report to major museums, art museums, libraries, and universities at the end of the last fiscal year. Let me encourage those who are interested to visit a library nearby to view the report.

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