Japan-Indo Cooperative Research Project for Painting Techniques, Constituent Materials and Conservation of the Mural Paintings of the Ajanta Caves in the framework of the “Networking Core Centres for International Cooperation on Conservation of Cultural Heritage” (funded by the Agency for Cultural Affairs)

Indian conservation specialist explains the blackened mural paintings due to darkened shellac varnish.
Members of the preliminary mission of the Institute and ASI Ajanta Field Office.

 The National Research Institute for Cultural Properties, Tokyo plans to start a cooperative project with the Archaeological Survey of India (ASI) aiming to share and exchange knowledge, expertise and experience on materials and techniques of conservation at Ajanta site. Prior to the project, a preliminary mission was sent to India between 25 September and 3 October 2007 in order to establish a project working plan at Ajanta and to create a common basis with ASI as a counterpart.
 The Ajanta Caves are located in a great arc cut by the curving course of the Waghora River. Approximately 30 caves were cut in the basalt cliff as Buddhist monasteries and decorated with exclusive paintings and sculptures. Most of the paintings show yellowish tint colour due to past restoration works, thick shellac varnish coatings, by Italian and Indian conservators. Various severe biological causes such as bat excrements and microbiological growth make the paintings invisible.
 This cooperative project aims to provide information concerning the manufacturing techniques and technologies as well as to challenge the establishment of suitable conservation methods and materials to these particular conservation problems at the Ajanta site.

to page top