International Forum, “Restoration of Japanese Painting”, in Krakow, Poland

Workshop on Japanese papermaking

 Tokyo National Research Institute for Cultural Properties (TNRICP), the Japanese Agency for Cultural Affairs, and the Manggha Museum of Japanese Art and Technology (Manggha Museum), held an international forum entitled “Restoration of Japanese Painting” at the Manggha Museum in Krakow, Poland on 29th and 30th July, 2019, in cooperation with the National Museum in Krakow, the Association for Conservation of National Treasures and the Association for Successors of Traditional Preservation Techniques. This forum was certified as one of the projects to celebrate the 100th anniversary of the establishment of diplomatic relations between Japan and Poland.
 TNRICP has been conducting “The Cooperative Program for the Conservation of Japanese Art Objects Overseas” since 1991. Three hanging scrolls in the collection of the National Museum in Krakow were restored within the framework of this program. In conjunction with the exhibition of these hanging scrolls and their restoration process, this forum was held for the purpose of promoting the understanding of the restoration of Japanese paintings through lectures, demonstrations, and workshops. Two of the selected conservation techniques, namely “Restoration techniques for mounts” and “Manufacture of materials and tools for conservation of mounted cultural properties,” were introduced. The manufacture of brushes, handmade washi paper (udagami) and decorative metal fittings were explained as an example of the production of materials and tools.
 In the expert meeting held on the first day, 31 conservators, restorers and students from nine countries participated in and experienced various traditional techniques and exchanged opinions with Japanese experts. In the open seminar, held on the second day, more than two hundred visitors from 15 countries participated in the gallery talk and the workshop covering Japanese papermaking. The holding of this forum served to promote not only the communication between conservators and restorers from around the world, but also was a valuable opportunity to obtain an understanding by the general public about the restoration techniques used with Japanese paintings and the traditional materials involved.

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