A Seminar Organized on “Exhibition Environments for Conservation and Utilization” Relationships between Lighting, Colors, and How One Looks

A scene of the seminar

 As part of a research project titled “Exhibition Environments for Conservation and Utilization” by the Center for Conservation Science, a seminar on “Exhibition Environments for Conservation and Utilization” – Relationships between Lighting, Colors, and How One Looks was organized to sum up research on lighting on March 4th, 2021. Reports on cases that put emphasis on ideal lighting for exhibitions at art and other museums while taking into account conservation of cultural properties had been predominant up until then. This time around, however, we asked experts in the area of lighting, which had not been taken up very much in the area of cultural properties, to share their insights into lighting with us from a perspective that was a little different from conservation.
 First of all, Ms. SANO Chie, an honorary researcher at Tokyo National Research Institute for Cultural Properties (TBUNKEN), who had taken the initiative in this project, gave a lecture on the flow of research into lighting at the Center for Conservation Science as an introduction. This was followed by lectures that covered a broad range of subjects delivered respectively by Prof. MIZOKAMI Yoko (Graduate School of Engineering, Chiba University), who specializes in vision science, vision engineering, visual information processing, and color dynamics, Prof. YOSHIZAWA Nozomu (Department of Architecture, Faculty of Science and Technology, Tokyo University of Science), who studies evaluation techniques for architectural light environments, and Prof. YAMAUCHI Yasuki (Graduate School of Science and Engineering, Yamagata University), who carries out research on visual information processing, color dynamics, illuminating engineering, and image processing.
 As a state of emergency was issued due to the COVID-19 pandemic, the seating capacity was limited to up to 30 in the seminar room, whose seating capacity is normally 120, but a face-to-face seminar proved extremely productive. Participants commented that the lectures delivered on a face-to-face basis were meaningful and that they were able to deepen their understanding of lighting, indicating that the seminar had a high satisfaction level. Meanwhile, we announced this seminar by limiting the recipients to art and other museums etc. in and around the Kanto region to prevent the spread of COVID-19. Thus, we decided to record the seminar and publish it on TOBUNKEN’s YouTube channel for a limited period of time. Let us encourage those who were unable to participate in the seminar in person to view it on this occasion.
You can view it from May 10th through July 30th, 2021 at:
https://www.youtube.com/watch?v=UQp68KyNvVQ

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