No. 424 |
March., 2018 |
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Principal Article: Dream Journey to the Peach Blossom Land : The Reappearance of Paradise and
the Establishment of Classical Landscape Paintings |
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HONG, Sunpyo |
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Research Note: Using Wordpress to Construct a Dynamic Website: With the Web Versions of Bukkosha kiji and Bijutsukai nenshi (Ihô) as Examples |
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OYAMADA, Tomohiro |
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Materials for Art Research: Thoughts on Hashimoto Gahô’s Four Saints: Inoue Enryô’s Philosophy and its Pictorialization |
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TANAKA, Jun’ichirô |
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Index to Bijutsu Kenkyu, Nos. 419-424 |
No. 423 |
Jan., 2018 |
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Principal Article: Positioning the Konrenji Version of the Yugyô Shonin Engi-e(Illustrated Biography Handscrolls of Ippen and his Disciple Shinkyô)on the Basis of the Text Calligraphers and their Writing Styles |
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TSUDA, Tetsuei |
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Principal Article: Kanô Sansetsu and “Japanese (Wa)” Painting Themes ― Regarding the Buke sumô emaki (Samurai Sumô Handscroll) |
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YAMASHITA, Yoshiya |
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Materials for Art Research: Letters from Yamamoto Hôsui to Kuroda Seiki and to Sugi Takejirô: Reproductions, Transcriptions and Interpretations |
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SHIINO, Akifumi |
No. 422 |
Aug., 2017 |
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Principal Article: A Primary Study of a Thousand-Armed, Thousand-Eyed Avalokitesvara Mural Excavated at a Buddhist Temple Site in Domoko, Khotan – Including a Comparison with Dunhuang |
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YAO Chong-xin |
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Principal Article: Research on Kishida Ryûsei – Focusing on his Recuperation in “Komazawa-mura
Shinmachi” |
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TANAKA Atsushi |
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Materials for Art Research: Letters from Kuroda Sadako to Her Adopted Son Kuroda Seiki |
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TANAKA Jun |
No. 421 |
Mar., 2017 |
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Principal Article: Ogata Kôrin’s Time in Edo and Changes in his Brushwork –Focusing on A Budding Plum Tree in the Freer Gallery of Art |
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EMURA Tomoko |
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Exhibition Review: Viewing the Kakutei on Exhibition |
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YASUNAGA Takuyo |
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Materials for Art Research: Reading Goseda Yoshimatsu’s Letters to Kuroda Seiki |
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TSUNODA Takurô |
No. 420 |
December., 2016 |
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Principal Article: Tenth-century Japanese Painters –Various Aspects of Wayô-ka (Shift to
Japanese Aesthetics) as Seen from East Asian Painting History |
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MASUKI Ryûsuke |
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Research Note: Initial Research on Kurihara Gyokuyô |
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TADOKORO Tai |
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Material for Art Research: Okada Saburôsuke’s Letters to Kuroda Seiki |
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TAKAYAMA Yuri |
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Material for Art Research: Okada Saburôsuke and his Wife Yachiyo’s Critiques of the Artist – A Sad Encounter Between Art and Literature |
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MATSUMOTO Seiichi |
No. 419 |
Jun., 2016 |
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Principal Article: The Role and Status of Japanese “Nanga (南画)” Painters in Korean Modern Painting |
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HWANG Bitna |
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Research Note: The Cultural Properties Database of the National Research Institute for Cultural Properties, Tokyo – The Aims, Elements and Realization of Publications Archives Focused Databases |
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FUKUNAGA Hachirô |
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Material for Art Research: Album of Nihonga, in the Charles Stewart Smith Collection, Metropolitan Museum of Art, New York |
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TOMIZAWA-Kay Eriko |
No. 418 |
Mar., 2016 |
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Principal Article: Regarding the Ichiryû Sôshô keizu (Illustrated School Lineage) of the Shinran School in Medieval Japan, Through a Survey of Works Preserved at Chôshôin, Kyoto and Kôshôji, Hiroshima |
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TSUDA Tetsuei |
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Principal Article: Calligraphy and Everyday Life among Late Qing Officials |
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BAI Qianshen |
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Research Note:Akasegawa Gnpei and The Yamanote Line Incident – Anonymity as a Clue
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KAWAI Daisuke |
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Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III, cont.) – Focusing on Conditions in his Pre and Post Overseas Study Years |
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KOJIMA Kaoru |
No. 417 |
Jan., 2016 |
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Principal Article: Transformation in Bird and Flower Painting from the Eighth to
Eleventh Centuries |
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CHEN Yunru |
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Research Note: A Consideration of Namban Lacquer Lecterns and Their Dating |
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KOBAYASHI Kôji |
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Exhibition Reviews: |
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Introduction, Exhibitions Held on the 70th Anniversary of the End of World War II
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TANAKA Atsushi |
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Exhibitions Held on the 70th Anniversary of the End of World War II – As considered in terms of an awareness of the period designations “pre-war” and “post-war”
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SAWADA Keizô |
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The Curator’s Gaze: Creating History
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TANAKA Atsushi |
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Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô:
Facsimiles, Transcriptions and Explanatory Notes (III) – Focusing on Conditions in his
Pre and Post Overseas Study Years |
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KOJIMA Kaoru |
No. 416 |
Aug., 2015 |
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Principal Article: Fugen Bosatsu (Skt: Samantabhadra, National Treasure, Tokyo National Museum): An Art Historical Analysis of Its Painting Methods and the “Shôgon” Concept in Heian Period Buddhist Paintings |
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Kobayashi Tatsurô |
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Materials for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (II) – The Early Days of the Western Painting Department at Tokyo Bijutsu Gakkô |
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Kojima Kaoru |
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Material for Art Research:Regarding the Shinkai Taketarô Materials |
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Tanaka Shûji |
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"Report of the Department of Art Research, Archives and Information Systems" |
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[Editor] |
No. 415 |
Mar., 2015 |
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Principal Article: A Study of Material Culture Exchanges of the Early Joseon Court Based on Korean Objects in the Môri Museum: With a Focus on the Ôuchi Clan and the Môri Clan |
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Lee Sangnam |
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International Symposium on the Conservation and Restoration of Cultural Property-Recovering “Form”: Towards a More Open Discussion |
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Introduction
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|
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Yamanashi Emiko |
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The Katachi of Biennial : Katachi = Bild, Katachi = Image
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Fujikawa Satoshi |
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The Potential of Katachi [Form] in the History of Japanese Art: Thoughts from a History of Western Art Viewpoint
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Satô Naoki |
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Research Note: The “Aspects of Art Archives” Mini-Symposium |
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Introduction
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Kikkawa Hideki |
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Art History in Art Archives
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Kajiya Kenji |
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Archives and the Avant-Garde: Ephemerality of Expression and the Totality of Archive Materials
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Uesaki Sen |
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Records and Materials in the Notes Made by the Artist Nakamura Hiroshi: Focusing on the Sightseeing Art Research Institute and the Tokyo Art Pillar Exhibition
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Kikkawa Hideki |
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Discussion
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Kajiya Kenji, Uesaki Sen and Kikkawa Hideki |
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Materials for Art Research: Comment on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (Ⅱ) |
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Emura Tomoko |
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Material for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (Ⅰ): Focusing on Conditions during his Tsu Period |
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Kojima Kaoru |
No. 414 |
Feb., 2015 |
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Research Note: Research on the Internet Version of Mizue: Prospects for the Digital Publication of Art-related Materials and Art Archives |
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Tsuda Tetsuei, Marukawa Yuso, Yoshizaki Mayumi,
Nakamura Yoshifumi and Kikkawa Hideki |
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Material for Art Research: Wooden Core, Dry Lacquer Standing Eleven-Headed Ekādaśmukha (Jûichimen-Kan’non), Kanzanji, Shiga Prefecture |
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Tsuda Tetsuei |
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Material for Art Research: Comments on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (1) |
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Watada Minoru, Emura Tomoko, Tsuchiya Takahiro |
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Material for Art Research: Gaden Yôgaku Enogu Saishiki Hitorigeiko (1834, Tenpô 5) |
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Someya Kaori |
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Material for Art Research: Letters from Foreign Students Studying in Japan to Kuroda Seiki: Reproductions, Transcriptions, Interpretations |
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Yoshida Chizuko |
No. 413 |
Nov., 2014 |
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A Reconsideration of the Seated Nyoirin Kannon Bosatsu (Cakravarti-cintamani avalokitesvara bodhisattava) at Kanshinji |
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Satô Masatoshi |
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Korean Buddhism in Modern Era and the Production of Buddhist Paintings |
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Choi Yeob |
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Exhibition Revieews : Two Exhibitions held on Namban Lacquer in 2013:-Lacas Namban (Madrid) and Date Masamune's Dream: The Keicho Envoy to Europe and Namban Culture (Sendai) |
|
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Kobayashi Kôji |
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Materials for Art Research: Introduction of a Newly Discovered Work: The Exhibition Catalogue for the 8th Hakuba-kai Exhibition |
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Ueno Kenzô |
No. 412 |
Mar., 2014 |
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New Discoveries at Tuyuq Grottoes in Turfan: A Discussion on Gaochang Buddhist Images in the 5th century |
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Li Qingquan |
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Exhibition Revieews : Kano Sanraku and Sansetsu |
|
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Suzuki Hiroyuki |
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Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. III) |
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Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko |
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Materials for Art Research: Transcription of Ogawa Kazumasa’s Letters to Kuroda Seiki and Kuroda Seiki’s View on Photography |
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Tanaka Atsushi |
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Materials for Art Research: Meiji Photography Groups and the Nobility - From Considerations of Ogawa Kazumasa’s Achievements |
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Okatsuka Akiko |
No. 411 |
Feb., 2014 |
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Spatial Logic and Visual Meaning (Pt. II): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers |
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Li Qingquan |
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Ai-Mitsu's Landscape with an Eye (Pt. II) |
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Ôtani Shôgo |
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Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. II) |
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Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko |
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Materials for Art Research: Thoughts on Hana-no-kage, a Photography journal Published by the Japanese Nobility: Activities of Noble Photography Aficionados in the Late Meiji Period and Their Interactions with Ogawa Kazumasa and Kuroda Seiki |
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Saitô Yôich |
No. 410 |
Sep., 2013 |
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Spatial Logic and Visual Meaning (Pt. I): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers |
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Li Qingquan |
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The Subject and Source of Kikkawa Reika's Encountering Sorro |
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Tanaka Den |
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Ai-Mitsu's Landscape with an Eye (Pt. I) |
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Ôtani Shôgo |
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Materials for Art Research: An Explication of the Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) |
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Watada Minoru |
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Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. I) |
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Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko |
No. 409 |
Mar., 2013 |
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The Changed Principle of the Placement Form of the Four Deva’s Images and Their Names in the Joseon Dynasty |
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"Park Eun-kyung, Han Jung-ho" |
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Research Note: "Kokuzo Bosatsu (Skt: Akasagarbha, National Treasure, Tokyo National Museum): An Art Historical Analysis of its Painting Methods" |
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Kobayashi Tatsuro |
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"Exhibition Review: Two Exhibitions of Chen Cheng-po in Taipei: Journey through Jiangnan - A Pivotal Moment in Chen Cheng-po’s Artistic Quest (Taipei Fine Arts Museum), and Under a Searing Sun - A Solo Exhibition by Chen Cheng-po (Taiwan Soka Association’s Chih-shan Art and Culture Center)" |
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Yamanashi Emiko |
No. 408 |
Jan., 2013 |
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Regarding the Dating of the Bukkoji Version of the Illustrated Life of Shinran (Shinran-e) |
|
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Tsuda Tetsuei |
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"Standing Image of Jizo Bosatsu at Jinkoin, Kyoto" |
|
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Sarai Mai |
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The On-E-Kagami: A Printed Painting Manual from 1700 (Genroku 13) |
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Watada Minoru |
No. 407 |
Sep., 2012 |
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"A Preliminary Methodology on Han Dynasty Carvings: Taking “The Retrieval of the Tripod Carving” as an Example" |
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Hsing I-tien |
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"Paintings Inscribed by Chikuan Daien in 1435 (Eikyo 7): The Matsuoka Museum of Art’s Shubun Painting and the Museum of East Asian Art, Cologne’s Girl Ling-chao" |
|
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Watada Minoru |
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Akimoto Shatei and Meiji Era Nihonga (Part II) |
|
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Shioya Jun |
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"Book Review: Ito Daisuke, Shozoga no Jidai: Chusei Keiseiki ni okeru Kaiga no Shisoteki Shinso [The Age of Portraits: The Philosophical Depths of Painting During Japan’s Early Medieval Period]" |
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Tsuda Tetsuei |
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"Report of the Department of Art Research, Archives and Information Systems" |
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[Editor] |
No. 406 |
Mar., 2012 |
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Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part II) |
|
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Tsukamoto Maromitsu |
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The Production of Portrait Sculptures of Deceased Medieval Period |
|
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Tsuda Tetsuei |
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Index to Bijutsu Kenkyu, Nos. 401-406 |
No. 405 |
Jan., 2012 |
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Special Edition: Japanese-Korean Symposia “The Dynamics of Interaction between People and Objects: ‘Appraisal’ in Art History” |
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Foreword for Special Edition |
|
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Tanaka Atsushi |
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Report of Two Symposia |
|
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(Editor) |
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The Glory and Failure of a Nationalist Korean Art History: The Interpretation and Evaluation of Late Choson Painting |
|
|
Hong Sun-pyo |
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Creativity and Value: Focusing on Yorozu Tetsugoro’s Woman with a Balloon |
|
|
Tanaka Atsushi |
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The Long Landscape Handscroll: Towards a Re-Evaluation of Sesshu |
|
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Watada Minoru |
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The Fallacy of Love: How to Interpret and Write about the Life and Work of Chong Son |
|
|
Chang Chin-sung |
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The Expressive World of Early Edo Period Genre Paintings |
|
|
Emura Tomoko |
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Shi Tao, the Sight of Evaluation as the Modern Individualism |
|
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Moon Jung-hee |
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Review of the Symposium in Tokyo |
|
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Tanaka Atsushi |
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Review of the Symposium in Seoul |
|
|
Inaba Mai |
No. 404
|
Aug., 2011 |
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Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part I) |
|
|
Tsukamoto Maromitsu |
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Akimoto Shatei and Meiji Era Nihonga (Part I) |
|
|
Shioya Jun |
|
The Original Context of the Modern History of Craft Reflected in a Photograph |
|
|
Choi Gongho |
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Material for Art Research: Standing Image of Yakushi Nyorai at Jinkoin, Kyoto |
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Sarai Mai |
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Material for Art Research: Standing Image of Prince Shotoku at Korinji, Iwate |
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Tsuda Tetsuei |
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Book Review: Kojima Michihiro, Egakareta Sengoku no Kyoto |
|
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Matthew P. McKelway |
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Report of the Department of Art Research, Archives and Information Systems |
No. 403
|
Mar., 2011 |
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Historical Consideration of the Yakushi Nyorai Image at Jingoji |
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Sarai Mai |
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The Studio That Painted the Tengu Soshi |
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Tsuchiya Takahiro |
No. 402
|
Feb., 2011 |
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From Xia Wenyan to Sesshu: The Precious Mirror of Painting and the Shaping of Historical Knowledge of Landscape Painting in East Asia in the 14th and 15th centuries
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|
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Shih Shou-chien |
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Explanation of the Plates: Works by Kuroda Seiki Donated to the Tokyo National Museum in the Fiscal Year of 2009: Boat, Peonies, Battle of Niryusan in Sino-Japanese War and Two Portraits of Hayashi Masahumi |
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Yamanashi Emiko |
No. 401
|
Aug., 2010 |
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An Iconographic Study of Birth of Sakyamuni Imagery in the Joseon Dynasty Korea
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Chung Woo-thak |
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Study of Kawabata Gyokusho (Part III) |
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Shioya Jun |
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Material for Art Research: Standing Image of the Two-year-old Prince Shotoku (Namu-butsu Taishi) in the Nara National Museum
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|
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Tsuda Tetsuei |
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Book Review: Tomishima Yoshiyuki, Mikkyo Kukan Shiron [Research on the History of Esoteric Buddhist Spaces] |
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Sarai Mai |
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Report of the Department of Research Programming |
No. 400
|
Mar., 2010 |
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Southern Dynasty Buddhist Stone Sculptures in Wenchuan County, Sichuan Province |
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Lei Yuhua, Li Yuqun, Luo Jinyong |
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Study of Unkoku Togan’s Crows in Plum Trees: From the Guest House at Najima Castle to the Audience House at Fukuoka Castle |
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Watada Minoru |
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Research Note: Contemporary Art and Museums: Artist Interview Archives of the Tate and the INCCA |
|
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Morishita Masaaki |
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Book Review: Yoshida Chizuko, Kindai Higashi Asia Bijutsu Ryugakusei no Kenkyu [Research on Modern East Asian Overseas Art Students]: Imagining a Transnational Archive |
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|
Park So-hyun |
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Index to Bijutsu Kenkyu, Nos. 359-400 |
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