The Bijutsu Kenkyu（The Journal of Art Studies）

The Bijutsu Kenkyu （The Journal of Art Studies）

　Since 1932. The journal, edited by the Department of Art Research, Archives and Information Systems, carries monograms, research notes, explanations of plates, book reviews, Exhibition Reviews and materials for art research pertaining not only to Japanese and East Asian classical art but also European and American art related to modern and contemporary Japanese art (English summaries included).

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　Contents

　List：No.1～No.434（PDF/788KB）

Number	Date	Author	Title
Number	Date	Author	Title
No.444	January, 2025	MAIZAWA, Rei	Materials for Art Research: Materials Introduction: The Kumano Mandala in the Montreal Museum of Fine Arts, Canada
No.444	January, 2025	KUROKAWA, Kôji	Materials for Art Research: Takami Akihiko: A Chronology and Bibliography
No.443	September, 2024	FUTAGAMI, Yôko	Principal Article: Ensuring the Credibility of the World Heritage Convention: Current Issues in the Nomination Evaluation Process and Some Possible Solutions
No.443	September, 2024	OKAMURA, Yukinori and SAIGA, Eijirô	Research Notes: Architectural “Change” at the Maruki Gallery for the Hiroshima Panels and the Joint Work of Maruki Iri and Maruki Toshi
No.443	September, 2024	OYAMADA, Tomohiro	Research Notes: Long-term Digital Data Preservation
No.442	March, 2024	JEONG, Eunwoo	The Characteristics and Significance of the Huirang Daesa Sculpture at Haeinsa Temple in Hapcheon
No.442	March, 2024	ONO, Mayumi	Handscroll Paintings Mentioned in Late 16th to Early 17th Century Aristocrat Diaries and Their Reception: Tokitsune Kyôki and Tokiyoshiki
No.442	March, 2024	EMURA, Tomoko	Looking at Paintings of Merrymaking - Details Depicted in Amusements (Sôôji Temple Folding Screen)(Important Cultural Property, Tokugawa Art Museum)
No.441	December, 2023	SHIOYA, Jun	Akimoto Shatei and Meiji Era Nihonga (Part III)
No.441	December, 2023	YOSHIDA, Akiko	A Close Examination of Kishida Ryusei's Still Life(with Erased Hand) - Report on Optical Survey Results and Thoughts on Imagery Inspiration for the "Hand"
No.441	December, 2023	HAYASHI BITMEAD, Miwako	Exhibition Review:‘Kyōsai: The Israel Goldman Collection’ at the Royal Academy of Arts & ‘Japan: Courts and Culture at the Queen's Gallery’
No.440	August, 2023	HARA, Hirofumi	Why Jingoji's Standing Yakushi Nyorai Was Made - Wake no Kiyomaro's Good Deeds and Hachiman's Repentance
No.440	August, 2023	KIM, Jungsun	A Study of the Historical and Institutional Systems of the Joseon Arts Exhibition Calligraphy Section
No.440	August, 2023	KOBAYASHI, Kôji	Research Note: The Topology of Mother-of-Pearl: The Connection between Kôdaiji Makie and Nanban Lacquer as Seen from the Toyotomi Hideyoshi Miniature Shrine Long Preserved at Richi-in
No.440	August, 2023	MAIZAWA, Rei	Exhibition Review: Uehara Museum, "Uncrowned Buddhist Sculptures" Exhibition-Cultural Property Designation and its Values
No.440	August, 2023		Report of the Department of Art Research, Archives and Information Systems
No.439	Mar., 2023	ÔTANI, Yuki	Research Note: The Noh Mask Beshimi in the Aizu Museum, Waseda University
No.439	Mar., 2023	NAKAMURA, Maki	Materials for Art Research: Art Education in Post-war Japan as Seen in the Activity Records of the Sozô Biiku Kyôkai -The Shimazaki Kiyomi Archives
No.438	Feb., 2023	YANG, Hong	Principal Article: From Dome to Palace: Discussion on the Morphological Transition of the Caves in the Yungang Grottoes and Related Issues
No.438	Feb., 2023	YAMAMOTO, Satomi	Principal Article: The Six Realms Paintings (Rokudô-e) of Shôjuraigôji and the Ritual Space for Nyohokyo Offerings: A Medieval Transformation from Enma-dô Structures to the Hanging Scroll of King Enma’s Court
No.438	Feb., 2023	MAIZAWA, Rei	Exhibition Review: Tales of Buddhist Saints
No.437	August, 2022	MAIZAWA, Rei and YASUNAGA, Takuyo	Principal Article: The Arhat(Jpn: Rakan) Painting at Kômyôji(Tokyo): Towards a Multilayered Understanding of its Content and History
No.437	August, 2022	ABE, Mika	Principal Article: Rokudô-e Pictures as Central Worship Images - Using the Rokudô-shaku to Read and Understand the Shôju-raigôji Version Rokudô-e
No.437	August, 2022		Report of the Department of Art Research, Archives and Information Systems
No.436	Mar., 2022	UMEZAWA, Megumi	Medieval Handscrolls on Demons and Deities Themes:Hekija-e, Kandô no oni and a Fragment of Another Handscroll
No.436	Mar., 2022	TASHIRO, Yûichirô	Research Note: Letters from Ko Yu-seop found in the Ueno Naoteru Materials: Focusing on the Manuscripts for the Keij ô Archaeology Colloquium
No.436	Mar., 2022	HAYASHI BITMEAD, Miwako	Exhibition Review: Tokyo: Art and Photography at the Ashmolean Museum
No.436	Mar., 2022	YAMANASHI, Emiko	Materials for Art Research: The Yashiro Yukio-related Materials in the Duveen Brothers Records at the Getty Research Institute
No.435	Dec., 2021	LEE, Sungrye	Principal Article: Korea’s Awareness of the “Landscape” Painting Genre and Its Acceptance in the Early 20th Century
No.435	Dec., 2021	ÔNISHI, Junko	Research Note: The Ueno Naoteru Materials in the Collection of the Faculty of Fine Arts, Tokyo University of the Arts
No.435	Dec., 2021	EMURA, Tomoko	Materials for Art Research: Newly Discovered Shuten-Dôji by Sumiyoshi Hiroyuki in the Grassi Museum of Ethnology in Leipzig
No.435	Dec., 2021	SHIOYA Jun, ITÔ Fumiko, TANAKA Jun, and SAITÔ Tatsuya	Materials for Art Researchs: Interactions Between Kuroda Seiki and Kume Keiichirô as Seen in Their Correspondence (Part III)
No.434	Aug., 2021	YOSHIDA, Eri	Principal Article: Thoughts on Ikeno Taiga’s Landscape Paintings: Reading the Landscapes in Six Perspectives/Four Chinese Sages Handscroll
No.434	Aug., 2021	YASUNAGA, Takuyo	Principal Article: The Historical Context of Yosa Buson’s Ten Pleasures (Kawabata Yasunari Foundation)
No.434	Aug., 2021	TANAKA, Jun	Research Note: Modern Japanese Imperial Enthronement Rituals and Imperial Court Traditions: Changes in Formal Garments
No.434	Aug., 2021	SHIOYA Jun, ITÔ Fumiko, TANAKA Jun, and SAITÔ Tatsuya	Materials for Art Researchs: Interactions Between Kuroda Seiki and Kume Keiichirô as Seen in Their Correspondence (Part II)
No.433	Mar., 2021	LEE Minsoo	Principal Article: New Figurative Korean Painting (Hangukhwa) in the 1970s and 1980s: From Hyperrealism to Minjoong Art
No.433	Mar., 2021	SHIOYA Jun, ITÔ Fumiko, TANAKA Jun, SAITÔ Tatsuya	Materials for Art Researchs: Interactions Between Kuroda Seiki and Kume Keiichirô as Seen in Their Correspondence
No.432	Dec., 2020	HONG Zaixin	Principal Article: Advocating Chinese Art and World Literature through Business and Translation: A Study of Wu Hengzhi as a Promotor of Sino- Western Cultural Exchange
No.432	Dec., 2020	EMURA Tomoko	Research Note: Tanaka Ichimatsu’s Eye and Hand
No.432	Dec., 2020	YASUNAGA Takuyo	Exhibition Review : Viewing the Manago Yûsen: A Painter of Kiitanabe Exhibition: How to Hold Exhibitions that Contribute to the Local Community
No.431	Aug., 2020	YASHIRO Kyôko	Principal Article: The Social Background and Production of Komuro Tôru’s Equestrian Statue of Date Masamune
No.431	Aug., 2020	MISHIMA Taiki	Principal Article: How to Improve Japanese Local Cultural Property Information Findability with Linked Data-Applications for Local Artwork Searches
No.431	Aug., 2020		Report of the Department of Art Research, Archives and Information Systems
No.430	Mar., 2020	SHEN Ruiwen	Principal Article: A Reconsideration of the Tang Tombs in Jinsheng, Taiyuan, Shanxi Province
No.430	Mar., 2020	MAIZAWA Rei	Principal Article: Two Paintings of Fudô Myôô The Zenrinji and the Kôkiji Versions
No.430	Mar., 2020	KIKKAWA Hideki	Research Note: The Organization and Utilization of Archives Related to Postwar Japanese Art -UCLA Library’s Yoshida Yoshie Papers as Example-
No.430	Mar., 2020	YAMAMOTO Satomi	Research Note: Religion and Society in Southern Song Ningbo, as Seen in the Illustrated Manuscript of the Lotus Sutra (Miaofa lianhua jing)
No.429	Jan., 2020	AIZAWA Masahiko	Principal Article: The Painting Style of the Kasugamiya Mandala in the Seikadô Bunko Museum of Art
No.429	Jan., 2020	KIM Soyeon	Principal Article: How Modern Korean Painters Pursued Asian Painting through Art Studies Abroad, Focusing on Modern Polychrome Painters
No.429	Jan., 2020	KAMIYA Yoshimi	Research Note: An investigation of Hira-makie Technique and Materials as Seen Primarily in Namban Lacquer -The Analysis of Gold Forms via Scanning Electron Microscope-
No.429	Jan., 2020	OYAMADA Tomohiro	Research Note: The Creation of Cultural Properties Databases and Their Meaning
No.428	Sep., 2019	MIZUNO Yûji	Principal Article: Sesson Shûkei and the Rinzai Sect Genjû School
No.428	Sep., 2019	YASUNAGA Takuyo	Principal Article: A Landscape Handscroll Attributed to Gion Nankai(Tokyo National Museum)
No.428	Sep., 2019	TATARA Takiko	Principal Article: Generational Change in Modern Kyoto Painting Circles: Using the Ex-Doi Tsugiyoshi Materials as Clues
No.428	Sep., 2019		Report of the Department of Art Research, Archives and Information Systems
No.427	Mar., 2019	GE Chengyong	Principal Article: Drunken Fulin: The Greek God of Wine in China – The Exotic Myth Motif Seen on Bags Carried by Camel Figurines Excavated at Sui Dynasty Tombs in Xi'an
No.427	Mar., 2019	TADOKORO Tai	Principal Article: Takemura Kôai and Female Nihonga Painters in the Meiji Period
No.427	Mar., 2019	EMURA Tomoko	Exhibition Review: Unkoku Tôgan: 400th Memorial Retrospective
No.427	Mar., 2019	KATSUMORI Noriko	Materials for Art Research: A Reconsideration of Mother-of-Pearl with Ground Color – Based on Techniques Used and Historical Documents
No.427	Mar., 2019	CHIKAMATSU Koji	Materials for Art Research: Photographic Facsimiles of Letters Addressed to Kuroda Seiki
No.426	Dec., 2018	MASUDA Masafumi	Principal Article: Regarding the Standing Manjusri of Chûgûji – Buddhist Precepts and the Kasuga Faith
No.426	Dec., 2018	TAKATA Tomohito	Principal Article: Mother-of-Pearl and Royal Prerogative: Connotations in Pre-Modern and Modern Thai Decorative Arts
No.426	Dec., 2018	INABA (FUJIMURA) Mai	Research Note: Changes in Korean Paintings: A Process of Complications and Searching
No.426	Dec., 2018	TSUDA Tetsuei	Materials for Art Research: A Wooden Sakyamuni Sculpture at Jôgon’in, Shiga Prefecture – The Central Worship Image at Jionji, a Temple Established by Sasaki Ujiyori (1326-1370)
No.426	Dec., 2018	CHIKAMATSU Koji	Materials for Art Research: Deciphering Kuroda Seiki’s Letters
No.425	Jul., 2018	CHOI Yeob	Principal Article: Early Modern Period Buddist Paintings and Buddhist Propaganda in Korea
No.425	Jul., 2018	ONO Mayumi and EMI Chizuko	Materials for Art Research: Dô no Onkura Okakemono Outasho Kiwame Daitsuke no Chô: A Reprint and Explication
No.425	Jul., 2018	ZHAN Xiaomei	Materials for Art Research: The Friendship between Lian Quan and Ômura Seigai: As Seen in Lian Quan’s Letters to Ômura Seigai and his Nanhu’s Japan Travel Journal
No.425	Jul., 2018		Report of the Department of Art Research, Archives and Information Systems
No.424	Mar., 2018	HONG Sunpyo	Principal Article: Dream Journey to the Peach Blossom Land : The Reappearance of Paradise and the Establishment of Classical Landscape Paintings
No.424	Mar., 2018	OYAMADA Tomohiro	Research Note: Using Wordpress to Construct a Dynamic Website: With the Web Versions of Bukkosha kiji and Bijutsukai nenshi (Ihô) as Examples
No.424	Mar., 2018	TANAKA Jun’ichirô	Materials for Art Research: Thoughts on Hashimoto Gahô’s Four Saints: Inoue Enryô’s Philosophy and its Pictorialization
No.424	Mar., 2018		Index to Bijutsu Kenkyu, Nos. 419-424
No.423	Jan., 2018	TSUDA Tetsuei	Principal Article: Positioning the Konrenji Version of the Yugyô Shonin Engi-e（Illustrated Biography Handscrolls of Ippen and his Disciple Shinkyô）on the Basis of the Text Calligraphers and their Writing Styles
No.423	Jan., 2018	YAMASHITA Yoshiya	Principal Article: Kanô Sansetsu and “Japanese （Wa）” Painting Themes ― Regarding the Buke sumô emaki （Samurai Sumô Handscroll)
No.423	Jan., 2018	SHIINO Akifumi	Materials for Art Research: Letters from Yamamoto Hôsui to Kuroda Seiki and to Sugi Takejirô: Reproductions, Transcriptions and Interpretations
No.422	Aug., 2017	YAO Chong-xin	Principal Article: A Primary Study of a Thousand-Armed, Thousand-Eyed Avalokitesvara Mural Excavated at a Buddhist Temple Site in Domoko, Khotan – Including a Comparison with Dunhuang
No.422	Aug., 2017	TANAKA Atsushi	Principal Article: Research on Kishida Ryûsei – Focusing on his Recuperation in “Komazawa-mura Shinmachi”
No.422	Aug., 2017	TANAKA Jun	Materials for Art Research: Letters from Kuroda Sadako to Her Adopted Son Kuroda Seiki
No.421	Mar., 2017	EMURA Tomoko	Principal Article: Ogata Kôrin’s Time in Edo and Changes in his Brushwork –Focusing on A Budding Plum Tree in the Freer Gallery of Art
No.421	Mar., 2017	YASUNAGA Takuyo	Exhibition Review: Viewing the Kakutei on Exhibition
No.421	Mar., 2017	TSUNODA Takurô	Materials for Art Research: Reading Goseda Yoshimatsu’s Letters to Kuroda Seiki
No.420	Dec., 2016	MASUKI Ryûsuke	Principal Article: Tenth-century Japanese Painters –Various Aspects of Wayô-ka (Shift to Japanese Aesthetics) as Seen from East Asian Painting History
No.420	Dec., 2016	TADOKORO Tai	Research Note: Initial Research on Kurihara Gyokuyô
No.420	Dec., 2016	TAKAYAMA Yuri	Material for Art Research: Okada Saburôsuke’s Letters to Kuroda Seiki
No.420	Dec., 2016	MATSUMOTO Seiichi	Material for Art Research: Okada Saburôsuke and his Wife Yachiyo’s Critiques of the Artist – A Sad Encounter Between Art and Literature
No.419	Jun., 2016	HWANG Bitna	Principal Article: The Role and Status of Japanese “Nanga (南画)” Painters in Korean Modern Painting
No.419	Jun., 2016	FUKUNAGA Hachirô	Research Note: The Cultural Properties Database of the National Research Institute for Cultural Properties, Tokyo – The Aims, Elements and Realization of Publications Archives Focused Databases
No.419	Jun., 2016	TOMIZAWA-Kay Eriko	Material for Art Research: Album of Nihonga, in the Charles Stewart Smith Collection, Metropolitan Museum of Art, New York
No.418	Mar., 2016	TSUDA Tetsuei	Principal Article: Regarding the Ichiryû Sôshô keizu (Illustrated School Lineage) of the Shinran School in Medieval Japan, Through a Survey of Works Preserved at Chôshôin, Kyoto and Kôshôji, Hiroshima
No.418	Mar., 2016	BAI Qianshen	Principal Article: Calligraphy and Everyday Life among Late Qing Officials
No.418	Mar., 2016	KAWAI Daisuke	Research Note:Akasegawa Gnpei and The Yamanote Line Incident – Anonymity as a Clue
No.418	Mar., 2016	KOJIMA Kaoru	Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III, cont.) – Focusing on Conditions in his Pre and Post Overseas Study Years
No.417	Jan., 2016	CHEN Yunru	Principal Article: Transformation in Bird and Flower Painting from the Eighth to Eleventh Centuries
No.417	Jan., 2016	KOBAYASHI Kôji	Research Note: A Consideration of Namban Lacquer Lecterns and Their Dating
No.417	Jan., 2016		Exhibition Review:
No.417	Jan., 2016	TANAKA Atsushi	Introduction, Exhibitions Held on the 70th Anniversary of the End of World War II
No.417	Jan., 2016	SAWADA Keizô	Exhibitions Held on the 70th Anniversary of the End of World War II – As considered in terms of an awareness of the period designations “pre-war” and “post-war”
No.417	Jan., 2016	TANAKA Atsushi	The Curator’s Gaze: Creating History
No.417	Jan., 2016	KOJIMA Kaoru	Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III) – Focusing on Conditions in his Pre and Post Overseas Study Years
No.416	Aug., 2015	Kobayashi Tatsurô	Principal Article: Fugen Bosatsu (Skt: Samantabhadra, National Treasure, Tokyo National Museum): An Art Historical Analysis of Its Painting Methods and the “Shôgon” Concept in Heian Period Buddhist Paintings
No.416	Aug., 2015	Kojima Kaoru	Materials for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (II) – The Early Days of the Western Painting Department at Tokyo Bijutsu Gakkô
No.416	Aug., 2015	Tanaka Shûji	Material for Art Research:Regarding the Shinkai Taketarô Materials
No.416	Aug., 2015	[Editor]	"Report of the Department of Art Research, Archives and Information Systems"
No.415	Mar., 2015	Lee Sangnam	Principal Article: A Study of Material Culture Exchanges of the Early Joseon Court Based on Korean Objects in the Môri Museum: With a Focus on the Ôuchi Clan and the Môri Clan
No.415	Mar., 2015		International Symposium on the Conservation and Restoration of Cultural Property-Recovering “Form”: Towards a More Open Discussion
No.415	Mar., 2015	Yamanashi Emiko	Introduction
No.415	Mar., 2015	Fujikawa Satoshi	The Katachi of Biennial : Katachi = Bild, Katachi = Image
No.415	Mar., 2015	Satô Naoki	The Potential of Katachi [Form] in the History of Japanese Art: Thoughts from a History of Western Art Viewpoint
No.415	Mar., 2015		Research Note: 　The “Aspects of Art Archives” Mini-Symposium
No.415	Mar., 2015	Kikkawa Hideki	Introduction
No.415	Mar., 2015	Kajiya Kenji	Art History in Art Archives
No.415	Mar., 2015	Uesaki Sen	Archives and the Avant-Garde: Ephemerality of Expression and the Totality of Archive Materials
No.415	Mar., 2015	Kikkawa Hideki	Records and Materials in the Notes Made by the Artist Nakamura Hiroshi: Focusing on the Sightseeing Art Research Institute and the Tokyo Art Pillar Exhibition
No.415	Mar., 2015	Kajiya Kenji, Uesaki Sen and Kikkawa Hideki	Discussion
No.415	Mar., 2015	Emura Tomoko	Materials for Art Research: Comment on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (Ⅱ)
No.415	Mar., 2015	Kojima Kaoru	Material for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (Ⅰ): Focusing on Conditions during his Tsu Period
No.414	Feb., 2015	Tsuda Tetsuei, Marukawa Yuso, Yoshizaki Mayumi, Nakamura Yoshifumi and Kikkawa Hideki	Research Note: Research on the Internet Version of Mizue: Prospects for the Digital Publication of Art-related Materials and Art Archives
No.414	Feb., 2015	Tsuda Tetsuei	Material for Art Research: Wooden Core, Dry Lacquer Standing Eleven-Headed Ekādaśmukha (Jûichimen-Kan’non), Kanzanji, Shiga Prefecture
No.414	Feb., 2015	Watada Minoru, Emura Tomoko, Tsuchiya Takahiro	Material for Art Research: Comments on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (1)
No.414	Feb., 2015	Someya Kaori	Material for Art Research: Gaden Yôgaku Enogu Saishiki Hitorigeiko (1834, Tenpô 5)
No.414	Feb., 2015	Yoshida Chizuko	Material for Art Research: Letters from Foreign Students Studying in Japan to Kuroda Seiki: Reproductions, Transcriptions, Interpretations
No.413	Nov., 2014	Satô Masatoshi	A Reconsideration of the Seated Nyoirin Kannon Bosatsu (Cakravarti-cintamani avalokitesvara bodhisattava) at Kanshinji
No.413	Nov., 2014	Choi Yeob	Korean Buddhism in Modern Era and the Production of Buddhist Paintings
No.413	Nov., 2014	Kobayashi Kôji	Exhibition Review : Two Exhibitions held on Namban Lacquer in 2013:-Lacas Namban (Madrid) and Date Masamune's Dream: The Keicho Envoy to Europe and Namban Culture (Sendai)
No.413	Nov., 2014	Ueno Kenzô	Materials for Art Research: Introduction of a Newly Discovered Work: The Exhibition Catalogue for the 8^th Hakuba-kai Exhibition
No.412	Mar., 2014	Li Qingquan	New Discoveries at Tuyuq Grottoes in Turfan: A Discussion on Gaochang Buddhist Images in the 5^th century
No.412	Mar., 2014	Suzuki Hiroyuki	Exhibition Review : Kano Sanraku and Sansetsu
No.412	Mar., 2014	Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko	Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. III)
No.412	Mar., 2014	Tanaka Atsushi	Materials for Art Research: Transcription of Ogawa Kazumasa’s Letters to Kuroda Seiki and Kuroda Seiki’s View on Photography
No.412	Mar., 2014	Okatsuka Akiko	Materials for Art Research: Meiji Photography Groups and the Nobility - From Considerations of Ogawa Kazumasa’s Achievements
No.411	Feb., 2014	Li Qingquan	Spatial Logic and Visual Meaning (Pt. II): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers
No.411	Feb., 2014	Ôtani Shôgo	Ai-Mitsu's Landscape with an Eye (Pt. II)
No.411	Feb., 2014	Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko	Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. II)
No.411	Feb., 2014	Saitô Yôich	Materials for Art Research: Thoughts on Hana-no-kage, a Photography journal Published by the Japanese Nobility: Activities of Noble Photography Aficionados in the Late Meiji Period and Their Interactions with Ogawa Kazumasa and Kuroda Seiki
No.410	Sep., 2013	Li Qingquan	Spatial Logic and Visual Meaning (Pt. I): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers
No.410	Sep., 2013	Tanaka Den	The Subject and Source of Kikkawa Reika's Encountering Sorro
No.410	Sep., 2013	Ôtani Shôgo	Ai-Mitsu's Landscape with an Eye (Pt. I)
No.410	Sep., 2013	Watada Minoru	Materials for Art Research: An Explication of the Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki)
No.410	Sep., 2013	Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko	Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. I)
No.409	Mar., 2013	"Park Eun-kyung, Han Jung-ho"	The Changed Principle of the Placement Form of the Four Deva’s Images and Their Names in the Joseon Dynasty
No.409	Mar., 2013	Kobayashi Tatsuro	Research Note: "Kokuzo Bosatsu (Skt: Akasagarbha, National Treasure, Tokyo National Museum): An Art Historical Analysis of its Painting Methods"
No.409	Mar., 2013	Yamanashi Emiko	"Exhibition Review: Two Exhibitions of Chen Cheng-po in Taipei: Journey through Jiangnan - A Pivotal Moment in Chen Cheng-po’s Artistic Quest (Taipei Fine Arts Museum), and Under a Searing Sun - A Solo Exhibition by Chen Cheng-po (Taiwan Soka Association’s Chih-shan Art and Culture Center)"
No.408	Jan., 2013	Tsuda Tetsuei	Regarding the Dating of the Bukkoji Version of the Illustrated Life of Shinran (Shinran-e)
No.408	Jan., 2013	Sarai Mai	"Standing Image of Jizo Bosatsu at Jinkoin, Kyoto"
No.408	Jan., 2013	Watada Minoru	The On-E-Kagami: A Printed Painting Manual from 1700 (Genroku 13)
No.407	Sep., 2012	Hsing I-tien	"A Preliminary Methodology on Han Dynasty Carvings: Taking “The Retrieval of the Tripod Carving” as an Example"
No.407	Sep., 2012	Watada Minoru	"Paintings Inscribed by Chikuan Daien in 1435 (Eikyo 7): The Matsuoka Museum of Art’s Shubun Painting and the Museum of East Asian Art, Cologne’s Girl Ling-chao"
No.407	Sep., 2012	Shioya Jun	Akimoto Shatei and Meiji Era Nihonga (Part II)
No.407	Sep., 2012	Tsuda Tetsuei	"Book Review: Ito Daisuke, Shozoga no Jidai: Chusei Keiseiki ni okeru Kaiga no Shisoteki Shinso ［The Age of Portraits: The Philosophical Depths of Painting During Japan’s Early Medieval Period］"
No.407	Sep., 2012	[Editor]	"Report of the Department of Art Research, Archives and Information Systems"
No.406	Mar., 2012	Tsukamoto Maromitsu	Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part II)
No.406	Mar., 2012	Tsuda Tetsuei	The Production of Portrait Sculptures of Deceased Medieval Period
No.406	Mar., 2012		Index to Bijutsu Kenkyu, Nos. 401-406
No.405	Jan., 2012		Special Edition: Japanese-Korean Symposia “The Dynamics of Interaction between People and Objects: ‘Appraisal’ in Art History”
No.405	Jan., 2012	Tanaka Atsushi	Foreword for Special Edition
No.405	Jan., 2012	(Editor)	Report of Two Symposia
No.405	Jan., 2012	Hong Sun-pyo	The Glory and Failure of a Nationalist Korean Art History: The Interpretation and Evaluation of Late Choson Painting
No.405	Jan., 2012	Tanaka Atsushi	Creativity and Value: Focusing on Yorozu Tetsugoro’s Woman with a Balloon
No.405	Jan., 2012	Watada Minoru	The Long Landscape Handscroll: Towards a Re-Evaluation of Sesshu
No.405	Jan., 2012	Chang Chin-sung	The Fallacy of Love: How to Interpret and Write about the Life and Work of Chong Son
No.405	Jan., 2012	Emura Tomoko	The Expressive World of Early Edo Period Genre Paintings
No.405	Jan., 2012	Moon Jung-hee	Shi Tao, the Sight of Evaluation as the Modern Individualism
No.405	Jan., 2012	Tanaka Atsushi	Review of the Symposium in Tokyo
No.405	Jan., 2012	Inaba Mai	Review of the Symposium in Seoul
No.404	Aug., 2011	Tsukamoto Maromitsu	Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part I)
No.404	Aug., 2011	Shioya Jun	Akimoto Shatei and Meiji Era Nihonga (Part I)
No.404	Aug., 2011	Choi Gongho	The Original Context of the Modern History of Craft Reflected in a Photograph
No.404	Aug., 2011	Sarai Mai	Material for Art Research: Standing Image of Yakushi Nyorai at Jinkoin, Kyoto
No.404	Aug., 2011	Tsuda Tetsuei	Material for Art Research: Standing Image of Prince Shotoku at Korinji, Iwate
No.404	Aug., 2011	Matthew P. McKelway	Book Review: Kojima Michihiro, Egakareta Sengoku no Kyoto
No.404	Aug., 2011		Report of the Department of Art Research, Archives and Information Systems
No.403	Mar., 2011	Sarai Mai	Historical Consideration of the Yakushi Nyorai Image at Jingoji
No.403	Mar., 2011	Tsuchiya Takahiro	The Studio That Painted the Tengu Soshi
No.402	Feb., 2011	Shih Shou-chien	From Xia Wenyan to Sesshu: The Precious Mirror of Painting and the Shaping of Historical Knowledge of Landscape Painting in East Asia in the 14th and 15th centuries
No.402	Feb., 2011	Yamanashi Emiko	Explanation of the Plates: Works by Kuroda Seiki Donated to the Tokyo National Museum in the Fiscal Year of 2009: Boat, Peonies, Battle of Niryusan in Sino-Japanese War and Two Portraits of Hayashi Masahumi
No.401	Aug., 2010	Chung Woo-thak	An Iconographic Study of Birth of Sakyamuni Imagery in the Joseon Dynasty Korea
No.401	Aug., 2010	Shioya Jun	Study of Kawabata Gyokusho (Part III)
No.401	Aug., 2010	Tsuda Tetsuei	Material for Art Research: Standing Image of the Two-year-old Prince Shotoku (Namu-butsu Taishi) in the Nara National Museum
No.401	Aug., 2010	Sarai Mai	Book Review: Tomishima Yoshiyuki, Mikkyo Kukan Shiron [Research on the History of Esoteric Buddhist Spaces]
No.401	Aug., 2010		Report of the Department of Research Programming
No.400	Mar., 2010	Lei Yuhua, Li Yuqun, Luo Jinyong	Southern Dynasty Buddhist Stone Sculptures in Wenchuan County, Sichuan Province
No.400	Mar., 2010	Watada Minoru	Study of Unkoku Togan’s Crows in Plum Trees: From the Guest House at Najima Castle to the Audience House at Fukuoka Castle
No.400	Mar., 2010	Morishita Masaaki	Research Note: Contemporary Art and Museums: Artist Interview Archives of the Tate and the INCCA
No.400	Mar., 2010	Park So-hyun	Book Review: Yoshida Chizuko, Kindai Higashi Asia Bijutsu Ryugakusei no Kenkyu [Research on Modern East Asian Overseas Art Students]: Imagining a Transnational Archive
No.400	Mar., 2010		Index to Bijutsu Kenkyu, Nos. 359-400
No.399	Jan., 2010	Tsuchiya Takahiro	Positioning The Tales of Ise in the Teshhinsai Bunko Collection
No.399	Jan., 2010	Shioya Jun	Study of Kawabata Gyokusyô (Part II)
No.399	Jan., 2010	Emura Tomoko	Research Note: The Colors of Memory: An Observation on the Depiction of Figural Genre Images in Pleasure Quarter Paintings
No.399	Jan., 2010	Emura Tomoko	Exhibition Review: Paintings of Korea’s Joseon Dynasty and Japan (Tochigi Prefectural Art Museum and Three Other Venues)
No.398	Aug., 2009	Sarai Mai	The Yakushi Triad at Daigoji and the Structures of Temple Foundation during the Early Heian Period (Vol. III)
No.398	Aug., 2009	Yen Chuan-ying	The Demise of Japanese-style Painting (Nihonga) in Taiwan: Local Color and Refracted Modernity
No.398	Aug., 2009	Tanaka Atsushi	Research Note: The “New Woman” and Woman with a Balloon: What Lay behind the Creation of Yorozu Tetsugoro’s Woman with a Balloon and its Expression
No.398	Aug., 2009	Tsuda Tetsuei	Material for Art Research: Hollow Dry Lacquer Standing Bodhisattva
No.398	Aug., 2009	Kikuya Yoshio, Shioya Jun	Material for Art Research: Compilation of Materials Related to the Sango-Kai (Appendix, Part II)
No.398	Aug., 2009		Report of the Department of Research Programming
No.397	Mar., 2009	LimYoung-ae	Imagesof “Foreigners” in Pictures of Wrestling in Tomb Wall Paintings During theKoguryo Dynasty
No.397	Mar., 2009	Tsunoda Takuro	A Long-Puzzling Self-Portrait by MitsutaniKunishiro: The Importance of the Goseda Studio in Modern Japanese Art History
No.397	Mar., 2009	Tanaka Atsushi	Explanationof the Plates: Yorozu Tetsugoro’s Acrobats and Road under the Sun
No.397	Mar., 2009	Tsuda Tetsuei	BookReview: Onishi Makiko, Saiho-jodohen no Kenkyu [Study of Paintings of Amitabha’s WesternParadise]
No.396	Nov., 2008	Watanabe Yuji	The Context of the Juko-in Main Hall Wall Panel Paintings
No.396	Nov., 2008	Watada Minoru	A Hypothesis on the Establishment Date of Juko-in: For A Reconsideration of its Wall Panel Paintings
No.396	Nov., 2008	Takahashi Shuji	Research Note: Report on the Discovery of Torn Trousers by Fuji Gazo
No.396	Nov., 2008	Watada Minoru	Exhibition Review: Kano Eitoku Exhibition (Kyoto National Museum)
No.395	Aug., 2008	Zheng Yan	Reflections on the Problem of Audience for Han Dynasty Funerary Carved Pictorial Images
No.395	Aug., 2008	Watada Minoru	Jiboku Sôtan (Part 3)
No.395	Aug., 2008	Tanaka Atsushi	Research Note: Odaka Sen’nosuke and Kishida Ryûsei
No.395	Aug., 2008	Kobayashi Mioko	Research Note: For a Smooth Surface: A Reconsideration of Koide Narashige
No.395	Aug., 2008		Report of the Department of Research Programming
No.394	Mar., 2008	Watada Minoru	Jiboku Sôtan (Part 2)
No.394	Mar., 2008	Aizawa Masahiko	Tosa Mitsuyoshi and Large-Format Paintings
No.394	Mar., 2008	Chang Chin-sung	Between Non-Attachment and Obsession: The Collecting Culture of Late Choson Korea
No.394	Mar., 2008	Emura Tomoko	Material for Art Research: Scenes from the Tale of the Soga Brothers, Pair of Six-panel Screens by Tosa Mitsuyoshi
No.394	Mar., 2008		Index to Bijutsu Kenkyu, Nos. 389-394
No.393	Jan., 2008	Katsuki Gen'ichirô	The Reception of Amitabha Pure Land Images in Ancient Japan and Its Phases: Focusing on the True Nature of the Reception of the Horyûji Kondo Wall Painting No. 6 and the Taima Mandala and the Formation of Related Discourse
No.393	Jan., 2008	Sarai Mai	The Yakushi Triad at Daigoji and the Structures of Temple Foundation during the Early Heian Period (Part 2)
No.393	Jan., 2008	Watada Minoru	Jiboku Sôtan (Part 1)
No.393	Jan., 2008	Tanaka Atsushi	Exhibition Review: Three Early Shôwa Era Painters: Kojima Zenzaburô, Tsuruoka Masao, Ai-Mitsu
No.393	Jan., 2008	Tsuda Tetsuei	Book Review: Nedachi Kensuke, Nihon Chusei no Busshi to Shakai : Unkei to Keiha,Shichijô　Busshi wo Chûsin ni[Japanese Medieval Buddhist Sculptors and Society: Unkei, the Kei School, and the Shichijô Busshi]
No.392	Sep., 2007	Sarai Mai	The Yakushi Triad at Daigoji and the Structures of Temple Foundation during the Early Heian Period (Part 1)
No.392	Sep., 2007	Emura Tomoko	The Wealth from Birth on the Path to Becoming a Painter: The Environment Surrounding Ogata Kôrin and his Creation of Art Works
No.392	Sep., 2007	Shioya Jun	Research on Kawabata Gyokusyô -I-
No.392	Sep., 2007	Kuraya Mika	The Lower Half of the Painting: Japanese Nude Paintings from 1890 to 1945
No.392	Sep., 2007	Toda Teisuke	Exhibition Review: Urgami Gyokudô Exhibition
No.392	Sep., 2007		Reports from the Editorial Committee and the Department of Fine Arts
No.391	Mar., 2007	Chen Fangmei	Seeking the Three Dynasties among the Ritual Vessels of Old: The Sung Dynasty Shift from "Investigating Antiquity" to "Appreciating Antiquity"
No.391	Mar., 2007	Pak Eunkyung	A New Interpretation of the Food-Offering Figures in the Water-Moon Avalokitesvara Painting at Daitokuji in Kyoto
No.391	Mar., 2007	Aizawa Masahiko	Haboku Landscape and Sôen
No.391	Mar., 2007	Aoki Shigeru	Exhibition Review: Mori Ôgai and Japanese Modern Art
No.391	Mar., 2007	Tsuda Tetsuei	Material for Art Research: Copy Figures of the Central Worship Images at Zenkôji
No.390	Dec., 2006	Tanaka Atsushi	Kôki-Inshoha: Japanese Post-Impressionism around 1912
No.390	Dec., 2006	Shioya Jun	Explanation of Plates: Kikuchi Yôsai's Kannon Sutra in the Biblioteque Nationale de France
No.390	Dec., 2006	Tsuruta Takeyoshi	Explanation of the Plate: Huang Fuzhou's Shebua (Tongue Painting): Study Materials on Painting during China's Republican Period
No.390	Dec., 2006	Sarai Mai	Exhibition Review: Ko-Mikkyô: The Incipient Stages of Japanese Esoteric Buddhism
No.390	Dec., 2006	Tanaka Atsushi	Exhibition Review: Cubism in Asia: Unbounded Dialogues
No.390	Dec., 2006	Kim Hyeshin	Exhibition Review: The Cubism of Asia as Seen in Seoul's Old Palace, Cubism in Asia: Unbounded Dialogues
No.390	Dec., 2006	Hida Romi	Book Review: A Century of Chinese Sculpture Studies in Japan: Reading Ishimatsu Hinako's Buddhist Images in the Northern Wei Period
No.390	Dec., 2006	Yamanashi Emiko	Book Review: Arayashiki Toru's Grez-Sur-Loin et le Japon: Deux Artistes Japonais, Kouroda Seiki et Asai Chû
No.389	Jun., 2006	Xie Mingliang	The Appreciation of Guan Wares in Late Ming China and the Taste for Suiqi Cracked Ware
No.389	Jun., 2006	Ushiroshoji Masahiro	Public Art at an Imperial University: Aoyama Kumaji's Mural for the Engineering Department of Kyushu University
No.389	Jun., 2006	Asai Kyoko	Book Review: Yoshizawa Katsuhiro's Hakuin: Zenga no Sekai ［The World of Zen Painting]
No.389	Jun., 2006	Kitazawa Noriaki	Book Review: Living Painters, Or the Paradox of Distance: Tanaka Atsushi's Gaka no iru 'basho': Kindai NIhon Bijutsu no kisô kara[The Place of Painter: From the basic levels of Modern Japanese Painting]
No.389	Jun., 2006	Tsuda Tetsuei, Sarai Mai	SeMaterial for Art Research: Seated Wooden Bodhisattva at Hôonji, Hyôgo Prefecture
No.389	Jun., 2006	Dainobu Yuji	Material for Art Research: Kuroda Seiki's Notebook Recording his Letter Drafts and Diary for 1888 (Part III)
No.389	Jun., 2006	Tanaka Atsushi	Material for Art Research: Kuroda Seiki's Notebook recording his Letter Drafts and Diary for 1888
No.389	Jun., 2006		Reports from the Editorial Committee and the Department of Fine Arts
No.388	Feb., 2006	Christine Guth	The Loaded Language of Cross-Cultural Evaluation: Curiosities, Curios, and Japan
No.388	Feb., 2006	Kim Young-na	Lee In-sung's “Local Colors”: Nationalism or Colonialism?
No.388	Feb., 2006	Shioya Jun	Explanation of Plate: Kano Shosen'in Tabdanobu's Tatsuta Screen in the Baur Collections, Geneva
No.388	Feb., 2006	Watada Minoru	Exhibition Review: A Feeling of “Inkiness” Hard to Position in Art History: Viewing the Takada Keiho and Koizumi Ayaru Exhibition
No.388	Feb., 2006	Toda Teisuke	Exhibition Review: Sesshu and painting of the Ming Dynasty (Nezu Institute of Fine Arts)
No.388	Feb., 2006	Dainobu Yuji	Material for Art Research: Kuroda Seiki's Notebook Recording his Letter Drafts and Diary for 1888 (Part II)
No.388	Feb., 2006		Index to Bijutsu Kenkyu, Nos. 383-388
No.387	Oct., 2005	Tsuruta Takeyoshi	On Western-Style Japanese Paintings Displayed in the First National Art Exhibition Held by the Ministry of Education of the Republic China, 1929: Research on the History of Chinese Painting of the Past 100 Years --VIII--
No.387	Oct., 2005	Tanaka Atsushi	Exhibition Review: Regarding Early Showa Era Paintings
No.387	Oct., 2005	Nagoya Akira	Exhibition Review: Thoughts on the Early Sutra Copies Exhibition
No.387	Oct., 2005	Arayashiki Toru	Book Review: The Pantheon-kai Journal: A Social Meeting Ground for Japanese Students in Paris from 1900-1903
No.387	Oct., 2005	Dainobu Yuji	Material for Art Research: Kuroda Seiki's Notebook Recording his Letter Drafts and Diary for 1888 (Part I)
No.386	Jun., 2005	Watada Minoru	The Twenty-eight Patriarchs at Sofukuji: From Unkoku Toeki and Mincho to Sesshu and Bunsei
No.386	Jun., 2005	Christophe Marquet	Emmanuel Tronquois and the Mid-Meiji Era Western Painting Circles
No.386	Jun., 2005	Kobayashi Hiromitsu	Exhibition Review: Southern Song Paintings: Elegant and Noble in Soul (Nezu Institute of Fine Arts)
No.386	Jun., 2005	Omote Tomoyuki	Book Review: Changing Antiquarian Interests in the Early Meiji Era: A Review of Suzuki Hiroyuki's Antiquarian's 19th Century
No.386	Jun., 2005	Namiki Seishi	Book Review: Takagishi Akira's Power and Painting in Muromachi Japan: A Study of the Early Tosa School
No.385	Feb., 2005	Yanagisawa Taka	New Information Regarding the Yellow Acalanatha (Ki-Fudo) Painting of Onjoji: Conservation Report
No.385	Feb., 2005	Takata Osamu	Reading Yanagisawa Taka's “New Information Regarding the Yellow Acalanatha (Ki-Fudo) Painting of Onjoji”
No.385	Feb., 2005	Choe Song-geun	Research on the Stone Standing Triad at Gaetaesa Temple: The Emergence of the Newly Unified Goryeo Dynasty and Buddhist Sculpture
No.385	Feb., 2005	Toda Teisuke	Exhibition Review: Thoughts on the Rimpa Exhibition (National Museum of Modern Art, Tokyo)
No.384	Nov., 2004	Rong Xin-jiang	From Sogdia to China: The Transformation of Sogdian Zoroastrian Art during its Eastward Migration
No.384	Nov., 2004	Murakami Hiroya	The Dialectics of Self-Image: An Interpretation of Matsumoto Shunsuke's Portrait of the Artist, Standing Figure, Five People, and Three People (Part II)
No.384	Nov., 2004	Shioya Jun	Explanation of Plates: Gyoshu's Drawings of an Infant
No.384	Nov., 2004	Tsuruta Takeyoshi	Material of Art Research: Publication of the Entire Set of Exhibited Works Catalogues for the Nikka (Chunichi) Kaiga Rengo Tenrankai (The Sino-Japanese Joint Exhibitions of Paintings): Research on the History of Chinese Painting of the Past 100 Years --VII, Continued--
No.383	Aug., 2004	Tsuruta Takeyoshi	Regarding the Nikka (Chunichi) Kaiga Rengo Tenrankai (The Shino-Japanese Joint Exhibitions of Paintings): Research on the History of Chinese Painting of the Past 100 Years --VII--
No.383	Aug., 2004	Murakami Hiroya	The Dialectics of Self-Image: An Interpretation of Matsumoto Shunsuke's Portrait of the Artist, Standing Figure, Five People, and Three People (Part I)
No.383	Aug., 2004	Suzuki Hiroyuki	Research Note: W. Anderson’s “A History of Japanese Art” (1879)
No.382	Mar., 2004	Shih Shou-chien	The Spirit of Immortals: Chen Zihe and the Taoist Ink Painting during the Ming Dynasty
No.382	Mar., 2004	Tsuda Tetsuei	Explanation of Plates: A Portrait of Honen Shonin at Chion-in, Kyoto
No.382	Mar., 2004	Tanaka Atsushi	Exhibition Review: Aoki Shigeru and Romanticism in Modern Japanese Art
No.382	Mar., 2004		Index to Bijutsu Kenkyu, Nos. 377-382
No.381	Mar., 2004	Watada Minoru	Sesshu in China: Unique Experiences for a Monk-Painter
No.381	Mar., 2004	Hayashi Yoko	The Peripatetic Artist Foujita Tsuguharu: Discovering America after Japan and France
No.381	Mar., 2004	Asano Toru	Book Review: Memories and Records: Reading Kimura Shohachi Diaries, Meiji Volume, Annotation and Research
No.380	Mar., 2004	Editorial Committee	New Editorial Policies
No.380	Mar., 2004	Hong Sun-pyo	The Realm of “Self-Pleasure” and “Depicting Thoughts”: Creative Trends and Painting Production Amongst Yeohang Munin during the Late Choson Period
No.380	Mar., 2004	Tanaka Atsushi	Research Note: Aoki Shigeru and Kishida Ryusei
No.379	Mar., 2003	Suzuki Hiroyuki	Koji Junrei (A Pilgrimage to Old Temples) by Watsuji Tetsuro: A Pervasive Aesthetic
No.379	Mar., 2003	Shioya Jun	Explanation of Plates: Painting Albums in the Collection of the Kunsthistorisches Museum, Vienna
No.378	Mar., 2003	Tsuda Tetsuei	Thoughts on the Komyo Honzon Sacred Light Buddhist Inscription
No.378	Mar., 2003	Yamanashi Emiko	Material for Art Research: The Kawahara Keiga Painting Archives in the Kunstkamera, Peter the Great Museum of Anthropology and Ethnography, St. Petersburg
No.377	Feb., 2003	Shioya Jun	The Road to “the Ideal Painting”: After Hashimoto Gaho's Dragon and Tiger
No.377	Feb., 2003	Kikuya Yoshio	Thoughts on the Sango-kai
No.377	Feb., 2003	Kikuya Yoshio, Shioya Jun eds.	Material for Art Research: Compilation of Materials Related to the Sango-kai
No.376	Mar., 2002	Shimao Arata	Research on Sesshu Toyo (4): Information Gleaned from the Autumn and Winter Landscape
No.376	Mar., 2002	Shirono Seiji	The Formation and Use of Infra-red Images
No.376	Mar., 2002	Nakano Teruo	Explanation of Plate: Hungry Ghosts, The Kannonkyo-ji, Chiba
No.376	Mar., 2002	Kikuya Yoshio, Shioya Jun eds.	Material for Art Research: Compilation of Materials Related to the Sango-kai
No.376	Mar., 2002		Index to Bijutsu Kenkyu, Nos. 371-376
No.375	Mar., 2002	Tsuda Tetsuei	Shinran's Face: Preliminary Research on Shinshu Sect Portrait Sculpture from Japan's Medieval Period
No.375	Mar., 2002	Nagai Takanori	Cezannism in Japan: The Aesthetic Roots of 1920s Japan's Personalist Interpretation of Cezanne and the Context of Thought and Artistic Creation Related to the Formation of this Interpretation
No.374	Feb., 2002	Cho Sum-mie	The Portrait Paintings of the Choson Dynasty: Categories and Social Function
No.374	Feb., 2002	Tanaka Atsushi	Koki-Inshoha: Japanese Post-Impressionism around 1912 (III of Second Series)
No.373	Mar., 2000	Okada Ken	Research on Dharma-cakra Mudra Amitabha Images in the Early Tang Dynasty
No.373	Mar., 2000	Ide Seinosuke	Material for Art Research: Introduction to Jianxin Laifu’s Dangyouji (With a Brief Chronology of Jianxin Laifu)
No.372	Mar., 1999	Shimao Arata	Research on Sesshu Toyo (3): Information Gleaned from the Autumn and Winter Landscape
No.372	Mar., 1999	Tanaka Atsushi	Koki-Inshoha: Japanese Post-Impressionism around 1912 (II of Second Series)
No.371	Mar., 1999	Tamamushi Satoko	Transitions in the Image of Korin -- 1815-1915
No.371	Mar., 1999	Okada Ken	Toji’s Bishamonten Image: Thoughts on the Traditional Belief that the Image was Installed in the Rajomon Gate and its Dating (Second Half)
No.370	Mar., 1998	Okada Ken	Toji’s Bishamonten Image: Thoughts on the Traditional Belief that the Image was Installed in the Rajomon Gate and its Dating
No.370	Mar., 1998	Matsuura Masaaki	The Transmission to Japan of the Bishamonten Doctrine and the Bishamonten Statue Enshrined on the Rajomon Gate
No.370	Mar., 1998		Index to Bijutsu Kenkyu, Nos. 365-370
No.369	Mar., 1998	Tanaka Atsushi	Koki-Inshoha: Japanese Post-Impressionism around 1912 (First Half of Second in a Series of Three)
No.369	Mar., 1998	Tsuruta Takeyoshi	Chinese Art Students in Europe: Research on the History of Chinese Painting of the Past 100 Years --VI--
No.368	Dec., 1997	Tanaka Atsushi	Koki-Inshoha: Japanese Post-Impressionism around 1912 (Part I)
No.368	Dec., 1997	Okada Ken	Explanation of the Plates: Standing Buddha, Komyoji, Nara
No.367	Mar., 1997	Arayashiki Toru	Seiki Kuroda in Grez-sur-Loing: His Friendship with William Blair Bruce and Caroline Benedicks Bruce
No.367	Mar., 1997	Tsuruta Takeyoshi	Chinese Art Students in Japan: Research on the History of Chinese Painting of the Past One Hundred Years (Part V)
No.367	Mar., 1997	Shimao Arata	Explanation of the Plates: Two Landscape Handscrolls in the Xia Gui Style
No.366	Feb., 1997	Andrew M. Watsky	Memorializing Sutemaru: Regarding the Moya of the Tsukubushima Sanctuary Main Hall
No.366	Feb., 1997	Okada Ken	Material for Art Research: Buddhist Sculptures of Huangshi-ya (Yellow-stone) Cliff in Licheng, Shandong
No.365	Oct., 1996	Tsuruta Takeyoshi	Art Education in the Late Qing Dynasty and Early Chinese Republic Period
No.365	Oct., 1996	Ide Seinosuke	Explanation of the Plates: The Putuoloushan-shengjingtu at Joshoji, Nagano
No.364	Mar., 1996	Nakano Teruo	Chinese Style Paintings in the Kucha Region
No.364	Mar., 1996	Miyazaki Noriko	The Iconography of Chinese Bird and Flower Painting: The Reception of and Hidden Meanings in Fish in Duckweed, Waterfowl in Lotus Pond, and Insects in Grass
No.364	Mar., 1996	Ueno Kenzo	Material for Art Research: Newspaper Articles Related to the Hakuba-kai
No.364	Mar., 1996		Index to Bijutsu Kenkyu, Nos. 359-364
No.363	Jan., 1996	Miyazaki Noriko	The Iconography of Chinese Bird and Flower Painting: The Reception of and Hidden Meanings in Fish in Duckweed, Waterfowl in Lotus Pond, and Insects in Grass
No.363	Jan., 1996	Shimao Arata	Painting as Document: The Image and Poem of Wang Xizhi Writing on a Fan
No.363	Jan., 1996	Tsuruta Takeyoshi	Concerning Tao Lengyue (Complement)
No.363	Jan., 1996	Tanaka Atsushi	Explanation of the Plates: Study of Face by Sogame Hirotaro
No.362	Mar., 1995	Ide Seinosuke	A Koryo Painting of Amida and the Fugen Gyogan-bon
No.362	Mar., 1995	Tani Akira	Material for Art Research: Paintings Mentioned in Tea Ceremony Diaries
No.361	Mar., 1995	Suzuki Hiroyuki	Paintings Crossing Sea Borders: The Significance of “Kara-e” in Fifteenth-century East Asia
No.361	Mar., 1995	Hiroi Yuichi	Hyogo-kusari and Nagafukurin Swords: Their Date of Production: Focussing on the Swords at Itukushima Shrine
No.361	Mar., 1995	Tsumori Atsuo, Nakamura Setsuko	Material for Art Research: List of Catalogues of Auctions for All of Japan
No.360	Oct., 1994	Okada Ken	The Gongxian Grottoes and Early Tang Dynasty Sculptural Style
No.360	Oct., 1994	Maribeth Graybill	Painting as Family Business: The Rhetoric of Style in Portraiture by Nobuzane and His Heirs
No.360	Oct., 1994	Tsumori Atsuo, Nakamura Setsuko	Material for Art Research: List of Catalogues of Auctions for All of Japan
No.359	Mar., 1994	Nagaoka Ryusaku	The Topology of the Standing Image of Yakushi-Nyorai of Jingoji: The Mountain and Yakushi in the Early Heian Period
No.359	Mar., 1994	Tsuruta Takeyoshi	Explanation of the Plates: Papier Colle Works by Yang Weiquan
No.359	Mar., 1994	Yokomizo Hiroko	Material for Art Research: Draft for Japanese Catalogue of Vienna Universal Exhibition (Section of Arts and Crafts, Part III)
No.358	Dec., 1993	Suzuki Hiroyuki	The Reception and Reproduction of Eight Views of the Xiao and Xiang Rivers: Paintings’ Milieu in the Fifteenth Century
No.358	Dec., 1993	Tsuruta Takeyoshi	Concerning Tao Lagyue: A Study of Chinese Painting in the Past One Hundred Years (Part III)
No.358	Dec., 1993	Yokomizo Hiroko	Material for Art Research: Draft for Japanese Catalogue of Vienna Universal Exhibition (Section of Arts and Crafts, Part II)
No.358	Dec., 1993		Index to Bijutsu Kenkyu, Nos. 353-358
No.357	Jul., 1993	Okada Ken, Ishimatsu Hinako	A Study of the Robes of Buddha Images in the Period of the Northern and Southern Dynasties (Part II)
No.357	Jul., 1993	Sato Doshin	Painting and Language (Part II): Artists’ “Gago (Elegant Pseudonym)” and Ideal World View
No.357	Jul., 1993	Yamanashi Emiko	Explanation of the Plates: Koyama Shotaro “Autumn Landscape”
No.357	Jul., 1993	Yokomizo Hiroko	Material for Art Research: Draft for Japanese Catalogue of Vienna Universal Exhibition (Section of Arts and Crafts, Part I)
No.356	Mar., 1993	Okada Ken, Ishimatsu Hinako	A Study of the Robes of Buddha Images in the Period of the Northern and Southern Dynasties (Part I)
No.356	Mar., 1993	Shimao Arata	A Study of Sesshu Toyo (Part II): Painters Described in the Gozan Literature
No.356	Mar., 1993	Nakano Teruo	Explanation of the Plates: On Two “Ksitigarbha with the Ten Kings of Hell” Paintings
No.355	Jan., 1993	Aizawa Masahiko	A Short Study on Maejima Soyu: A Report on the Newly Discovered Farming Scenes of the four Seasons Screen
No.355	Jan., 1993	Ide Seinosuke	On Lu Xinzhong: Historical Changes in Nirvana Paintings (Part II)
No.355	Jan., 1993	The Modern and Contemporary Japanese Art Section	Material for Art Research: Hakuba-kai (White Horse Society) Exhibition Catalogues (Part II)
No.354	Sep., 1992	Nagasaka Ichiro	The Establishment of Jinguji Temples and the Significance of Their Principal Icons: Taking a Clue from the Motive for Making the Jingoji Yakushi
No.354	Sep., 1992	Ide Seinosuke	On Lu Xinzhong: Historical Changes in Nirvana Paintings
No.354	Sep., 1992	The Modern and Contemporary Japanese Art Section	Material for Art Research: The Modern and Contemporary Japanese Art Section: Hakuba-kai (White Horse Society) Exhibition Catalogues (Part I)
No.353	Mar., 1992	Inoue Kazutoshi	Worship of the Nyoirin Kannon (Cintamani-cakra Avalokitesvara) in Nara Period and its Sculpture: Focusing on the Statue at Ishiyama-dera
No.353	Mar., 1992	Sato Doshin	Painting and Language (Part I): “Ga (Chinese Style Painting)” and “Kanji (Chinese Characters)”
No.353	Mar., 1992	Yamanashi Emiko	Explanation of the Plates: Studies for “The End of the Day” by Kuroda Seiki
No.353	Mar., 1992	Miyake Hisao	Material for Art Research: Report of Research on Japanese Art Works in Western Collections: Sitting Amitabha, The Metropolitan Museum of Art
No.353	Mar., 1992	Soejima Hiromichi	Material for Art Research: Report of Research on Japanese Art Works in Western Collections: Sitting Ksitigarbha, The Metropolitan Museum of Art
No.353	Mar., 1992	The Modern and Contemporary Japanese Art Section	Material for Art Research: The Whereabouts of Literary Materials of Expositions (Part II)
No.352	Feb., 1992	Suzuki Hiroyuki	Value and Acceptance of Painting: Through the Study of Shoji-painting at Shosenken at Shokokuji-temple, Muromachi Period
No.352	Feb., 1992	Nagaoka Ryusaku	“Patterns of Form” in Buddhist Sculpture and Their Transmission: A Study of Early Heian Bodhisattva Sculpture
No.352	Feb., 1992	Yonekura Michio	Explanation of the Plates: Utatane-zoshi Kept by National Museum of Japanese History
No.352	Feb., 1992	Tsuruta Takeyoshi	Material for Art Research: National Art Exhibitions after Liberation: A Study of History of Chinese Painting in the Past One Hundred Years Part II (Supplement II)
No.352	Feb., 1992		Index to Bijutsu Kenkyu, Nos. 347-352
No.351	Jan., 1992	Nagaoka Ryusaku	“Patterns of Form” in Buddhist Sculpture and Their Transmission: A Study of Early Heian Bodhisattva Sculpture
No.351	Jan., 1992	Shimao Arata	A Study of Sesshu Toyo (Part I): The Artist’s Tactics in the Spread of his Image
No.351	Jan., 1992	Miyake Hisao	Material for Art Research: Standing Figures of Amitabha Triad by Kaikei at Kodai-in
No.351	Jan., 1992	Tsuruta Takeyoshi	Material for Art Research: National Art Exhibitions after Liberation: A Study of History of Chinese Painting in the Past One Hundred Years Part II (Supplement I)
No.350	Mar., 1991	Miwa Hideo	Seiki Kuroda and “Compositions”: “Talk on Ancient Romance” and Others
No.350	Mar., 1991	Sato Doshin	Japanese Art of the Meiji Period and Its Administration
No.350	Mar., 1991	Tsuruta Takeyoshi	Material for Art Research: National Art Exhibitions after Liberation: A Study of History of Chinese Painting in the Past One Hundred Years Part II)
No.349	Mar., 1991	Yamanashi Emiko	Western Literature and the Works by Seiki Kuroda
No.349	Mar., 1991	Tsuruta Takeyoshi	Nationwide Art Exhibitions during the Republic Period: A Study of History of Chinese Painting in the Past One Hundred Years (Part I)
No.349	Mar., 1991	Yamanashi Emiko	Explanation of the Plates: “Portrait of Widow” by Takeshiro Kanokogi (1912, Kyoto Municipal Art Museum)
No.348	Aug., 1990	Takeda Koichi	Taiga Ikeno’s Utilization of Illustrated Books
No.348	Aug., 1990	Takeda Koichi	Explanation of Plate: “Finger-painting Landscape” by Taiga Ikeno (1745, Yamatane Art Museum, Tokyo)
No.348	Aug., 1990	Miwa Hideo	Explanation of Plates: “Girl: Yukiko, Eleven Years Old” by Seiki Kuroda (1899, Tokyo National Research institute of Cultural properties)
No.348	Aug., 1990	The Modern and Contemporary Japanese Art Section	Material for Art Research: The Whereabouts of Literary Materials of Expositions
No.347	Mar., 1990	Shimbo Toru	Kitano Honji E with Ink Drawings
No.347	Mar., 1990	Sugano Yoh	Anatomical Etching Series by Michihei Motoki “Shinkei Ketsuraku Kaigen Zu” and Tabulae Anatomicae by Eustachius
No.347	Mar., 1990	Sekiguchi Masayuki	Explanation of Plates: “Nirvana” kept by the Chohoji, Osaka
No.346	Mar., 1990	Kato Hideyui	Problems of Identification of Portrayed Warriors: The Cases of “Takeda Shingen” and “Nawa Nagatoshi (?),” both by Hasegawa Nobuharu, “Ashikaga Takauji” and “Ashikaga Yoshihisa” (Part II)
No.346	Mar., 1990	Yamanashi Emiko	Material for Art Research: Letters of Takeshiro Kanokogi Written during His Stay in the West (Part III)
No.346	Mar., 1990	Ide Seinosuke	Explanation of Plates: “Nirvana” Kept by the Gokurakuji, Kagawa
No.346	Mar., 1990		Index to Bijutsu Kenkyu, Nos. 341-346
No.345	Nov., 1989	Kato Hideyui	Problems of Identification of Portrayed Warriors: The Cases of “Takeda Shingen” and “Nawa Nagatoshi (?),” both by Hasegawa Nobuharu, “Ashikaga Takauji” and “Ashikaga Yoshihisa” (Part I)
No.345	Nov., 1989	Sato Doshin	Transformation of Ink Painting (Continuation)
No.345	Nov., 1989	Yamanashi Emiko	Material for Art Research: Letters of Takeshiro Kanokogi Written during His Stay in the West (Part II)
No.344	Mar., 1989	Sato Doshin	Transformation of Ink Painting: With Special Reference to Two Works in Fenollosa and Bigelow Collections
No.344	Mar., 1989	Sekiguchi Masayuki	“Eight Phases of the Life Sakyamuni” Owned by the Jikoji, Hiroshima (Part V)
No.344	Mar., 1989	Yamanashi Emiko	Material for Art Research: Letters of Takeshiro Kanokogi Written during His Stay in the West (Part I)
No.344	Mar., 1989	Sekiguchi Masayuki	Explanation of Plates: “Nirvana” Painting Owned by the Fumonji, Chiba
No.343	Feb., 1989	Inoue Kazutoshi	Amitabha Statues with Curled Hair and Crown
No.343	Feb., 1989	Ide Seinosuke	Portraits of Chung-Feng Ming-Pen with Autograph Inscription
No.343	Feb., 1989	Suzuki Hiroyuki	Explanation of Plates: “Amitabha Triad” by Nobukiyo Kato, Kongoji, Tokyo
No.342	Mar., 1988	Tsuruta Takeyoshi	An Aspect of Ch’ing Period Bird-and-Flower Painting as Seen from Works of Painters who Came to Japan
No.342	Mar., 1988	Yonekura Michio	Descendants of Nobuzane Fujiwara (Part I)
No.342	Mar., 1988	Miwa Hideo	Kaneyuki Hyakutake and His Work “Pietro Micca”
No.342	Mar., 1988	Wen C. Fong	The Study of Chinese Painting in the West
No.341	Feb., 1988	Kamiya Eiko	Two Wartime Coats Handed Down by Katakura Family (Part I)
No.341	Feb., 1988	Tsuruta Takeyoshi	Material for Art Research: Letters of Tetsuo and Letters to Tetsuo
No.341	Feb., 1988	Matsushima Ken	Explanation of Plates: The Main Image in the Ishiyamadera Pagoda Carved by Kaikei
No.340	Nov., 1987	Sato Doshin	Again on the Kangakai
No.340	Nov., 1987	Miya Tsugio	Material for Art Research: Illustrated Stories of Hachiman Daibosatsu and Illustrated Stories of Hachimangu (Appendix II)
No.340	Nov., 1987	Sekiguchi Masayuki	Explanation of Plates: “Lotus Sutra Paintings” in the Tomioka Art Museum
No.340	Nov., 1987		Index to Bijutsu Kenkyu, Nos. 335-340
No.339	Mar., 1987	Suzuki Hiroyuki	Study of the Original Usage of the Partition Paintings in Rinshunkaku of Sankeien
No.339	Mar., 1987	Yonekura Michio	“Illustrated Biography of Priest Honen” and Pictorialization of Stories Concerning Lotus Sutra Belief
No.339	Mar., 1987	Miya Tsugio	Material for Art Research: Illustrated Stories of Hachiman Daibosatsu and Illustrated Stories of Hachimangu (Appendix I)
No.338	Mar., 1987	Shimao Arata	“Kakinomoto no Hitomaro” Owned by the Tokiwayama Bunko
No.338	Mar., 1987	Suzuki Hiroyuki	To Depict the Camel: “Camels” by Maruyama Oshin
No.338	Mar., 1987	Yamanashi Emiko	“View of Takanawa Ushimachi under the Hazy Moon” by Kobayashi Kiyochika: Influence of American Art in Meiji Era (Part I)
No.337	Feb., 1987	Nakae Akira, Miwa Hideo	Harada Naojiro and “Historical” Paintings (Part I)
No.337	Feb., 1987	Miya Tsugio	“Hoto Mandara” Transcribed in Gold Pigment Owned by the Myohoji
No.337	Feb., 1987	Yanagisawa Taka	Paintings Depicting the Lives of Eight Patriarchs of Shingon Sect, Originally Owned by the Eikyuji (Part V)
No.337	Feb., 1987	Shimada Shujiro	Jih-kuan and the Ink Painting of Grapes
No.336	Mar., 1987	Miyake Hisao	Sculptor Gyokai and His Works
No.336	Mar., 1987	Miya Tsugio	Illustrated Stories of Hachiman Daibosatsu and Illustrated Stories of the Hachimangu (Part III)
No.336	Mar., 1987	Kamiya Eiko	Repairs and Restorations of Three Dogi Shirts Handed Down by the Rinnoji, Nokko (Part II)
No.335	Feb., 1987	Akiyama Terukazu	Identification and Stylistic Analysis of a 13th Century Illustration from the “Tale of Ise”: Prince Koretaka’s Hermitage at Ono in the Snow
No.335	Feb., 1987	Miya Tsugio	Illustrated Stories of Hachiman Daibosatsu and Illustrated Stories of the Hachimangu (Part II)
No.335	Feb., 1987	Shimao Arata	Study of “Catching a Catfish with a Gourd”: The Meaning of “Novel Mode” in the Inscription by Daigaku Shusu
No.334	Jan., 1986	Kamiya Eiko	Repairs and Restorations of Three Dogi Shirts Handed Down by the Rinnoji, Nokko (Part I)
No.334	Jan., 1986	Miyake Hisao	Problems in Connection with the Standing Figure of Amitabha in the Gyokkeiji
No.334	Jan., 1986	Sakakida Emiko [Yamanashi Emiko]	Material for Art Research: Evaluation of Japanese Art in the United States from the Late Nineteenth Century to the Early Twentieth Century
No.334	Jan., 1986	Tsuruta Takeyoshi	Material for Art Research: Bibliographical Introduction to Current Chinese Periodicals on Art (Part III)
No.334	Jan., 1986	Miwa Hideo	Explanation of the Plate: Study for “Susanoo no Mikoto Slaying the Serpent” by Harada Naojiro (1895, The Okayama Prefectural Cultural Center)
No.334	Jan., 1986		Index to Bijutsu Kenkyu, Nos. 329-334
No.333	Sep., 1985	Miya Tsugio	Illustrated Stories of Hachiman Daibosatsu and Illustrated Stories of the Hachimangu (Part I)
No.333	Sep., 1985	Sekiguchi Masayuki	“Eight Phases of the Life Sakyamuni” Owned by the Jikoji, Hiroshima (Part IV)
No.333	Sep., 1985	Miya Tsugio	Material for Art Research: Yugyo Shonin Engi E in Eifukuji
No.333	Sep., 1985	Suzuki Hiroyuki	Material for Art Research: Kaikoku Michi no Ki (Part III)
No.333	Sep., 1985	Tsuruta Takeyoshi	Material for Art Research: Bibliographical Introduction to Current Chinese Periodicals on Art (Part II)
No.332	Jun., 1985	Yanagisawa Taka	Paintings Depicting the Lives of Eight Patriarchs of Shingon Sect Originally Owned by the Eikyuji (Part IV)
No.332	Jun., 1985	Yonekura Michio	Material for Art Research: The Muryokoji Version of Shui Kotokuden E
No.332	Jun., 1985	Kamiya Eiko	Material for Art Research: Repairs and Replicas of the Dobuku of Komon Design Handed Down by the Katakura Family
No.332	Jun., 1985	Tsuruta Takeyoshi	Material for Art Research: Bibliographical Introduction to Current Chinese Periodicals on Art (Part I)
No.331	Mar., 1985	Miyajima Shin’ichi	Recepience of “Demon Annihilation” Painting in Japan
No.331	Mar., 1985	Tamura Etsuko	The Bokka-juku’s Memoranda of Works of Calligraphy and Pictorial Art, Chinese and Japanese, by Asano Baido, Edited from the Original Text, with Explanatory Notes
No.330	Dec., 1984	Ikawa Kazuko	Seryoji-Type Sakyamuni Images in Ehime Prefecture
No.330	Dec., 1984	Sugano Yoh	Etchings by Denzen Aodo and Dutch Map Book Nieuwe Atlas (Part II)
No.330	Dec., 1984	Tamura Etsuko	Material for Art Research: The Bokka-juku’s Memoranda of Works of Calligraphy and Pictorial Art, Chinese and Japanese, by Asano Baido, Edited from the Original Text, with Explanatory Notes
No.330	Dec., 1984	Sekiguchi Masayuki	Explanation of Plates: A “Skanda” Painting in the Possession of the Sennyuji
No.329	Sep., 1984	Sato Doshin	Late Landscapes of Hogai Kano and Western Painting
No.329	Sep., 1984	Sugano Yoh	Etchings by Denzen Aodo and Dutch Map Book Nieuwe Atlas (Part I)
No.329	Sep., 1984	Suzuki Hiroyuki	Material for Art Research: Kaikoku Michi no Ki (Part II)
No.328	Jun., 1984	Ebine Toshiro	On the Group of Figure Paintings Titled “Lu Tung-pin”: Transfiguration of the Image
No.328	Jun., 1984	Miwa Hideo	On “Wisdom, Impression, Sentiment” by Seiki Kuroda
No.328	Jun., 1984	Suzuki Hiroyuki	Explanation of Plates: “Po-i and Shu-ch’i” Attributed to Eitoku Kano (Private Collection, Yamagata)
No.328	Jun., 1984		Index to Bijutsu Kenkyu, Nos. 323-328
No.327	Mar., 1984	Egami Yasushi	Ornamentation of the Indigo-paper Lotus Sutra with Silver Text in the Possession of the Enryakuji
No.327	Mar., 1984	Ikawa Kazuko	The Seiryoji Type Sakyamuni Images in Western Japan (Part II)
No.327	Mar., 1984	Suzuki Hiroyuki	Material for Art Research: Kaikoku Michi no Ki (Part I)
No.326	Dec., 1983	Tamura Etsuko	Notes on the In-no-Dainagon Picture-scroll
No.326	Dec., 1983	Miya Tsugio	Frontispieces in Sung and Yuan Printed Lotus Sutra (Part II)
No.326	Dec., 1983	Yanagisawa Taka	Explanation of Plates: Painting of Samantabhadra Kept by the Agency for Cultural Affairs
No.325	Sep., 1983	Miyajima Shin’ichi	Kuan-yin-ching Painting Owned by the Hondoji
No.325	Sep., 1983	Shimbo Toru	Narikane Version of the Handscroll Painting of Thirty-six Celebrated Poets
No.325	Sep., 1983	Miya Tsugio	Frontispieces in Sung and Yuan Printed Lotus Sutra (Part I)
No.325	Sep., 1983	Sato Doshin	Explanation of Plate: “Rocks” by Hogai Kano (Tokyo National University of Fine Arts and Music)
No.324	Jun., 1983	Ikawa Kazuko	The Seiryoji Type Sakyamuni Images in Western Japan (Part I)
No.324	Jun., 1983	Yonekura Michio	On the Rin’a Version of the Pictorial Biography of Priest Honen
No.324	Jun., 1983	Tsuruta Takeyoshi	Lu Hsueh-ku and Hu T’ieh-mei: Study of Chinese Painters Who Came to Japan in the Meiji Era
No.324	Jun., 1983	Kamiya Eiko	Striped Ramie Haori Used by Tsunanari Tokugawa
No.323	Mar., 1983	Akiyama Terukazu	The Hokke-do Kompon-Mandara: An Examination of Its Composition and Stylistic Techniques
No.323	Mar., 1983	Shimbo Toru	Handscroll painting of Thirty-six Celebrated Poets with Text Attributed to Fujiwara no Tamesuke
No.322	Dec., 1982	Yanagisawa Taka	A Mahamayuri Painting with Exceptional Iconography
No.322	Dec., 1982	Miya Tsugio	Material of Art Research: Illustrated Handscrolls of the Life of Priest Saigyo in Hakubyo Drawing
No.322	Dec., 1982		Index to Bijutsu Kenkyu, Nos. 317-322
No.321	Sep., 1982	Sugano Yoh	Dutch Book Konstkabinet and Hakuin’s “Oranda Dohan-e-ho”
No.321	Sep., 1982	Sekiguchi Masayuki	“Eight Phases of the Life Sakyamuni” Owned by the Jikoji, Hiroshima (Part III)
No.321	Sep., 1982	Miwa Hideo	Shinkuro Kunisawa’s Career as Painter and His Works
No.321	Sep., 1982	Kuno Takeshi	Explanation of Plate: Standing Avalokitesvara Unearthed near the Musashi-Kokubunji Site
No.321	Sep., 1982	Miwa Hideo	Explanation of Plate: “Goose” by Noriaki Iwahashi (Mie Prefectural Art Museum)
No.320	Jun., 1982	Egami Yasushi	Ornamentation Painting of the Wakanroeishu Manuscript Transcribed by Fujiwara no Koreyuki
No.320	Jun., 1982	Tamura Etsuko	Shinran’s Calligraphy: With Special Reference to the Kyo Gyo Shin Sho (Part II)
No.320	Jun., 1982	Egami Yasushi	Material for Art Research: Platform for Unrolling the Illustrated Handscrolls of the Miraculous Stories of Kasuga Shrine
No.319	Mar., 1982	Tsuruta Takeyoshi	Study of a Chinese Painter Who Came to Japan in the Early Meiji Period: Wang Yin
No.319	Mar., 1982	Suzuki Hiroyuki	“Hokoku Festival” Attributed to Matabei Iwasa: Variations of Themes in Genre Painting (Part I)
No.319	Mar., 1982	Sekiguchi Masayuki	“Eight Phases of the Life Sakyamuni” Owned by the Jikoji, Hiroshima (Part II)
No.319	Mar., 1982	Tsuruta Takeyoshi	Material for Art Research: “Myna Bird” by Niu-shih-hui
No.318	Jan., 1982	Ikawa Kazuko	Sculpture of Sakyamuni in Nirvana
No.318	Jan., 1982	Tamura Etsuko	Shinran’s Calligraphy: With Special Reference to the Kyo Gyo Shin Sho (Part I)
No.317	Jul., 1981	Tamura Etsuko	How Poems Are Inserted in Prose in Japanese Written Literature
No.317	Jul., 1981	Sekiguchi Masayuki	“Eight Phases of the Life Sakyamuni” Owned by the Jikoji, Hiroshima (Part I)
No.316	Jan., 1981	Yonekura Michio	On the “Pictorial Biography of Priest Honen” in Hanging-scroll Form in the Saidoji, Mie
No.316	Jan., 1981	Kamiya Eiko	Four Kosode in Kishu Toshoku Shrine Said to Have Been used by Ieyasu Tokugawa: Research Report of Textile Works in Kishu Toshogu Shrine (Part II)
No.316	Jan., 1981	Seki Chiyo	Material for Art Research: Drawings of Hogai Kano (Part II)
No.316	Jan., 1981		Index to Bijutsu Kenkyu, Nos. 311-316
No.315	Dec., 1980	Kuno Takeshi	Birth of Asuka Period Buddhist Sculpture
No.315	Dec., 1980	Tsuruta Takeyoshi	I Fu-chiu and Li Yung-yun: Study of Chinese Painters Who Came to Japan in Edo Period
No.315	Dec., 1980	Kagesato Tetsuro	Explanation of the Plates: “Meandering Thoughts of Death” by Shoji Sekine
No.314	Sep., 1980	Egami Yasushi	Newly Recovered Illustrated Indigo-paper Sutra Set Owned by the Kongoshoji
No.314	Sep., 1980	Tsuruta Takeyoshi	Chin Pin: Study of Chinese Painters Who Came to Japan in the Edo Period
No.313	Mar., 1980	Miya Tsugio	Otogi-zoshi and Mitsunobu Tosa: With Special Reference to the Nezumi Soshi
No.313	Mar., 1980	Ueno Aki	Preaching Scene Murals of the Cave of Maya, the Third Area, Kizil (Part I): Study of Central Asian Murals Collected by A. von Le Coq (Part II)
No.313	Mar., 1980	Ikawa Kazuko	Material for Art Research: Vajradhara Statues by Master Buddhist Sculptor Insho Owned by Chuzenji, Kyoto
No.313	Mar., 1980	Matsubara Saburo	Explanation of Plates: Northern Wei Standing Avalokitesvara Image Dated 484 (Private Collection)
No.313	Mar., 1980	Kagesato Tetsuro	Explanation of the Plate: “Costume of a Doll” by Yoshimatsu Goseda (Private Collection)
No.312	Feb., 1980	Tsuruta Takeyoshi	Study of Chinese Painters Who Came to Japan in the Edo Period: Ts’ai Chien, Hsieh Shih-chung and Wan Ku-shan
No.312	Feb., 1980	Ueno Aki	Preaching Scene Murals of the Cave of Maya, the Third Area, Kizil (Part I): Study of Central Asian Murals Collected by A. von Le Coq (Part II)
No.312	Feb., 1980	Egami Yasushi	Material for Art Research: Cover Paintings of Bommokyo Scrolls Handed Down by the Horyuji
No.311	Oct., 1979	Miwa Hideo	Pictures of “Bodhidharma” in Western Painting Style
No.311	Oct., 1979	Kamiya Eiko	Old Costumes in Kishu Toshogu Shrine (Part III): Research Report of Old Costumes in Kishu Toshogu Shrine (Part I)
No.311	Oct., 1979	Seki Chiyo	Material for Art Research: A Letter of Hogai Kano
No.310	Jun., 1979	Kuno Takeshi	Donors and Artists of Small Gilt Bronze Buddhist Images in the Asuka-Hakuho Period
No.310	Jun., 1979	Kamiya Eiko	Old Costumes in Kishu Toshogu Shrine (Part II): Research Report of Old Costumes in Kishu Toshogu Shrine (Part I)
No.310	Jun., 1979	Tsuji Nobuo	Material for Art Research: Sketches of Birds Originally Painted by Tan-yu Kano and Copied by Tomin Noda
No.310	Jun., 1979	Ariga Yoshitaka	Material for Art Research: A Newly Found Dated Inscription in the Painting Set of Five Great Vidyarajas Owned by Kibutuji
No.310	Jun., 1979		Index to Bijutsu Kenkyu, Nos. 305-310
No.309	Feb., 1979	Egami Yasushi	Ornamentation of Indigo-paper Lotus Sutra with Gold-and-silver Text in the Possession of the Enryakuji
No.309	Feb., 1979	Kuno Takeshi	Donors and Artists of Small Gilt Bronze Buddhist Images in the Asuka-Hakuho Period
No.308	Oct., 1978	Ueno Aki	Mural Paintings from the “Cave of the Japanese” of Kizil: Study of Central Asian Murals Collected by A. von Le Coq (Part I)
No.308	Oct., 1978	Tamura Etsuko	Kyo-ka Jo: Fujiwara no Sari’s Letter: Is the Unit for Kure Timber “Zai” or “Son”?
No.307	Sep., 1978	Shimbo Toru	Newly Found Version of Illustrated Handscrolls of the Heiji War
No.307	Sep., 1978	Tamura Etsuko	Explanation of Plate: Fragmentary Text of the Illustrated Handscrolls of Genji Monogatari (Tenri-Matsunaga Version)
No.307	Sep., 1978	Tsuruta Takeyoshi	Material of Art Research: Index to Chinese Painters of the Last One Handled Years (Part IV)
No.306	Mar., 1977	Kagesato Tetsuro	Keiga Kawahara, a Painter of Nagasaki
No.306	Mar., 1977	Sekiguchi Masayuki	Bodhisattva Painted on the Four Columns in the Saimyoji Three Storied Pagoda (Continuation)
No.306	Mar., 1977	Kamiya Eiko	Old Costumes in Kishu Toshogu Shrine (Part I): Research Report of Old Costumes in Kishu Tosyogu Shrine (Part I)
No.305	Mar., 1977	Miya Tsugio	Scroll Painting of Miraculous Stories of Nandikesvara
No.305	Mar., 1977	Yonekura Michio	On Nobuzane Fujiwara
No.305	Mar., 1977	Akiyama Terukazu	Material of Art Research: A Newly-discovered Fragment of the “Early Ferns” (Sawarabi) Chapter from The Tale of Genji with Black-and-White Illustrations
No.304	Mar., 1977	Kawakami Kei	Painting Activity of Wang Chien (Part I)
No.304	Mar., 1977	Yanagisawa Taka	Paintings Depicting the Lives of Eight Patriarchs of Shingon Sect Originally Owned by the Eikyuji (Part III)
No.304	Mar., 1977	Kuno Takeshi	Explanation of Plates: Image of Buddha-at-Birth from Kuze Temple Site (Kept by the Board of Education, Joyo City, Nara)
No.304	Mar., 1977		Index to Bijutsu Kenkyu, Nos. 299 to 304 (May, 1975-March, 1976)
No.303	Oct., 1976	Ikawa Kazuko	Eleven-headed Avarokitesvara Statues of the Nakayamadera, Hyogo
No.303	Oct., 1976	Kamiya Eiko	Two Dobuku of Komon Design Handed Down by the Katakura Family and the Toshogu Shrine, Nikko
No.303	Oct., 1976	Tsuruta Takeyoshi	Material of Art Research: Index to Chinese Painters of the Last One Handled Years (Part III)
No.302	Mar., 1976	Kono Motoaki	“Dragon in Clouds” Painted by Tan-yu Kano on the Celling of Yomeimon Gate (Part II)
No.302	Mar., 1976	Yanagisawa Taka	Paintings Depicting the Lives of Eight Patriarchs of Shingon Sect Originally Owned by the Eikyuji (Part II)
No.301	Feb., 1976	Egami Yasushi	Landscape Depiction in the Frontispiece of Hannya Haramita Shingyo Owned by Jinkoin
No.301	Feb., 1976	Kuno Takeshi	The Great Buddha of Asukadera (Part II)
No.301	Feb., 1976	Kono Motoaki	“Dragon in Clouds” Painted by Tan-yu Kano on the Celling of Yomeimon Gate (Part I)
No.300	Jan., 1976	Kuno Takeshi	The Great Buddha of Asukadera (Part I)
No.300	Jan., 1976	Yanagisawa Taka	Paintings Depicting the Lives of Eight Patriarchs of Shingon Sect Originally Owned by the Eikyuji
No.299	Nov., 1975	Miya Tsugio	The Toji Version of Scroll Painting of the Story of Priest Kukai
No.299	Nov., 1975	Kono Motoaki	Interior Paintings of Gyokurin-in, Daitokuji, by Tan-yu and His Collaborators (Part II)
No.299	Nov., 1975		Report of the Institute
No.299	Nov., 1975	Kumamoto Kenjiro	Explanation of Plates: “Priest Nichiren” by Yuichi Takahashi (The Myohoji, Tokyo)
No.298	Mar., 1975	Miya Tsugio	Illustrated Scroll of the Story of “Yatori Jizo”
No.298	Mar., 1975	Kono Motoaki	Interior Paintings of Gyokurin-in, Daitokuji, by Tan-yu and His Collaborators
No.298	Mar., 1975	Kuno Takeshi	Bronze Avalokitesvara Image in the Hasedera, Oita
No.298	Mar., 1975		Report of the Institute
No.298	Mar., 1975		Index to Bijutsu Kenkyu, Nos. 293-298
No.297	Mar., 1975	Tamura Etsuko	An Old Document in Fujiwara no Kozei’s Handwriting Concerning Prince Atsuyasu’s First Audience of His Father Emperor, Newly Found in the Imperial Collection
No.297	Mar., 1975	Oka Isaburo	The Founding of Sodosha
No.297	Mar., 1975	Kuno Takeshi	Buddhist Images of the Inner Precinct of the Tempukuji, Usa
No.297	Mar., 1975	Ikawa Kazuko	Explanation of the Plates: The Cultural Background of the Tempukuji Buddhist Images
No.297	Mar., 1975		Report of the Institute
No.296	Mar., 1975	Sekiguchi Masayuki	Bodhisattva Painted on the Four Columns in the Saimyoji Three Storied Pagoda
No.296	Mar., 1975	Matsubara Saburo	North and South in the Styles of Chinese Buddhist Sculpture
No.296	Mar., 1975		Report of the Institute
No.295	Feb., 1975	Egami Yasushi	A Late Heian Sutra Set with Landscape Paintings on the Outside of the Cover
No.295	Feb., 1975	Mizuno Keizaburo	Problems Concerning the Inscriptions on Buddhist Statues in the So-called Ex-emperors’ Period
No.295	Feb., 1975	Sakamoto Mitsuru	Rubens and Western-style Painting in the Edo Period
No.295	Feb., 1975	Kagesato Tetsuro	Explanation of the Plate: “Lion” by Moko Ishikawa (Mr. Soshiro Yabumoto, Tokyo)
No.295	Feb., 1975		Report of the Institute
No.294	Dec., 1974	Ikawa Kazuko	Bhaisajyaguru of Kodenji and Inscribed Poem of Sanekata Fujiwara
No.294	Dec., 1974		Report of the Institute
No.294	Dec., 1974	Kamiya Eiko	Six Pieces of Armour Underwear Handed Down by The Uesugi Family (Part II): Report on Costume Used by Uesugi Kenshin and Uesugi Kagekatsu (Part VI)
No.294	Dec., 1974	Tsuruta Takeyoshi	Material of Art Research: Index to Chinese Painters of the Last One Handled Years (Part II)
No.294	Dec., 1974		Report of the Institute
No.293	Nov., 1974	Ueno Aki	Paintings of Fu-hsi and Nu-wa from Astana (Part II)
No.293	Nov., 1974	Ariga Yoshitaka	Explanation of the Plates: Paintings of Five Great Vidyarajas Owned by the Kiburuji
No.293	Nov., 1974	Tsuruta Takeyoshi	Material of Art Research: Index to Chinese Painters of the Last One Handled Years　(Part I)
No.293	Nov., 1974		Report of the Institute
No.292	Mar., 1974	Ueno Aki	Paintings of Fu-hsi and Nu-wa from Astana (Part I)
No.292	Mar., 1974	Ueno Kenji	Compositional Restoration of Scroll I of “Scrolls of Charicaturistic Animals, Birds and Human Figures”
No.292	Mar., 1974		Report of the Institute
No.292	Mar., 1974	Akiyama Terukazu	Explanation of the Plates: Two Fragments of the “Animal Scroll” (Choju Giga): A Newly Discovered Fragment and the Fragment from the Former Masuda Collection
No.292	Mar., 1974		Index to the Bijutsu Kenkyu, Nos. 287-292 (May, 1973-March, 1974
No.291	Mar., 1974	Kuno Takeshi	Ancient Bronze Images in the Chubu District
No.291	Mar., 1974	Kono Motoaki	The Scroll of “Real Forms of Birds” by Shiko Watanabe (Part II)
No.291	Mar., 1974		Report of the Institute
No.291	Mar., 1974	Kamiya Eiko	Six Pieces of Armour Underwear Handed Down by The Uesugi Family (Part I): Report on Costume Used by Uesugi Kenshin and Uesugi Kagekatsu (Part VI)
No.291	Mar., 1974		Report of the Institute
No.290	Mar., 1974	Kono Motoaki	The Scroll of “Real Forms of Birds” by Shiko Watanabe (Part I)
No.290	Mar., 1974	Nakamura Denzaburo	Ogihara Morie, the Sculptor: His Life and Works (Part VI)
No.290	Mar., 1974	Kagesato Tetsuro	The Life and Works of Tetsugoro Yorozu (Part V)
No.289	Feb., 1974	Sekiguchi Masayuki	Painted Panels for Ritual Palanquin of Usa Shrine
No.289	Feb., 1974	Miya Tsugio	The Position of Illustrated Scroll of Heiji War among the Versions of Epic of the Heiji War
No.289	Feb., 1974		Report of the Institute
No.288	Dec., 1973	Tamura Etsuko	Emperor Fushimi’s Masterpiece of Calligraphy Supported to be a Detached Segment of the Tales of Ise Picture Scroll Formerly in Mr. Hara’s Collection
No.288	Dec., 1973	Matsubara Saburo	The Establishment of the Sui Style in Buddhist Sculpture
No.288	Dec., 1973		Report of the Institute
No.288	Dec., 1973	Kagesato Tetsuro	Explanation of Plates: “European Park” by Denzen Aodo and Its Model “A View of Fontainebleau” by Jacques Rigaud
No.288	Dec., 1973	Kono Motoaki	Material for Art Research: Text of Catalogue of the Painting Exhibition Held in Memory of the Late Rosetsu
No.288	Dec., 1973		Report of the Institute
No.287	Oct., 1973	Ikawa Kazuko	Statues in the Gokokuin, Wakayama, And Contemporaneous Bodhisattva Statues in Adjoining Regions
No.287	Oct., 1973	Ebine Toshiro	The Trip of Chung-yu Tsu-ch’an and Wu-i K’o-ch’in to Japan and Their Inscriptions on Paintings
No.287	Oct., 1973		Report of the Institute
No.287	Oct., 1973	Tamura Etsuko	Material for Art Research: Text of the Manuscript of Kowata no Shigure Owned by Mr. Yadashi Yoshida (Part II)
No.286	Mar., 1973	Kamiya Eiko	A Gilt and Embroidered Dobuku Handed Down by the Kikkawa Family
No.286	Mar., 1973	Seki Chiyo	Drawings by Hogai Kano (Part I): Drawings of Nara District Art Treasures
No.286	Mar., 1973		Report of the Institute
No.286	Mar., 1973	Ueno Aki	Banner Paintings Representing Buddha’s Life from Tun-huang (Part II)
No.286	Mar., 1973		Index to the Bijutsu Kenkyu, Nos. 281-286
No.285	Mar., 1973	Yanagisawa Taka	An Example of the Mahosnisacakra Mandala in the Hinohara Collection
No.285	Mar., 1973	Sugano Yoh	Material of Art Research: Engravings of Early Japanese Christendom
No.285	Mar., 1973		Report of the Institute
No.284	Mar., 1973	Egami Yasushi	The Art Historical Position of Painted Decoration in Atakagire Version Wakan Roei Shu
No.284	Mar., 1973	Kuno Takeshi	The Stylistic Development of Buddha Statues in the Early Heian Period (Part III)
No.284	Mar., 1973		Report of the Institute
No.283	Mar., 1973	Tsuruta Takeyoshi	Painting Manual of Mustard Seed Garden and its Influence to Japan
No.283	Mar., 1973	Kuno Takeshi	The Stylistic Development of Buddha Statues in the Early Heian Period (Part II)
No.283	Mar., 1973	Akiyama Terukazu, Yanagisawa Taka	Explanation of Plate: La Decoration des Petales de Lotus en Bois, Entourant la Partie Superieure du Socle de la Statue de Miroku (Maitreya), Conservee au Temple Jison-in
No.282	Dec., 1972	Miya Tsugio	The Hoto Mandara Owned by the Ryuhonji
No.282	Dec., 1972	Sakamoto Mitsuru	Explanation of Plates: Moko Ishikawa’s “Girl Holding a Cat” and the English Print “Miss Trimmer”
No.282	Dec., 1972	Tamura Etsuko	Material for Art Research: Text of the Manuscript of Kowata no Shigure Owned by Mr. Yadashi Yoshida (Part I)
No.282	Dec., 1972		Report of the Institute
No.281	Oct., 1972	Kuno Takeshi	The Statues of Twelve Divine Generals of the Shin-yakushiji
No.281	Oct., 1972	Ishikawa Rikuo	X-ray Investigation of Catura Image of the Shin-yakushiji
No.281	Oct., 1972	Miya Tsugio	Materials for Art Research: Illustrated Scroll of the Story of Priest Saigyo and its Text Collation
No.281	Oct., 1972		Report of the Institute
No.280	Apr., 1972	Ikawa Kazuko	A Kyoto School of Sculpture in the Fourteenth Century
No.280	Apr., 1972	Kamiya Eiko	Thirteen Baby Clothes of the Momoyama and Early-Middle Edo Periods (Part III): Study of Kodachi and Chudachi of the Recent Ages (Part I)
No.280	Apr., 1972	Sekiguchi Masayuki	Explanation of Plates: Painted Image of Ragaraja Preserved by the Bureau for Cultural Affairs
No.280	Apr., 1972		Index to the Bijutsu Kenkyu, Nos. 275-280 (May, 1971-March, 1972)
No.279	Apr., 1972	Ueno Aki	A Pranidhi Scene Mural from Bezeklik Preserved by the Hermitage Museum
No.279	Apr., 1972	Kawakami Kei	Life and Painting of Ch’i Chih-chia (Part I)
No.279	Apr., 1972	Nakamura Denzaburo	Ogihara Morie, the Sculptor: His Life and Works (Part V)
No.279	Apr., 1972	Oka Isaburo	Biography and Works of Yamashita Rin
No.279	Apr., 1972	Kumamoto Kenjiro	Explanation of the Plates: “Trees” by Kawakami Togai
No.278	Mar., 1972	Kuno Takeshi	The Stylistic Development of Buddha Statues in the Early Heian Period (Part I)
No.278	Mar., 1972	Miya Tsugio	Material of Art Research: Text Collation of Painted Scroll of the Story of Hasedera
No.278	Mar., 1972		Report of the Institute
No.277	Feb., 1972	Egami Yasushi	Ornamental Painting of the Buddhist Scripture Joyuishikiron Owned by Kofukuji
No.277	Feb., 1972	Tamura Etsuko	A Study of a Manuscript of the Kowata no Shigure, a Japanese Medieval Novel (Part II)
No.276	Nov., 1971	Toda Teisuke	Painting of Sakyamuni Triad Owned by the Rokuoin
No.276	Nov., 1971	Tamura Etsuko	A Study of a Manuscript of the Kowata no Shigure, a Japanese Medieval Novel (Part I)
No.276	Nov., 1971	Miya Tsugio	Material for Art Research: Versions of Painted Scroll of the Story of the Hasedera (Part II)
No.276	Nov., 1971	Fukuyama Toshio	Material for Art Research: A Western Ch’in Period Dedication Inscription at a Cave Temple of Ping-ling-ssu Monastery
No.276	Nov., 1971		Report of the Institute
No.275	Nov., 1971	Nakagawa Sensaku	Two Early Kutani Bowls with Circular Patterns
No.275	Nov., 1971	Matsubara Saburo	Chronological Study of Gilt Bronze Images of the Silla Periods
No.275	Nov., 1971	Miya Tsugio	Material for Art Research: Versions of Painted Scroll of the Story of the Hasedera (Part I)
No.275	Nov., 1971		Report of the Institute
No.274	Mar., 1971	Sekiguchi Masayuki	Painted Image of Ragaraja Owned by the Hosomi Family
No.274	Mar., 1971	Kuno Takeshi	Statue of Eleven-headed Avalokitesvara Carved by Kenko
No.274	Mar., 1971	Nakamura Denzaburo	Ogihara Morie, the Sculptor: His Life and Works (Part IV)
No.274	Mar., 1971		Index to the Bijutsu Kenkyu, Nos. 269-274　(May, 1970-March, 1971)
No.273	Mar., 1971	Tamura Etsuko	Explanations of the Pictures of the Tale of Ise Scroll Formerly in Mr. Hara’s Collection
No.273	Mar., 1971	Kagesato Tetsuro	The Life and Works of Tetsugoro Yorozu (Part IV)
No.272	Mar., 1971	Ikawa Kazuko	Statue of Avalokitesvara, The Main Image of the Ishiyamadera
No.272	Mar., 1971	Kamiya Eiko	Thirteen Baby Clothes of the Momoyama and Early-Middle Edo Periods (Part II): Study of Kodachi and Chudachi of the Recent Ages (Part II)
No.272	Mar., 1971	Tsuji Nobuo	Study of Kano Motonobu (Part V)
No.271	Dec., 1970	Tsuji Nobuo	Study of Kano Motonobu (Part IV)
No.270	Nov., 1970	Tsuji Nobuo	Study of Kano Motonobu (Part III)
No.270	Nov., 1970		Report of the Institute
No.269	Nov., 1970	Ueno Aki	Banner Paintings Representing Buddha’s Life from Tun-huang (Part I)
No.269	Nov., 1970	Kawakami Kei	Material for Art Research: The Date of Birth of Ch’i Chih-chia
No.268	Sep., 1970	Egami Yasushi	Cover Paintings of Honganji Version Anthology of Thirty-six Leading Poets
No.268	Sep., 1970		Index to the Bijutsu Kenkyu, Nos. 263-268 (May, 1969-March, 1970)
No.267	Aug., 1970	Kamiya Eiko	Thirteen Baby Clothes of the Momoyama and Early-Middle Edo Periods (Part I): Study of Kodachi and Chudachi of the Recent Ages (Part I)
No.267	Aug., 1970	Matsubara Saburo	Problems of Early Gilt Bronze Buddhist Images in China: With Special Reference to Two Newly Found Examples
No.267	Aug., 1970	Kato Hideyui	Material for Art Research: Draft Painting of the Section of Spring of “Hawking of Courtiers in Spring and Winter”
No.266	May, 1970	Yanagisawa Taka	Drawing of Hawk Discovered under the Cartouche of Painted Screen from Shingongo Hall, the Eikyuji
No.266	May, 1970	Sugano Yoh	The Literary Source of the Etching Method of Kokan Shiba (Part II)
No.266	May, 1970	Nakamura Denzaburo	Ogihara Morie, the Sculptor: His Life and Works (Part III)
No.266	May, 1970	Kuno Takeshi	Explanation of Plates: Standing Statues of Sahasrabhuja and Bodhisattva of Hiyoshi Shrine (Shiga)
No.265	May, 1970	Sugano Yoh	The Literary Source of the Etching Method of Kokan Shiba (Part I)
No.265	May, 1970	Ikawa Kazuko	Images of Four Lokapalas: With Special Reference to Formalistic Study of Tenth Century Specimens (Part II)
No.265	May, 1970	Kumagai Nobuo	Explanation of Plates: Painting of Ksitigarbha of Zendoji (Fukuoka)
No.264	Mar., 1970	Seki Chiyo	Paintings on Cedar Screens of the Meiji Palace
No.264	Mar., 1970	Nakamura Denzaburo	Ogihara Morie, the Sculptor: His Life and Works (Part II)
No.263	Feb., 1970	Ikawa Kazuko	Images of Four Lokapalas: With Special Reference to Formalistic Study of Tenth Century Specimens (Part I)
No.263	Feb., 1970	Sakamoto Mitsuru	Legend of Saint Erasmus and the Figure of Erasmus of Rotterdam (Part II)
No.263	Feb., 1970		Report of the Institute
No.262	Dec., 1969	Sakamoto Mitsuru	Legend of Saint Erasmus and the Figure of Erasmus of Rotterdam (Part I)
No.262	Dec., 1969	Kagesato Tetsuro	The Life and Works of Tetsugoro Yorozu (Part III)
No.262	Dec., 1969		Index to the Bijutsu Kenkyu, Nos. 257-262 (May, 1968-March, 1969)
No.261	Dec., 1969	Nakagawa Sensaku	Japanese Ceramic Art at the Beginning of 1900’s
No.261	Dec., 1969	Tamura Etsuko	Tuan-ch’iao Miao-lun’s or Dongyo Myorin’s Calligraphic Works
No.261	Dec., 1969	Toda Teisuke	An Yuan Painting of Eighteen Arhats
No.261	Dec., 1969	Toda Teisuke	Explanation of Plate: “Hearing the Spring Sound in Bamboo Grove” by Li Shih-ta (Private Collection, Tokyo)
No.260	Sep., 1969	Kuno Takeshi	Buddhist Images of the Enryakuji in Early Heian Period
No.260	Sep., 1969	Miya Tsugio	Illustrated Scroll of Fox Tale Once Owned by Yoshihisa Ashikaga
No.259	Mar., 1969	Tamura Etsuko	Fragments of the Choshu Ki Diary Copied by Fujiwara no Teika
No.259	Mar., 1969	Kamiya Eiko	Eight Jimbaori Used by Uesugi Kenshin: Report on Costume Used by Uesugi Kenshin and Uesugi Kagekatsu
No.258	Mar., 1969	Kumamoto Kenjiro	The Early Years of Tenshin Okakura
No.258	Mar., 1969	Oka Isaburo	“The Twelve Sacred Events” by Rin Yamashita Owned by Christ’s Orthodox Church, Hakodate
No.258	Mar., 1969	Kagesato Tetsuro	The Life and Works of Tetsugoro Yorozu (Part II)
No.257	Mar., 1969	Takata Osamu	Visunu Sculptures in the Early Periods
No.257	Mar., 1969	Matsubara Saburo	Development of Chinese Sculpture from the High T’ang Afterward
No.257	Mar., 1969	Sato Akio	Iron Image of Amitabha with the Date of 1264
No.256	Mar., 1969	Nakagawa Sensaku	Patterns on the Lacquered Container for the Sacred Ball Owned by the Ninnaji
No.256	Mar., 1969	Yanagisawa Taka	Wooden Plaques of Four Lokapalas in the Sacred-ball Container of the Ninnaji
No.256	Mar., 1969	Emoto Yoshimichi	Analysis of the Pigments for Four Lokapalas in the Sacred-ball Container of the Ninnaji
No.256	Mar., 1969	Kawakami Kei	Material for Art Research: Portrait of Hsin-lo-shan-jen by Chang Ssu-chiao: A Material for Biography of Hua Yen
No.256	Mar., 1969		Report of the Institute
No.256	Mar., 1969		Index to the Bijutsu Kenkyu, Nos. 252-256 (May, 1967-March, 1968)
No.255	Mar., 1969	Miya Tsugio	Illustrated Scripture of the Story of Mokuren’s Salvation of his Mother
No.255	Mar., 1969	Kagesato Tetsuro	The Life and Works of Tetsugoro Yorozu (Part I)
No.255	Mar., 1969		Report of the Institute
No.254	Feb., 1969	Yanagisawa Taka	Painted Image of Vajramoghasamayasattva with Date of 1153
No.254	Feb., 1969	Miya Tsugio	Some Problems of the Illustrated Scroll Gosannen Kassen Emaki (Part II)
No.254	Feb., 1969		Report of the Institute
No.253	Mar., 1968	Takata Osamu	A Set of Twenty-one Vajrayanistic Statues Installed in the Lecture Hall of the Toji (Kyoogokokuji), Kyoto: An Iconographical Study on the Unique Karma-Mandala Composed by These Images
No.253	Mar., 1968	Kuno Takeshi	Sculpture of the Toji in Its Earliest Period
No.253	Mar., 1968		Report of the Institute
No.252	Mar., 1968	Ikawa Kazuko	Statues of Zao Gongen and Kongo Doji
No.252	Mar., 1968	Tamura Etsuko	A Textual Fragment of the Battle of Rokuhara Scroll of the Heiji War Scroll Paintings: With a Minute Examination of the Calligraphy of the Texts of the Three Existing Scrolls
No.252	Mar., 1968	Akiyama Terukazu	Explanation of Plates: Une Peinture de Touen-Houang au Musee Guimet Representant le Paradis d’Amitabha
No.251	Feb., 1968	Ikawa Kazuko	Statues of Zao Gongen at the Sambutsuji and the Documents Contained inside the Main Image
No.251	Feb., 1968	Miya Tsugio	Some Problems of the Illustrated Scroll Gosannen Kassen Emaki (Part I)
No.251	Feb., 1968	Egami Yasushi	Material of Art Research: Supplementary Study of the Book of Landscape Gardening Senzui narabini Yagyo no Zu Accompanied by Doji Kudensho
No.251	Feb., 1968		Report of the Institute
No.251	Feb., 1968		Index to the Bijutsu Kenkyu, Nos. 246-251 (May, 1966-March, 1967)
No.250	Dec., 1967	Matsubara Saburo	Trends of Buddhist Stone Images of Silla, with Special Reference to the Triad Newly Found at Kunwi
No.250	Dec., 1967	Egami Yasushi	Material of Art Research: Text Collation of the Medieval Book of Landscape Gardening, Senzui narabini Yagyo no Zu Accompanied by Doji Kudensho (Part II)
No.250	Dec., 1967	Miya Tsugio	Explanation of Plates: “Maitreya Descending to Receive the Soul of the Dead” (Owned by Mr. Asada Chohei, Hyogo)
No.250	Dec., 1967	Ikawa Kazuko	Explanation of Plates: Statues of Ten Great Disciples in the Jorakuin, Kyoto
No.249	Oct., 1967	Tsuji Nobuo	Study of Kano Motonobu (Part II)
No.249	Oct., 1967	Ueno Aki	Explanation of Plate: Fragmentary Painting with Two Figures of Women Excavated at Toyuk, State Museums, Berlin
No.249	Oct., 1967	Tsuji Nobuo	Explanation of Plates: “Screen Painting of Four Seasons Landscape” traditionally Attributed to Kano Eitoku
No.249	Oct., 1967	Sato Akio	Explanation of Plate: Statue of Vaisravana, Owned by the Kuramadera, Kyoto
No.249	Oct., 1967		Report of the Institute
No.248	Mar., 1967	Yanagisawa Taka	On the “Shunanzan Mandara” Owned by the Matsuodera: A Rare Mandala Painting of Variant of the “Hokuto Mandara,” Mandala of the Plough, Based on the Chinese Original
No.248	Mar., 1967	Kawakami Kei	On “A Boat Sailing Back to the Capital” with an Inscription by Shao Pao
No.248	Mar., 1967	Murase Miyeko	Material of Art Research: The Tenjin Engi Emaki in the Metropolitan Museum of Art, New York (Part II)
No.247	Mar., 1967	Nakamura Yoshio	Illustrated Scroll Toyonoakari Esoshi in Relation to the Literary Work Towazugatari: A Hypothesis on the Authorship of the Scroll
No.247	Mar., 1967	Tamura Etsuko	The Identity of the Awata-Gire Fragments
No.247	Mar., 1967	Murase Miyeko	Material of Art Research: The Tenjin Engi Emaki in the Metropolitan Museum of Art, New York (Part I)
No.247	Mar., 1967	Egami Yasushi	Material of Art Research: Text Collation of the Medieval Book of Landscape Gardening, Senzui narabini Yagyo no Zu Accompanied by Doji Kudensho (Part I)
No.246	Mar., 1967	Nakagawa Sensaku	An Old Imari Ware with Coloured Decoration of Female Figures
No.246	Mar., 1967	Tsuji Nobuo	Study of Kano Motonobu (Part I)
No.246	Mar., 1967	Sakamoto Mitsuru	Screen Painting of the Battle of Lepanto: A Study of Early Western Style Painting in Japan and Its Background in Europe (Part I)
No.245	Feb., 1967	Kuno Takeshi	A Statue of Acalanata with the Inscription of the 7th Year of the Kohei Era (1064)
No.245	Feb., 1967	Ikawa Kazuko	Buddhist Sculpture of Paired Armed Guardians (Part II)
No.245	Feb., 1967	Ikawa Kazuko	Explanation of Plate: Eleven-headed Kannon of the Hagadera, Fukui
No.245	Feb., 1967	Toda Teisuke	Explanation of Plate: Plum Blossoms in Ink by Lu Fu (Owned by the Chorakuji, Gumma)
No.245	Feb., 1967		Report of the Institute
No.245	Feb., 1967		Index to the Bijutsu Kenkyu, Nos. 240-245
No.244	Dec., 1966	Miya Tsugio	Problems of the Original Order in the Ippen Hijiri E Scroll and its Copy
No.244	Dec., 1966	Ikawa Kazuko	Buddhist Sculpture of Paired Armed Guardians (Part I)
No.244	Dec., 1966	Kamiya Eiko	Eight Dobuku Used by Uesugi Kenshin (Part III)
No.244	Dec., 1966		Report of the Institute
No.243	Sep., 1966	Takata Osamu	Buddhist Background of the Gandharan Art, Specially in Connection with the Origin of Buddha Image
No.243	Sep., 1966	Kamiya Eiko	Eight Dobuku Used by Uesugi Kenshin (Part II)
No.243	Sep., 1966	Tsuji Nobuo	Explanation of the Plates: Nijushiko-Zu Screen by Kano Shoei (Owned by Iwamura Heisuke, Hiroshima)
No.243	Sep., 1966	Toda Teisuke	On Liu Chieh’s “Fish and Water Plants” Addendum
No.242	Mar., 1966	Kamiya Eiko	Eight Dobuku Used by Uesugi Kenshin (Part I)
No.242	Mar., 1966	Yanagisawa Taka	An Ink-drawing Scroll Representing the Vajradhatu-Mandala Images in the Shoren-in Temple (Part II)
No.242	Mar., 1966	Takata Osamu	Buddhist Stories Depicted in Bas-relief on the Stupa Railings of Bharhut
No.242	Mar., 1966		Report of the Institute
No.241	Mar., 1966	Tamura Etsuko	Fragmentary Text of the Kagero no Niki Diary Possibly in the Form of a Picture Scroll
No.241	Mar., 1966	Yanagisawa Taka	An Ink-drawing Scroll Representing the Vajradhatu-Mandala Images in the Shoren-in Temple (Part I)
No.240	Mar., 1966	Kuno Takeshi	Daibusshi Zen-en and His Works
No.240	Mar., 1966	Toda Teisuke	Some Notes on Liu Chieh’s “Fish and Water Plants”
No.240	Mar., 1966	Nakagawa Sensaku	Aspects of Ceramic Art in the Late Meiji Period
No.240	Mar., 1966		Report of the Institute
No.239	Mar., 1966	Kumamoto Kenjiro	Yamamoto Hosui: His Life and Works
No.239	Mar., 1966	Akiyama Terukazu	Explanation of Plates: Une Scene du Rouleau des Malades (Yamai-no-soshi): Femme Souffrant D’insomnie
No.239	Mar., 1966	Egami Yasushi	Material of Art Research: Newly Found Manuscripts of a Book of Japanese Medieval Gardening (Part II)
No.239	Mar., 1966		Index to the Bijutsu Kenkyu, Nos. 234-239
No.238	Feb., 1966	Akiyama Terukazu	Deux Peintures de Touen-houang, sur Soie, Representand un “Pelerin Portant des Sutras et Accompagne d’un Tigre”
No.238	Feb., 1966	Kuno Takeshi	Material of Art Research: Tablets Enclosed in the Statues of Seitaka (Cetaka) and Kongara (Kimkara), Owned by the Ganjojuin Temple
No.238	Feb., 1966	Egami Yasushi	Material of Art Research: Newly Found Manuscripts of a Book of Japanese Medieval Gardening
No.237	Oct., 1965	Miya Tsugio	Oshu Juninen-kassen Emaki (Picture Scroll of Twelve War in Mutsu Province)
No.237	Oct., 1965	Ikawa Kazuko	Seiryoji Style Sakyamuni Statues in the Kanto Area
No.237	Oct., 1965		Report of the Institute
No.236	Mar., 1965	Suzuki Kei	A Study of Yu-chien Jo-fen
No.236	Mar., 1965	Toda Teisuke	Hu-chou Bamboo School: Study of Literati Painting in the Sung Period I
No.236	Mar., 1965	Kawakami Kei	“Picture Embodying the Ode to an Autumnal Voice” by Hua Yen
No.236	Mar., 1965	Toda Teisuke	Explanation of Plate: “Bamboo in Ink” by Wu Hung (Coll. Mr. and Mrs. D. C. Carter, New York)
No.236	Mar., 1965		Report of the Institute
No.235	Mar., 1965	Umezu Jiro	A Memorandum Concerning the Illustrated Scroll of Minister Kibi's Adventure in China: Three Painted Scrolls Handed Down in Wakasa Province
No.235	Mar., 1965	Nakagawa Sensaku	An Ink-slab Box with So-called Kodaiji Makie Decoration and Lacquer Wares with Makie in the Kodaiji
No.235	Mar., 1965	Nakamura Denzaburo	Ogihara Morie, the Sculptor: His Life and Works (I) Introduction
No.235	Mar., 1965	Takata Osamu	A Gandharan Example of Bodhisattva Seated in Thinking pose
No.235	Mar., 1965	Yanagisawa Taka	Explanation of Plates: An Example of Amitabha Mandala Painting
No.234	Mar., 1965	Takata Osamu	The Chronology of Mathura Buddhas in the Kushan Period
No.234	Mar., 1965	Kuno Takeshi	A Wooden Half-Cross-Legged Seated Bodhisattva with Flowing Hair if Copper Sheets: In the Current of Japanese Sculpture of the Ninth and Tenth Centuries
No.234	Mar., 1965		Report of the Institute
No.234	Mar., 1965		Index to the Bijutsu Kenkyu, Nos. 228-233 (May 1963 - March 1964)
No.233	Feb., 1965	Kamiya Eiko	Four Katabira Purporting to Have Been Used by Uesugi Kenshin: The Third Report on Costumes Said to Have been Used by Uesugi Kenshin and Uesugi Kagekatsu
No.233	Feb., 1965	Tamura Etsuko	Material of Art Research: A Study and Collection of Hino-gire Fragments of the Senzai Wakashu
No.233	Feb., 1965	Yanagisawa Taka	Explanation of Plates: Portrait of Priest Ryoe of Eikyuji (Private Collection, Tokyo)
No.233	Feb., 1965		Report of the Institute
No.232	Oct., 1964	Miya Tsugio	Remaining Scrolls from the Scroll Painting of the Life of Priest Kobo Formerly Owned by the Inoue Family
No.232	Oct., 1964	Seki Chiyo	Memorandum on “Le Chat Noir” and “Le Masque”: A Small Movement of Two Painters’ Groups in Kyoto in the Last Years of Meiji Era
No.232	Oct., 1964	Kawakami Kei	Explanation of Plate: “Landscape” by Wang E (Coll. Mr. Kimura Tosuke, Tokyo)
No.232	Oct., 1964		Report of the Institute
No.231	Oct., 1964	Yanagisawa Taka	Three Examples of the Temborin Cylinder with Painted or incised Figures Used for a Buddhist Esoteric Ritual in Japan
No.231	Oct., 1964	Matsubara Saburo	Buddhist Sculpture in the Five Dynasties Period and the Sung Period: With Special Reference to Seated Figures of Buddha and Bodhisattva
No.231	Oct., 1964	Nakano Genzo	Material of Art Research: Column Paintings of the Kanjo-in in the Toji
No.231	Oct., 1964	Nakano Genzo	Material of Art Research: Appendix (Text Publication): Toji Kondo Kodo Kanjo-in Honzon Zai (Arrangement of Cult Images in the Main Hall, the Lecture Hall and the Ordination Hall of the Toji Monastery)
No.230	Mar., 1964	Tsuji Nobuo	Repertory of the Work of Iwasa Matabei
No.230	Mar., 1964	Ueno Aki	Material of Art Research: Some Painted Pieces of Paper Brought from Turfan by the Otani Expedition
No.230	Mar., 1964	Toda Teisuke	Explanation of Plate: “Strolling in Moonlight around the Yu-shan Hermitage” by Ch’ien Tu (Osaka Municipal Art Museum, Osaka)
No.230	Mar., 1964		Report of the Institute
No.229	Mar., 1964	Nakagawa Sensaku	A Vase of Ying-ch’ing Glaze with Carved Design of Boys in Floral Scroll Patterns
No.229	Mar., 1964	Ikawa Kazuko	Statues of Bishamonten Supported by Chiten: A Research on so-called Tobatsu-bishamonten
No.229	Mar., 1964	Kohara Jiro	Material of Art Research: Report on the Investigation of Wood as the Material of Old Japanese Sculptures
No.229	Mar., 1964	Takata Osamu	Explanation of Plates: Two Examples of the Mathura School of Sculpture
No.228	Mar., 1964	Oka Isaburo	Koide Narashige’s Early Works and Life
No.228	Mar., 1964	Kamiya Eiko	Twelve Kosode Purporting to Have Been Used by Uesugi Kenshin: The Second Report on Costumes Said to Have Been Used by Uesugi Kenshin and Uesugi Kagekatsu
No.228	Mar., 1964	Kuno Takeshi	Buddhist Sculpture in Northeastern Japan Centering around the Chuson-ji Temple (III)
No.228	Mar., 1964		Report of the Institute
No.227	Mar., 1964	Akiyama Terukazu	The Tale of Genji with Black and White Illustrations: Chapter of Ukifune and Kagero
No.227	Mar., 1964	Suzuki Keizo	Costumes and Interiors Seen in the Black and White Illustrations of the Chapter of Ukifune
No.227	Mar., 1964	Nakamura Yoshio	The Text of the Tokugawa Collection’s Tale of Genji with Black and White Illustrations and its Characteristics
No.227	Mar., 1964	Nakamura Yoshio	Material of Art Research: The Tale of Genji with Black and White Illustrations owned by the Reimeikai Foundation and the Museum Yamato Bunka-kan: Chapters of Ukifune and Kagero
No.227	Mar., 1964		Report of the Institute
No.227	Mar., 1964		Index to the Bijutsu Kenkyu, Nos. 222-227 (May 1962 - March 1963)
No.226	Nov., 1963	Umehara Sueji	Multi-colour Glazed Pottery in Japan
No.226	Nov., 1963	Umezu Jiro	Material of Art Research: Ishiyama-dera Ekotoba (Text for the Picture Scroll of the History of the Ishiyama-dera)
No.226	Nov., 1963	Kawakami Kei	Explanation of Plate: Plum Blossoms in Ink, by P’an Tz’u (Private Collection, Kyoto)
No.226	Nov., 1963		Report of the Institute
No.225	Oct., 1963	Kuno Takeshi	Buddhist Sculpture in Northeastern Japan Centering around the Chuson-ji Temple (II)
No.225	Oct., 1963	Tsuji Nobuo	Material of Art Research: A Manuscript Relating to Iwasa Matabei Owned by the Houn-ji Temple in Fukui
No.224	Mar., 1963	Yanagisawa Taka	Pictures of Priest Subhakarasimha at the Kaniska Stupa and priest Nagarjuna at the Iron Caitya in the Fujita Collection, Reframed from the Screens of Shingon-do Hall of Eikyu-ji Temple: Its Date and Artist
No.224	Mar., 1963	Akiyama Terukazu	L’enluminure du Chapitre “Samantamukha” (Kouan Che Yin P’ou Sa P’ou Men P’in) du Sutra de Lotus de la Bonne Loi, Copie au Japon vers le Millieu du XIIe Siecle
No.224	Mar., 1963		Report of the Institute
No.223	Mar., 1963	Nakagawa Sensaku	The Ornament of Chia-ching Gilded Vases
No.223	Mar., 1963	Miya Tsugio	The Hokke Mandara Owned by the Danzan Jinja (III)
No.223	Mar., 1963	Oka Isaburo	Koide Narashige’s College Life and His Early Paintings
No.222	Feb., 1963	Kuno Takeshi	Buddhist Sculpture in Northeastern Japan Centering around the Chuson-ji Temple (I)
No.222	Feb., 1963	Miya Tsugio	The Hokke Mandara Owned by the Danzan Jinja (II)
No.222	Feb., 1963	Tamura Etsuko	Explanation of the Plate: A Detached Segment from Obusuma Saburo Emaki (Coll. Mr. Shimbi Tanaka, Tokyo)
No.222	Feb., 1963		Report of the Institute
No.222	Feb., 1963		Index to the Bijutsu Kenkyu for the Year 1961
No.221	Nov., 1962	Kawakami Kei	The Scroll of Poems and Painting Given to Minamoto Nagaharu as a Farewell Gift on His Departure for Home from Ming and the Life and Works of Wang E
No.221	Nov., 1962	Miya Tsugio	The Hokke Mandara Owned by the Danzan Jinja (I)
No.221	Nov., 1962	Ueno Aki	Explanation of the Plate: A Wooden Piece with Hunting-scenes from Kara Khoja (Coll. Tachibana Zuicho, Nagoya)
No.221	Nov., 1962		Report of the Institute
No.220	Oct., 1962	Akiyama Terukazu	L’emploi du Violet et sa Composition dans la Peinture Japonaise du VIIIe Siecle au XIIe Siecle
No.220	Oct., 1962	Emoto Yoshimichi	X-ray Fluorescence Analysis as Applied to the Identification of Ancient Cultural Properties
No.220	Oct., 1962	Yanagisawa Taka	An Example of Fuiwara Painting of Fugen Bosatsu (Samantabhadra)
No.219	Aug., 1962	Takata Osamu	On Yaksa and Yakusi Statues in the Maurya Period
No.219	Aug., 1962	Kamiya Eiko	The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (II)
No.219	Aug., 1962	Ikawa Kazuko	Explanation of the Plates: Two Eleven-headed Kannons at Fukuchi-in, Hiroshima
No.219	Aug., 1962		Report of the Institute
No.218	Mar., 1962	Kumagai Nobuo	Paintings of Pranidhi Scenes in the Otani Collection
No.218	Mar., 1962	Hirano Shinkan	A Study of the Pranidhi Scene according to the Inscriptions of the Cave Temple No. 9, Bazaklik
No.218	Mar., 1962	Kumagai Nobuo	Explanation of the Plate: Mural Showing Musicians from Cave 20 (?), Bazaklik (Owned by Mr. Kimura Teizo, Tokyo)
No.217	Mar., 1962	Kuno Takeshi	On the “Standing-tree” Style of Buddhist Sculpture
No.217	Mar., 1962	Kumamoto Kenjiro	Aoki Shigeru’s Illustrations for “Story of Bible”
No.217	Mar., 1962	Tazawa Yutaka	Material of Art Research: Collected Materials Concerning the Great Buddha of Kamakura
No.216	Jan., 1962	Nakagawa Sensaku	On Ninsei’s Ceramic Designs
No.216	Jan., 1962	Kamiya Eiko	The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (I): Report on Costumes Said to Have Been Used by Uesugi Kenshin and Uesugi Kagekatsu
No.216	Jan., 1962	Nakamura Denzaburo	Material for Art Research: Materials about the Shijo School of Painting: The “Brief Genealogy of the Matsumura Family” and Biographies of Matsumura Goshun and Matsumura Keibun
No.216	Jan., 1962	Kawakami Kei	Explanation of the Plate: “Bamboos” by Tai Ming-shuo (Coll. Mr. Wada Kanji, Osaka)
No.216	Jan., 1962		Index to the Bijutsu Kenkyu for the Year 1960
No.215	Mar., 1961	Tanaka Ichimatsu	A Few Problems Concerning Sotatsu: Introducing Recently Discovered Works of Sotatsu Style
No.215	Mar., 1961	Akiyama Terukazu	On the Picture-scroll “Love Romance of Lord Takafusa”: The Identification and Historical Character of the Scroll Known as “Fujinami-e Soshi”
No.215	Mar., 1961	Nakamura Yoshio	The Picture-scroll “Heike Kindachi Soshi” and Fujiwara Takafusa: The Source of the text of its "Seigaiha" Section
No.215	Mar., 1961		Report of the Institute
No.214	Mar., 1961	Ito Takuji	The Letter in Kana Characters Inscribed on Reverse of a Document among the “Tonan-in Archives” Preserved in the Shoso-in
No.214	Mar., 1961	Tamura Etsuko	Studies on Saigyo’s Calligraphy: Based Especially on a Kana Letter Written by En-i (alias Saigyo) in the Imperial Collection
No.214	Mar., 1961		Report of the Institute
No.213	Mar., 1961	Kumamoto Kenjiro	Goseda Yoshimatsu
No.213	Mar., 1961	Kumagai Nobuo	Reference Materials for Art Research: The Dated Manuscripts Brought Back from Turfan by Reverend Tachibana
No.213	Mar., 1961	Kawakami Kei	Explanation of the Plates: Landscapes, Attributed to Hsia Kuei (Coll. Mr. Nakamura Masae, Kanagawa)
No.213	Mar., 1961		Report of the Institute
No.212	Feb., 1961	Takata Osamu	The Earliest Buddha Images in the Gandhara Art, an Approach to the Origin of the Buddha Image
No.212	Feb., 1961	Yamasaki Kazuo	Reference Materials for Art Research: Pigments in the Wall-paintings in Central Asia
No.212	Feb., 1961	Akiyama Terukazu	Explanation of the Plates: The Painted Dado of Cella M. V at Miran Site (Coll. Section of Central Asian Antiquities, National Museum, New Delhi)
No.212	Feb., 1961	Tazawa Yutaka	Explanation of the Plates: Wooden Bodhisattva (Maitreya) of Chusho-in, Todai-ji (Nara)
No.211	Dec., 1960	Akiyama Terukazu	Pien-wen and Paintings at Tun-huang: Again with Special Reference to the “Magic Competition between Sariputra and Raudraksa (Chiang-mo-pien)”
No.211	Dec., 1960	Kuno Takeshi	Statues in the Tohoku District (II)
No.211	Dec., 1960	Kohara Jiro	A Study on the Material Used for Old Wooden Statues in Japan
No.211	Dec., 1960		Report of the Institute
No.210	Sep., 1960	Kuno Takeshi	Statues in the Tohoku District (I)
No.210	Sep., 1960	Ikawa Kazuko	Statues of Kichijo Ten
No.210	Sep., 1960		Report of the Institute
No.210	Sep., 1960		Index to the Bijutsu Kenkyu for the Year 1959
No.209	Jun., 1960	Kumagai Nobuo	The Halo Donated by O-Enson Dated 594 A. D.
No.209	Jun., 1960	Komatsu Shigemi	The Discovery of a Segment of the Text of “Hotaru” Chapter, Genji Monogatari Emaki
No.209	Jun., 1960	Seki Chiyo	The Ugo-kai Society
No.209	Jun., 1960	Tani Shin-ichi	Explanation of the Plate: Portrait of Manzai Jungo, Owned by Sambo-in, Kyoto
No.209	Jun., 1960	Kumagai Nobuo	Explanation of the Plate: Buddhist Triad with Inscription Donated by Pao-hua Dated 623 A. D., Coll. Mr. Chun Hyungpil, Seoul
No.209	Jun., 1960	Kuno Takeshi	Explanation of the Plate: Sho Kannon (Avalokitesvara), Owned by Myoo-ji, Okayama
No.209	Jun., 1960		Report of the Institute
No.208	Jun., 1960	Yanagisawa Taka	Iconography of Ichiji Kinrin Mandara Paintings and Art-historic Researches on their Existing Specimens
No.208	Jun., 1960	Kumagai Nobuo	The Gilt Bronze Padmapani Dated 484
No.208	Jun., 1960	Kumagai Nobuo	“Three Buddhist Bronzes of the Earliest Age in China” Addendum
No.208	Jun., 1960	Akiyama Terukazu	“Sumi-gaki” (Ink Drawing) in the Heian Period
No.208	Jun., 1960		Report of the Institute
No.207	Jun., 1960	Takata Osamu	On the Art of the Saiva Temple Banteay Srei: Its Stylistic Position in the Art History of Cambodia
No.207	Jun., 1960	Nakagawa Sensaku	On the “Old Kutani” Porcelain with Roundel Medallion Patterns of the So-called Shonzui Style
No.207	Jun., 1960	Matsubara Saburo	Chinese Buddhist Sculpture of the Five Dynasties
No.206	May, 1960	Kumamoto Kenjiro	Western-style Painting in Japan during the Early Meiji Period
No.206	May, 1960	Yamane Yuzo	The Screen-painting “Autumn Grasses” by Korin
No.206	May, 1960	Mizuno Keizaburo	Materials of Art Research: Materials Concerning the Buddhist Sculptor Kojo
No.205	Apr., 1960	Yonezawa Yoshiho	The “Snow Landscapes along the Liver Chang-chiang” Attributed to Wang Wei
No.205	Apr., 1960	Miya Tsugio	The “Ippen Hijiri-e” and the Artist En-i
No.205	Apr., 1960		Report of the Institute
No.204	Jan., 1960	Ito Takuji	The Poem Scrolls by Koetsu with Katsuga Decoration: Essays on Hon'ami Koetsu, I
No.204	Jan., 1960	Kuno Takeshi	Unkei and the Statues in Joraku-ji
No.204	Jan., 1960	Ikawa Kazuko	Related Article: Objects and Inscriptions Inside the Statues in Joraku-ji
No.204	Jan., 1960	Ikawa Kazuko	Supplement to “The Statue of Bato Kannon in the Kanzeon-ji”
No.204	Jan., 1960		Report of the Institute
No.204	Jan., 1960		General Table of Contents of the Bijutsu Kenkyu for the Year 1958
No.203	Mar., 1959	Kuno Takeshi	Natabori and Unfinished Statues
No.203	Mar., 1959	Yoshimura Rei	A Study on “Jen Chung” Images of Vairocana Dharmakaya
No.203	Mar., 1959	Kumagai Nobuo	Three Buddhist Bronzes of the Earliest Age in China
No.203	Mar., 1959	Matsushita Takaaki	Explanation of the Plate: “Manjusri as a Boy” (a Decorative Painting on Reverse of Cover of Kongo Hannya Haramitsu Sutra, Coll. Daitokyu Kinen Bunko, Tokyo)
No.203	Mar., 1959		Report of the Institute
No.202	Mar., 1959	Fukuyama Toshio	The Five-storied Pagoda at the Kaijusen-ji, Kyoto
No.202	Mar., 1959	Matsubara Saburo	Eastern Wei Sculpture: Its Characteristics and its Connection with Japanese Tori Style Sculpture of the Aska Period
No.202	Mar., 1959	Nagashima Fukutaro	Material for Art Research: Recently Discovered Materials of Art Research: Soju and “Juko's Secrets on Tea-ceremony”
No.202	Mar., 1959		Report of the Institute
No.201	Mar., 1959	Nakagawa Sensaku	Designs on “Old Seto” Porcelain
No.201	Mar., 1959	Yoshizawa Chu	The Work of Taiga during his Twenties: With his Dated Paintings as the Criteria
No.201	Mar., 1959	Kumamoto Kenjiro	Western-style Painting in Japan during the Middle Part of the Meiji Period (III)
No.200	Mar., 1959	Kumagai Nobuo	A Gilt-bronze Head of Buddha Brought from Khotan
No.200	Mar., 1959	Kim Che-won	On Buddhist Statues Found at the Ruins of Sooksoosa Temple Korea
No.200	Mar., 1959		Report of the Institute
No.199	Dec., 1958	Kuno Takeshi	On Buddhist Statues with “Flat Board” Haloes
No.199	Dec., 1958	Yamasaki Kazuo	Related Article: The Pigments Used in Painting on the Halo for One of the Attendants to Bhaisajya-guru, Ryosen-ji, Nara
No.199	Dec., 1958	Ikawa Kazuko	The Statue of Ekadasamukha Dated the Year Enkyu 1
No.199	Dec., 1958		Report of the Institute
No.198	Sep., 1958	Tanaka Ichimatsu	The Screen-painting “Landscapes of the Four Seasons” by Sesson
No.198	Sep., 1958	Matsubara Saburo	A Typical Example of Buddhist Bronze of Hopei Style in the Cheng-Kuang Period, Northern Wei: The Maitreya Dated the Year Cheng-Kuang 5 in the Metropolitan Museum of Art
No.198	Sep., 1958		Report of the Institute
No.198	Sep., 1958		General List of Contents of the Bijutsu Kenkyu for the Year 1957
No.197	Mar., 1958	Fukuyama Toshio	The Rehearsal Scenes of Kasuga Festival in the Nenju-gyoji E-maki
No.197	Mar., 1958	Tamura Etsuko	A Study on Letters by Fujiwara Shunzei
No.197	Mar., 1958	Yoshizawa Chu	Explanation of Plates: Screen-paintings “Flower-viewing at Shen-hsiang” and “Autumn in Maple Wood” (by Ikeno Taiga, Coll. Mr. Iwase Tokusaburo, Tokyo)
No.197	Mar., 1958		Report of the Institute
No.196	Mar., 1958	Takata Osamu	The Wall-paintings Adorning the Interior of the Five-storied Pagoda, Daigo-ji Monastery, Kyoto: A Preliminary Report of their Researches Carried out During 1956-’57
No.196	Mar., 1958	Yamasaki Kazuo	App. A. The Pigments Used in the Wall-paintings, Daigo-ji Monastery
No.196	Mar., 1958	Ito Takuji	App. B. The Scribblings in Kata-Kana and Hira-Gana Letters Found on Several Spots of the Ceiling Boards
No.196	Mar., 1958	Takata Osamu, Yanagisawa Taka	Iconographical Researches on the Wall-paintings of the Five-storied Pagoda, Daigo-ji Monastery, Kyoto: Identification of Those painted Figures of the Buddhist Pantheon from the Ryokai Mandara
No.196	Mar., 1958	Akiyama Terukazu	Technical and Stylistic Characteristics of Wall-paintings in the Five-storied Pagoda, Daigo-ji Monastery
No.195	Mar., 1958	Ito Takuji	The Korenori-shu in the Seikado Collection (2 fis.)
No.195	Mar., 1958	Seki Chiyo	Uemura Shoen and Her Paintings
No.195	Mar., 1958	Kumagai Nobuo	Explanation of the Plates: Portrait of Sesshu Toyo by Tokuriki Zensethu (Coll. Mr. Yasuda Yukihiko, Kanagawa) and Unkoku Toeki (Coll. Joei-ji, Yamaguchi)
No.195	Mar., 1958		Report of the Institute
No.194	Dec., 1957	Mori Teijiro	Wall-painting in the tomb at Takehara, Wakamiya-machi, Kurate-gun, Fukuoka-ken
No.194	Dec., 1957	Naito Masatsune	Roof Tiles with Fun Drawings in the Nara Period
No.194	Dec., 1957	Kumagai Nobuo	A Terra-cotta Figure of Jivajivaka from East Turkistan
No.194	Dec., 1957		Report of the Institute
No.193	Nov., 1957	Ito Takuji	The Korenori-shu in the Seikado Collection (1)
No.193	Nov., 1957	Shirahata Yoshi	The Decoration of the Paper Base of the Sanjurokunin Kashu, Honganji Version: With Special Reference to the Under-drawings
No.193	Nov., 1957	Shirahata Yoshi	Explanation of the Plates: Shigeyuki-shu, Motozane-shu and Yoshinobu-shu, in Sanjurokunin Kashu, Honganji Version, Coll. Jongan-ji, Kyoto
No.192	Aug., 1957	Yashiro Yukio	The Hokkedo Kompon Mandara
No.192	Aug., 1957	Kumamoto Kenjiro	Western-style Painting in Japan during the Middle Part of the Meiji Period (II)
No.192	Aug., 1957	Yamasaki Kazuo	Explanation of the Plates: On the Infra-red Photographs of the Hokkedo Kompon Mandara (Coll. Museum of Fine Arts, Boston, U. S. A.)
No.192	Aug., 1957	&Kuno Takeshi	Explanation of the Plates: The Statue of Sho Kannon in the Jokyo-ji (Shiga)
No.192	Aug., 1957		General List of Contents of the Bijutsu Kenkyu for the Year 1956
No.191	Mar., 1957	Kumagai Nobuo	A Painted Casket from Kucha, East Turkistan
No.191	Mar., 1957	Akiyama Terukazu	The Three Wooden Caskets from Subashi in the Kucha Region, Brought Back by the Pelliot Mission
No.191	Mar., 1957		Report of the Institute
No.190	Mar., 1957	Tanaka Ichimatsu	Portraits of Ono-no-Tofu
No.190	Mar., 1957	Ikawa Kazuko	The Statue of Bato Kannon in the Kanzeon-ji
No.190	Mar., 1957	Nakamura Denzaburo	An Outline History of the Nippon Chokoku-kai: Okakura Tenshin and Modern Japanese Sculpture
No.190	Mar., 1957		Report of the Institute
No.189	Mar., 1957	Takata Osamu	Researches on the So-called “Shingon-in Mandala,” an Old Ryokai Mandala of the Small Size, Owned by the Toji Monastery, Kyoto
No.189	Mar., 1957	Ueno Aki	The Painting of “Beauties in Foreign Dress” from Central Asia
No.189	Mar., 1957	Nakagawa Sensaku	Miyagawa Kozan and Japanese Ceramics of the Meiji Period
No.188	Mar., 1957	Kawakami Kei	On the Wei Chin Sheng Liu Hua Tsan by Ku K'ai-chih
No.188	Mar., 1957	Kumamoto Kenjiro	Western-style Painting in Japan during the Middle Part of the Meiji Period
No.188	Mar., 1957	Yamane Yuzo	Explanation of the Plates: “Flowers and Birds of the Four Seasons,” A Screen-painting by Ogata Kenzan (Coll. of Mr. Kawabata Yasunari, Kanagawa)
No.188	Mar., 1957		Report of the Institute
No.187	Mar., 1957	Akiyama Terukazu	A Scroll-painting, Illustrating the Pien-wen, about the Magic Competition between Sariputra and Raudraksa; Brought Back by Paul Pelliot from Tun-Huang
No.187	Mar., 1957	Yanagisawa Taka	The Paintings on the Backs of the Two Bija Mandalas in the Fujita Art Museum, Osaka
No.186	Dec., 1956	Matsushita Takaaki	The Hokke-do Kompon Mandara
No.186	Dec., 1956	Kumagai Nobuo	Bifrons and Vessels with Applied Human Masks from East Turkisutan
No.186	Dec., 1956	Kuno Takeshi	Wooden Statues in “Nata-Bori” in the Kanto District
No.186	Dec., 1956		General List of Contents of the Bijutsu Kenkyu for the Year 1955
No.185	Sep., 1956	Taoka Koitsu, Takai Teizaburo	The Buddhist Stone Images at Furubokke, Harima Province
No.185	Sep., 1956	Kumagai Nobuo	A Study on Sesshu's Paintings in Colors
No.185	Sep., 1956	Nakagawa Sensaku	Designs on Oribe Pottery
No.185	Sep., 1956	Oka Isaburo	The Fusain Society
No.185	Sep., 1956		Report of the Institute
No.184	Mar., 1956	Tanaka Ichimatsu	The Art of Liang K’ai
No.184	Mar., 1956	Shimada Shujiro	App. Material of Liang K’ai
No.184	Mar., 1956	Fukuyama Toshio	A Historical Manuscript Relating to the Construction of Shinden Style House
No.184	Mar., 1956	Tamura Etsuko	App. Text Written Between the Lines of the Order Sheets of Timber
No.184	Mar., 1956	Ito Takuji	Writings on Back of Paper of “Hyisei-shu” and “Kanjo Ajari Senji Kancho” in the Shoren-in
No.184	Mar., 1956	Matsushita Takaaki	“Flowers and Birds of the Twelve Months” by Kenzan
No.184	Mar., 1956	Kumamoto Kenjiro	Kano Hogai's Works in His Late Years
No.184	Mar., 1956	Odakane Taro	The Naturalism Movement of the Musei-kai
No.184	Mar., 1956	Nakamura Denzaburo	The Seinen Shoso-kai, a Group of Japanese Sculptors in the Meiji Period
No.184	Mar., 1956	Takata Osamu	On the Dated Buddha Images in the Kushan Art of Mathura
No.184	Mar., 1956	Takata Osamu	Related Article: On the Bodhisattva and Worshippers, Relieves on Stone from Mathura, India, Coll. Mr. Yamanaka Jiro, Kyoto
No.184	Mar., 1956	Matsumoto Eiichi	The Shui-ying Scroll-painting from Tun-huang
No.184	Mar., 1956	Sawayanagi Daigoro	Works of Art as Objects of Studies in Art History
No.184	Mar., 1956		Report of the Institute
No.183	Feb., 1956	Maruo Shozaburo	The Statue of Fudo Myoo in the Sai-in, Kyoogokoku-ji Monastery
No.183	Feb., 1956	Kuno Takeshi	The Statue of Yakushi Nyorai in the Kuroishi-dera Monastery
No.183	Feb., 1956	Takata Osamu	The “Gachirin” and Two Dharani of Amitabha Written on It, Found Deposited in the Cavity of the Principal Image of the Hoodo, Byodo-in Monastery
No.183	Feb., 1956	Matsushita Takaaki	Explanation of the Plates: The Scroll-painting “Kibi Daijin Nitto E-kotoba” (Kibi Daijin’s Trip to T’ang China, Coll. Museum of Fine Arts, Boston, U. S. A.)
No.183	Feb., 1956		Report of the Institute
No.182	Dec., 1955	Fukuyama Toshio	Researches on the “Moon Disk” Inscribed with Two Dharani of Amitabha, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
No.182	Dec., 1955	Kuno Takeshi	App. I: X-ray Investigation of the “Moon Disk” Inscribed with Two Dharani of Amitabha, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
No.182	Dec., 1955	Yamasaki Kazuo	App. II: On the Fragments of Glass, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
No.182	Dec., 1955	Akiyama Terukazu	The Construction and Colouring of the “Moon Disk” Inskribed with Two Dharani of Amitabha and Its Lotus Pedestal, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
No.182	Dec., 1955	Ito Takuji	The Kana Scribblings on the Pedestal of the “Moon Disk” with Two Dharani of Amitabha, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
No.182	Dec., 1955	Mori Hisashi	Materials for Art Research: Records Concerning the Repair of Amitabha Statue in the Hoodo, Byodo-in Monastery
No.182	Dec., 1955	Okada Jo	Explanation of the Plates: The Koto (Musical Instrument) Box with Colour-painted Design, Owned by the Kasuga Jinja (Nara)
No.182	Dec., 1955		Report of the Institute
No.181	Aug., 1955	Takata Osamu	Kaniska's Great Stupa and Reliquary as Stylistic Criteria in the Development of the Gandhara Art
No.181	Aug., 1955	Matsubara Saburo	White Marble Buddhist Statues in “Hanka Shiyui” Pose in the Eastern Wei to Northern Ch'i Dynasties
No.181	Aug., 1955	Matsumoto Eiichi	Explanation of the Plates: A Fragment of “Preaching Buddha” (Wall Painting from Tun-huang, Coll. Fogg Art Museum, U. S. A.)
No.181	Aug., 1955		General List of Contents of the Bijutsu Kenkyu for the Year 1954
No.180	Mar., 1955	Shimada Shujiro	“Irises” by Tzu-t'ing Tsu-po
No.180	Mar., 1955	Nakagawa Sensaku	Notes on Designs of “Old Kutani” Porcelain
No.180	Mar., 1955	Iyenaga Saburo	Materials for Art Research: Index to Old Literary Sources Regarding Scroll-paintings
No.180	Mar., 1955	Kawakami Kei	Explanation of Plate: “Mei-ku Landscape in the Style of Yang Sheng,” by Tung Ch’i-ch’ang (Coll. Mr. Ch’eng Ch’i, Hongkong)
No.180	Mar., 1955		Report of the Institute
No.179	Mar., 1955	Kumagai Nobuo	Murals from the Sites Nos. 3 and 5, Miran
No.179	Mar., 1955	Akiyama Terukazu	An Old Chest (Karabitsu) in the Kyo-o-gokoku-ji Monastery and the Decorative Paintings on it
No.179	Mar., 1955	Kohara Jiro	App. Wood of the Old Chest (Karabitsu)
No.179	Mar., 1955	Fukuyama Toshio	Text Publication: The “Horyu-ji Mandokoro Narabi-ni Hozu Ryakki” (Archives of the Horyu-ji Monastery)
No.178	Mar., 1955	Umehara Sueji	Painted Bronze Mirrors of the period of Warring States
No.178	Mar., 1955	Hommma Masayoshi	Moulds and Models in Ancient Japanese Casting
No.178	Mar., 1955	Kumagai Nobuo	A Mural from Cave Temple No. 8, Bezeklik
No.177	Feb., 1955	Ogushi Sumio	The Historical Backgrounds of the Scroll-painting “Shigisan Engi”: An Introduction to the Studies of the Same Scroll-painting
No.177	Feb., 1955	Kumamoto Kenjiro	Supplement to the “Works of the Kuroda Seiki”
No.177	Feb., 1955	Mochimaru Kazuo	The “Pine-trees on Beach” Motifs Found on Screen-paintings
No.177	Feb., 1955	Kumagai Nobuo	Explanation of the Plates: A Clay Head of a Buddhist Statue Brought Back from Central Asia
No.177	Feb., 1955		Report of the Institute
No.176	Nov., 1954	Ito Takuji	The Kokuzo-Bosatsu Nenju Shidai in the Ishiyama-dera Monastery and the Manuscripts Inscribed on the Back of Its Paper
No.176	Nov., 1954	Fujioka Michio	A Study on the Dai Hojo Building in the Nanzen-ji Monastery
No.176	Nov., 1954	Ogushi Sumio	Reference Materials for Art Research: The Paintings of Buddhist Hells in the Jussai-do Hall of the Hojo-ji Monastery
No.176	Nov., 1954	Tani Shin-Ichi	Explanation of the Plate: "Thunder God," from Fan-paper Paintings on folding Screens, Ascribed to Sotatsu, in the Imperial Collection
No.175	Sep., 1954	Yoshino Tomio	Korean Nacre Inlay Works of the Koryo Dynasty
No.175	Sep., 1954	Nakagawa Sensaku	Korean Designs Found on Koryo Nacre Inlays and Clay-inlaid Celadons
No.175	Sep., 1954	Sugiyama Shinzo	The Derivation of the Tenjiku-yo Style in Korean Architecture
No.175	Sep., 1954	Matsumoto Eiichi	Reference Materials for Art Research: Koryo Paintings of "Five Hundred Arhats"
No.175	Sep., 1954	Okada Jo	Reference Materials for Art Research: Literary Sources of Study on Koryo Nacre Inlays
No.175	Sep., 1954	Kumagai Nobuo	Reference Materials for Art Research: Small Screen with Sakyamuni Image in Golden Lacquer Painted by No Yong (Collection of the Korean National Museum)
No.175	Sep., 1954	Nakagawa Sensaku	Explanation of the Plate: Koryo Celadon Box with Designs of Phoenix, Cloud and Crane in Clay Inlay （Anonymous Collection)
No.175	Sep., 1954		Report of the Institute
No.175	Sep., 1954		General List of Contents of the Bijutsu Kenkyu for the Year 1953
No.174	Mar., 1954	Akiyama Terukazu	A Contribution to the Study of the Genji Monogatari Scroll Paintings
No.174	Mar., 1954	Yamasaki Kazuo, Nakayama Hidetaro	Studies on the Pigments used in the Genji Monogatari Scroll Paintings
No.174	Mar., 1954	Suzuki Keizo	The Genji Monogatari Scroll Paintings from the Standpoint of Costumes and Interiors
No.174	Mar., 1954	Nakamura Yoshio	Studies on the Text of the Genji Monogatari Scroll Paintings
No.174	Mar., 1954	Nakamura Yoshio	Texts and Variants of the Genji Monogatari Scroll Paintings
No.173	Mar., 1954	Takata Osamu	A Study of the Gobu-shinkan, an Old Esoteric Buddhist Scroll Drawing: Based Mainly on the Sanskrit Text Contained in the Scroll
No.173	Mar., 1954	Tanaka Ichimatsu	On the Framed Version of the “Kegon-gojugosho-e,” Representing the Fifty-five Localities (Visited by the Pilgrim, Sudhana-kumare) of the Gandavyuha
No.173	Mar., 1954	Akiyama Terukazu	Supplement to “Concerning the Paintings Appearing on the Three Small-size Fans Preserved in the Itsukushima Shrine”
No.172	Feb., 1954	Akiyama Terukazu	Concerning the Paintings Appearing on the Three Small-size Fans Preserved in the Itsukushima Shrine
No.172	Feb., 1954	Kumagai Nobuo	The Wall-paintings Brought from the Maya Cave of the Third Group at Qyzil
No.172	Feb., 1954		Report of the Institute
No.171	Nov., 1953	Kuno Takeshi	On Wood-core Dry-lacquer Statues: From a Series of Studies on Art Objects Through Optical Methods
No.171	Nov., 1953	Mochimaru Kazuo	Door and Screen Paintings Depicted in the Scroll-painting “Life of Honen”
No.171	Nov., 1953	Ogushi Sumio	Explanation of the Plates: Scroll-painting “Kokawadera-engi” (Origin of the Monastery Kokawa-dera), owned by Kokawa-dera, Wakayama
No.170	Oct., 1953	Ogushi Sumio	Legends Relating to the Scroll-painting “Shigisan Engi”: An Introduction to a Study on the “Shigisan Engi”
No.170	Oct., 1953	Kumagai Nobuo	Supplement to “Wall-paintings Brought from Cave-temples at Bazaklik”
No.170	Oct., 1953	Yonezawa Yoshiho	Explanation of the Plates: Screen-painting "Cottage in Bamboo Grove, Horse-riding under Willow Trees" by Buson, Formerly in the Collection of Mr. Yokoe Shozo, Osaka
No.170	Oct., 1953	Fukuyama Toshio	The Third Volume of “Liang Ching Hsin Chi,” Restored and Annotated
No.169	Mar., 1953	Yashiro Yukio	Again on the Sung Copy of the Scroll "Ladies of the Court" by Chou Wen-chu
No.169	Mar., 1953	Ito Takuji	Sequel to “Calligraphy by I-shan I-ning”
No.169	Mar., 1953	Mochimaru Kazuo	Door and Screen Paintings as Depicted in the Scroll-paintings “Ishiyama-dera Engi” and "Boki E-kotoba"
No.169	Mar., 1953		General Table of Contents of the Bijutsu Kenkyu for the Year 1952
No.168	Mar., 1953	Akiyama Terukazu	Investigations on Paintings by Means of Optical Devices: A Report of Scientific Researches in Europe and the appliance of them to Oriental Paintings
No.168	Mar., 1953	Nakayama Hidetaro	Experiments of X-ray Penetration on Japanese Pigments
No.168	Mar., 1953	Akiyama Terukazu	X-ray Experiments on the “Illustrated Inga-kyo Sutra,” the Scroll-painting “Murasaki Shikibu Nikki” and the “Resurrection of Buddha”
No.168	Mar., 1953	Nakagawa Sensaku	Investigations on Ancient Ceramics by Means of Fluorescence or Ultra-violet Rays
No.168	Mar., 1953	Madlaine Hours	The Scientific Examination of Works of Art in the Laboratory of Louvre Museum
No.167	Feb., 1953	Tanaka Ichimatsu, Shimada Shujiro, Kuno Takeshi	Damages by Fire on the Wall-paintings in the Main Hall of the Horyuji Monastery
No.167	Feb., 1953	Fukuyama Toshio	Summarized Report of Damages of the Main Hall, Horyuji
No.167	Feb., 1953	Yamasaki Kazuo	The Chemical Studies on the Pigments Used in the Wall-painting of the Main Hall of the Horyuji and Their Colour Changes by the Fire of January 1949
No.167	Feb., 1953	Sakurai Takakage, Iwasaki Tomokichi	Scientific Treatments Made on the Main Hall of the Horyuji Monastery after the Fire of 1949
No.167	Feb., 1953	Kuno Takeshi	General List of Articles Relating to the Wall-paintings in the Horyuji Monastery
No.166	Aug., 1952	Kuno Takeshi	The Clay Statues in the Todaiji Temple, Nara: A Study on Ancient Art Objects by Optical Methods
No.166	Aug., 1952	Fukuyama Toshio	The Repository Buildings in the Todaiji Temple and the Shoso-in Imperial Repository in the Compounds of the Same Temple
No.166	Aug., 1952	Horiike Shumpo	Reference Materials for Art Research: An Essay on the Ksitigarbha Statue in the Hokke-do Hall of the Todaiji Temple
No.166	Aug., 1952	Kuno Takeshi	Explanation of the Plates: Vajrapani (Buddhist Guardian God, in Japanese: Shitsukongo-shin), Owned by the Todaiji Temple, Nara
No.166	Aug., 1952	Okada Jo	Explanation of the Plates: Blue-lacquered Scripture Box with Design of Clouds and Phoenixes in Chinkinbori (Line-engraving with Gold Drawing), Owned by the Todaiji Temple, Nara
No.165	Apr., 1952	Shirahata Yoshi	The Style of Depiction in the “Kashiwagi” Scenes from the Scroll-painting Tales of Genji
No.165	Apr., 1952	Shimada Shujiro	On the Landscape Paintings in the Koto-in Temple, Kyoto
No.165	Apr., 1952	Fukuyama Toshio	A Second Supplement to “The Seven-bladed Sword of the Isonokami Jingu, Nara”
No.165	Apr., 1952	Fukuyama Toshio	Reference Materials for Art Research: The Ancient Record of Commodities Supply in the Toshodai-ji Temple, Nara
No.165	Apr., 1952	Kawakami Kei	Reference Materials for Art Research: The Technical Art Terms of the Six Canons of Hsieh Ho Translated into European Languages
No.165	Apr., 1952		General List of Contents of the Bijutsu Kenkyu for the Year 1951
No.164	Jan., 1952	Ogushi Sumio	Study on the Images of Hitomaro with Reference to the “Senzui” Screen in the Toji Collection
No.164	Jan., 1952	Mochimaru Kazuo	An Essay on the Artist of the Wall and Screen Paintings in the Nagoya Castle
No.163	Nov., 1951	Nakamura Denzaburo	Auguste Rodin in Japan Late in the Meiji Period
No.163	Nov., 1951	Kuno Takeshi	Buddhist Statues Under X-ray: From a Series of Studies on Art Objects Through Optical Methods
No.163	Nov., 1951	Kobayashi Tsuyoshi	Reference Materials for Art Research: On the Statue of Sakyamuni in the Daianji Temple, Nara
No.163	Nov., 1951	Kumagai Nobuo	Explanation of the Plates: “Convenience of Drawing Water,” by Taiga, from the Album of “Juben (Ten Conveniences of Rural Living),” Collection of Mr. Kawabata Yasunari, Kanagawa
No.162	Sep., 1951	Ito Takuji	Calligraphy by I-shan I-ning
No.162	Sep., 1951	Kumagai Nobuo	The Korean Painter Sekishi Sai-Ryushin
No.162	Sep., 1951	Fukuyama Toshio	A Supplement to “The Seven-bladed Sword of the Isonokami Jingu, Nara”
No.162	Sep., 1951	Mochimaru Kazuo	Explanation of the Plates: “Bugaku Dance” by Sotatsu, Owned by the Daigoji Monastery, Kyoto
No.161	Mar., 1951	Koyama Fujio	Hsiu Wu Ceramic Kilns in the Northern Sung Dynasty, China
No.161	Mar., 1951	Shimada Shujiro	On I-p’in, the “Extraordinary” Style of Chinese Painting
No.161	Mar., 1951	Kumagai Nobuo	Explanation of the Plates: “Li Po Reciting Poem” by Liang K’ai, Collection of Mr. Mayuyama Junkichi, Tokyo
No.161	Mar., 1951		General Index to the Bijutsu Kenkyu for the Year 1950
No.160	Mar., 1951	Kawakita Michiaki	An Outline History of the Kojikai Society
No.160	Mar., 1951	Oka Isaburo	New Tendencies of Japanese Art in the Late Meiji Period
No.160	Mar., 1951	Kumamoto Kenjiro	Landscape Paintings by Takahashi Yuichi
No.160	Mar., 1951	Kumamoto Kenjiro	Explanation of the Plate: “Red-beans Winnowing” by Kuroda Seiki, Formerly in the Collection of Mr. Uchida Shinya, Tokyo
No.159	Mar., 1951	Suzuki Keizo	An Essay on Japanese Costumes of the Twelfth Century Depicted in the Picture Scroll “Shigisan Engi”
No.159	Mar., 1951	Nakagawa Sensaku	On the So-called Namban Karakusa Patterns in Japanese Lacquer Art
No.159	Mar., 1951	Akiyama Terukazu	Studies on Art Objects Trough Optical Methods: Foreword
No.159	Mar., 1951	Nakayama Hidetaro	Studies on Art Objects Trough Optical Methods: Studies on Buddhist Statues by Radiography
No.159	Mar., 1951	Kuno Takeshi	Studies on Art Objects Trough Optical Methods: X-ray Experiments on Sculpture
No.159	Mar., 1951	Yamasaki Kazuo	Studies on Art Objects Trough Optical Methods: Studies on the Pigments of Ancient Japanese Paintings by Ultra Violet Light
No.159	Mar., 1951	Akiyama Terukazu	Reference Materials for Art Research: Paintings on the Doors of the Main Shrine of the Uji-Kami Jinja, Kyoto
No.159	Mar., 1951	Fukuyama Toshio	Explanation of the Plate: Image of Bodhisattva, the Octagonal Hall, Eizan-ji Temple, Nara
No.158	Feb., 1951	Shirahata Yoshi	On the Seasonal Subjects Treated in the Scroll-painting “Tales of Genji” Attributed to Takayoshi
No.158	Feb., 1951	Fukuyama Toshio	The Seven-bladed Sword of the Isonokami Jingu, Nara
No.158	Feb., 1951	Nagashima Fukutaro	Reference Materials for Art Research: A Newly Found Material Relating to the Shichijo Omiya Guild of Buddhist Sculptors
No.158	Feb., 1951	Sakamoto Masanori	Reference Materials for Art Research: On the Inscriptions Found on the Reverse of Sutra Scrolls Made by Kiyohira for the Chuson-ji Temple, Now Owned by the Kongobu-ji Temple, Wakayama
No.158	Feb., 1951		Explanation of the Plates: “Tales of Genji” Scroll-painting, Collection of the Owari Tokugawa Reimai-kai Institution, Tokyo
No.158	Feb., 1951	Kuno Takeshi	Explanation of the Plates: Suien (Finial) of the Three-storied Pagoda of Yakushi-ji Temple, Nara
No.157	Dec., 1950	Tamura Jitsuzo, Kobayashi Yukio	The Murals at Ch’ing-lung, Mongolia (Part III)
No.157	Dec., 1950	Yamasaki Kazuo	Material for Art Research: Pigments Used in the Murals at Ch’ing-lung, Mongolia
No.157	Dec., 1950	Shirahata Yoshi	Study on the Portrait of Fujiwara-no-Toyori
No.157	Dec., 1950	Mochimaru Kazuo	The Wall and Screen Paintings in the Kennin-ji Temple: A Study on the Ages of Yusho’s Works
No.156	Sep., 1950	Matsumoto Eiichi	The Modeling of Buddhist Images by the Use of Moulds
No.156	Sep., 1950	Kumagai Nobuo	The Murals from the Cave Temple No. 11, Bazaklik
No.156	Sep., 1950	Umehara Sueji	The Reliquary Discovered in the Pagoda of the Kofuku-ji Temple, Keishu, Korea
No.156	Sep., 1950		General Index of the Bijutsu Kenkyu for the Year 1949
No.155	Jul., 1949	Tamura Jitsuzo	The Murals at Ch’ing-lung, Mongolia (Part II)
No.155	Jul., 1949	Suzuki Keizo	Ancient Japanese Costumes As Illustrated in the Picture Scrolls “Genji Monogatari”: With the Masuda Collection Scroll as the Main Object of Research
No.155	Jul., 1949	Kumagai Nobuo	Study on the Ages of Sesshu’s Paintings
No.154	May, 1949	Kojima Kikuo	On a Few Exhibits at the Special Exhibition of Western Art National Museum
No.154	May, 1949	Sakazaki Shizuka	Delacroix
No.154	May, 1949	Tominaga Soichi	Some Influences on Cezanne
No.154	May, 1949	Atarashi Kikuo	“The Cave on the Rizer Loue” by Courbet
No.154	May, 1949	Yoshikawa Itsuji	On El Greco’s “Annunciation”
No.154	May, 1949	Kamon Yasuo	“The Head of a Man,” Study Attributed to Rembrandt
No.154	May, 1949	Kojima Kikuo	Explanation of the Plate: “Willows Over Water” by Monet
No.153	Mar., 1949	Tamura Jitsuzo	The Murals at Ch’ing-lung, Mongolia (Part I)
No.153	Mar., 1949	Matsushita Takaaki	On the Images of Fudo Myo-o and Two Attendants in the Hoko-in Temple
No.153	Mar., 1949	Mochimaru Kazuo	The Portrait of Toyotomi Hideyoshi and Its Painter Kano Mitsunobu
No.153	Mar., 1949	Yamasaki Kazuo	Reference Materials for Art Research: Report on the Pigments Used in Murals at Ch’ing-lung
No.152	Jan., 1949	Kuno Takeshi	The Image of Shitsukongo-shin Enshrined in the Sangatsu-do Hall, Nara
No.152	Jan., 1949	Akamatsu Toshihide	On the Portraits of the Ashikaga Shoguns
No.152	Jan., 1949	Fukuyama Toshio	Reference Materials for Art Research: Shigisan Temple and Priest Myoren
No.152	Jan., 1949	Yamasaki Kazuo	Reference Materials for Art Research: Addition and Correction to Chemical Study on the Pigments Used in the Wall Paintings of the Main Hall, Horyu-ji Monastery
No.151	Dec., 1948	Kameta Tsutomu	Study on the Portrait of Prince Shotoku in the Imperial Collection
No.151	Dec., 1948	Fujita Tsuneyo	On the Text of the Picture Scroll Shigisan Engi
No.151	Dec., 1948	Fujita Tsuneyo	Reference Materials for Art Research: Comparison of the Text of the Shigisan Engi and Other Literary Works Related with the Legend of Shigisan (in Table Form)
No.151	Dec., 1948	Kobayashi Tsuyoshi	Explanation of the Plates: Image of Sho Kannon (Avalokitesvara), Owned by Kakurin-ji Temple, Hyogo
No.151	Dec., 1948	Kawakita Michiaki	Explanation of the Plates: “Riso” by Kikkawa Reika, Mr. Nagase Tomio Collection, Tokyo
No.151	Dec., 1948		General Index of the Bijutsu Kenkyu for the Year 1948
No.150	Oct., 1948	Shimada Shujiro	“Flowers and Insects” by Lu Ching-fu: Study on “Flowers and Insects” Paintings of Ch’angchou District
No.150	Oct., 1948	Iyenaga Saburo	The Hells and the Six Aspects of Metempsychosis Depicted in Buddhist Art
No.150	Oct., 1948	Ito Takuji	Research on Old Copies of the Kako Genzai Inga Kyo Sutra: A Textual Study
No.150	Oct., 1948	Kobayashi Tsuyoshi	Explanation of the Plates: Seitaka Doji (Cetaka), Mr. Hirakushi Denchu Collection, Tokyo
No.149	Aug., 1948	Ito Takuji	Research on Old Copies of the Kako Genzai Inga Kyo Sutra: A Textual Study
No.149	Aug., 1948	Umezu Jiro	On the Illustration of the Lives of Priests Gisho and Gengyo in the Picture Scroll Kegon Engi
No.149	Aug., 1948	Yamanobe Tomoyuki	Explanation of the Plate: Noh Costume with Design of Flower Scrolls and Fans in Embroidery and Gold-leaf Applique, Katamigawari Style (Having Design on Half of the Robe Only), National Museum Collection
No.149	Aug., 1948	Kumagai Nobuo	Explanation of the Plate: “Hotei (Pu Tai),” by Liang K'ai, Mr. Murayama Nagataka Collection, Hyogo
No.148	Jun., 1948	Yabuta Kaichiro	An Interpretation of the Inscription on the Buddhist Image Made by Takaya-no-Taifu, Dated the Year of Hei-in
No.148	Jun., 1948	Maeda Yasuji	Study on the Mirrors with Seashore Design in the Imperials Collection
No.148	Jun., 1948	Kondo Yoshihiro	Origin and Significance of “Kasen” Picture Tablets
No.148	Jun., 1948	Matsushita Takaaki	Explanation of the Plates: Images of Akasagarbha, National Museum Collection and Owned by Samboin Monastery, Kyoto
No.147	May, 1948	Shirahata Yoshi	Study on the Picture Scroll of Ise-Monogatari with the Sanskrit Prints
No.147	May, 1948	Tani Shin-Ichi	A Genealogical Sketch on Kano Soshu: Study on the Kano School Painters of the Early Edo Period
No.147	May, 1948	Mochimaru Kazuo	On Kano Soshu
No.147	May, 1948	Akiyama Terukazu	Explanation of the Plates: Picture Scroll of the Tales of Genji, Mr. Masuda Taro Collection, Kanagawa
No.147	May, 1948		Report of the Institute
No.146	Apr., 1948	Sherman E. Lee	A Study of Chinese Painting
No.146	Apr., 1948	Suzuki Keizo	Manners and Customs Depicted in the Picture Scroll “Ban Dainagon Ekotoba”
No.146	Apr., 1948	Okada Jo	The Kenuki-gata Sword Having Gold-lacquered Scabbard with Nacre Inlay, Owned by the Kasuga Jinja, Nara
No.146	Apr., 1948	Shirahata Yoshi	Explanation of the Plate: Banner for Buddhist Ceremony Having Embroidered Design of Heavenly Beings, Mr. Ogawa Mutsunosuke Collection, Kyoto
No.145	Dec., 1947	Kuno Takeshi	Wall-paintings of the Horyu-ji Pagoda
No.145	Dec., 1947	Yamasaki Kazuo	Chemical Study on the Pigments Used in the Wall-paintings of the Main Hall and Pagoda of Horyu-ji Temple
No.145	Dec., 1947	Asano Kiyoshi	Study of the Original Construction of the Dempo-do Hall, Horyu-ji Temple
No.145	Dec., 1947	Kuno Takeshi	Explanation of the Plate: Lotus-blossom Design on the Celling, Five-storied Pagoda, Horyu-ji Temple, Nara
No.145	Dec., 1947		General Index of the Bijutsu Kenkyu for the Year 1947
No.144	Oct., 1947	Akiyama Terukazu	On the Panel Paintings Behind the Amitabha Image of the Phoenix Hall, Byodoin Temple: Report on Panel and Door Paintings of the Phoenix Hall, Part I
No.144	Oct., 1947	Yamasaki Kazuo	Chemical Studies on the Pigments used in the Panel and Door Paintings of the Phoenix Hall
No.144	Oct., 1947	Fukuyama Toshio	The Scrolls Illustrating Treasures and Metal Ornaments of the Grand Shrine of Ise
No.143	Sep., 1947	Koyama Fujio	The Southern and Northern Styles of Chinese Ceramics
No.143	Sep., 1947	Umezu Jiro	On the Scroll-painting “Jizo Engi” Owned by Honenji Temple
No.142	Sep., 1947	Ueno Naoteru	The Scroll-painting “Ban Dainagon Ekotoba”
No.142	Sep., 1947	Sawayanagi Daigoro	The Bronze Statuette of Bodhisattva Dated the Year of Shin Gai in the National Museum Collection
No.142	Sep., 1947	Shirahata Yoshi	About the Designs in “Kirikane” on the Statues of Acala, Its Two Attendants and Vaisravana, Owned by Bujoji Temple
No.141	Jun., 1947	Tanaka Toyozo	New Study on “P’o-mo” or Haboku
No.141	Jun., 1947	Watanabe Hajime	Kano Masanobu (Corpus of Eastern Arts, Series VIII)
No.141	Jun., 1947		Explanation of Plate: Kazari-Chatsubo (Tea Jar) with Wisteria Design, Earthenware by Ninsei, Coll. Mr. Nagao Kin-ya. Tokyo
No.141	Jun., 1947		Report of the Institute
No.140	Mar., 1947	Kawakita Michiaki	Life of Aoki Shigeru (Part IV)
No.140	Mar., 1947	Kumagai Nobuo	Wall-painting Brought from the “Foot-washing” Cave-temple, Kizil
No.140	Mar., 1947	Kuno Takeshi	Notes on the Drawings and Scribblings Discovered on the Celling of the Main Hall, Horyuji Monastery
No.140	Mar., 1947		Report of the Institute
No.139	Nov., 1946	Yashiro Yukio	Scroll-Painting of the Five Planets and the Twenty-eight Stellar Mansions
No.139	Nov., 1946	Shirahata Yoshi	Study on Designs in Kirikane (Metal Leaf Strips)
No.139	Nov., 1946	Kawakami Kei	Introduction to the “Ku-hua-p’in-lu”
No.139	Nov., 1946		Classified Bibliography of the Bijutsu Kenkyu for the Year 1944
No.139	Nov., 1946		Report of the Institute
No.138	Oct., 1944	Kumagai Nobuo	Wall Paintings Brought from the Cave-temple No. 4, Bazaklik
No.138	Oct., 1944	Tanaka Kisaku	Some Figures in the Nascency of the Nanso School Painting in Japan (Part II)
No.138	Oct., 1944	Kawakita Michiaki	Life of Aoki Shigeru (Part III)
No.138	Oct., 1944		Explanation of the Plates: The Nachi Waterfall, Coll. Nezu Museum, Tokyo
No.138	Oct., 1944		Explanation of the Plates: Portrait of Pai Lo-tien, Coll. Mr. Muto Kinta, Hyogo
No.138	Oct., 1944		Explanation of the Plates: “Landscape” by Baiitsu, Coll. Mr. Tanaka Heiroku, Aichi
No.138	Oct., 1944		Report of the Institute
No.137	Jul., 1944	Umehara Sueji	On the Glazed Pottery Ware of the Imperial Repository Shosoin
No.137	Jul., 1944	Shirahata Yoshi	Notes on the Paintings in the Hokekyo Sutra Scrolls in Count Matsudaira’s Collection
No.137	Jul., 1944		Explanation of the Plate: Portrait of Nanso-e Koji, Coll. Mr. Kimura Teizo, Osaka
No.137	Jul., 1944		Explanation of the Plate: “Landscape” by I Fu-Chiu, Coll. Mr. Murai Ichibei, Mie
No.137	Jul., 1944	Tanaka Kisaku	Hyakusetsu-Osho-Gyojo, Nankai-Keifu
No.137	Jul., 1944		Report of the Institute
No.136	May, 1944	Umezu Jiro	Notes on the Scroll-painting “Zuijin Teiki Emaki”
No.136	May, 1944	Fukui Rikichiro	A Few Words on Mu Ch’i (Part II)
No.136	May, 1944	Kawakita Michiaki	Life of Aoki Shigeru (Part II)
No.136	May, 1944		Explanation of the Plates: “Autumn Landscape” by Shih-T’ien, Col. Mr. Nakamura Junsaku, Hyogo
No.136	May, 1944		Report of the Institute
No.135	Mar., 1944	Fukui Rikichiro	A Few Words on Mu Ch’i (Part I)
No.135	Mar., 1944	Yashiro Yukio	Clay Buddha Images in Relief Excavated from Tun-huang, China
No.135	Mar., 1944		Explanation of the Plates: “Amitabha and His Holy Crowd Coming to Receive the Dead into His Paradise,” Owned by the Kombuin Nunnery, Nara
No.135	Mar., 1944	Tanaka Toyozo	Explanation of the Plates: Two Zen Saints in Meditation” by Shih K’o, Owned by the Syohozi Temple, Kyoto
No.135	Mar., 1944		Explanation of the Plates: “Riding a Buffalo” after Li T’ang, “Summer Scenery” after Hsia Kuei, “Riding a Buffalo” after Li T’ang, “Winter Scenery” after Hsia Kuei, copied by Sesshu, Coll. Marquis Asano Nagatake, Tokyo
No.135	Mar., 1944		Explanation of the Plate: “Portrait of Sugawara Michizane” by Kagei, Coll. Marquis Hosokawa Moritatu, Tokyo
No.135	Mar., 1944		Report of the Institute
No.134	Feb., 1944	Kawakita Michiaki	Life of Aoki Shigeru (Part I)
No.134	Feb., 1944	Koyama Fujio	Ceramic Kilns at Tz’u-chou, China
No.134	Feb., 1944	Tanaka Kisaku	Some Figures in the Nascency of the Nanso School Painting in Japan (Part I)
No.134	Feb., 1944		Explanation of the Plates: “Landscape” by Taiga, Coll. Baron Dan Ino, Tokyo
No.134	Feb., 1944		Explanation of the Plates: ”The Enlighten Sakya Leaving the Mountain” and “Snowy Landscape” by Liang Ch’iai, Coll. Court Sakai Tadahiro, Tokyo
No.134	Feb., 1944		Explanation of the Plate: “The Resurrection of Sakya” Owned by the Tyohozi Temple, Kyoto
No.134	Feb., 1944		Report of the Institute
No.133	Dec., 1943	Umehara Sueji	Some Specimens of Chinese Pictorial Art of the Han Period
No.133	Dec., 1943	Nagashima Fukutaro	On the Rise and Spread of the “Kasuga Mandara” Painting
No.133	Dec., 1943	Kumamoto Kenjiro	Kuroda Seiki’s Later Activities and Works (Part III)
No.133	Dec., 1943		Classified Bibliography of the Bijutsu Kenkyu for the Year 1943
No.133	Dec., 1943		Report of the Institute
No.132	Nov., 1943	Suganuma Teizo	The Works of Kazan’s Middle Years
No.132	Nov., 1943	Shirahata Yoshi	On the Onna-e Pictures
No.132	Nov., 1943	Kumamoto Kenjiro	Kuroda Seiki’s Later Activities and Works (Part II)
No.132	Nov., 1943	Editor	Heian Jinbutsushi, Address Book of Artists and Scholars in Kyoto, Published in the 2nd Year of Tenmei (1782)
No.132	Nov., 1943		Report of the Institute
No.131	Sep., 1943	Tanaka Kisaku	On the Images of Caturmaharaja Enshrined in the Kaidan-in of the Todaiji Temple
No.131	Sep., 1943	Umezu Jiro	Study on the Scroll-painting “Jizo Engi Emaki” in the Collection of the Imperial Household Museum, Tokyo
No.131	Sep., 1943	Ogushi Sumio	Images of Manjusri Crossing the Sea
No.131	Sep., 1943	Matsushita Takaaki	On the “Manihoshu Mandala”
No.131	Sep., 1943	Umezu Jiro	Text of the Scroll “Jizo Engi Emaki” in the Collection of the Imperial Household Museum, Tokyo
No.131	Sep., 1943		Report of the Institute
No.130	Jul., 1943	Kumamoto Kenjiro	Kuroda Seiki’s Later Activities and Works (Part I)
No.130	Jul., 1943	Tanaka Kisaku	A Few Problems Concerning the Picture-scroll “Genji Monogatari” Ascribed to Takayoshi
No.130	Jul., 1943	Tanaka Toyozo	On Mu Ch’i
No.130	Jul., 1943	Umehara Sueji	Some Specimens of the T’ang Silverware
No.130	Jul., 1943		Report of the Institute
No.129	Mar., 1943	Suganuma Teizo	On the Early Works of Watanabe Kazan
No.129	Mar., 1943	Kameta Tsutomu	“Preaching Sakyamuni” in Embroidery, Owned by the Kanjuji Temple
No.129	Mar., 1943	Tazawa Yutaka	The Development of Wooden Sculpture in the Early Heian Period (Part II)
No.129	Mar., 1943	Kurokawa Mitsutomo	The Cowhide Keman Owned by the Kyoogokokuji Temple
No.129	Mar., 1943		Explanation of the Plates: “Kannon, Monkeys and a Crane” by Mu-sh’i, Coll. Daitokuji Temple, Kyoto
No.129	Mar., 1943		Report of the Institute
No.128	Jan., 1943	Tazawa Yutaka	The Development of Wooden Sculpture in the Early Heian Period (Part I)
No.128	Jan., 1943	Tani Shin-ichi	Study on Tosa Yukihiro (Part II)
No.128	Jan., 1943	Iyenaga Saburo	Study on the Seasonal Themes in the Yamato-e Painting of the Heian Period (Part II)
No.128	Jan., 1943	Tanaka Toyozo	On the Painting “Chikurin Baika Zu” in the Collection of Marquis Asano
No.128	Jan., 1943		Explanation of the Plates: Box with Wheel Pattern, Coll. Mr. Ogura Akira, Tokyo
No.128	Jan., 1943		Explanation of the Plates: “Tenjin Engi Emaki,” Coll. Imperial Household Museum, Tokyo
No.128	Jan., 1943		Explanation of the Plates: “Kasuga Miya Mandara,” Coll. Mr. Yuasa Shichizaemon, Kyoto
No.128	Jan., 1943		Explanation of the Plates: “A Peacock and Pine Tree” Ascribed to Yusho, Cll. Kenninji Temple, Kyoto
No.128	Jan., 1943		Explanation of the Plate: “Landscape” by Gyokushu, Coll. Mr. Wanaka Kinsuke, Wakayama
No.128	Jan., 1943	Kameta Tsutomu	Texts and Introductory Notes of the Nan-endo Gohonzon ika Goshuri Senrei (Repairs of the Nan-endo Hall of the Kofukuji Temple and Its Principal Image) and the Hasedera Shoshitsu (Destruction of the Hasedera Temple by Fire)
No.128	Jan., 1943		Report of the Institute
No.127	Nov., 1942	Tani Shin-Ichi	Study on Tosa Yukihiro (Part I)
No.127	Nov., 1942	Tanaka Kisaku	The Origin of the Nanso School Painting in Japan
No.127	Nov., 1942	Iyenaga Saburo	Study on the Seasonal Themes in the Yamato-e Painting of the Heian Period (Part I)
No.127	Nov., 1942		Explanation of the Plates: Image of Sho-kannon, Coll. Minedera, Shimane
No.127	Nov., 1942		Explanation of the Plate: “Tea Connoisseurs” Ascribed to Ts’ien Shun-chu, Coll. Mr. Abe Kojiro, Hyogo
No.127	Nov., 1942		Explanation of the Plates: Image of Kokuzo-bosatsu, Coll. Horinji Temple, Nara
No.127	Nov., 1942		Classified Bibliography of the Bijutsu Kenkyu for the Year 1942
No.127	Nov., 1942		Report of the Institute
No.126	Sep., 1942	Umezu Jiro	Study on the Scroll-painting “Tenjin Engi” Kept in the Shrines at Kitano (by Mitsunobu) and Tsuda
No.126	Sep., 1942	Kumagai Nobuo	Wall-paintings Brought from the Cave-temple No. 20, Bazaklik
No.126	Sep., 1942	Horiguchi Sutemi	Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part V)
No.126	Sep., 1942		Explanation of the Plate: “Woman Playing Guitar” Ascribed to Nobukata, Coll. Ikenaga Museum, Hyogo
No.126	Sep., 1942		Explanation of the Plates: “Autumn Landscape,” Coll. Mr. Abe Kojiro, Hyogo
No.126	Sep., 1942	Umezu Jiro	Text of the Scrolls “Kitanotenjin Engi” Kept in Tsuda-jinja
No.126	Sep., 1942		Report of the Institute
No.125	Jul., 1942	Kanamori Takashi	Study on the Hakuho-style Sculpture
No.125	Jul., 1942	Shirahata Yoshi	Utae and Ashide Paintings
No.125	Jul., 1942	Tanaka Kisaku	On Shiki-soka-zu Painting by Sosetsu
No.125	Jul., 1942	Horiguchi Sutemi	Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part IV)
No.125	Jul., 1942		Explanation of the Plates: “Acala and Eight Attendants,” Coll. Mr. Yamamoto Hatsujiro, Hyogo
No.125	Jul., 1942		Explanation of the Plates: “Landscape” Ascribed to Sotan, Coll. Mr. Matsunaga Yasuzaemon, Tokyo
No.125	Jul., 1942		Report of the Institute
No.124	May, 1942	Yashiro Yukio	A Female Sepulchral Figure of T’ang Dynasty, Glazed in Three Colours
No.124	May, 1942	Katori Hotsuma	On Kettles for Tea Cult
No.124	May, 1942	Horiguchi Sutemi	Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part III)
No.124	May, 1942		Explanation of the Plates: “A Daffodil and a Quail,” Attributed to Emperor Hui-tsung, Coll. Marquis Asano Nagatake, Tokyo
No.124	May, 1942		Explanation of the Plates: “Acala” Coll. Jinmokuji Temple, Aichi
No.124	May, 1942		Report of the Institute
No.123	Mar., 1942	Umezu Jiro	Scroll-Painting Mabutsu-ichinyo Ekotoba
No.123	Mar., 1942	Horiguchi Sutemi	Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part II)
No.123	Mar., 1942		Explanation of the Plates: Image of Fugen-emmyo (Life-prolonging Samantabhadra) Coll. Matsunoodera Temple, Kyoto
No.123	Mar., 1942		Explanation of the Plate: Portrait of Shoichi-Kokushi by Mincho, Coll. Tofukuji Temple, Kyoto
No.123	Mar., 1942		Explanation of the Plate: Image of Prince Shotoku-taishi, Coll. Mrs. Sen Shimomura, Kanagawa
No.123	Mar., 1942	Umezu Jiro	The Text of the Scroll “Mabutsu-ichinyo Ekotoba”
No.123	Mar., 1942		Report of the Institute
No.122	Feb., 1942	Horiguchi Sutemi	Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part I)
No.122	Feb., 1942	Kumagai Nobuo	Wall-paintings Brought from the Cave-temple No. 19, Bazaklik
No.122	Feb., 1942		Explanation of the Plate: “Autumn Moon on Lake Tungting” Ascribed to Mu-ch’i, Coll. Prince Iyemasa Tokugawa, Tokyo
No.122	Feb., 1942		Explanation of the Plates: “Zenzai-doji on a Tour in Search of Enlightenment,” Coll. Mr. Kunizo Hara, Tokyo
No.122	Feb., 1942	Horiguchi Sutemi	Text of Kundaikan-Sauchoki (Notes on Arts and Artists) Made by Soami, Formerly in the Collection of Kakokusai
No.122	Feb., 1942		Report of the Institute
No.121	Jan., 1942	Yashiro Yukio	On the Scroll of Koetsu’s Calligraphy of Poems on the Ground-design of Flowers by Sotatsu
No.121	Jan., 1942	Akiyama Terukazu	The Kara-e and Yamato-e Paintings of the Heian Period (Part II)
No.121	Jan., 1942		Explanation of the Plates: “Kinkoku-en” & “Tori-en” by Ch’iu Ying, Coll. Chion-in Monastery, Kyoto
No.121	Jan., 1942		Explanation of the Plate: Brick with Phoenix Design, Coll. Minami-hokkeji Temple, Nara
No.121	Jan., 1942	Horiguchi Sutemi	Text of Kundaikan-sauchoki (Notes on Arts and Artists) made by Noami, Formerly in the Collection of Shuko
No.121	Jan., 1942		Report of the Institute
No.120	Dec., 1941	Akiyama Terukazu	The Kara-e and Yamato-e Paintings of the Heian Period (Part I)
No.120	Dec., 1941	Suganuma Teizo	Landscape Sketches of Four Provinces Shishu Shinkei by Kazan
No.120	Dec., 1941	Ogushi Sumio	On the Jukkai-zu Painting (Part II)
No.120	Dec., 1941		Explanation of the Plates: “Dragon” and “Tiger” by Mu-ch’i, Coll. Daitokuji Temple, Kyoto
No.120	Dec., 1941		Classified Bibliography of the Bijutsu Kenkyu for the Year 1941
No.120	Dec., 1941		Report of the Institute
No.119	Nov., 1941	Kumamoto Kenjiro	On the Images of Western Emperors, Kings and Princes Newly Discovered
No.119	Nov., 1941	Ogushi Sumio	On the Jukkai-zu Painting
No.119	Nov., 1941		Report of the Institute
No.118	Oct., 1941	Akiyama Terukazu	On the Folding-screens Used on the Grand Ceremony of Daijo-e at Court
No.118	Oct., 1941	Kumamoto Kenjiro	Seiki Kuroda’s Activities and Works (Part III)
No.118	Oct., 1941		Explanation of the Plates: “Senzui-byobu,” Coll. Jingoji Temple, Kyoto
No.118	Oct., 1941		Explanation of the Plates: Landscape (One of the Eight Scenic Views of Hsiao-hsiang) attributed to Mu-ch’i, Coll. Marquis Toshitame Maeda, Tokyo
No.118	Oct., 1941		Explanation of the Plate: Landscape (One of the Eight Scenic Views of Hsiao-hsiang) attributed to Mu-ch’i, Coll. Baron Taro Masuda, Tokyo
No.118	Oct., 1941		Explanation of the Plates: Statue of the Priest Nichira, Coll. Tachibanadera Temple, Nara
No.118	Oct., 1941		Report of the Institute
No.117	Sep., 1941	Yashiro Yukio	Buddhistic Statuettes of Gilded Bronze in Gandhara Style
No.117	Sep., 1941	Koyama Fujio	On the Official Porcelain of the Sung Dynasty
No.117	Sep., 1941		Explanation of the Plate: Portrait of Go-en-yuin, by Tosa Mitsunobu, Coll. Unryuin Monastery, Kyoto
No.117	Sep., 1941		Explanation of the Plates: Landscape with Figures, by Kano Masanobu, Coll. Mr. Ginjiro Fujiwara, Tokyo
No.117	Sep., 1941		Report of the Institute
No.116	Aug., 1941	Tanaka Kisaku	On a Newly Found Copy of the Kozanji Cartoon, Handed down in the Sumiyoshi Family
No.116	Aug., 1941	Kido Hisashi	On the Construction of Jorakuden (Inner Citadel) of the Nagoya-jo Castle
No.116	Aug., 1941		Explanation of the Plate: “A Returning Sail” (Part of the “Eight Scenic Views of Hsiao-Hsian”), Ascribed to Mu-ch’i, Coll. Count Naokuni Matsudaira, Tokyo
No.116	Aug., 1941		Explanation of the Plates: “Kin-Ki-Sho-Ga” (The Four Accomplishments) and “Flowers and Birds” by Tan-yu, Coll. Nagoyajo Castle, Aichi
No.116	Aug., 1941		Explanation of the Plates: Statuette of Buddha (Gilded Bronze) and Basin under the Statuette (Copper with Hair-lines Engraving), Coll. Todaiji Temple, Nara
No.116	Aug., 1941		Report of the Institute
No.115	Jul., 1941	Umehara Sueji	Dated Lacquer Wares Lolang
No.115	Jul., 1941	Kumamoto Kenjiro	Seiki Kuroda’s Activities and Works (Part II)
No.115	Jul., 1941	Ogushi Sumio	Study on the Raiko Painting in the Collection of Anichiji Temple
No.115	Jul., 1941		Explanation of the Plates: “Hachiman as a Buddhist Priest,” Coll. Yakushiji Temple, Nara
No.115	Jul., 1941		Reports of the Institute
No.114	Jun., 1941	Umezu Jiro	Study on the Scroll-painting “Kitanotenjin Engi” Kept in the Shrines in Ionosho and Tsuda
No.114	Jun., 1941	Kameta Tsutomu	Some Notes on the “Heike Nokyo” Scroll
No.114	Jun., 1941	Suganuma Teizo	New Study on the Portraits by Kazan
No.114	Jun., 1941		Explanation of the Plates: “Fuyo” by Ki Ti, Coll. Viscount Kosho Fukuoka, Tokyo
No.114	Jun., 1941		Text of the Scroll “Kitanotenjin Engi” in the Collection of the Shrine in Ionosho (Reprinted from the Original)
No.114	Jun., 1941		Report of the Institute
No.113	May., 1941	Kumamoto Kenjiro	Seiki Kuroda’s Activities and Works (Part I)
No.113	May., 1941	Iyenaga Saburo	Study on “Karaye” Painting of Nara and Heian Periods (Part II)
No.113	May., 1941	Yoshino Tomio	Study on Lacquered Suan-te Bowl of Japanese Style
No.113	May., 1941		Explanation of the Plates: “Portrait of Priest Ikkyu,” Coll. Mr. Masaya Okazaki, Tokyo
No.113	May., 1941		Explanation of the Plate: “Lake Hsi,” Coll. Mr. Issei Hatakeyama, Tokyo
No.113	May., 1941		Explanation of the Plates: “Landscape with Figures” by Taiga, Coll. Henjokoin Monastery, Wakayama
No.113	May., 1941		Explanation of the Plates: “Bosatsu,” Coll. Mr. Kin-ya Nagao, Tokyo
No.113	May., 1941		Report of the Institute
No.112	Apr., 1941	Yashiro Yukio	Study on “Juichimen Kannon” Kept in the Hase-kannon-do Temple in Yamaguchi
No.112	Apr., 1941	Umezu Jiro	On the Scroll-painting “Komyoshingon-kudoku-ekotoba”
No.112	Apr., 1941	Odakane Taro	Ernest F. Fenollosa’s Activities in the Field of Art (Part III)
No.112	Apr., 1941		Explanation of the Plate: “Heike Nokyo” (Scrolls of Hokekyo Sutra Dedicated to the Itsukushima Shrine by the Heike Family), Beginning of Gonno-bon Scroll, Coll. Itsukushima Shrine, Hiroshima
No.112	Apr., 1941		Explanation of the Plate: “Pot with Designs of Tree-peony in Black Glaze,” Coll. Marquis Moritatsu Hosokawa, Tokyo
No.112	Apr., 1941	Umezu Jiro	Text of the Scroll “Komyoshingon-kudoku-ekotoba” Kept in the Myo-o-in Monastery, Shiga
No.112	Apr., 1941		Report of the Institute
No.111	Mar., 1941	Iyenaga Saburo	Study on “Karaye” Painting of Nara and Heian Periods (Part I)
No.111	Mar., 1941	Odakane Taro	Ernest F. Fenollosa’s Activities in the Field of Art (Part II)
No.111	Mar., 1941		Explanation of the Plate: “Sonsho-mandala,” Coll. Kodaiin Monastery, Kyoto
No.111	Mar., 1941		Explanation of the Plates: “Lotus and Waterfowls,” Coll. Horyuji Temple, Nara
No.111	Mar., 1941		Explanation of the Plates: Scroll of “Nozarashi-kiko,” by Buson, Formerly Owned by Mr. Tatsujiro Hashimoto, Tokyo / “Okuno-hosomichi” by Buson, Formerly Owned by Mr. Tatsujiro Hashimoto, Tokyo
No.111	Mar., 1941		Explanation of the Plate: “Cat and Bamboo” by Gaho, Coll. Imperial Household Museum, Tokyo
No.111	Mar., 1941		Explanation of the Plate: Letter of Shoan, Coll. Mr. Kin-ya Nagao, Tokyo
No.111	Mar., 1941		Report of the Institute
No.110	Feb., 1941	Noma Seiroku	Study on the Technique of Cast Images
No.110	Feb., 1941	Odakane Taro	Ernest F. Fenollosa’s Activities in the Field of Art (Part I)
No.110	Feb., 1941		Explanation of the Plates: “Images of Eight Founders of Shingon-sect,” Coll. Jingoji Temple, Kyoto
No.110	Feb., 1941		Explanation of the Plates: “Wang Chao-chun Departing for the Country of the Huns” by Kung Su-jan, Coll. Mr. Kojiro Abe, Hyogo
No.110	Feb., 1941		Report of the Institute
No.109	Jan., 1941	Ono Katsutoshi, Hibino Takeo	On Preservation of Shih-fo Ssu in Ta-t’ung
No.109	Jan., 1941	Yashiro Yukio	Buddhistic Statues in Gilt Bronze of the Six Dynasties
No.109	Jan., 1941	Koyama Fujio	Ting Yao Bowls with Golden Design
No.109	Jan., 1941		Report of the Institute
No.108	Dec., 1940	Kanamori Takashi	Study on the Tempyo Sculpture
No.108	Dec., 1940	Honda Seishi	Biography of Tessai Tomioka (Part III)
No.108	Dec., 1940		Explanation of the Plates: “Flowers,” Coll. Tenkyuin Monastery, Kyoto
No.108	Dec., 1940		Explanation of the Plates: “Juichimen-kannon (Ekadasa-mukha),” Coll. Hokkeji Temple, Nara
No.108	Dec., 1940		Explanation of the Plate: “Landscape” by Mokubei, Coll. Mr. Koji Nakano, Niigata
No.108	Dec., 1940		Explanation of the Plates: “Landscapes” by Tessai, Coll. Mr. Etsuzo Tatsuma, Hyogo
No.108	Dec., 1940		Classified Bibliography of the Bijutsu Kenkyu for the Year 1940
No.108	Dec., 1940		Report of the Institute
No.107	Nov., 1940	Suganuma Teizo	On Kazan’s Works of His Later Years
No.107	Nov., 1940	Honda Seishi	Biography of Tessai Tomioka (Part II)
No.107	Nov., 1940		Explanation of the Plates: “A Beauty” by Kazan, Coll. Baron Koyata Iwasaki, Tokyo
No.107	Nov., 1940	Suganuma Teizo	Kazan’s Diary (Reprinted from His Original MSS.)
No.107	Nov., 1940		Report of the Institute
No.106	Oct., 1940	Dotani Kenyu	Study on the Six Canons of Painting, “liu fa”
No.106	Oct., 1940	Tanaka Kisaku	Supplement to the Study of the Date of Production of “Red Acala”
No.106	Oct., 1940	Honda Seishi	Biography of Tessai Tomioka (Part I)
No.106	Oct., 1940		Explanation of the Plates: Landscape “Amano-hashidate,” Attributed to Sesshu, Coll. Marquis Toyokage Yamanouchi, Tokyo
No.106	Oct., 1940		Explanation of the Plates: “Susuki and Quails,” Coll. Count Okimune Date, Tokyo
No.106	Oct., 1940		Explanation of the Plates: “White Goose and Swimming Fish” and “Autumnal Grasses and a Pair of Geese” by Kazan, Former Coll. Tatsujiro Hashimoto, Tokyo
No.106	Oct., 1940		Explanation of the Plates: “Landscape” by Tessai, Coll. Mr. Makitaro Fuse, Fukui
No.106	Oct., 1940		Explanation of the Plate: “Playing Biwa on the Lake” by Wen Chia, Coll. Mr. Kojiro Abe, Hyogo
No.106	Oct., 1940		Report of the Institute
No.105	Sep., 1940	Toyooka Masuto	Study on Amida-do at Shiramizu
No.105	Sep., 1940	Shirahata Yoshi	Study on Menashi-kyo
No.105	Sep., 1940		Explanation of the Plates: “Weaving in the Moonlight” by Kazan, Coll. Baron Koyata Iwasaki, Tokyo
No.105	Sep., 1940		Report of the Institute
No.104	Aug., 1940	Umezu Jiro	The Scroll-painting “Noe-hoshi Ekotoba”
No.104	Aug., 1940	Iyenaga Saburo	Foundation of Hojoji Temple
No.104	Aug., 1940		Explanation of the Plate: “Bowl with Flowers Pattern,” Pottery, with Three Colour Glaze, Coll. Marquis Moritatsu Hosokawa, Tokyo
No.104	Aug., 1940		Explanation of the Plates: “Scroll of Poem and Painting” Poem by Tsai Ching, Painting by Hu Shun-tsen, Coll. Mr. Kojiro Abe, Hyogo
No.104	Aug., 1940		Explanation of the Plates: “Snow Landscape” by Gyokudo, Coll. Mr. Tetsunosuke Shibata, Shiga
No.104	Aug., 1940		Report of the Institute
No.103	Jul., 1940	Tanaka Kisaku	Study on the Position of the Painting “San-eki-sai” in the History of Painting
No.103	Jul., 1940	Tani Shin-Ichi	Study on Tosa Mitsunobu (Part III)
No.103	Jul., 1940		Explanation of the Plates: “Nirvana,” Coll. Kongobuji Temple, Wakayama
No.103	Jul., 1940		Explanation of the Plate: “Landscape” by Kao Feng-han, Coll. Mr. Kojiro Abe, Hyogo
No.103	Jul., 1940		Explanation of the Plate: “Sakyamuni,” Coll. Chuguji Temple, Nara
No.103	Jul., 1940		Report of the Institute
No.102	Jun., 1940	Yashiro Yukio	Study on the Folded-screen on which are Pasted Pieces of Koetsu’s Ode-paper Designed by Sotatsu
No.102	Jun., 1940	Kumamoto Kenjiro	Seiki Kuroda during his Stay in France (Part II)
No.102	Jun., 1940		Explanation of the Plate: “Landscape” by Bunsei, Coll. Mr. Shichizaemon Yuasa, Kyoto
No.102	Jun., 1940		Report of the Institute
No.101	May, 1940	Kumamoto Kenjiro	Seiki Kuroda during his Stay in France (Part I)
No.101	May, 1940	Tani Shin-Ichi	Study on Tosa Mitsunobu (Part II)
No.101	May, 1940		Explanation of the Plate: “Painting of Su-wu and Li-ling” by Shunso Hishida, Coll. Mr. Juichi Taguchi, Tokyo
No.101	May, 1940		Explanation of the Plates: “Cintamani-cakra,” Coll. Kanshinji Temple, Osaka
No.101	May, 1940		Explanation of the Plates: “Letter of Sotatsu,” Coll. Mr. Yukihiko Yasuda, Kanagawa
No.101	May, 1940		Report of the Institute
No.100	Apr., 1940	Taki Seiichi	Buddhism and Japanese Art
No.100	Apr., 1940	Tani Shin-Ichi	Study on Tosa Mitsunobu (Part I)
No.100	Apr., 1940	Suganuma Teizo	Study on Portraits by Chinzan
No.100	Apr., 1940		Explanation of the Plates: “Fukuse Teaching a Text Book of Confucianism,” Coll. Mr. Kojiro Abe, Hyogo
No.100	Apr., 1940		Explanation of the Plates: Scroll “Sanno Reikenki,” Coll. Marquis Saburo Inoue, Tokyo
No.100	Apr., 1940		Report of the Institute
No.099	Mar., 1940	Tanaka Kisaku	Study on the Date of Production of “Akafudo or Red Acala”
No.099	Mar., 1940	Umezu Jiro	Study on the Scrolls “Sanno Reikenki” (on Reigenji’s Scroll etc.)
No.099	Mar., 1940		Explanation of the Plate: Flower Basket, Coll. Mr. Yukihiko Yasuda, Kanagawa
No.099	Mar., 1940		Explanation of the Plate: Scroll “Thirty-Six Priest-Poets” (Fragment), Coll. Mr. Masaharu Kato, Tokyo
No.099	Mar., 1940		Report of the Institute
No.099	Mar., 1940	Umezu Jiro	The Text of the Scrolls “Sanno Reikenki”
No.099	Mar., 1940		Records of the Koami Family
No.098	Feb., 1940	Yashiro Yukio	Study on the Album of “Ise Monogatari” Painted by Sotatsu
No.098	Feb., 1940	Yoshino Tomio	Study on a Group of Furniture Decorated with Makie in Western Style
No.098	Feb., 1940		Explanation of the Plates: Paintings of “Ise Monogatari,” Album, Collection of Baron Ino Dan, Tokyo
No.098	Feb., 1940		Report of the Institute
No.098	Feb., 1940		Koami Kadensho (Chronology of Koami)
No.098	Feb., 1940		Koami Kadenkan (Records of Koami)
No.097	Jan., 1940	Masaki Tokuzo	Study on the Scroll-painting “Nezame Monogatari”
No.097	Jan., 1940	Nishimura Tei	Paintings of “Society of Jesus” in Japan and Those of Western Style at the End of Ming Dynasty
No.097	Jan., 1940	Watanabe Hajime	Works by Little Known Painters (Part III)
No.097	Jan., 1940	Watanabe Hajime	Works by Little Known Painters (Part III)
No.097	Jan., 1940		Explanation of the Plate: “Landscape” by I Fu-chiu, Collection of Mr. Jirobei Hasegawa, Mie
No.097	Jan., 1940		Explanation of the Plates: “Vaisravana,” Collection of Uesugi Shrine, Yamagata
No.097	Jan., 1940		Report of the Institute
No.096	Dec., 1939	Kumamoto Kenjiro	G. V. Cappelletti and A. Giovanni
No.096	Dec., 1939	Mori Senzo	Study on the Biography of Uragami Gyokudo (Part II)
No.096	Dec., 1939		Explanation of the Plates: “Painted Basket,” Excavated out of the Tomb at Lo-Lang, Chosen, Collection of Government General of Chosen
No.096	Dec., 1939		Explanation of the Plates: “Vajra-dhara,” Collection of Todaiji Temple, Nara
No.096	Dec., 1939		Explanation of the Plate: “Landscape” by Fang Ts’ung-i, Collection of Mr. Kojiro Abe, Hyogo
No.096	Dec., 1939		Explanation of the Plate: “Landscape” by Kyosho, Collection of Mr. Shigetaro Moriya, Gumma
No.096	Dec., 1939		Report of the Institute
No.096	Dec., 1939		Classified Bibliography of the Bijutsu Kenkyu for the Year 1939
No.095	Nov., 1939	Suganuma Teizo	Study on Portraits of Goto Yujo and His Descendants
No.095	Nov., 1939	Mori Senzo	Study on the “Biography of Uragami Gyokudo” (Part I)
No.095	Nov., 1939		Explanation of the Plates: “Landscape of Four Seasons on Su Tung-P'o's Poems,” by Shih-T'ao, Collection of Mr. Kojiro Abe, Hyogo
No.095	Nov., 1939		Explanation of the Plate: Fragment of Wall-Painting of Fukiji Temple, Collection of Mr. Yasuzaemon Matsunaga, Tokyo
No.095	Nov., 1939		Report of the Institute
No.094	Oct., 1939	Tanaka Kisaku	Study on the Technique of Shitogwa (Finger-Drawing)
No.094	Oct., 1939	Kumamoto Kenjiro	Antonio Fontanesi and His Works in Japan
No.094	Oct., 1939		Explanation of the Plates: Panel Paintings of Kichijoten Shrine of Joruriji Temple,Collection of the Imperial Art School of Tokyo
No.094	Oct., 1939		Explanation of the Plate: “Five Hundred Arhats,” by Ikeno Taiga, Collection of Manpukuji Temple, Kyoto
No.093	Sep., 1939	Yashiro Yukio	Study on Koetsu's Shikishi Dated November 11th, Keicho 11th Year
No.093	Sep., 1939	Umezu Jiro	Study on the Scroll “Thirty-Six Priest-Poets”
No.093	Sep., 1939		Explanation of the Plates: “Acala and Two Boys,” Collection of Ruriji Temple, Hyogo
No.093	Sep., 1939		Explanation of the Plate: “Buddha,” Collection of The Tokyo Imperial Art School
No.093	Sep., 1939		Report of the Institute
No.093	Sep., 1939	Umezu Jiro	The Text of the Scroll “Thirty-Six Priest-Poets” Reprinted from the Sketches by Tsunenobu
No.092	Aug., 1939	Tani Shin-Ichi	Study on Portraits of Hideyoshi Toyotomi
No.092	Aug., 1939	Kumamoto Kenjiro	Edoardo Chiossone and His Works in Japan (II)
No.092	Aug., 1939		Explanation of the Plates: “Flowers,” by Yun Nan-T'ien, Collection of Mr. Kojiro Abe, Hyogo
No.092	Aug., 1939		Explanation of the Plates: “Hermit Looking Up at the Moon,”Collection of Marquis Naganari Kuroda, Tokyo
No.092	Aug., 1939		Explanation of the Plate: “Amitabha,” Collection of Nenbutsuji, Mie
No.092	Aug., 1939		Report of the Institute
No.091	Jul., 1939	Morisue Gisho	Historical Study on “Shogun-Jizo”
No.091	Jul., 1939	Kumamoto Kenjiro	Edoardo Chiossone and His Works in Japan (I)
No.091	Jul., 1939		Explanation of the Plate: “Portrait of Confucius,” Collection of Mr. Yukihiko Yasuda, Kanagawa
No.091	Jul., 1939		Explanation of the Plates: “Landscape” (The River Hozugawa), by Okyo, Collection of Mr. Sozaemon Nishimura, Kyoto
No.091	Jul., 1939		Explanation of the Plates: “Birds and Trees,” by Shen T'ien-Jang, Collection of Mr. Kinpei Takeuchi, Tokyo
No.091	Jul., 1939		Explanation of the Plate: “Apsara,” Collection of Mr. Inosuke Setsu, Tokyo
No.091	Jul., 1939		Report of the Institute
No.090	Jun., 1939	Dotani Kenyu	On Li-Tal-Ming-Hua-Chi (Part I)
No.090	Jun., 1939	Yashiro Yukio	On Two Unusual Korean Statuettes
No.090	Jun., 1939		Explanation of the Plates: “God of Thunder and God of Wind” by Sotatsu, Collection of Kenninji Temple, Kyoto
No.090	Jun., 1939		Explanation of the Plates: “Arhats,” Collection of Mr. Kotaro Nishimura, Tokyo
No.090	Jun., 1939		Explanation of the Plate: “Landscape,” Collection of Baron Koyata Iwasaki, Tokyo
No.090	Jun., 1939		Explanation of the Plates: “God of Thunder and God of Wind” by Hoitsu, Collection of Viscount Keizo Shibusawa, Tokyo
No.090	Jun., 1939		Explanation of the Plates: “Avalokitesvara,” Collection of Mr. Ziro Ichida, Korea
No.090	Jun., 1939		Report of the Institute
No.090	Jun., 1939		The Honcho-Ga-San (Illustrated Biographies of Japanese Painters), Newly Compiled and Reprinted From Various Editions (Part V)
No.089	May, 1939	Umezu Jiro	On Scroll-Painting “Ashibiki-e”
No.089	May, 1939	Mori Senzo	Study on Ikeno Taiga Kafu (Chronicles of Ikeno Taiga Family)
No.089	May, 1939		Explanation of the Plates: Ink-Stone Box:: “Hana-No-Shirakawa,” Collection of Mr. Kaichiro Nezu, Tokyo
No.089	May, 1939		Explanation of the Plates: “Buddha-locani Mandala,” Collection of Shinagawa-Dera, Tokyo
No.089	May, 1939		Explanation of the Plates: “Landscape,” Collection of Baron Koyata Iwasaki, Tokyo
No.089	May, 1939		Explanation of the Plate: “Landscape” by Mokubei, Collection of Mr. Kinya Nagao, Tokyo
No.089	May, 1939		Report of the Institute
No.089	May, 1939		The Honcho-Ga-San (Illustrated Biographies of Japanese Painters), Newly Compiled and Reprinted From Various Editions (Part IV)
No.088	Apr., 1939	Umehara Sueji	On the Stone Daggers Excavated in An-yang, China
No.088	Apr., 1939	Kumamoto Kenjiro	Seiki Kuroda and the Japan-China War
No.088	Apr., 1939		Explanation of the Plate: “Portrait of a Lady,” Collection of Mr. Kinya Nagao, Tokyo
No.088	Apr., 1939		Explanation of the Plate: “Amitabha Appearing with Twenty-five Bodhisattvas,” Collection of Jofukuji Temple, Kyoto
No.088	Apr., 1939		Explanation of the Plate: “Waterfall” by Motonobu (Attributed), Collection of Mrs. Sueko Hara, Yokohama
No.088	Apr., 1939		Report of the Institute
No.088	Apr., 1939		The Honcho-Ga-San (Illustrated Biographies of Japanese Painters) Newly Compiled and Reprinted From Various Editions (Part III)
No.087	Mar., 1939	Tani Shin-Ichi	Life of Fujiwara Yukimitsu and His Work
No.087	Mar., 1939	Ogino Minahiko	On the Inscriptions of the Buddhistic Statues of Kampukuji Temple
No.087	Mar., 1939		Explanation of the Plate: “A Bird on Peach-Tree,” Collection of Mr. Sueko Hara, Yokohama
No.087	Mar., 1939		Explanation of the Plate: “A Tiger in a Bamboo Grove” by Sesson, Collection of the Imperial School of Fine Arts, Tokyo
No.087	Mar., 1939		Explanation of the Plate: “A Tiger in a Bamboo Grove” by Hogai, After “A Tiger in a Bamboo Grove” by Sesson, Collection of Mr. Kannosuke Hara, Hiroshima
No.087	Mar., 1939	Watanabe Hajime	Reisai (Corpus of Eastern Arts, Series VII)
No.087	Mar., 1939		The Honcho-Ga-San (Illustrated Biographies of Japanese Painters). Newly Compiled and Reprinted From the Various Editions (Part II)
No.086	Feb., 1939	Suganuma Teizo	Album of Insect and Fish, Painted by Kazan
No.086	Feb., 1939	Shimada Shujiro	On the “Moryo-Ga” Style of Zen Painting (Part II)
No.086	Feb., 1939	Tanaka Kisaku	On the Compilation of the Honcho-Ga-San by Buncho
No.086	Feb., 1939		Explanation of the Plate: Korean Jar of the Li Dynasty, Collection of the Nippon Mingei Kan, Tokyo
No.086	Feb., 1939		Report of the Institute
No.086	Feb., 1939		The Honcho-Ga-San (Illustrated Biographies of Japanese Painters). Newly Compiled and Reprinted from the Various Editions
No.085	Jan., 1939	Yashiro Yukio	Albums of Koetsu's Shikishi in the East Asiatic Collection, Berlin
No.085	Jan., 1939	Tanaka Kisaku	Artists' Seals on Old Paintings
No.085	Jan., 1939		Explanation of the Plates: “Iris” by Korin, Collection of Mr. Kaichiro Nezu, Tokyo
No.085	Jan., 1939		Explanation of the Plate: “Yatsu-Hashi” by Kenzan, Collection of Mr. Saburo Yamaguchi, Kyoto
No.085	Jan., 1939		Gaki (Descriptive Catalogue of Chinese and Japanese Paintings in Kyoto), Compelled by Rin Roen in An-Ei Era (1772-1780). Reprinted From the Original Mss
No.085	Jan., 1939		Report of the Institute
No.084	Dec., 1938	Fujikake Shizuya	Harunobu and His Paintings
No.084	Dec., 1938	Shimada Shujiro	The “Moryo-Ga” Style of Zen Painting
No.084	Dec., 1938	Umezu Jiro	Scroll Painting: the Kobo Daishi Gyojo Emaki
No.084	Dec., 1938		Explanation of the Plate: Two Men Under a Tree, the Yamamaka Co., Kyoto
No.084	Dec., 1938		Explanation of the Plate: Mahavairocana, Collection of Baron Okura, Tokyo
No.084	Dec., 1938		Explanation of the Plate: One of Four Lokapalas, Collection of Mrs. Sen Shimomura, Kanagawa
No.084	Dec., 1938		Report of the Institute
No.084	Dec., 1938		Classified Bibliography of the Bijutsu Kenkyu for the Year 1938
No.083	Dec., 1938	Umezu Jiro	Scroll Paintings: the Koya Daishi Gyojo Zue of Jizoin
No.083	Dec., 1938	Suganuma Teizo	Portrait of Takizawa Kinrei by Kazan
No.083	Dec., 1938		Explanation of the Plates: Sakyamuni, Jindaiji, Tokyo
No.083	Dec., 1938		Explanation of the Plate: Flower Vase with Jewel Design, by Ninsei, Ninnaji, Kyoto
No.083	Dec., 1938	Watanabe Hajime	Shubun (Corpus of Eastern Arts, Series VI)
No.082	Nov., 1938	Yashiro Yukio	Newly Discovered Fragment of the Yamai Zoshi
No.082	Nov., 1938	Odakane Taro	On the Record of Travels of Tessai Tomioka
No.082	Nov., 1938	Nishimura Tei	Study on the “Fifteen Mysteries of St. Mary” Painted in Japan (Part II)
No.082	Nov., 1938		Explanation of the Plate: “Avalokitesvara,” Collection of Mr. Masaya Okazaki, Tokyo
No.082	Nov., 1938		Explanation of the Plate: “Flocks of Crows” by Toeki, Konchiin, Nanzenji, Kyoto
No.082	Nov., 1938		Explanation of the Plate: “Female Figure,” Collection of Mr. Kozo Moriya, Kyoto
No.082	Nov., 1938		Report of the Institute
No.082	Nov., 1938	Odakane Taro	Record of Tessai Tomioka's Travels, Reprinted From the Original Mss.
No.081	Oct., 1938	Yashiro Yukio	Gilt Bronze Statuette “Seven Buddhas” of Early T’ang Period
No.081	Oct., 1938	Tani Shin-Ichi	Life of Sesshu, with Particular Reference To His Sojourn in China
No.081	Oct., 1938	Nishimura Tei	Study on the “Fifteen Mysteries of St. Mary” Painted in Japan
No.081	Oct., 1938	Tanaka Kisaku	Supplementary Comments on the Zusho-Koryaku-Ki (Notes on Art and Artists)
No.081	Oct., 1938		Explanation of the Plates: “Peony Garden,” Daikakuji, Kyoto
No.081	Oct., 1938		Explanation of the Plates: “Kariba Myojin” and “Nibu Myojin,” Kongobuji, Wakayama
No.081	Oct., 1938		Explanation of the Plate: Landscape, Imperial School of Art, Tokyo
No.081	Oct., 1938		Report of the Institute
No.081	Oct., 1938	Tanaka Kisaku	Ryukakuji Engi (History of Ryukakuji Temple)
No.080	Aug., 1938	Watanabe Hajime	Shubun (Corpus of Eastern Arts, Series V)
No.080	Aug., 1938		Explanation of the Plate: “Portrait of Shotoku Taishi,” Ninnaji, Kyoto
No.079	Jul., 1938	Mochizuki Shinjo	Portraits of Honen Shonin
No.079	Jul., 1938	Kumamoto Kenjiro	Togai Kawakami and His Works in European Manner
No.079	Jul., 1938		Explanation of the Plate: Portrait of Daito Kokushi, Daitokuji, Kyoto
No.079	Jul., 1938		Explanation of the Plates: Hermits at Leisure, by Yusho, Reidoin, Kyoto
No.079	Jul., 1938		Report of the Institute
No.079	Jul., 1938	Ogino Minahiko	Kawachi-koku Sairinji Engi
No.078	Jun., 1938	Yashiro Yukio	Chinese Repousse Plaques with Buddhistic Figures
No.078	Jun., 1938	Umezu Jiro	Scroll Paintings: the Kobo Daishi Eden of the Ikeda Family and the Koso Daishi Himitsu Engi
No.078	Jun., 1938	Tanaka Kisaku	Further Notes on the Screen and Wall Paintings of the Momoyama Period
No.078	Jun., 1938		Explanation of the Plates: European Nobleman on Horseback, Collection of Mr. Takashi Suetsugu, Kyoto
No.078	Jun., 1938		Report of the Institute
No.077	May, 1938	Shirahata Yoshi	Studies on the “Thirty-Six Poetical Geniuses,” Formerly Owned by Marquis Satake
No.077	May, 1938		Report of the Institute
No.077	May, 1938	Watanabe Hajime	Josetsu (Corpus of Eastern Arts, Series III)
No.077	May, 1938	Watanabe Hajime	Bunsel (Corpus of Eastern Arts, Series IV)
No.077	May, 1938	Tanaka Kisaku	Zusho-Koryaku-Ki or Notes on Art and Artists (Part II), Reprinted from the Original, Printed in 1701
No.076	Apr., 1938	Yashiro Yukio	Scroll Painting “Jizo Engi” of the Freer Gallery of Art
No.076	Apr., 1938	Suganuma Teizo	“Portrait of Fujiwara Nobumitsu” by Korin
No.076	Apr., 1938		Report of the Institute
No.076	Apr., 1938	Tanaka Kisaku	Zusho-Koryaku-Ki or Notes on Art and Artists (Part I), Reprinted from the Original, Printed in 1701
No.075	Mar., 1938	Toyooka Masuto	Panel Wall Paintings of Fukiji Temple
No.075	Mar., 1938	Odakane Taro	Kogyo Terazaki as a War Art-Correspondent
No.075	Mar., 1938		Explanation of the Plates: “Portrait of Hatto Kokushi” by Kakue, Kokokuji, Wakayama
No.075	Mar., 1938		Explanation of the Plates: Four Landscapes (Cloud and Mountains, Autumn Fog, After Rain, Summer Moon), by Kogyo Terazaki, The Department of Education
No.075	Mar., 1938		Report of the Institute
No.075	Mar., 1938	Watanabe Hajime	Muto Shui (Corpus of Eastern Arts, Series II)
No.075	Mar., 1938	Mori Senzo	“Shihekisai Gawa” or Talks on Art by Shihekisai, Reprinted from the Original MSS.
No.074	Feb., 1938	Umezu jiro	Scroll Painting “Tengu Soshi”
No.074	Feb., 1938	Mori Senzo	Studies on the Biography of Kaiseki Noro (Part III)
No.074	Feb., 1938		Explanation of the Plate: Nabeshima Bottle with Floral Design, Collection of John Gadsby, Tokyo
No.074	Feb., 1938		Explanation of the Plates: “Wild-Geese and Reed” by Niten, Collection of Marquis Moritatsu Hosokawa, Tokyo
No.074	Feb., 1938		Report of the Institute
No.074	Feb., 1938	Umezu Jiro	Text of the Scroll Painting “Tengu Soshi,” Reprinted from the Original
No.073	Jan., 1938	Yashiro Yukio	Screen-Painting of Matsushima by Sotatsu
No.073	Jan., 1938	Suganuma Teizo	Taiga's Journal of the Trip to the Three Mountains
No.073	Jan., 1938	Suga Toshio	Equestrian Statue of Kusunoki Masashige
No.073	Jan., 1938		Explanation of the Plates: “Aryacalanatha with Two Boy Attendants,” Collection of Marquis Saburo Inoue, Tokyo
No.073	Jan., 1938		Explanation of the Plates: “Landscape” by Taiga, Formerly in the Collection of Mr. Minoru Otsuka Collection, Tokyo
No.073	Jan., 1938		Report of the Institute
No.073	Jan., 1938	Mimura Seizaburo	Miscellaneous Letters of Japanese Artists (II)
No.072	Dec., 1937	Umehara Sueji, Mizuno Seiichi	Wooden Cranes and Snakes Decorated with Lacquer, Said to Have Been Discovered in Chang-sha, China
No.072	Dec., 1937	Mori Senzo	Studies on the Biography of Kaiseki Noro (Part II)
No.072	Dec., 1937	Nakane Katsu	Scientific Methods in the Connoisseurship of Far Eastern Arts
No.072	Dec., 1937		Explanation of the Plate: “Pine Trees and Hawks,” The Imperial School of Art, Tokyo
No.072	Dec., 1937		Explanation of the Plate: Lacquer Painting on Four Doors of a Buddhistic Shrine, Museum of Fine Arts, Boston, Collection of Mr. Kozo Uchida, Tokyo and The Imperial School of Art, Tokyo
No.072	Dec., 1937		Classified Bibliography of the Bijutsu Kenkyu for the Year 1937
No.071	Nov., 1937	Yashiro Yukio	A Stone Statue of Aryacalanatha of the T'ang Period
No.071	Nov., 1937	Toyooka Masuto	The Yoshino Mandala of Reiun-ji Temple
No.071	Nov., 1937	Mori Senzo	Studies on the Biography of Kaiseki Noro (Part I)
No.071	Nov., 1937	Odakane Taro	Poetical Work by Tessai Tomioka, Reprinted From the Original Mss. (Part II)
No.071	Nov., 1937		Report of the Institute
No.070	Oct., 1937	Yashiro Yukio	On the Compilation of “Corpus of Eastern Arts”
No.070	Oct., 1937	Watanabe Hajime	Mokuan Reien (Corpus of Eastern Arts, Series I)
No.070	Oct., 1937	Katori Hotsuma	Study on the Votive Plaque in Japan
No.070	Oct., 1937	Odakane Taro	Poetical Work by Tessai Tomioka, Reprinted From the Original Mss. (Part I)
No.070	Oct., 1937		Explanation of the Plate: “Beauty Under the Cherry-Blossoms,” by Toyonobu, Collection of Mr. Shigekichi Mihara, Tokyo
No.070	Oct., 1937		Explanation of the Plate: Landscape, by Tessai Tomioka, Collection of Mr. Kenkichi Naito, Kyoto
No.070	Oct., 1937		Report of the Institute
No.069	Sep., 1937	Umezu jiro	Studies on the "Aryacalanatha with Two Boy Attendants" by Chuan Bonshi
No.069	Sep., 1937	Nishimura Tei	The “Mother and Child” (Etching) Issued by the Society of Jesus of Japan
No.069	Sep., 1937	Morisue Gisho	Old Records of Uchiyama Eikyu-ji Temple
No.069	Sep., 1937	Toyooka Masuto	Explanation of the Plates: Tusita-deva Mandala, Enmei-ji Temple, Osaka
No.069	Sep., 1937	Masaki Tokuzo	Explanation of the Plates: Bhaisajyaguru, Kozan-ji Temple, Kyoto, Nikko Bodhisattva, Imperial Household Musum, Tokyo and Gakko Bodhisattva, Imperial Art School of Tokyo
No.068	Aug., 1937	Yashiro Yukio	A Bronze Statuette of Bodhisattva
No.068	Aug., 1937	Kumamoto Kenjiro	Vincenzo Ragusa and His Work in Japan
No.068	Aug., 1937	Tani Shin-Ichi	Studies on the Subject of the Mounted Warrior in Japanese Painting (Part II)
No.068	Aug., 1937	Editor	Explanation of the Plate: Wall-Painting, Emman-in Temple, Shiga
No.068	Aug., 1937	Watanabe Hajime	Explanation of the Plates: “Sages Among Mountains,” by Chokuan, Henjoko-in Temple, Wakayama
No.067	Aug., 1937	Tani Shin-Ichi	Studies on the Subject of the Mounted Warrior in Japanese Portrait Painting (Part I)
No.067	Aug., 1937	Suganuma Teizo	Seigai Sakurama and His Work
No.067	Aug., 1937	Watanabe Hajime	Explanation of the Plate: Mahapratisarah, Kanshin-ji Temple, Osaka
No.067	Aug., 1937	Tanaka Kisaku	Explanation of the Plates: Maitreya, Horyu-ji Temple, Nara
No.067	Aug., 1937		Report of the Institute
No.067	Aug., 1937		Classified Bibliography of Far Eastern Arts for the Year 1936
No.066	Jun., 1937	Shimomise Seiichi	Problems of the Text of the Scroll-Painting “Shigisan Engi”
No.066	Jun., 1937	Yashiro Yukio	A Bronze Statuette of the Suiko Period
No.066	Jun., 1937	Shirahata Yoshi	Portraits of Poet-Saint Hitomaro, A Historical Study
No.066	Jun., 1937	Watanabe Hajime	Works by Little Known Painters (Part II)
No.066	Jun., 1937	Tanaka Kisaku	Explanation of the Plate: Portrait of Daimin-Kokushi. Nanzen-ji Temple, Kyoto
No.066	Jun., 1937	Watanabe Hajime	Explanation of the Plate: “Eagle,” by Nichokuan, Collection of Mr. Chuzaburo Ogino, Tokyo
No.066	Jun., 1937	Masaki Tokuzo	Explanation of the Plate: “Azalea,” by Korin, Collection of Baron Ino Dan, Tokyo
No.066	Jun., 1937	Umezu Jiro	Art News
No.066	Jun., 1937	Umezu Jiro	Art News
No.066	Jun., 1937	Yamada Chisaburo	Art News
No.066	Jun., 1937		Report of the Institute
No.066	Jun., 1937	Shimomise Seiichi	Text of the Scroll-painting “Shigisan Engi,” Reprinted from the Original
No.065	May, 1937	Yashiro Yukio	Marble Statue of Maitreya in Marquis Hosokawa's Collection
No.065	May, 1937	Moriya Kenji	Portrait of the Blomhoff Family by Keiga Kawahara
No.065	May, 1937	Odakane Taro	Autographic Documents of the Life of Tessai Tomioka, Reprinted From the Original Mss.
No.065	May, 1937	Suganuma Teizo	Explanation of the Plate: Portrait of Aigai Takaku, by Chinzan,Collection of Mr. Kitaro Otani, Shizuoka
No.065	May, 1937	Suganuma Teizo	Explanation of the Plates: Maitreya, Yachu-ji Temple, Osaka
No.065	May, 1937	Tanaka Kisaku	Explanation of the Plates: Landscape, Kongobu-ji Temple, Wakayama
No.065	May, 1937	Masaki Tokuzo	Explanation of the Plates: “Fishermen,” by Ch'en-sing, Imperial School of Art, Tokyo
No.065	May, 1937	Masaki Tokuzo	Explanation of the Plate: Avalokitesvara, Collection of Mr. Seiji Yamada, Kyoto
No.065	May, 1937	Umezu Jiro	Art News
No.065	May, 1937	Suganuma Teizo	Art News
No.065	May, 1937		Report of the Institute
No.064	Apr., 1937	Tani Shin-Ichi	Appointment of Jocho to the Ecclesiastical Rank of Hokkyo
No.064	Apr., 1937	Yashiro Yukio	Scroll-Painting “Hundred Wild-Geese,” by Ma Fen
No.064	Apr., 1937	Yoshino Tomio	Lacquer-Ware Treasured by the Ainu
No.064	Apr., 1937	Masaki Tokuzo	Explanation of the Plates: “Cherry-Blossoms and Maple Leaves,” Chishaku-in Temple, Kyoto
No.064	Apr., 1937	Umezu jiro	Explanation of the Plate: Vaisravana, Chion-in Temple, Kyoto
No.064	Apr., 1937	Suganuma Teizo	Explanation of the Plate: “Yu Constructing A Gate,” by Kazan Watanabe, Collection of Mr. Chutaro Nakano, Niigata
No.064	Apr., 1937	Editor	Art News
No.064	Apr., 1937	Kumamoto Kenjiro	Art News
No.064	Apr., 1937		Report of the Institute
No.064	Apr., 1937	Tanaka Kisaku	The “Naniwa-Kyoyu-Roku,” Who’s who of Scholars and Artists in Osaka, Reprinted from the Original, Published in 1790 A. D.
No.063	Mar., 1937	Kumagai Nobuo	On the Origin of the Brush Name of Sesshu
No.063	Mar., 1937	Yashiro Yukio	Two Masterpieces of Buddhistic Painting in American Collections (Part II)
No.063	Mar., 1937	Morisue Gisho	Destruction by Fire and Reconstruction of Hase-Dera Temple in the Middle Ages (Part II)
No.063	Mar., 1937	Tanaka Kisaku	Works by Little Known Painters (Part I)
No.063	Mar., 1937	Tanaka Kisaku	Works by Little Known Painters (Part I)
No.063	Mar., 1937	Tanaka Kisaku	Works By Little Known Painters (Part I)
No.063	Mar., 1937	Tanaka Kisaku	Works by Little Known Painters (Part I)
No.063	Mar., 1937	Tanaka Kisaku	Works by Little Known Painters (Part I)
No.063	Mar., 1937	Tanaka Kisaku	Works by Little Known Painters (Part I)
No.063	Mar., 1937	Suganuma Teizo	Explanation of the Plate: Dance, Collection of Mr. Ryuzaburo Umehara, Tokyo
No.063	Mar., 1937	Tanaka Kisaku	The “Naniwa-Kyoyu-Roku,” Who’s who of Scholars and Artists in Osaka, Reprinted from the Original, Published in 1775 A. D.
No.063	Mar., 1937	Tanaka Kisaku	Explanation of the Plate: Portrait of Ex-Emperor Gouda Hoo, Daikaku-ji Temple, Kyoto
No.063	Mar., 1937	Watanabe Hajime	Explanation of the Plates: Landscape, Collection of Mr. Saichi Kawase, Oita
No.063	Mar., 1937	Umezu jiro	Explanation of the Plate: “Vineyard and Fowl,” by Shojo, Collection of Mr. Jirobei Hasegawa, Mie
No.063	Mar., 1937		Report of the Institute
No.062	Feb., 1937	Morisue Gisho	Destruction by Fire and Reconstruction of Hase-dera Temple in Middle Ages (Part I)
No.062	Feb., 1937	Kumagai Nobuo	Landscape by Sesshu in the Ohara Collection
No.062	Feb., 1937	Misumi Masahiro	Bairei Kono and His Work
No.062	Feb., 1937	Morisue Gisho	Record of the Reconstruction of Hase-dera Temple in Middle Ages
No.062	Feb., 1937	Nakagawa Sensaku	Explanation of the Plate: Large Nabeshima Plate with Floral Design, Collection of Mr. Matasaku Shiobara, Tokyo
No.062	Feb., 1937	Tanaka Kisaku	Explanation of the Plates: Aizen Myoo, Soji-ji Temple, Shiga
No.062	Feb., 1937	Suganuma Teizo	Explanation of the Plate: Portrait of Yuki Nakado, by Chinzan, Collection of Mrs. Yae Suzuki, Kanagawa
No.062	Feb., 1937	Umezu jiro	Explanation of the Plates: Landscape with Birds, by Goshun, Collection of Mr. Shinsuke Ueno, Shiga
No.062	Feb., 1937	Tanaka Kisaku	Explanation of the Plates: Eleven-Headed Avalokitesvara, Collection of Mr. Jissho Sakamoto, Gifu
No.062	Feb., 1937		Report of the Institute
No.061	Jan., 1937	Yashiro Yukio	Two Masterpieces of Buddhistic Painting in American Collections (Part I)
No.061	Jan., 1937	Maruo Shozaburo	Supplementary Study of Avalokitesvara in Fujio-Kannon-do Hall, Nagano
No.061	Jan., 1937	Uratsuji Kendo	Scroll-Painting, Honen-Shonin Eden, Belonging to Zojoji Temple
No.061	Jan., 1937	Watanabe Hajime	Explanation of the Plate: Yamantaka, Kyoogokoku-ji Temple, Kyoto
No.061	Jan., 1937	Watanabe Hajime	Explanation of the Plates: Yamantaka, Toshodai-ji Temple, Nara
No.061	Jan., 1937	Watanabe Hajime	Explanation of the Plate: Landscape with a Chinese Poet, by Ryosen, Imperial School of Art, Tokyo
No.061	Jan., 1937	Tanaka Kisaku	Art News
No.061	Jan., 1937	Kumamoto Kenjiro	Art News
No.061	Jan., 1937	Tanaka Kisaku	Art News
No.061	Jan., 1937	Suganuma Teizo	Art News
No.061	Jan., 1937		Report of the Institute
No.061	Jan., 1937	Uratsuji Kendo	Literary Text of Scroll-Painting, Honen-Shonin Eden, Belonging to Zojo-ji Temple
No.060	Dec., 1936	Watanabe Hajime	Screen Painting, Juni-Ten, Belonging to To-ji Temple
No.060	Dec., 1936	Nishimura Tei	Ototsudo Nakagai and His Etchings (Part II)
No.060	Dec., 1936	Tanaka Kisaku	Family Documents of Korin and Sketches Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (IV)
No.060	Dec., 1936	Tanaka Kisaku	Explanation of the Plate: Wild Goose and Reed, by Shugetsu, Collection of Mr. Zenjuro Watanabe, Tokyo
No.060	Dec., 1936	Toyooka Masuto	Explanation of the Plate: Portrait of Hideyoshi Toyotomi, Saikyo-ji Temple, Shiga
No.060	Dec., 1936	Umezu jiro	Explanation of the Plate: Landscape, by Sekiho Okano, Collection of Mr. Shuzo Komori, Mie
No.060	Dec., 1936	Tanaka Kisaku	Art News
No.060	Dec., 1936	Masaki Tokuzo	Art News
No.060	Dec., 1936	Kumamoto Kenjiro	Art News
No.060	Dec., 1936	Suganuma Teizo	Art News
No.060	Dec., 1936		Report of the Institute
No.060	Dec., 1936		Classified Index of the Bijutsu Kenkyu for the Year 1936
No.059	Nov., 1936	Ogino Minahiko	“Shoko Mandala” Painting of Horyu-ji Temple
No.059	Nov., 1936	Kumamoto Kenjiro	Yuichi Takahashi and His Works
No.059	Nov., 1936	Tanaka Kisaku	Family Documents of Korin and Others Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (III)
No.059	Nov., 1936	Toyooka Masuto	Explanation of the Plates: Maitreya Mandala, Reiun-ji Temple, Tokyo
No.059	Nov., 1936	Umezu jiro	Explanation of the Plates: Portrait of Shian, Kigen-in Temple, Kanagawa
No.059	Nov., 1936	Watanabe Hajime	Explanation of the Plates: Flowers, by Hoitsu, Collection of Count Muneyoshi Tokugawa, Tokyo
No.059	Nov., 1936	Nakagawa Sensaku	Book Review
No.059	Nov., 1936	Toyooka Masuto	Book Review
No.059	Nov., 1936		Report of the Institute
No.058	Oct., 1936	Tanaka Kisaku	“Sixteen Lohans” in Yamato-e Style
No.058	Oct., 1936	Yashiro Yukio	Supplementary Study of the Hokkedo Kompon Mandala in the Boston Museum
No.058	Oct., 1936	Nishimura Tei	Ototsudo Nakagai and His Etchings (Part I)
No.058	Oct., 1936	Tani Shin-Ichi	On the “Gomotsu-Onye Mokuroku” or the Catalogue of Chinese Paintings in the Collections of the Ashikaga Shoguns, Complied by Noami
No.058	Oct., 1936	Toyooka Masuto	Explanation of the Plate: A Screaming Butcher Bird on a Dead Branch, by Niten, Collection of Mr. Kinya Nagao, Tokyo
No.058	Oct., 1936	Watanabe Hajime	Explanation of the Plates: Fisherman in Landscape, by Hsu Tsu, Collection of Marquis Saburo Inoue, Tokyo
No.058	Oct., 1936	Watanabe Hajime	Art News
No.058	Oct., 1936		Report of the Institute
No.058	Oct., 1936	Kameta Tsutomu	The “Honzon Mokuroku“ or the Catalogue of Treasures of Kofuku-ji Temple, Nara, Autografic MSS. Left by Jinson
No.057	Sep., 1936	Umehara Sueji	On a Group of Ancient Bronzes Said to Have Been Found at Lo-yang
No.057	Sep., 1936	Yashiro Yukio	Japanese Sculptures with Inscriptions in the Museum of Fine Arts, Boston
No.057	Sep., 1936	Tanaka Kisaku	Family Documents of Ogata Korin and Sketches Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (II)
No.057	Sep., 1936	Shirahata Yoshi	Explanation of the Plates: Image of Varuna, Kyoo-Gokokuji Monastery, Kyoto
No.057	Sep., 1936	Suganuma Teizo	Explanation of the Plate: Portrait of Priest Honen, Jofukuji Monastery, Ibaraki-ken
No.057	Sep., 1936	Umezu jiro	Explanation of the Plates: Fishermen at Their Leisure, by Ikeno Taiga, in the Possession of Mr. Yohei Matsuyama, Osaka
No.057	Sep., 1936	Yamada Chisaburo	Art News: Death of Dr. Wilhelm Solf
No.057	Sep., 1936		Report of the Institute
No.057	Sep., 1936		Classified Bibliography of Far Eastern Arts for the Year 1935
No.056	Aug., 1936	Yashiro Yukio	A New Fragment of the Sung Copy of the Scroll Painting “Ladies of the Court” by Chou Wen-chu
No.056	Aug., 1936	Tani Shin-Ichi	Ritual Procedure of Carving a Buddhist Image in Ancient Japan (Part III)
No.056	Aug., 1936	Tanaka Kisaku	Documents Regarding to the Family of Ogata-Korin, and Studies Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (Part I)
No.056	Aug., 1936	Tanaka Kisaku	Explanation of the Plates: The Sakyamini Triad, Kenchoji Monastery, Kamakura
No.056	Aug., 1936	Suganuma Teizo	Explanation of the Plate: “Monkeys” by Hasegawa Tohaku, Ryusen-an Monastery, Kyoto
No.056	Aug., 1936	Watanabe Hajime	Explanation of the Plates: Wooden Figure of Maha Vairocana by Kaikei, Imperial School of Art, Tokyo
No.056	Aug., 1936	Umezu Jiro	Art News
No.056	Aug., 1936	Misumi Masahiro	Art News
No.056	Aug., 1936	Odakane Taro	Art News
No.056	Aug., 1936	Kumamoto Kenjiro	Art News
No.056	Aug., 1936		Report of the Institute
No.056	Aug., 1936	Mimura Seizaburo	Miscellaneous Letters of Japanese Artists (I)
No.055	Jul., 1936	Masaki Tokuzo	On the Scroll Painting, “Pictorial Biography of Shotoku Taishi” in the Joguji
No.055	Jul., 1936	Tani Shin-Ichi	Ritual Procedure of Carving a Buddhist Image in Ancient Japan (Part II)
No.055	Jul., 1936	Watanabe Hajime	Explanation of the Plates: Miniature Shrine Decorated with Pictures Representing the Deities of the Hokke Sutra, Property of the Shoryo-in Monastery, Hyogo-ken
No.055	Jul., 1936	Tanaka Kisaku	Explanation of the Plates: Landscape, Attributed to Shubun, in the Collection of Mr. Tomitaro Hara, Kanagawa-ken
No.055	Jul., 1936	Watanabe Hajime	Explanation of the Plates: Monju Bosatsu Riding on a Lion, in the Yakuoji Monastery, Fukushima-ken
No.055	Jul., 1936	Watanabe Hajime	Book Review
No.055	Jul., 1936	Masaki Tokuzo	Book Review
No.055	Jul., 1936	Nakagawa Sensaku	Book Review
No.055	Jul., 1936		Report of the Institute
No.055	Jul., 1936	Nishimura Tei	“Shikkyu Hiroku” Notes on Lacquering Art by Takamori Kanko
No.055	Jul., 1936	Tani Shin-Ichi	Ritual Procedure of Carving a Buddhist Image in Ancient Japan (Part I)
No.054	Jun., 1936	Tanaka Kisaku	Shutoku, a Painter of the Ashikaga Period
No.054	Jun., 1936	Yashiro Yukio	On a T’ang Terra-cotta Figure of Standing Woman in the Collection of Marquis Moritatsu Hosokawa
No.054	Jun., 1936	Umezu jiro	Letters of Kitayama-Kangan
No.054	Jun., 1936	Watanabe Hajime	Explanation of the Plate: Image of Buddha Maitreya, Yakuoji Monastery, Fukushima-ken
No.054	Jun., 1936	Umezu jiro	Explanation of the Plate: “Landscape” by Kitayama-Kangan, Owned by Mr. Takahiko Tomoeda, Tokyo
No.054	Jun., 1936	Watanabe Hajime	Explanation of the Plates: Image of Acala and Eight Statues of “Hachidai Doji” in the Kongobuji Monastery, Wakayama-ken
No.054	Jun., 1936	Editor	Art News
No.054	Jun., 1936	Watanabe Hajime	Art News
No.054	Jun., 1936		Report of the Institute
No.054	Jun., 1936	Editor	Heian-Jimbutsushi, Address Book of Artists and Scholars in Kyoto Published in 1767 A. D.
No.053	May, 1936	Watanabe Hajime	On Pictures Representing the Image of Kujaku-myoo
No.053	May, 1936	Uratsuji Kendo	Studies on Noami and His Art
No.053	May, 1936	Watanabe Hajime	Explanation of the Plates: Ten Disciples of Tendai Sect, in the Ichijoji Monastery, Hyogo-ken
No.053	May, 1936	Suganuma Teizo	Explanation of the Plates: Avalokitesvara, Sealed “Shinno,” and Kanzan and Jittoku, Sealed “Shinso,” in the Collection of Marquis Chokun Asano, Hiroshima-ken
No.053	May, 1936	Suganuma Teizo	Explanation of the Plate: Demon under a Willow, by Soga-Shohaku, in the Possession of the School of Fine Arts, Tokyo
No.053	May, 1936	Umezu Jiro	Art News
No.053	May, 1936	Umezu Jiro	Art News
No.053	May, 1936	Masaki Tokuzo	Art News
No.053	May, 1936	Toyooka Masuto	Book Review
No.053	May, 1936	Umezu Jiro	Book Review
No.053	May, 1936	Watanabe Hajime	Book Review
No.053	May, 1936		Report of the Institute
No.053	May, 1936	Editor	Heian-Jimbutsushi, Address Book of Artists and Scholars in Kyoto Published in 1768 A. D.
No.052	Apr., 1936	Tani Shin-ichi	On The Pictures Designated As “Kara-e” in the Muromachi Period
No.052	Apr., 1936	Nakagawa Sensaku	A Bell with Five Pointed Vajra in Mr. Nagao's Collection
No.052	Apr., 1936	Tanaka Kisaku	Supplement to my “Studies on Painting by Kano Sanraku”
No.052	Apr., 1936	Hika Choken	Biographies of Old Luchuan Potters (Part III)
No.052	Apr., 1936	Watanabe Hajime	Explanation of the Plates: “Hokke Mandara” Owned by the Kaijusenji Monastery, Kyoto-fu
No.052	Apr., 1936	Misumi Masahiro	Art News
No.052	Apr., 1936	Editor	Art News
No.052	Apr., 1936	Umezu Jiro	Art News
No.052	Apr., 1936		Report of the Institute
No.052	Apr., 1936	Tani Shin-ichi	Record of Decoration of Hosokawa-Takakuni’s Mansion on the Occasion of Ashikaga-Yoshitada’s Visit, Originally Written by Soami
No.051	Mar., 1936	Tanaka Kisaku	On the Screens Decorated with Pictures in the Shape of a Fan
No.051	Mar., 1936	Nishimura Tei	Etchings by Aodo-Denzen (Part II)
No.051	Mar., 1936	Mori Senzo	Biographical Studies of Ike Taiga (Part II)
No.051	Mar., 1936	Umezu Jiro	Explanation of the Plates: Scroll-painting of “Taima Mandala Engi,” i. e., the Story of the So-called Taima-mandara in the Taimaji Monastery, in the Possession of the Komyoji Monastery, Kanagawa-ken
No.051	Mar., 1936	Watanabe Hajime	Explanation of the Plates: Image of Maha-Vairocana, Owned by Mr. Kinta Muto, Hyogo-ken
No.051	Mar., 1936	Watanabe Hajime	Book Review: The Twin Pagodas of Zayton, by G. Ecke and P. Demieville
No.051	Mar., 1936	Watanabe Hajime	Book Review: Japanese Screen Paintings, by R. T. Paine, Jr.
No.051	Mar., 1936	Watanabe Hajime	Book Review: An Illustrated History of Japanese Art, by H. Minamoto, Translated by H. G. Henderson
No.051	Mar., 1936	Watanabe Hajime	Book Review
No.051	Mar., 1936		Report of the Institute
No.051	Mar., 1936	Umezu Jiro	Text of the Scroll-painting “Taima Mandara Engi”
No.050	Feb., 1936	Watanabe Hajime	On The Small Wooden Niche Carved with Buddhist Images in the Possession of the Chimanji Monastery
No.050	Feb., 1936	Mori Senzo	Biographical Studies of Ike Taiga (Part I)
No.050	Feb., 1936	Hika Choken	Biographies of Old Luchuan Potters (Part II)
No.050	Feb., 1936	Umezu Jiro	Explanation of the Plate: Scroll-painting “Tenguzoshi,” Owned by Mr. Kaichiro Nezu, Tokyo
No.050	Feb., 1936	Tanaka Kisaku	Explanation of the Plate: “Landscape of Dotei and Sekiheki,” by Ikeno-Taiga, Owned by Mr. Kokwan Konishi, Tokyo
No.050	Feb., 1936	Masaki Tokuzo	Book Review
No.050	Feb., 1936	Masaki Tokuzo	Book Review
No.050	Feb., 1936	Watanabe Hajime	Book Review
No.050	Feb., 1936	Toyooka Masuto	Book Review
No.050	Feb., 1936	Watanabe Hajime	Book Review
No.050	Feb., 1936	Tanaka Kisaku	Book Review
No.050	Feb., 1936	Tanaka Kisaku	Book Review
No.050	Feb., 1936		Report of the Institute
No.050	Feb., 1936	Umezu Jiro	Text of the Scroll-painting, “Tenguzoshi,” Printed from the Scroll in the Possession of Mr. Kaichiro Nezu
No.049	Jan., 1936	Toyooka Masuto	Studies on the Picture Representing Amitabha Rising over Hills
No.049	Jan., 1936	Wakimoto Sokuro	On the Albums of “Juben Jugi” Painted by Taiga and Buson
No.049	Jan., 1936	Nishimura Tei	On the Etchings by Aodo Denzen
No.049	Jan., 1936	Hika Choken	Biographies of Old Luchuan Potters (Part I)
No.049	Jan., 1936	Nakagawa Sensaku	Explanation of the Plate: Plate of Kokutani Painted with Birds and Flowers, in the Collection of Mr. Matasaku Shiobara, Tokyo
No.049	Jan., 1936	Watanabe Hajime	Explanation of the Plate: Melon and Bamboo Shoots, by Yogetsu, Property of the Hojuin Monastery, Wakayama
No.049	Jan., 1936	Nakagawa Sensaku	Explanation of the Plates: Kei with Pattern of Peacock, in the Collection of Mr. Nagatake Asano, Tokyo
No.049	Jan., 1936		Report of the Institute
No.049	Jan., 1936	Tani Shin-ichi	“Kundaiksachoki,” a MS. of “Kundaikansayuchoki” Printed from the MS. “Jitsugyoki” Belonging to Marquis Maeda
No.048	Dec., 1935	Tanaka Kisaku	The Beginning of Wall and Screen Painting of the Momoyama Period
No.048	Dec., 1935	Tani Shin-ichi	A Biographical Study of Kojo, A Japanese Buddhist-Sculptor of the Fujiwara Period
No.048	Dec., 1935	Shirahata Yoshi	On the Technique of the Embroidery Representing Sakyamuni Preaching, Belonging to the Kanshuji Temple
No.048	Dec., 1935	Hika Choken	Biographies of Old Luchuan Painters (Part II)
No.048	Dec., 1935	Watanabe Hajime	Explanation of the Plates: Image of Buddha Sakyamuni, in the Jingoji Monastery, Kyoto
No.048	Dec., 1935	Watanabe Hajime	Explanation of the Plates: Field Work, Attributed to Sesshu, in the Collection of Mr. Shintaro Ohashi, Tokyo
No.048	Dec., 1935	Watanabe Hajime	Explanation of the Plate: Portrait of Lady Hosokawa, the Wife of Hosokawa-Akimoto, in the Ryuamiji Temple, Kyoto
No.048	Dec., 1935	Toyooka Masuto	Explanation of the Plate: Flowers and Birds, by Nakabayashi Chikuto, in the Zogein Temple, Kyoto
No.048	Dec., 1935	Suganuma Teizo	Explanation of the Plates: Portrait of Uesugi Shigefusa, in the Meigetsuin Temple, Kanagawa-ken
No.048	Dec., 1935	Tanaka Kisaku	Art News
No.048	Dec., 1935	Aoyama Shin	Art News
No.048	Dec., 1935	Umezu Jiro	Art News
No.048	Dec., 1935	Tanaka Kisaku	Art News
No.048	Dec., 1935	Umezu Jiro	Art News
No.048	Dec., 1935		Report of the Institute
No.048	Dec., 1935		Table of Contents of the Bijutsu Kenkyu, 1935
No.047	Nov., 1935	Mochizuki Shinjo	Studies on the “Jingoji-Shodo-Ki” (The Chronicle of the Buildings and Other Affairs of the Jingoji Monastery) Written in the 2nd Year of Karoku Era and the “Takaozan-Jingoji-Kimoshusho-no-Jojo,” the Later Documents Written in the Oei Era
No.047	Nov., 1935	Suganuma Teizo	Studies on the “Koyo-Tansho-Zu,” Sketches Made in the Izu and Sagami Provinces by Buncho
No.047	Nov., 1935	Tanaka Shinbi	On the Technique of Decoration of the So-Called Heike Nokyo, the Scrolls of Buddhist Sutras Dedicated to the Itsukushima Shrine by Tairas
No.047	Nov., 1935	Watanabe Hajime	Explanation of the Plates: “Heike Nokyo,” the Scrolls of Buddhist Sutras Dedicated to the Itsukushima Shrine, Hiroshima-ken
No.047	Nov., 1935	Umezu Jiro	Explanation of the Plates: Portrait of Taira-no-Shigemori, Attributed to Fujiwara Takanobu, Property of the Jingoji Monastery, Kyoto
No.047	Nov., 1935	Tanaka Kisaku	Explanation of the Plate: “Swallows and Willow-tree,” “Wagtail and a Bamboo,” by Saian, in the Possession of Mr. Shuzo Komori, Mie-ken
No.047	Nov., 1935	Toyooka Masuto	Explanation of the Plates: Image of Saint Nichiren, Property of the Honmonji Monastery, Tokyo
No.047	Nov., 1935	Kumamoto Kenjiro	Art News
No.047	Nov., 1935	Tanaka Kisaku	Art News
No.047	Nov., 1935		Report of the Institute
No.047	Nov., 1935	Mochizuki Shinjo	“Jingoji-Shodo-Ki” (Printed from the MS. in the Possession of Jingoji Monastery)
No.047	Nov., 1935	Mochizuki Shinjo	“Takaozan-Jingoji-Kimoshusho-no-Jojo” (Printed from the MS. in the Possession of Jingoji Monastery)
No.046	Oct., 1935	Tani Shin-ichi	Critical Studies on Chinese Paintings Imported into Japan in the Kamakura and Ashikaga Periods (on the Appreciation of Chinese Painting in the Japanese Middle Ages, Part II)
No.046	Oct., 1935	Tanaka Kisaku	On Books of Seals of Famous Chinese and Japanese Painter Published in the Tokugawa Period
No.046	Oct., 1935	Umezu Jiro	On the Scroll Painting “Ono Yukimi Goko Ekotoba” or “The Emperor Shirakawa's Visit to Ono for Enjoying Snowy Landscape”
No.046	Oct., 1935	Watanabe Hajime	Supplement to the “Explanation of the Plate: ‘Tenjin in Sung,’ by Yogetsu, in the Property of Taizoin Monastery, Kyoto”
No.046	Oct., 1935	Watanabe Hajime	Explanation of the Plate: Sixteen Arhats, by Chao Chu, in the Hokkekyoji Temple, Chiba-ken
No.046	Oct., 1935	Umezu Jiro	Explanation of the Plate: A Pair of Mandarin Ducks, by Okada Kanrin, in the Collection of Mr. Ichihei Murai, Mie-ken
No.046	Oct., 1935	Watanabe Hajime	Explanation of the Plate: Image of Achala, in the Shochiin Temple, Wakayama-ken
No.046	Oct., 1935	Nakagawa Sensaku	Explanation of the Plate: Receptacle of the Nosashogyoku, in the Chofukuji Temple, Nara-ken
No.046	Oct., 1935	Watanabe Hajime	Art News
No.046	Oct., 1935	Watanabe Hajime	Art News
No.046	Oct., 1935	Masaki Tokuzo	Art News
No.046	Oct., 1935	Editor	Art News
No.046	Oct., 1935	Masaki Tokuzo	Book Review
No.046	Oct., 1935	Kumamoto Kenjiro	Book Review
No.046	Oct., 1935	Suganuma Teizo	Book Review
No.046	Oct., 1935	Toyooka Masuto	Book Review
No.046	Oct., 1935	Aoyama Shin	Book Review
No.046	Oct., 1935		Report of the Institute
No.046	Oct., 1935	Tanaka Kisaku	Wakan-Rekidai-Gashi-Meiin-Shazu, the Book of Seals of Famous Chinese and Japanese Painters, Published in 1647 A. D., Reproduced in Half Size
No.045	Sep., 1935	Wakimoto Sokuro	Studies on the Scroll-Painting “Haseo Zoshi”
No.045	Sep., 1935	Watanabe Hajime	Some Signed Chinese Paintings of the Sung and Yuan Periods
No.045	Sep., 1935	Hika Choken	Biographies of Old Luchuan Painters
No.045	Sep., 1935	Shirahata Yoshi	Explanation of the Plates: Series of Six Panels Representing 22 Japanese Deities, Yakushiji Temple, Nara
No.045	Sep., 1935	Ishizawa Masao	Book Review
No.045	Sep., 1935	Editor	Book Review
No.045	Sep., 1935		Report of the Institute
No.045	Sep., 1935	Wakimoto Sokuro	Text of the Scroll-painting “Haseo-zoshi”
No.045	Sep., 1935	Watanabe Hajime	Record of Certificates of Authenticity Given by Kano-Hidenobu, Reprinted from the Original MS. in the Possession of Art Academy, Tokyo
No.044	Aug., 1935	Mochizuki Shinjo	Studies on the Scroll-Painting, “Zegaibo Ekotoba”
No.044	Aug., 1935	Suganuma Teizo	Screen-Paintings of the “Chashitsu” in the Konchiin Monastery
No.044	Aug., 1935	Umehara Sueji	Studies on the Newly Found Bell, Chung, Ornamented with Phoenix, P'an-Ch'ih and Other Animals
No.044	Aug., 1935	Nakagawa Sensaku	Explanation of the plate: Dish of Kokutani Painted with Birds and Flowers, in the Possession of Mr. Matasaku Shiobara, Tokyo
No.044	Aug., 1935	Tanaka Kisaku	Explanation of the Plate: Chrysanthemums and Pig-weed, by Kumashiro-Yuhi, in the Possession of Mr. Jirobei Hasegawa, Mie-ken
No.044	Aug., 1935	Toyooka Masuto	Explanation of the Plate: Eleven-faced Avalokitesvara, Property of the Sugimotodera Monastery, Kanagawa-ken
No.044	Aug., 1935	Editor	Art News
No.044	Aug., 1935	Ishizawa Masao	Book Review: Tombs of Old-Lo-yang, by William C. White
No.044	Aug., 1935	Tanaka Kisaku	Book Review
No.044	Aug., 1935	Editor	Book Review
No.044	Aug., 1935		Report of the Institute
No.044	Aug., 1935	Umezu Jiro	Text of the Scroll-painting, “Zegaibo-Ekotoba,” Printed from the Original in the Possession of the Manjuin Monastery
No.044	Aug., 1935	Watanabe Hajime	Record of Certificates of Authenticity Given by the Name of Kano-Shushin, Reprinted from the MS. of Nasu-Eitan Belonging to the Art Academy, Tokyo
No.043	Jul., 1935	Tani Shin-ichi	Old Japanese Documents Concerning Mu-Chi's Paintings (On the Appreciation of Chinese Paintings in the Kamakura and Ashikaga Periods, Part I)
No.043	Jul., 1935	Tanaka Kisaku	Buddhist Images Hanging on the Walls of the Hoodo Temple (Part II)
No.043	Jul., 1935	Watanabe Hajime	Explanation of the Plates: Assemblage of Ancestors of Kusha Sect, Property of the Todaiji Monastery, Nara
No.043	Jul., 1935	Tanaka Kisaku	Explanation of the Plate: Image of Amitabha in the Hoodo Temple, Kyoto-fu
No.043	Jul., 1935	Watanabe Hajime	Explanation of the Plate: “Tenjin in Sung,” by Yogetsu, in the Property of Taizoin Monastery, Kyoto
No.043	Jul., 1935	Umezu Jiro	Explanation of the Plate: A Sage Enjoying the Moon-light Night, by Okamoto Toyohiko, in the Possession of Mr. Minoru Otsuka, Tokyo
No.043	Jul., 1935	Watanabe Hajime	Explanation of the Plate: Priest Yunmen-Wenyen in Conversation and Priest Chinliang-Weni in Conversation, Owned by the Tenryuji Monastery, Kyoto.
No.043	Jul., 1935	Tanaka Kisaku	Art News
No.043	Jul., 1935	Suganuma Teizo	Art News
No.043	Jul., 1935		Report of the Institute
No.043	Jul., 1935		Classified Bibliography of Eastern Art for the Year 1934
No.042	Jun., 1935	Tanaka Kisaku	Buddhist Images Hanging on the Walls of the Hoodo Temple
No.042	Jun., 1935	Umezu Jiro	Studies on Okano-Sekiho, One of Japanese Forerunners of the Nanga School
No.042	Jun., 1935	Tanaka Kisaku	Compilation of Old Documents Concerning the Hoodo Temple
No.042	Jun., 1935	Watanabe Hajime	Explanation of the Plates: Star Mandala, Property of the Hojuji Monastery, Nara-ken
No.042	Jun., 1935	Nakagawa Sensaku	Art News
No.042	Jun., 1935	Umezu Jiro	Art News
No.042	Jun., 1935	Masaki Tokuzo	Art News
No.042	Jun., 1935	Masaki Tokuzo	Art News
No.042	Jun., 1935	Tanaka Kisaku	Art News
No.042	Jun., 1935	Watanabe Hajime	Art News
No.042	Jun., 1935		Art News
No.042	Jun., 1935		Report of the Institute
No.042	Jun., 1935	Watanabe Hajime	Record of Certificates of Authenticity Given by Kano Yasunobu
No.042	Jun., 1935	Watanabe Hajime	Record of Certificates of Authenticity Given by Kano Takanobu
No.041	May, 1935	Yashiro Yukio	Scroll-Painting of “Ladies Preparing Newly Woven Silk,” Copied by the Emperor Hui Tsung after the Original by Chang Hsuan
No.041	May, 1935	Toyooka Masuto	Studies on the Paintings of “Bodhisattva Samantabahdra with Ten Female Attendants”
No.041	May, 1935	Morisue Gisho	Study on the Guilds of the Buddhistic Painters at Nara of the Kamakura and Muromachi Periods
No.041	May, 1935	Toyooka Masuto	Explanation of the Plate: Fragment from the Scroll of the Inga-kyo Sutra, Collection of Mr. Z. Yasuda, Tokyo
No.041	May, 1935	Watanabe Hajime	Explanation of the Plate: Portrait of Butsuo Zenji, Property of the Unganji Temple, Tochigi-ken
No.041	May, 1935	Tanaka Kisaku	Explanation of the Plate: Painting Representing Lin Tsi Planting a Pine-tree, by Yamada Doan, Tokyo Art Academy
No.041	May, 1935	Umezu Jiro	Explanation of the Plate: Painting of the Nachi Waterfall, by Taiga, Collection of Mr. G. Takata, Osaka
No.041	May, 1935	Tanaka Kisaku	Art News
No.041	May, 1935	Umezu Jiro	Art News
No.041	May, 1935	Tanaka Kisaku	Art News
No.041	May, 1935	Tanaka Kisaku	Art News
No.041	May, 1935	Masaki Tokuzo	Book Review
No.041	May, 1935	Masaki Tokuzo	Book Review
No.041	May, 1935	Nakagawa Sensaku	Book Review
No.041	May, 1935		Report of the Institute
No.041	May, 1935	Tani Shin-ichi	Butsu Bosatsu Mokuroku (Iwashimizu-Hachimangu Kiroku) or the Catalogue of Buddhist Images Preserved in the Iwashimizu-Hachimangu Shrine, Kyoto (Printed from the MSS. in the Possession of Mr. T. Tanaka, Kyoto)
No.040	Apr., 1935	Tanaka Kisaku	Studies on the Paintings by Kano Sanraku
No.040	Apr., 1935	Watanabe Hajime	On the Painting Representing “An Anecdote of Hui-neng (the Sixth Inheritor of the Zen Sect),” Attributed to Tsu-weng
No.040	Apr., 1935	Morisue Gisho	Study on the Guilds of the Buddhistic Painters at Nara of the Kamakura and Muromachi Periods
No.040	Apr., 1935	Toyooka Masuto	Explanation of the Plates: MS. of Sutra with Painting on a Fan-shaped Sheet of Paper, Property of the Horyuji Temple, Nara-ken
No.040	Apr., 1935	Watanabe Hajime	Explanation of the Plates: “Narihira on the Way to the Eastern Province,” “Chrysanthemun” and “Peony” by Sakai Hoitsu, Formerly in the Collection of Marquis Hachisuka, Tokyo
No.040	Apr., 1935	Watanabe Hajime	Explanation of the Plates: Bronze Statue of Eleven-headed Avalokitesvara, in the Property of Kanpukuji Temple, Chiba-ken
No.040	Apr., 1935		Art News
No.040	Apr., 1935	Masaki Tokuzo	Art News
No.040	Apr., 1935	Masaki Tokuzo	Art News
No.040	Apr., 1935	Ishizawa Masao	Book Review: A Catalogue of Chinese Pottery and Porcelain in the Collection of Sir Percuval David, by R. L. Hobson
No.040	Apr., 1935	Aoyama Shin	Book Review
No.040	Apr., 1935	Toyooka Masuto	Book Review
No.040	Apr., 1935		Report of the Institute
No.040	Apr., 1935	Tanaka Kisaku	Record of Certificates of Authenticity Given by the Painter Family Sumiyoshi, Part III, Reproduced from the Original MS. Belonging to the Art Academy, Tokyo
No.039	Mar., 1935	Morisue Gisho	On the Buddhist Painter Guilds of the Kamakura and Ashikaga Periods
No.039	Mar., 1935	Watanabe Hajime	On the Scroll-Painting Representing the Story of the Chigo-Kannon in the Ikedo Collection
No.039	Mar., 1935	Suganuma Teizo	Wall and Sliding-Screen Paintings in the Kanran-tei in Matsushima
No.039	Mar., 1935	Nishimura Tei	Some Old Japanese Paintings in European Style Pretended as Signed “Nobukata”
No.039	Mar., 1935	Shirahata Yoshi	Explanation of the Plates: Image of the Goddess Nakatsuhime, One of Hachiman Triad, in the Yakushiji Temple, Nara-ken
No.039	Mar., 1935	Tanaka Kisaku	Explanation of the Plate: Cherry-Trees, by Yamamoto-Baiitsu, Formerly Belonged to Marquis Masauji Hachisuka, Tokyo
No.039	Mar., 1935	Yamada Chisaburo	Art News
No.039	Mar., 1935		Report of the Institute
No.039	Mar., 1935	Watanabe Hajime	Text of the Scroll-painting Representing the Story of the Chigo-Kannon
No.039	Mar., 1935	Tanaka Kisaku	Record of Certificates of Authenticity Given by the Painter Family Sumiyoshi, Part II, Reproduced from the Original MS. Belonging to the Art Academy, Tokyo
No.038	Feb., 1935	Wakimoto Sokuro	Ashikaga-Yoshimitsu　and his Collection of Chinese Paintings
No.038	Feb., 1935	Irita Seizo	The Portrait of Princess Maeda-Kiku Hime in the Saikyoji Temple
No.038	Feb., 1935	Umezu Jiro	On the Scroll-Painting of Obusuma-Saburo
No.038	Feb., 1935	Watanabe Hajime	Explanation of the plate: Four Seasons, by Kaisen, Chikudo, Shunkin and Baiitsu respectively, Formerly Belonged to Marquis Masauji Hachisuka, Tokyo
No.038	Feb., 1935	Watanabe Hajime	Book Review
No.038	Feb., 1935	Watanabe Hajime	Book Review
No.038	Feb., 1935	Nishimura Tei	Book Review
No.038	Feb., 1935	Masaki Tokuzo	Book Review
No.038	Feb., 1935	Toyooka Masuto	Book Review
No.038	Feb., 1935		Report of the Institute
No.038	Feb., 1935	Umezu Jiro	Text of the Scroll-painting of Obusuma-Saburo in the Collection of Marquis Chokun Asano, Hiroshima-ken
No.038	Feb., 1935	Tanaka Kisaku	Record of Certificates of Authenticity Given by the Painter Family Sumiyoshi, Part I, Reproduced from the Original MS. Belonging to the Art Academy, Tokyo
No.037	Jan., 1935	Yashiro Yukio	On the Hokkedo Kompon Mandala in the Boston Museum
No.037	Jan., 1935	Katori Hotsuma	On the Bronze Statue of Bhesajaguru in the Ryukakuji Temple
No.037	Jan., 1935	Watanabe Hajime	Explanation of the Plates: Two Fragments of Painted Panelling in the Pagoda in the Daigoji Monastery, Kyoto, in the Collection of the Art Academy, Tokyo
No.037	Jan., 1935	Toyooka Masuto	Explanation of the Plate: Portrait of Priest Gyokuin Eiyo, in the Meigetsuin Temple, Kanagawa-ken
No.037	Jan., 1935	Tanaka Kisaku	Explanation of the Plates: Flower Feast, by Kano-Naganobu, in the Collection of Mr. Kunizo Hara, Tokyo
No.037	Jan., 1935	Wakimoto Sokuro	Explanation of the Plates: Image of Vimalakirti, by Ogata-Korin, in the Collection of Mr. Junji Hosaka, Tokyo
No.037	Jan., 1935	Nakagawa Sensaku	Art News: Death of Dr. Berthold Laufer
No.037	Jan., 1935	Tanaka Kisaku	Art News
No.037	Jan., 1935	Masaki Tokuzo	Art News
No.037	Jan., 1935		Report of the Institute
No.037	Jan., 1935	Tanaka Kisaku	Essays on Painting by Kano-Yasunobu, Reprinted from its Copy in the Possession of Mr. Tadanobu Kano
No.036	Dec., 1934	Tanaka Kisaku	On the “Rakuchu-Rakugai-zu,” Paintings Representing Numerous Places in and near Kyoto
No.036	Dec., 1934	Mori Senzo	Biographical Notes on Maruyama-Okyo
No.036	Dec., 1934	Suganuma Teizo	On Sliding-screen Paintings by Rosetsu in the Shoju-ji Temple
No.036	Dec., 1934	Watanabe Hajime	Explanation of the Plates: Portrait of Priest Amoghavajra, in the Kozan-ji Temple, Kyoto
No.036	Dec., 1934	Watanabe Hajime	Art News
No.036	Dec., 1934	Kumamoto Kenjiro	Art News
No.036	Dec., 1934	Suganuma Teizo	Art News
No.036	Dec., 1934	Watanabe Hajime	Art News
No.036	Dec., 1934	Nakagawa Sensaku, Toyooka Masuto	Book Review
No.036	Dec., 1934	Watanabe Hajime	Book Review
No.036	Dec., 1934	Yamada Chisaburo	Book Review
No.036	Dec., 1934		Report of the Institute
No.036	Dec., 1934		Table of Contents of the Bijutsu Kenkyu, 1934
No.035	nov., 1934	Aoyama Shin	Studies on the Portrait of Jion-Daishi, a Chinese Buddhist Priest of the 7th Century
No.035	nov., 1934	Watanabe Hajime	On Scroll-paintings Representing the Story of “Nakifudo”
No.035	nov., 1934	Wakimoto Sokuro	On the Sohokaku Shogaki (Notes on Paintings and Calligraphies in the Sohokaku Collection and Its Author Asano-Baido
No.035	nov., 1934	Tanaka Kisaku	Explanation of the Plate: A Pair of Fowl and Nestlings, by Soga-Chokuan, in the Ringe-in Temple, Kyoto
No.035	nov., 1934	Tanaka Kisaku	Book Review
No.035	nov., 1934	Kumamoto Kenjiro	Book Review
No.035	nov., 1934	Watanabe Hajime	Text of the Scroll-painting Called “Fudo-Riyaku-engi” i. e., Story of a Responsive Image of Acala in Mr. Ohara’s Collection
No.035	nov., 1934	Wakimoto Sokuro	The Sohokaku-Shogaki (Notes on Paintings and Calligraphies in the Sohokaku Collection), Part I
No.034	Oct., 1934	Tani Shin-ichi	On Japanese Buddhist Sculptors of the Olden Time and Their Activities
No.034	Oct., 1934	Wakimoto Sokuro	On the “Arabori” i. e., Roughly Carved Sculpture
No.034	Oct., 1934	Wakimoto Sokuro	Sketches by Kita-Busei after Old Masterpieces of Painting
No.034	Oct., 1934	Wakimoto Sokuro	Explanation of the Plates: Image of the Bhesayaguru Triad, in the Hojo-bo Temple, Kanagawa-ken
No.034	Oct., 1934	Tanaka Kisaku	Explanation of the Plates: Image of Yamantaka, in the Danzan-jinja Shrine, Nara-ken
No.034	Oct., 1934	Tanaka Kisaku	Explanation of the Plate: A Heron and Ravens, by Unkoku-Toyo, in the Enkaku-ji Temple, Kanagawa-ken
No.034	Oct., 1934	Suganuma Teizo	Explanation of the Plates: Three Scrolls of Sketches from Life by Maruyama-Okyo, in the Collection of Mr. Sozaemon Nishimura, Kyoto
No.034	Oct., 1934	Kumamoto Kenjiro	Art News
No.034	Oct., 1934	Watanabe Hajime	Book Review
No.034	Oct., 1934	Nakagawa Sensaku	Book Review
No.034	Oct., 1934	Watanabe Hajime	Book Review
No.034	Oct., 1934	Masaki Tokuzo	Book Review
No.034	Oct., 1934	Watanabe Hajime	Book Review
No.034	Oct., 1934		Report of the Institute
No.034	Oct., 1934	Ogino Minahiko	The Inventory of Effects of the Shari-den in the Horyu-ji Monastery, Verified in 1550, 1591, and 1652 A. D. and the Inventory of Buddhist Images and Other Effects of the Goma-do in the Horyu-ji Monastery, Reprinted from the MSS. Recently Discovered in the Horyu-ji Monastery, Nara-ken
No.033	Sep., 1934	Yashiro Yukio	A Chinese Gilt Bronze Sculpture Representing Sakyamuni and Prabhutaratna Dated 489 A. D.
No.033	Sep., 1934	Watanabe Hajime	An Illustrated Scroll of the Tch’ouan-fa-tcheng-tsong-ting-tsou-t’ou in the Kanchi-in Temple, Kyoto
No.033	Sep., 1934	Umezu Jiro	Maruyama-Okyo-den, Biography of Maruyama-Okyo, Reprinted from the MSS. Originally Written by Hosui Okamura
No.033	Sep., 1934	Kumagai Nobuo	Explanation of the Plates: Wooden Statue of Priest Mangan, in the Hakone-Jinja Temple, Kanagawa-ken
No.033	Sep., 1934	Wakimoto Sokuro	Explanation of the Plates: “Senchu-yugen-Kannon,” Avalokitesvara as Appeared to Kukai on His Homeward Voyage, in the Ryuko-in Temple, Wakayama-ken
No.033	Sep., 1934	Tanaka Kisaku	Explanation of the Plates: Scroll-painting “Honen-shonin-eden,” i. e. Life of Priest Honen in the Collection of Baron Ino Dan, Tokyo
No.033	Sep., 1934	Watanabe Hajime	Explanation of the Plates: Sketches for the Scroll-painting “Seven Hardships of the Life” by Maruyama-Okyo, the Property of the Enman-in Temple, Shiga-ken
No.033	Sep., 1934	Aoyama Shin	Book Review
No.033	Sep., 1934	Tanaka Kisaku	Book Review
No.033	Sep., 1934		Report of the Institute
No.033	Sep., 1934	Tanaka Kisaku	Text of the Scroll-painting “Honen-shonin-eden,” i. e. Life of Priest Honen in the Collection of Baron Ino Dan, Tokyo
No.033	Sep., 1934	Tanaka Kisaku	Letters of Nakayama-Koyo, Selected from the MSS. of His Biography by Nojima-Baioku
No.032	Aug., 1934	Tanaka Kisaku	A Biographical Study of Nakayama-Koyo
No.032	Aug., 1934	Wakimoto Sokuro	On the “Arabori” (i. e. Roughly Carved) Sculpture of the Fujiwara Period
No.032	Aug., 1934	Wakimoto Sokuro	Explanation of the Plate: “An Angler in the Winter Solitude,” Attributed to Ma Yuan, the Property of the Mitsui Gomei Kaisha, Tokyo
No.032	Aug., 1934	Watanabe Hajime	Explanation of the Plates: The “Gohimitsu” Mandala, an Assemblage of Five Buddhist Deities, in the Collection of Mr. Kinta Muto, Hyogo-ken
No.032	Aug., 1934	Suganuma Teizo	Explanation of the Plates: Sakyamuni Seated, Bodhisattva Seated in Lalitasana and Two Avalokitesvaras, in the Kanshin-ji Temple, Osaka-fu
No.032	Aug., 1934	Watanabe Hajime	Art News
No.032	Aug., 1934	Aoyama Shin	Book Review
No.032	Aug., 1934	Masaki Tokuzo	Book Review
No.032	Aug., 1934	Masaki Tokuzo	Book Review
No.032	Aug., 1934	Watanabe Hajime	Book Review
No.032	Aug., 1934		Report of the Institute
No.032	Aug., 1934	Wakimoto Sokuro	Kanwagashi-shu, a Manual of Chinese and Japanese Painters with Critical Notes, Printed from the MSS., by an Unknown Author of the 17th Century in the Collection of Mr. Wakimoto, Tokyo
No.032	Aug., 1934	Tanaka Kisaku	Hanabusa-Iccho-ki, Anecdotes of Hanabusa-Iccho, Printed from the MSS., Written in c. 1830 by Makino-Seichaku, the Property of Mr. Tanaka, Tokyo
No.031	Jul., 1934	Yashiro Yukio	On a Chinese Bronze Group of Amitabha and His Attendants from the Sui Period in the Museum of Fine Arts, Boston
No.031	Jul., 1934	Wakimoto Sokuro	Uragami-Gyokudo, Some Biographical and Critical Notes
No.031	Jul., 1934	Kumagai Nobuo	Explanation of the Plate: Image of Bodhisattva Ksiti-garbha, in Count Yanagiwara’s Collection, Toyama-ken
No.031	Jul., 1934	Kumagai Nobuo	Art News
No.031	Jul., 1934	Masaki Tokuzo	Art News
No.031	Jul., 1934	Aoyama Shin	Art News
No.031	Jul., 1934	Tanaka Kisaku	Book Review
No.031	Jul., 1934	Nishimura Tei	Book Review
No.031	Jul., 1934		Report of the Institute
No.031	Jul., 1934		Special Supplement: Classified Bibliography of Far Eastern Arts for the Year 1933
No.030	Jun., 1934	Tanaka Kisaku	On the Iconography of “Rokujison”
No.030	Jun., 1934	Tani Shin-ichi	A Biographical Study of Ensei-hoin, a Japanese Buddhist-sculptor of the 12th Century
No.030	Jun., 1934	Watanabe Hajime	Explanation of the Plate: “Bamboo with Insects” in the Collection of Mr. Kazukiyo Hatakeyama, Tokyo
No.030	Jun., 1934	Kumagai Nobuo	Explanation of the Plates: Portrait of Ashikaga-Mitsuakira, in the Yotoku-in Temple, Kyoto
No.030	Jun., 1934	Masaki Tokuzo	Explanation of the Plates: Landscape by Buncho, Paintings on Sliding-screens in the Honko-ji Temple, Shizuoka-ken
No.030	Jun., 1934	Wakimoto Sokuro	Explanation of the Plate: Kazari-Chatsubo (Teajar) with Wisteria Design, Earthware by Ninsei, in the collection of Mr. Kin’ya Nagao, Tokyo
No.030	Jun., 1934	Masaki Tokuzo	Art News
No.030	Jun., 1934	Tanaka Kisaku	Art News
No.030	Jun., 1934	Watanabe Hajime	Art News
No.030	Jun., 1934	Kumamoto Kenjiro	Art News
No.030	Jun., 1934	Kumamoto Kenjiro	Art News
No.030	Jun., 1934	Nishimura Tei	Book Review
No.030	Jun., 1934	Watanabe Hajime	Book Review
No.030	Jun., 1934	Nishimura Tei	Book Review
No.030	Jun., 1934		Report of the Institute
No.030	Jun., 1934	Tazawa Yutaka	“Namuamidabutsu-Sakuzenshu” a List of Buddhistic Temples and Images Erected by Priest Chogen, Printed from the MSS. Belonging to the Institute of Historical Research (Shiryo-hensanjo), Tokyo
No.029	May, 1934	Yashiro Yukio	Three T’ang Sculptures from American Collections
No.029	May, 1934	Umezu Jiro	Studies on the Scroll-painting “Shinmeisho-e Uta-awase”
No.029	May, 1934	Watanabe Hajime	Art News
No.029	May, 1934	Watanabe Hajime	Art News
No.029	May, 1934	Watanabe Hajime	Art News
No.029	May, 1934	Suganuma Teizo	Art News
No.029	May, 1934		Report of the Institute
No.029	May, 1934	Umezu Jiro	Text of the Scroll-painting “Shinmeisho-e Uta-awase” (Printed from the Scroll in the Chokokan Museum, Mie-ken)
No.028	Mar., 1934	Wakimoto Sokuro	Influence of Korean Painting on Japanese Ink-painting
No.028	Mar., 1934	Wakimoto Sokuro	“Kao Jan-hui” and “Zenami, a Landscape-architect of the Ashikaga Period and His Seal of Ownership” Addendum
No.028	Mar., 1934	Kumagai Nobuo	Paintings in the Hokekyo Sutra in Mr. Muto’s Collection, Hyogo-ken
No.028	Mar., 1934	Suganuma Teizo	Paintings by Miyagawa Choshun
No.028	Mar., 1934	Wakimoto Sokuro	Explanation of the Plates: The “Sonkai Tokainikki” Screen and “Eight Views of the Hsiao and Hsiang Rivers” on the Back of the Sonkai Tokai Nikki Screen in the Daigan-ji Temple, Hiroshima-ken
No.028	Mar., 1934	Tanaka Kisaku	Explanation of the Plates: “Landscape” by Aoki Shukuya, and “Cherry-blossoms” by Mikuma Katen, in Baron Konoike’s Collection, Osaka
No.028	Mar., 1934	Watanabe Hajime	Art News
No.028	Mar., 1934	Watanabe Hajime	Art News
No.028	Mar., 1934	Suganuma Teizo	Art News
No.028	Mar., 1934	Watanabe Hajime	Book Review: A History of Early Chinese Painting, by Osvald Siren
No.028	Mar., 1934	Atarashi Kikuo	Book Review
No.028	Mar., 1934	Sugita Masujiro	Book Review
No.028	Mar., 1934		Report of the Institute
No.028	Mar., 1934	Wakimoto Sokuro	Sogen Gamei Roku: “Manual of Chinese Painters in the Sung and Yuan Periods,” Printed from the MS. Probably by Asano Baido in Mr. Wakimoto’s Collection
No.027	Mar., 1934	Ogino Minahiko	The Picture-Scroll “Tohokuin Shokunin Uta-awase” or “Pictures of Different Professions” in the Manshuin Temple, Kyoto
No.027	Mar., 1934	Umehara Sueji	Some Recentry-discovered “Ch’in Mirrors”
No.027	Mar., 1934	Tanaka Kisaku	Three Hitherto Unpublished MSS. of Commentaries on Japanese Painters by Arai Hakuseki
No.027	Mar., 1934	Wakimoto Sokuro	Explanation of the Plates: “Sketches of Poppies,” a Picture-Scroll by Hirafuku Hyakusui, in the Collection of the Imperial School of Art, Tokyo
No.027	Mar., 1934	Maruo Shozaburo	Explanation of the Plates: A Statue of Yakushi Nyorai, in the Sorinji Temple, Kyoto
No.027	Mar., 1934	Yashiro Yukio	Book Review
No.027	Mar., 1934	Aoyama Shin	Book Review
No.027	Mar., 1934		Report of the Institute
No.027	Mar., 1934	Tanaka Kisaku	“Honcho Eshi” or “Japanese Painters” and “Gaka Keizu” or “Family and Artistic Lineage of Japanese Painters” Both Newly Printed from Arai Hakuseki’s Autographical MSS. in the Imperial Household Library, Tokyo
No.026	Mar., 1934	Yashiro Yukio	Apsaras and Other Bas-reliefs from T’ien-lung-shan in Mr. Winthrop’s Collection, New York
No.026	Mar., 1934	Sekino Tadashi	A Chinese Bronze Bell of the Liao Dynasty
No.026	Mar., 1934	Wakimoto Sokuro	Zenami, a Landscape-architect of the Ashikaga Period and His Seal of Ownership
No.026	Mar., 1934	Tanaka Kisaku	Explanation of the Plates: “Portrait of Sogi,” in Count Nanbu’s Collection, Tokyo
No.026	Mar., 1934	Shirahata Yoshi	Art News
No.026	Mar., 1934	Suganuma Teizo	Book Review
No.026	Mar., 1934	Aoyama Shin	Book Review
No.026	Mar., 1934		Report of the Institute
No.026	Mar., 1934	Tanaka Kisaku	“Gako Binran” or “Manual of Japanese Painters,” Printed from Arai Hakuseki’s Autographic Manuscripts in the Imperial Household Library, Tokyo
No.025	Jan., 1934	Yashiro Yukio	A Sung Copy of the Scroll “Ladies of the Court” by Chou Wen-chu
No.025	Jan., 1934	Umehara Sueji	Lacquered Toilet-cases of the Han Dynasty Found in China
No.025	Jan., 1934	Maruo Shozaburo	A Statue of Thousand-armed Avalokitesvara in the Fujio-Kannondo Temple, Nagano-ken
No.025	Jan., 1934	Tanaka Kisaku	An Album of the “Rites and Ceremonies of the Year”
No.025	Jan., 1934	Kumagai Nobuo	Explanation of the Plate: “Pine Trees” by Hasegawa Tohaku, in Viscount Fukuoka’s Collection, Tokyo
No.025	Jan., 1934	Wakimoto Sokuro	Explanation of the Plates: “The Gods of Wind and Thunder” by Ogata Korin in Count Tokugawa’s Collection, Tokyo
No.025	Jan., 1934	Aoyama Shin	Book Review
No.025	Jan., 1934		Report of the Institute
No.025	Jan., 1934	Tanaka Kisaku	“Zue Hokan Kinyu Yasunobu Kantei Ikkagenshu” or “Commentaries of the T’u-hui-pao-chien by Kano Yasunobu” (Printed from Yasunobu’s Autographic Manuscripts)
No.024	Dec., 1933	Suganuma Teizo	A Study on the Picture Scroll “Nayotake Monogatari”
No.024	Dec., 1933	Sugita Masujiro	“A Monk Narrating the Romance of Lady Kogo” by Kuroda Seiki
No.024	Dec., 1933	Aoyama Shin	“Portrait of Desiderius Erasmus,” a Dutch Sculpture of 1598 A. D. in the Ryuko-in Temple, Tochigi-ken
No.024	Dec., 1933		“Butsunichi-an Kumotsu Mokuroku” or “Catalogue of Art Objects in the Butsunichi-an of Engakuji Monastery”
No.024	Dec., 1933	Watanabe Hajime	Explanation of the Plates: “Akasagarbha,” in the Engakuji Temple, Kamakura
No.024	Dec., 1933	Tanaka Kisaku	Explanation of the Plate: “Two Chinese Sages Hsu-you and Ch’ao-fu” by Eitoku in Mr. Ogura’s Collection, Tokyo
No.024	Dec., 1933	Watanabe Hajime	Explanation of the Plate: Gilt Bronze Statuette of Eleven-faced Avalokitesvara in Baron Morimura’s Collection, Tokyo
No.024	Dec., 1933	Kumamoto Kenjiro	Art News
No.024	Dec., 1933		Book Review
No.024	Dec., 1933		Report of the Institute
No.024	Dec., 1933	Suganuma Teizo	Text of the Picture Scroll “Nayotake Monogatari”
No.024	Dec., 1933		Table of Contents of the Bijutsu Kenkyu, 1933
No.023	Nov., 1933	Masaki Tokuzo	Studies on the Picture Scrolls “Murasaki-shikibu Nikki” or “Diary of Lady Murasaki-shikibu”
No.023	Nov., 1933	Tanaka Kisaku	Studies on Stotatsu (Concluded)
No.023	Nov., 1933	Wakimoto Sokuro	Two Letters of Okyo
No.023	Nov., 1933	Watanabe Hajime	Art News
No.023	Nov., 1933	Watanabe Hajime	Art News
No.023	Nov., 1933	Watanabe Hajime	Art News
No.023	Nov., 1933	Watanabe Hajime	Art News
No.023	Nov., 1933	Watanabe Hajime	Art News
No.023	Nov., 1933	Watanabe Hajime	Art News
No.023	Nov., 1933	Kinoshita Tatsuya	Book Review
No.023	Nov., 1933	Watanabe Hajime	Book Review
No.023	Nov., 1933	Kumagai Nobuo	Book Review
No.023	Nov., 1933		Report of the Institute
No.023	Nov., 1933	Masaki Tokuzo	Text of the Picture Scrolls “Murasaki-shikibu Nikki”
No.022	Oct., 1933	Watanabe Hajime	Wall and Screen Paintings by Maruyama Okyo in the Kotohira Shrine, Kagawa-ken
No.022	Oct., 1933	Wakimoto Sokuro	Studies on the Seal “Zakka-shitsu,” a Mark of Ownership Probably of Ashikaga Yoshimasa
No.022	Oct., 1933	Wakimoto Sokuro	“‘Landscape’ Attributed to Hsia Kuei in Marquis Asano’s Collection” Addendum
No.022	Oct., 1933	Watanabe Hajime	Explanation of the Plate: Portrait of Chisho Daishi, in the Konsoji Temple, Kagawa-ken
No.022	Oct., 1933	Wakimoto Sokuro	Explanation of the Plate: “Sparrows on a Withered Tree” Attributed to Mu C’hi in Mr. Nezu’s Collection, Tokyo
No.022	Oct., 1933	Masaki Tokuzo	Explanation of the Plate: A Marble Statuette of a Woman Playing Genkan of the Imperial School of Art, Tokyo
No.022	Oct., 1933	Kumagai Nobuo	Book Review
No.022	Oct., 1933		Report of the Institute
No.022	Oct., 1933	Tanaka Kisaku	Kazan Sensei Manroku; Diary of Watanabe Kazan about the Year 1816 (Printed from his Autograph)
No.021	Oct., 1933	Yashiro Yukio	The Scroll of Kibi’s Adventure in China
No.021	Oct., 1933	Wakimoto Sokuro	“Landscape” Attributed to Hsia Kuei in Marquis Asano’s Collection
No.021	Oct., 1933	Watanabe Hajime	Maruyama Ruisei Inpu, an Album of Seals Used by the Painters of Maruyama School
No.021	Oct., 1933	Tanaka Toyozo	Explanation of the Plate: “Birds Sleeping on a Plum-tree” by Chikuden, formerly in Mr. Matsumoto’s Collection, Osaka
No.021	Oct., 1933		Art News
No.021	Oct., 1933	Watanabe Hajime	Book Review
No.021	Oct., 1933	Masaki Tokuzo	Book Review
No.021	Oct., 1933	Masaki Tokuzo	Book Review
No.021	Oct., 1933	Suganuma Teizo	Book Review
No.021	Oct., 1933	Suganuma Teizo	Book Review
No.021	Oct., 1933		Report of the Institute
No.021	Oct., 1933		Text of “The Scroll of Kibi’s Adventure in China”
No.020	Sep., 1933	Kumagai Nobuo	A Study on the Painting “Ninno-gyo Mandara”
No.020	Sep., 1933	Tanaka Kisaku	Studies on Sotatsu
No.020	Sep., 1933		Report of the Institute
No.020	Sep., 1933	Wakimoto Sokuro	Kundaikan Sayu Choki (in the Tohoku Imperial University Library): Comments on the Art Objects in Ashikaga Yoshimasa’s Collection by Soami
No.019	Aug., 1933	Inaba Iwakichi	“Commentaries on Painting” by Shin-shukushu
No.019	Aug., 1933	Oguchi Masao	A Stylistic Study of the Buddhistic Images of Ten-nin (Aspara) of the Northern Wei Period (China) Especially at Yun-kang and Lung-men
No.019	Aug., 1933	Sekino Tadashi	A Stone Stupa of the Silla Dynasty in the Bukkokuji Temple, Korea
No.019	Aug., 1933	Aoyama Shin	Explanation of the Plates: Statue of Fugenbosatsu (Samantabhadra) in the Okura Shukokan Museum, Tokyo
No.019	Aug., 1933	Wakimoto Sokuro	Explanation of the Plates: “Feng-kan, Han-shan, Shih-t’e and Tiger” by Mokuan, in Marquis Maeda’s Collection
No.019	Aug., 1933	Kumagai Nobuo	Explanation of the Plate: “Mountain in Snow” by Senka, in Mr. Yamada’s Collection, Toyama-ken
No.019	Aug., 1933	Ozaki Natsuhiko	Explanation of the Plate: “River-side Village in Rain” by Gyokudo, Formerly in Mr. Matsumoto’s Collection, Osaka
No.019	Aug., 1933	Masaki Tokuzo	Explanation of the Plate: “Gilt-bronze Flower Tray” in the Shinshoji Temple, Shiga-ken
No.019	Aug., 1933	Watanabe Hajime	Art News
No.019	Aug., 1933	Kumamoto Kenjiro	Art News
No.019	Aug., 1933		Report of the Institute
No.019	Aug., 1933		Classified Bibliography of Oriental Arts for the Year 1932
No.018	Jun., 1933	Suganuma Teizo	Portrait Paintings by Watanabe Kazan
No.018	Jun., 1933	Tanaka Kisaku	A Picture Scroll “Juni-innen Emaki” in Mr. Nezu’s Collection, Tokyo
No.018	Jun., 1933	Umehara Sueji	A Bronze Dagger with a Sheath in Marquis Hosokawa’s Collection, Tokyo
No.018	Jun., 1933	Kumagai Nobuo	Explanation of the Plate: “Landscape” in the Shokokuji Temple, Kyoto
No.018	Jun., 1933	Masaki Tokuzo	Explanation of the Plate: “Landscape” by Yun Nan-tien in Mr. Hashimoto’s Collection, Tokyo
No.018	Jun., 1933	Wakimoto Sokuro	Explanation of the Plate: Two Pitchers from the Banko Kiln in Baron Furukawa’s Collection, Tokyo
No.018	Jun., 1933	Suganuma Teizo	Art News
No.018	Jun., 1933	Ozaki Natushiko	Art News
No.018	Jun., 1933	Kinoshita Tatsuya	Art News
No.018	Jun., 1933	Watanabe Hajime	Book Review
No.018	Jun., 1933	Masaki Tokuzo	Book Review
No.018	Jun., 1933	Masaki Tokuzo	Book Review
No.018	Jun., 1933		Report of the Institute
No.018	Jun., 1933	Tanaka Kisaku	Text of the Picture Scroll “Juni-innen Emaki”
No.017	May, 1933	Hamada Kosaku	Bricks with Ornamental Patterns in Relief of Silla Dynasty, Chosen
No.017	May, 1933	Masaki Tokuzo	Okada Tamechika and His Paintings on the Sliding-screens in the Daijuji, Aichi-ken
No.017	May, 1933	Wakimoto Sokuro	A Technique of Casting Buddhist Images in the Kamakura Period
No.017	May, 1933	Kobayashi Tsuyoshi	A Survey of Mutilated Buddhist Images Found in the Yakushiji Temple, Nara
No.017	May, 1933	Watanabe Hajime	Explanation of the Plate: “Aizen-Mandara” in the Zuishin-in, Kyoto
No.017	May, 1933	Kumagai Nobuo	Explanation of the Plate: Portrait of Bukkan Zenji in the Engakuji, Kamakura
No.017	May, 1933	Masaki Tokuzo	Explanation of the Plate: “A Monkey” Attributed to Mao Sung, in the Manshuin, Kyoto
No.017	May, 1933	Aoyama Shin	Art News
No.017	May, 1933	Aoyama Shin	Art News
No.017	May, 1933	Suganuma Teizo	Art News
No.017	May, 1933		Art News
No.017	May, 1933		Art News
No.017	May, 1933		Report of the Institute
No.016	Apr., 1933	Tanaka Toyozo	On the Archaic Type of the Buddhist Temples in China
No.016	Apr., 1933	Torii Ryuzo	A Fragment of a Mirror Incised with Figures of Kongo-doji and Attendants and with the Date of the Third Year of Choho (1001)
No.016	Apr., 1933	Tanaka Kisaku	On the “Gakofuryaku” or “Family and Artistic Lineage of Painters”
No.016	Apr., 1933	Wakimoto Sokuro	“Buncho’s Sketches from Old Paintings” in Mr. Yamada’s Collection
No.016	Apr., 1933	Watanabe Hajime	Explanation of the Plate: “Amitabha and Bodhisattvas Coming from Heaven to Welcome the Faithful” in the Chion-in Temple, Kyoto
No.016	Apr., 1933	Suganuma Teizo	Explanation of the Plate: Illustrated MS. of Sutra on Fan-shaped Paper in the Saikyoji Temple, Shiga-ken
No.016	Apr., 1933	Kumagai Nobuo	Explanation of the Plate: “Heron” by Tan-an in the Tokyo Imperial Museum Collection
No.016	Apr., 1933	Wakimoto Sokuro	Explanation of the Plate: “Landscape” by Ko Cheng-ch’i in Mr. Matsuoka’s Collection, Tokyo
No.016	Apr., 1933	Tanaka Kisaku	Explanation of the Plates: “Festival of the Sanno Shrine” in the Horinji Temple, Kyoto
No.016	Apr., 1933		Book Review: Portfolio of Chinese Paintings in the Museum of Fine Arts, Boston, Han to Sung Periods
No.016	Apr., 1933		Report of the Institute
No.015	Mar., 1933	Joseph Hackin	Buddhist Sculpture of Hadda: Translation from “L’oeuvre de la Delegation Archeologique Francaise en Afghanistan (1922-1932)”
No.015	Mar., 1933	Kumagai Nobuo	Bonpo, a Biographical Study
No.015	Mar., 1933	Tanaka Kisaku	On Buson
No.015	Mar., 1933	Odaka Sennosuke	Explanation of the Plate: A Head of Bodhisattva of Northern Wei from Temple Shih-k’u-ssu, Kung-hsien, in Mr. Nishiyama’s Collection, Tokyo
No.015	Mar., 1933	Watanabe Hajime	Explanation of the Plate: Bodhisattva Akasagarbha in Baron Dan’s Collection, Tokyo
No.015	Mar., 1933	Masaki Tokuzo	Explanation of the Plate: Boddhidharma by an Anonymous Painter, Pu-tai and Feng-kan by Li Chueh, a Triptych in the Myoshinji Temple, Kyoto
No.015	Mar., 1933	Wakimoto Sokuro	Explanation of the Plate: “A Hermit Riding to See Plum Blossoms” by Gensai in the Chosen Government Museum, Keijo
No.015	Mar., 1933	Odaka Sennosuke	Book Review: Arthur Waley, A Catalogue of Paintings Recovered from Tun-Huang by Sir Aurel Stein
No.015	Mar., 1933	Watanabe Hajime	Book Review: E. A. Voretzsch, Chinesische Gemalde
No.015	Mar., 1933		Report of the Institute
No.015	Mar., 1933	Sekino Tadashi	The Architecture of the F’en-kuo Temple in Manchukuo
No.014	Feb., 1933	Maruo Shozaburo	A Statue of the Deva Vaisramana in Mr. Hashimoto’s Collection
No.014	Feb., 1933	Wakimoto Sokuro	A Study of the Haboku-Style in the Oriental Painting
No.014	Feb., 1933	Odaka Sennosuke	Explanation of the Plate: A Votive Stele with Figures of Seven Buddhas of Eastern Wei, Formerly in Mr. Yamanaka’s Collection, Osaka
No.014	Feb., 1933	Tanaka Kisaku	Explanation of the Plate: A Picture Scroll “Legends of Katsurakake-Jizo” in the Rokuharamitsuji Temple, Kyoto
No.014	Feb., 1933	Wakimoto Sokuro	Explanation of the Plate: “Tan-hsia Burning an Image of Buddha” by Yin-t’o-lo in Marquis Kuroda’s Collection, Tokyo
No.014	Feb., 1933	Wakimoto Sokuro	Explanation of the Plate: “Landscape” by Sesshu, in the Tokyo Imperial Museum
No.014	Feb., 1933	Masaki Tokuzo	Explanation of the Plate: “Plum-Trees” by Korin in Count Tsugaru’s Collection, Tokyo
No.014	Feb., 1933	Suganuma Teizo	Explanation of the Plate: “Sketches of Insects” by Okyo in the Tokyo Imperial Museum
No.014	Feb., 1933	Odaka Sennosuke, Sugita Masujiro	Art News
No.014	Feb., 1933	Sugita Masujiro	Art News: Death of Salmon Reinach
No.014	Feb., 1933	Odaka Sennosuke	Book Review
No.014	Feb., 1933	Kumagai Nobuo	Book Review
No.014	Feb., 1933	Aoyama Shin	Book Review
No.014	Feb., 1933		Report of the Institute
No.014	Feb., 1933	Kumagai Nobuo	Text of the Picture Scroll “Miracle of Hoyake-Amida” in the Kosokuji Temple, Kamakura
No.013	Jan., 1933	Umehara Sueji	An Inlaid Bronze Mirror in Marquis Hosokawa’s Collection
No.013	Jan., 1933	Wakimoto Sokuro	Kao Jan-hui
No.013	Jan., 1933	Kumagai Nobuo	Statues of Amitabha Trinity and the Picture Scroll “The Miracle of Hoyake Amida” in the Kosokuji Temple, Kamakura
No.013	Jan., 1933	Masaki Naohiko	A Carved Lacquer Tray in the Engakuji Temple, Kamakura
No.013	Jan., 1933	Wakimoto Sokuro	Explanation of the Plate: “A Cock” by Lo-ch’uang” in Marquis Asano’s Collection, Tokyo
No.013	Jan., 1933	Masaki Tokuzo	Explanation of the Plate: “Landscape” by Kimura-Tangen in Count Watanabe’s Collection, Tokyo
No.013	Jan., 1933	Ozaki Natsuhiko	Art News
No.013	Jan., 1933	Tanaka Kisaku	Art News
No.013	Jan., 1933	Odaka Sennosuke	Art News
No.013	Jan., 1933	Aoyama Shin	Art News
No.013	Jan., 1933	Kumamoto Kenjiro	Book Review
No.013	Jan., 1933	Masaki Tokuzo	Book Review
No.013	Jan., 1933	Watanabe Hajime	Book Review
No.013	Jan., 1933		Report of the Institute
No.012	Dec., 1932	Noma Seiroku	Clay Sculpture and Its Development
No.012	Dec., 1932	Ogino Minahiko	Peculiar Seals on the Early Ukiyoe Paintings in Mr. Nezu’s Collection, Tokyo
No.012	Dec., 1932	Ozaki Natsuhiko	“Hibo-Kannon” by Kano Hogai
No.012	Dec., 1932	Nishimura Tei	Araki-Jogen and Wakasugi-Isohachi
No.012	Dec., 1932	Tanaka Kisaku	On the Loan Exhibition of Paintings of the Nagasaki School
No.012	Dec., 1932	Masaki Tokuzo	Explanatory Note of the Plates: Gilt Bronze Statuette of Bodhisattva in the Collection of the Imperial School of Art, Tokyo
No.012	Dec., 1932	Watanabe Hajime	Explanatory Note of the Plates: “Butsugen-Butsumo” in the Kozanji Temple, Kyoto
No.012	Dec., 1932	Masaki Tokuzo	Art News
No.012	Dec., 1932	Kinoshita Tatsuya	Art News
No.012	Dec., 1932	Masaki Tokuzo	Book Review
No.012	Dec., 1932	Kinoshita Tatsuya	Book Review
No.012	Dec., 1932	Sugita Masujiro	Book Review
No.012	Dec., 1932	Kumamoto Kenjiro	Book Review
No.012	Dec., 1932		Report of the Institute
No.012	Dec., 1932		Table of Contents of the Bijutsu Kenkyu, 1932
No.011	Nov., 1932	Kobayashi Tsuyoshi	A Study on the Transmission of the Statues of the “Ten Disciples” and the “Eight Guards of Buddha,” Now in the Kofukuji Temple
No.011	Nov., 1932	Maruo Shozaburo	Statues of Senjukannon (Thousand-armed Avalokitesvara Bodhisattva) in the Renge-o-in
No.011	Nov., 1932	Mochizuki Shinjo	A Canopy in the Kyoogokokuji Temple
No.011	Nov., 1932	Suganuma Teizo	Explanatory Note of the Plates: Statues of Subhuti and Asura in the Kofukuji Temple, Nara
No.011	Nov., 1932	Wakimoto Sokuro	Explanatory Note of the Plate: “Young Sparrows” Attributed to Hsu Ch’ung-ssu in Marquis Asano’s Collection, Tokyo
No.011	Nov., 1932	Masaki Tokuzo	Explanatory Note of the Plates: “Enjoying the Evening Cool” by Kuzumi Morikage in Count Makino’s Collection, Tokyo
No.011	Nov., 1932	Ozaki Natsuhiko	Explanatory Note of the Plate: “Portrait of Okakura Tenshin” by Shimomura Kanzan in the Collection of the Imperial School of Art, Tokyo
No.011	Nov., 1932	Aoyama Shin	Art News
No.011	Nov., 1932	Sugita Masujiro	Art News
No.011	Nov., 1932	Sugita Masujiro	Art News
No.011	Nov., 1932	Watanabe Hajime	Art News
No.011	Nov., 1932		Report of the Institute
No.011	Nov., 1932	Tanaka Kisaku	Daibusshi Keizu or Lineage of Buddhist Sculptors in Japan (Printed from an Old MS.)
No.010	Oct., 1932	Ishida Mikinosuke	A Study on the Life of Lang Shih-ning (Gioseppe Castiglione)
No.010	Oct., 1932	Kumagai Nobuo	On the Portrait of Rankei Doryu
No.010	Oct., 1932	Tanaka Kisaku	“Scenes from the Genji Monogatari,” a Pair of Folding Screens by Sotatsu
No.010	Oct., 1932	Tanaka Kisaku	Book Review
No.010	Oct., 1932	Watanabe Hajime	Book Review
No.010	Oct., 1932	Tanaka Kisaku	Book Review
No.010	Oct., 1932	Suganuma Teizo	Book Review
No.010	Oct., 1932	Tsuchida Kyoson	Letter: On Screen-painting in the Myoren-ji Temple, Kyoto
No.010	Oct., 1932		Report of the Institute
No.009	Sep., 1932	Yashiro Yukio	On the Loan Exhibition of Modern European Paintings
No.009	Sep., 1932	Kojima Kikuo	A Few Thoughts on the Exhibition
No.008	Aug., 1932	Sekino Tadashi	The Tu-yueh-szu Temple in Chi Hsien, China: The Oldest Wooden Architecture and the Largest Clay Statue, Exiting in China
No.008	Aug., 1932	Kumagai Nobuo	“Banana-tree under the Nightly Rain,” an Anonymous Fifteenth Century Painting
No.008	Aug., 1932	Tanaka Kisaku	Screen-painting in the Myoren-ji Temple, Kyoto
No.008	Aug., 1932	Wakimoto Sokuro	Explanatory Note of the Plates: Sketches of Villa Toyama by Buncho in Mr. Yamada’s Collection, Tokyo
No.008	Aug., 1932	Suganuma Teizo	Explanatory Note of the Plate: Tan’yu’s Sketches of Flowers in the Tokyo Imperial Museum Collection
No.008	Aug., 1932	Masaki Tokuzo	Explanatory Note of the Plate: Statue of Shotoku Taishi in the Zenju-ji Temple, Ibaraki
No.008	Aug., 1932	Ozaki Natsuhiko	Art News
No.008	Aug., 1932	Kinoshita Tatsuya	Art News
No.008	Aug., 1932	Sugita Masujiro	Art News
No.008	Aug., 1932	Sugita Masujiro	Art News
No.008	Aug., 1932	Masaki Tokuzo	Book Review
No.008	Aug., 1932	Aoyama Shin	Book Review: Mohenjo-daro and the Indus Civilization, Edited by Sir John Marshall
No.008	Aug., 1932	Tanaka Kisaku	Book Review
No.008	Aug., 1932	Watanabe Hajime	Book Review
No.008	Aug., 1932		Report of the Institute
No.007	Jul., 1932	Watanabe Hajime	“Arhats” in the Collection of the Imperial School of Art, Tokyo
No.007	Jul., 1932	Masaki Tokuzo	“Legends from the Life of Shotoku-Taishi” in Mr. Kawai’s Collection
No.007	Jul., 1932	Tanaka Kisaku	Explanatory Note of the Plates: Wall-painting of the Genre Subject in the Enman-in Temple, Shiga
No.007	Jul., 1932	Tanaka Kisaku	Explanatory Note of the Plate: “Fruits” by Yun Nan-t’ien in Mr. Hashimoto’s Collection, Tokyo
No.007	Jul., 1932	Sugita Masujiro	Art News
No.007	Jul., 1932	Ozaki Natsuhiko	Art News
No.007	Jul., 1932	Sugita Masujiro	Art News
No.007	Jul., 1932	Atarashi Kikuo	Art News
No.007	Jul., 1932	Suganuma Teizo	Art News
No.007	Jul., 1932	Tanaka Kisaku	Book Review: Sharaku von Friz Rumpf
No.007	Jul., 1932	Ozaki Natsuhiko	Book Review
No.007	Jul., 1932		Report of the Institute
No.007	Jul., 1932		Classified Bibliography of Oriental Arts for the Year 1931
No.006	Jun., 1932	Wada Eisaku	Sketch-books of Seiki Kuroda
No.006	Jun., 1932	Maruo Shozaburo	Statues of Kichijoten in the Joruriji and the Seiunji Temples
No.006	Jun., 1932	Tanaka Kisaku	Picture Scrolls Gugan-Bon of “The Legends from the Life of Honen”
No.006	Jun., 1932	Masaki Tokuzo	Explanatory Note of the Plates: Statue of Kichijoten in the Joruriji Temple, Kyoto
No.006	Jun., 1932	Suganuma Teizo	Explanatory Note of the Plate: Statue of Amitabha in Mr. Yatsuhashi's Collection, Tokyo
No.006	Jun., 1932	Watanabe Hajime	Explanatory Note of the Plate: Bronze Tube Inlaid with Gold in the Tokyo Fine Art School Collection
No.006	Jun., 1932	Tanaka Kisaku	Art News
No.006	Jun., 1932	Tanaka Kisaku	Art News
No.006	Jun., 1932	Masaki Tokuzo	Art News
No.006	Jun., 1932	Aoyama Shin	Art News
No.006	Jun., 1932	Masaki Tokuzo	Art News
No.006	Jun., 1932	Sugita Masujiro	Art News: Death of Georg Gottfried Dehio
No.006	Jun., 1932	Aoyama Shin	Art News
No.006	Jun., 1932	Kinoshita Tatsuya	Art News
No.006	Jun., 1932	Masaki Tokuzo	Book Review
No.006	Jun., 1932	Sugita Masujiro	Book Review
No.006	Jun., 1932		Report of the Institute
No.005	May, 1932	Tanaka Kisaku	A Picture Scroll “Legends from the Lives of the Five Founders of the Jodo-Sect”
No.005	May, 1932	Masaki Tokuzo	Researches on “The Apparition of Maitreya to the Faithful” in Japanese Painting
No.005	May, 1932	Suganuma Teizo	Explanatory Note of the Plate: “Pine Tree” by Kaiho Yusho in the Zenkyo-an Temple, Kyoto
No.005	May, 1932	Masaki Tokuzo	Explanatory Note of the Plate: “Loquat” by Kai Ch'i in Mr. Takezoe’s Collection, Tokyo
No.005	May, 1932	Kinoshita Tatsuya	Art News
No.005	May, 1932	Masaki Tokuzo	Art News
No.005	May, 1932	Atarashi Kikuo	Art News
No.005	May, 1932	Kinoshita Tatsuya	Art News
No.005	May, 1932	Masaki Tokuzo	Art News
No.005	May, 1932	Aoyama Shin	Art News
No.005	May, 1932	Kinoshita Tatsuya	Book Review
No.005	May, 1932	Aoyama Shin	Book Review
No.005	May, 1932	Aoyama Shin, Watanabe Hajime	Book Review
No.005	May, 1932	Watanabe Hajime	Book Review: Uber die Stilentwicklung der chinesischen Grabfiguren, von Osvald Siren
No.005	May, 1932		Report of the Institute
No.005	May, 1932	Tanaka Kisaku	“Gako-furyaku” (Family and Artistic Lineage of Painters) Newly Printed from an Old MS.
No.004	Apr., 1932	Masaki Naohiko	Antique Documents and Antiquarian albums in the Reitokaku Collection
No.004	Apr., 1932	Tanaka Kisaku	A Fragment of the Bunkanshirin MS. in the Reitokaku Collection
No.004	Apr., 1932	Kumagai Nobuo	Paintings with Poetical Inscriptions during the Oei Years (1394-1427)
No.004	Apr., 1932	Wakimoto Sokuro	Tannyu's Sketches from Old Paintings
No.004	Apr., 1932	Watanabe Hajime	Explanatory Note of the Plates: “Departure of a Japanese Monk”
No.004	Apr., 1932	Watanabe Hajime	Explanatory Note of the Plate: A Version of the Taima-Mandala in Mrs. Yoshida’s Collection, Hyogo
No.004	Apr., 1932	Masaki Tokuzo	Explanatory Note of the Plate: An Octangular Mirror Incised with a Figure of Zaogongen in the Tokyo Fine Art School Collection
No.004	Apr., 1932	Sugita Masujiro	Art News
No.004	Apr., 1932	Sugita Masujiro	Art News
No.004	Apr., 1932	Nakane Katsu	Art News
No.004	Apr., 1932	Suganuma Teizo	Book Review
No.004	Apr., 1932	Masaki Tokuzo	Book Review
No.004	Apr., 1932		Report of the Institute
No.003	Mar., 1932	Aoyama Shin	Sculptures of Tak-i-Bustan in Persia (Continued)
No.003	Mar., 1932	Maruo Shozaburo	One Thousand Statues of Senju-Kannon in the Renge-o-in
No.003	Mar., 1932	Kumagai Nobuo	“Flowers and Birds,” a Pair of Six Folded Screens Attributed to Sesshu
No.003	Mar., 1932	Wakimoto Sokuro	Tenryudojin, a Painter of Vine, from Shinshu
No.003	Mar., 1932	Kumagai Nobuo	Explanatory Note of the Plates: “T’ung-shan Wading a Brook” Attributed to Ma Yuan in Mr. Tanaka’s Collection, Tokyo
No.003	Mar., 1932	Yashiro Yukio	Art News
No.003	Mar., 1932	Wilhelm Solf	Art News: On the Exhibition of Japanese Painting in Berlin
No.003	Mar., 1932	Watanabe Hajime	Book Review
No.003	Mar., 1932	Masaki Tokuzo	Book Review
No.003	Mar., 1932	Masaki Tokuzo	Book Review
No.003	Mar., 1932	Suganuma Teizo	Book Review
No.003	Mar., 1932	Watanabe Hajime	Book Review
No.003	Mar., 1932		Report of the Institute
No.002	Feb., 1932	Yashiro Yukio	On Making a Collection of Copies and Replicas of Masterpieces
No.002	Feb., 1932	Tanaka Kisaku	Wall and Screen Paintings in the Dai-an-ji
No.002	Feb., 1932	Maruo Shozaburo	Statues of Bodhisattva by Tankei in the Rebge-o-in
No.002	Feb., 1932	Kuroda Genji	“Portrait of a Boy” by Ikkyu
No.002	Feb., 1932	Watanabe Hajime	Explanatory Note of the Plate: “Portrait of Myonen” in Mr. Wakimoto’s Collection, Tokyo
No.002	Feb., 1932	Tanaka Kisaku	Explanatory Note of the Plate: “Maki and Hinoki Trees,” a Six Folded Screen by Sotatsu in Mr. Yamakawa’s Collection, Kanazawa
No.002	Feb., 1932	Wakimoto Sokuro	Explanatory Note of the Plate: “A Man under a Pine-tree” by Li Shih-cho in Mr. Takezoe’s Collection, Kanagawa
No.002	Feb., 1932	Watanabe Hajime	Art News
No.002	Feb., 1932	Masaki Tokuzo	Art News
No.002	Feb., 1932	Masaki Tokuzo	Art News
No.002	Feb., 1932	Masaki Tokuzo	Art News
No.002	Feb., 1932	Aoyama Shin	Art News
No.002	Feb., 1932	Suganuma Teizo	Art News
No.002	Feb., 1932	Masaki Tokuzo	Art News
No.002	Feb., 1932	Tanaka Kisaku	Book Review: The Ryerson Collection of Japanese and Chinese Illustrated Books, by Kenji Toda
No.002	Feb., 1932	Suganuma Teizo	Book Review
No.002	Feb., 1932	Tanaka Kisaku	Book Review
No.002	Feb., 1932		Report of the Institute
No.001	Jan., 1932	Yashiro Yukio	The Establishment of the Institute of Art Research
No.001	Jan., 1932	Aoyama Shin	Sculptures of Tak-i-Bustan in Persia
No.001	Jan., 1932	Yashiro Yukio	News Abroad
No.001	Jan., 1932	Sugita Masujiro	News Abroad
No.001	Jan., 1932	Yashiro Yukio	News Abroad: Death of Charles Ricketts, R. A.
No.001	Jan., 1932	Watanabe Hajime	Explanatory Note of the Plates: “Portrait of Ri Seiken” by Chen Chien-ju in the Yi Royal Family Museum, Keijo
No.001	Jan., 1932	Suganuma Teizo	Explanatory Note of the Plate: “A Horse (a Votive-tablet)” by Kano Shuri (Sanraku) in the Myohoin Temple, Kyoto
No.001	Jan., 1932	Tanaka Kisaku	Explanatory Note of the Plate: "A Beautiful Woman" by Miyagawa Choshun in Mr. Odaka’s Collection, Tokyo
No.001	Jan., 1932		Report of the Institute
No.001	Jan., 1932		The “Tohaku Gasetsu” or “Talks on Art” by Hasegawa Tohaku (Newly Reprinted from Old MSS)