Tokyo National Museum 150th Anniversary ― Timely Connections: Hidden Western-Style Paintings in Tokyo National Museum

Exhibition room
Lecture speech by YOSHIDA Akiko (Evening in Brabant with a Woman Carrying Water by Rodolphe Wytsman on the screen)

 An exhibition, Timely Connections: Hidden Western-Style Paintings in Tokyo National Museum was held as one of Tokyo National Museum’s 150th Anniversary projects from June 7th to July 18th, 2022 at the Heiseikan thematic exhibition room. This exhibition was planned by Mr. OKIMATSU Kenjiro, Supervisor, Collections Management of Tokyo National Museum and Supervisor, Loan Promotion of the National Center for the Promotion of Cultural Properties. SHIOYA Jun, director and YOSHIDA Akiko, a researcher of the Department of Art Research, Archives and Information Systems participated in the preparation studies.

 Tokyo National Museum is well known for its collections of Japanese and Eastern ancient arts. Simultaneously, the museum has been collecting western-style paintings, including those by European and American painters, since the early days of the museum. This exhibition presented these western paintings in three sections: I. “Connections with the World” — artworks brought from abroad through world expositions and collection exchange projects; II. “Connections with Contemporary Art” — those collected to introduce the latest western fine arts and promote production in Japan; and III. “Connections with Social Conditions” — those collected for responding to social movements, such as natural disasters and wars.

 While preparing for this exhibition, the works were investigated by us and photographed, and material and related works were surveyed. Then, we made several findings through these surveys. Portrait of Lorenz von Stein (Austria 1887), exhibited in the section III, features Lorenz von Stein, a German jurist who contributed to draft the Constitution of the Empire of Japan. We identified his son, Alwin von Stein as its painter. The information was given by related parties who responded to Mr. OKIMATSU’s surveys and calls for information, thus contributing to this identification. Furthermore, A Painter and His Wife (the Netherland 1636), a print art by Rembrandt van Rijn, is considered to be collected by Tokyo National Museum which introduced Western modern arts for a short period after the World War II. The state of its version was successfully narrowed down by external expert’s advice. More discoveries were made through material investigation and surveys on related materials. With these activities and findings, we again recognized the significance of Tokyo National Museum’s western-style painting collection.

 As a part of this exhibition, monthly lectures titled Timely Connections: Hidden Western-Style Paintings in Tokyo National Museum were held on July 16th, 2022, wherein Mr. OKIMATSU, YOSHIDA, and SHIOYA (in speaking order)provided lectures in relay.
 Mr. OKIMATSU spoke about the overview of the entire exhibition and introduced new findings from its survey stage. Following his lecture, sub themes were discussed. YOSHIDA gave a brief history of the Belgian painter couple, Rodolphe and Juliette Wytsman and spoke about their relationship with Japan, which started with the submission of their paintings to Hakubakai, including Evening in Brabant with a Woman Carrying Water, an oil painting by Rodolphe Wytsman. Then, SHIOYA told that the Viscount Kuroda memorial Art Promotion Fund Committee was founded in the memory of KURODA Seiki, a western-style painting pioneer in Japan, and endowed western-style paintings in the pre-war Showa period including Mother and Child (1930) by MATSUSHITA Haruo and Atelier (1933) by INOKUMA Gen’ichirō.

to page top