Friday, January 10th / 10:00―16:50
| 10:10-10:50 |
Statement of Intent |
SARAI Mai (National Research Institute for Cultural Properties, Tokyo; Tobunken, History of Japanese Buddhist Sculptures) |
| Keynote Address―A Dialogue |
| 10:55-11:45 |
Forms Born, Not Made |
IKEMURA Leiko (artist)
TANAKA Atsushi (Tobunken, History of Japanese Modern Art) |
| Session 1 : Forms as Groups |
| 13:00-13:10 |
Introduction |
EMURA Tomoko (Tobunken, History of Japanese Paintings) |
| Presentations |
| 13:10-13:40 |
The idea of “Form” from a Prehistoric Perspective: Observations on Dogu and Other Jomon Artefacts |
Simon KANER (Sainsbury Institute for the study of Japanese Arts and Cultures, Japanese Archaeology) |
| 13:40-14:10 |
Refrain in Music: Creating and Changing Musical “Forms” Over Time |
TAKAKUWA Izumi (Tobunken, History of Japanese Traditional Music) |
| 14:20-14:50 |
Ascending Dragon Paintings: “Form” and Act |
Yukio LIPPIT (Harvard University, History of Japanese Paintings) |
| 14:50-15:20 |
The Creation of Style Used in Temporary Imperial Architecture in the Modern Era |
OZAWA Asae (Tokai University, History of Japanese Architecture) |
| Discussion |
| 15:40-16:40 |
Coordinator: EMURA Tomoko, ARAKAWA Masaaki (Gakusyuin University, History of Japanese art crafts) |
| Reception 18：00-20：00 (Tobunken’s Lobby, basement floor) |
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Saturday, January 11th / 9:30―17:50
| Session 2 : Form as Individual |
| 9:30-9:40 |
Introduction |
SHIOYA Jun (Tobunken, History of Japanese Modern Art) |
| Presentations |
| 9:40-10:10 |
Manifesting Splendor: The National Treasure Thousand-Armed Avalokitesvara |
KOBAYASHI Tatsuro (Tobunken, History of Japanese Paintings) |
| 10:10-10:40 |
Challenging “Form”: Okada Saburosuke and Fujita Tsuguharu |
UCHIRO Hiroyuki (Pola Museum of Art, Art Restorer) |
| 10:50-11:20 |
Seeing Pollock as Pollock: Jackson Pollock’s Allover Poured Paintings |
OSHIMA Tetsuya (Aichi Prefectural Museum of Art, History of Western Modern Art) |
| 11:20-11:50 |
The “Form” of Waka Poetry: Minamoto no Toshiyori’s Method |
WATANABE Yasuaki (Tokyo University, History of Japanese literature) |
| Discussion |
| 12:00-13:00 |
Coordinator: SHIOYA Jun, FUJIKAWA Satoshi (Ymaguchi University, History of European Art) |
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| Session 3 : That Which Supports Form |
| 14:10-14:20 |
Introduction |
WATADA Minoru (Tobunken, History of Japanese Paintings) |
| Presentations |
| 14:20-14:50 |
Localizing the Hachiman engi |
Melanie TREDE (Heidelberg University, History of Japanese Paintings) |
| 14:50-15:20 |
Vessels: Manifested by Society, Bearers of Cultural Memory
Interpreter: Fujimura Mai (Kwangwoon University) |
CHOI Gong-ho (The Korea National University of Cultural Heritage, History of Korian Modern Art) |
| 15:30-16:00 |
Between “Virtue” and “Form” in the History of Chinese Painting : The Structure of Critical Evaluation, with a Focus on Wu Bing’s Road to Shanyin |
TSUKAMOTO Maromitsu (Tokyo National Museum, History of Chinese Art) |
| 16:00-16:30 |
The Form of Memory: Representation of Heaven and Hell in Cosmo Rosselli’s Thesaurus artificiosae memoriae (1579) |
KUWAKINO Koji (Osaka University, History of European Art) |
| Discussion |
| 16:00-16:30 |
Coordinator: WATADA Minoru, SATO Naoki (Tokyo University of Arts, History of European Art) |
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Sunday, January 12th / 10:00―12:00
| Round Table Discussion by Speakers |
| 10:00-12:00 |
Coordinator: TANAKA Atsushi, YAMANASHI Emiko (Tobunken) |
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Venue: Tobunken’s Conference Room (basement floor) |
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