A Hands-on Seminar on Documentation and Database Compilation of Cultural Properties — How to Photograph Cultural Properties — Seminar on Practical Photographing as a Tool for Documenting Cultural Properties
Study and documentation of cultural properties are means to develop a deeper understanding of them. Dissemination of the documented information provides many people with opportunities to become familiar with such properties. It also provides a basis for restoration if any cultural property were to be damaged. Therefore, documentation is necessary in terms of these properties’ preservation and utilization. On the subject of photography, which is a means to document cultural properties, Tokyo National Research Institute for Cultural Properties held the seminar, referred to in the title, at the Uehara Museum of Art in Shimoda City, Shizuoka Prefecture, on August 24th, 2020. The seminar was organized with the support of the Shizuoka Prefectural Museum Association as well as in collaboration with the Museum. Eleven people, including staff of museums and art galleries, and local government officials in charge of cultural properties in Shizuoka Prefecture, participated in the seminar. For the seminar, the Uehara Museum of Art took proper measures to prevent the spread of COVID-19, which included keeping distances between seats, ventilation of the lecture rooms, and temperature checks of the participants.
The seminar comprised a morning and an afternoon session. In the morning session, Mr. Tajima Sei, chief curator of the Uehara Museum of Art, shared his photography experience during his research on temples, followed by an open discussion on issues regarding photographing in the participants’ daily activities. Mr. Shirono Seiji, an artificer of the Department of Art Research, Archives and Information Systems at Tokyo National Research Institute for Cultural Properties, answered participants’ questions. He also explained, using examples, the importance of photographing focused on the significance of the subject which should be recorded.
In the afternoon, participants took photos of three artworks owned by the Uehara Museum of Art, using their own cameras. Mr. Shirono explained photographing methods and techniques, including the best lighting to draw out the character of the work, as well as how to properly record colors by manually setting the camera’s white balance. He also showed participants how to operate the photographing equipment. The afternoon session provided hands-on practice as curators of the Uehara Museum of Art, including Mr. Tajima, also gave an exposition of the research techniques of the work.
The seminar was well received as participants said it was fruitful and productive. It was meaningful for us as well, as it provided us with an opportunity to hear about issues on photography directly from the participants. We would like to show our deepest appreciation to the Uehara Museum of Art and its staff for their great support in planning and organizing the event. We will continue to improve our hands-on seminars, building upon this valuable experience.