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The Bijutsu Kenkyu (The Journal of Art Studies)

 Since 1932. The journal, edited by the Department of Art Research, Archives and Information Systems, carries monograms, research notes, explanations of plates, book reviews, Exhibition Reviews and materials for art research pertaining not only to Japanese and East Asian classical art but also European and American art related to modern and contemporary Japanese art (English summaries included).

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Contents
No.1~No.99 No.100~No.199 No.200~No.299 No.300~No.399 No.400~

No. 425 July, 2018
CHOI Yeob Principal Article: Early Modern Period Buddist Paintings and Buddhist Propaganda in Korea
ONO Mayumi and EMI Chizuko Materials for Art Research : Dô no Onkura Okakemono Outasho Kiwame Daitsuke no Chô: A Reprint and Explication
ZHAN Xiaomei Materials for Art Research :The Friendship between Lian Quan and Ômura Seigai: As Seen in Lian Quan’s Letters to Ômura Seigai and his Nanhu’s Japan Travel Journal
  Report of the Department of Art Research, Archives and Information Systems
No. 424 March., 2018
HONG Sunpyo Principal Article: Dream Journey to the Peach Blossom Land : The Reappearance of Paradise and the Establishment of Classical Landscape Paintings
OYAMADA Tomohiro Research Note: Using Wordpress to Construct a Dynamic Website: With the Web Versions of Bukkosha kiji and Bijutsukai nenshi (Ihô) as Examples
TANAKA Jun’ichirô Materials for Art Research: Thoughts on Hashimoto Gahô’s Four Saints: Inoue Enryô’s Philosophy and its Pictorialization
  Index to Bijutsu Kenkyu, Nos. 419-424
No. 423 Jan., 2018
TSUDA Tetsuei Principal Article: Positioning the Konrenji Version of the Yugyô Shonin Engi-e(Illustrated Biography Handscrolls of Ippen and his Disciple Shinkyô)on the Basis of the Text Calligraphers and their Writing Styles
YAMASHITA Yoshiya Principal Article: Kanô Sansetsu and “Japanese (Wa)” Painting Themes ― Regarding the Buke sumô emaki (Samurai Sumô Handscroll)
SHIINO Akifumi Materials for Art Research: Letters from Yamamoto Hôsui to Kuroda Seiki and to Sugi Takejirô: Reproductions, Transcriptions and Interpretations
No. 422 Aug., 2017
YAO Chong-xin Principal Article: A Primary Study of a Thousand-Armed, Thousand-Eyed Avalokitesvara Mural Excavated at a Buddhist Temple Site in Domoko, Khotan – Including a Comparison with Dunhuang
TANAKA Atsushi Principal Article: Research on Kishida Ryûsei – Focusing on his Recuperation in “Komazawa-mura Shinmachi”
TANAKA Jun Materials for Art Research: Letters from Kuroda Sadako to Her Adopted Son Kuroda Seiki
No. 421 Mar., 2017
EMURA Tomoko Principal Article: Ogata Kôrin’s Time in Edo and Changes in his Brushwork –Focusing on A Budding Plum Tree in the Freer Gallery of Art
YASUNAGA Takuyo Exhibition Review: Viewing the Kakutei on Exhibition
TSUNODA Takurô Materials for Art Research: Reading Goseda Yoshimatsu’s Letters to Kuroda Seiki
No. 420 Dec., 2016
MASUKI Ryûsuke Principal Article: Tenth-century Japanese Painters –Various Aspects of Wayô-ka (Shift to Japanese Aesthetics) as Seen from East Asian Painting History
TADOKORO Tai Research Note: Initial Research on Kurihara Gyokuyô
TAKAYAMA Yuri Material for Art Research: Okada Saburôsuke’s Letters to Kuroda Seiki
MATSUMOTO Seiichi Material for Art Research: Okada Saburôsuke and his Wife Yachiyo’s Critiques of the Artist – A Sad Encounter Between Art and Literature
No. 419 Jun., 2016
HWANG Bitna Principal Article: The Role and Status of Japanese “Nanga (南画)” Painters in Korean Modern Painting
FUKUNAGA Hachirô Research Note: The Cultural Properties Database of the National Research Institute for Cultural Properties, Tokyo – The Aims, Elements and Realization of Publications Archives Focused Databases
TOMIZAWA-Kay Eriko Material for Art Research: Album of Nihonga, in the Charles Stewart Smith Collection, Metropolitan Museum of Art, New York
No. 418 Mar., 2016
TSUDA Tetsuei Principal Article: Regarding the Ichiryû Sôshô keizu (Illustrated School Lineage) of the Shinran School in Medieval Japan, Through a Survey of Works Preserved at Chôshôin, Kyoto and Kôshôji, Hiroshima
BAI Qianshen Principal Article: Calligraphy and Everyday Life among Late Qing Officials
KAWAI Daisuke Research Note:Akasegawa Gnpei and The Yamanote Line Incident – Anonymity as a Clue
KOJIMA Kaoru Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III, cont.) – Focusing on Conditions in his Pre and Post Overseas Study Years
No. 417 Jan., 2016
CHEN Yunru Principal Article: Transformation in Bird and Flower Painting from the Eighth to Eleventh Centuries
KOBAYASHI Kôji Research Note: A Consideration of Namban Lacquer Lecterns and Their Dating
  Exhibition Reviews:
TANAKA Atsushi Introduction, Exhibitions Held on the 70th Anniversary of the End of World War II
SAWADA Keizô Exhibitions Held on the 70th Anniversary of the End of World War II – As considered in terms of an awareness of the period designations “pre-war” and “post-war”
TANAKA Atsushi The Curator’s Gaze: Creating History
KOJIMA Kaoru Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III) – Focusing on Conditions in his Pre and Post Overseas Study Years
No. 416 Aug., 2015
Kobayashi Tatsurô Principal Article: Fugen Bosatsu (Skt: Samantabhadra, National Treasure, Tokyo National Museum): An Art Historical Analysis of Its Painting Methods and the “Shôgon” Concept in Heian Period Buddhist Paintings
Kojima Kaoru Materials for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (II) – The Early Days of the Western Painting Department at Tokyo Bijutsu Gakkô
Tanaka Shûji Material for Art Research:Regarding the Shinkai Taketarô Materials
[Editor] "Report of the Department of Art Research, Archives and Information Systems"
No. 415 Mar., 2015
Lee Sangnam Principal Article: A Study of Material Culture Exchanges of the Early Joseon Court Based on Korean Objects in the Môri Museum: With a Focus on the Ôuchi Clan and the Môri Clan
  International Symposium on the Conservation and Restoration of Cultural Property-Recovering “Form”: Towards a More Open Discussion
Yamanashi Emiko Introduction
Fujikawa Satoshi The Katachi of Biennial : Katachi = Bild, Katachi = Image
Satô Naoki The Potential of Katachi [Form] in the History of Japanese Art: Thoughts from a History of Western Art Viewpoint
  Research Note:  The “Aspects of Art Archives” Mini-Symposium
Kikkawa Hideki Introduction
Kajiya Kenji Art History in Art Archives
Uesaki Sen Archives and the Avant-Garde: Ephemerality of Expression and the Totality of Archive Materials
Kikkawa Hideki Records and Materials in the Notes Made by the Artist Nakamura Hiroshi: Focusing on the Sightseeing Art Research Institute and the Tokyo Art Pillar Exhibition
Kajiya Kenji, Uesaki Sen and Kikkawa Hideki Discussion
Emura Tomoko Materials for Art Research: Comment on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (Ⅱ)
Kojima Kaoru Material for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (Ⅰ): Focusing on Conditions during his Tsu Period
No. 414 Feb., 2015
Tsuda Tetsuei, Marukawa Yuso, Yoshizaki Mayumi, Nakamura Yoshifumi and Kikkawa Hideki Research Note: Research on the Internet Version of Mizue: Prospects for the Digital Publication of Art-related Materials and Art Archives
Tsuda Tetsuei Material for Art Research: Wooden Core, Dry Lacquer Standing Eleven-Headed Ekādaśmukha (Jûichimen-Kan’non), Kanzanji, Shiga Prefecture
Watada Minoru, Emura Tomoko, Tsuchiya Takahiro Material for Art Research: Comments on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (1)
Someya Kaori Material for Art Research: Gaden Yôgaku Enogu Saishiki Hitorigeiko (1834, Tenpô 5)
Yoshida Chizuko Material for Art Research: Letters from Foreign Students Studying in Japan to Kuroda Seiki: Reproductions, Transcriptions, Interpretations
No. 413 Nov., 2014
Satô Masatoshi A Reconsideration of the Seated Nyoirin Kannon Bosatsu (Cakravarti-cintamani avalokitesvara bodhisattava) at Kanshinji
Choi Yeob Korean Buddhism in Modern Era and the Production of Buddhist Paintings
Kobayashi Kôji Exhibition Revieews : Two Exhibitions held on Namban Lacquer in 2013:-Lacas Namban (Madrid) and Date Masamune's Dream: The Keicho Envoy to Europe and Namban Culture (Sendai)
Ueno Kenzô Materials for Art Research: Introduction of a Newly Discovered Work: The Exhibition Catalogue for the 8th Hakuba-kai Exhibition
No. 412 Mar., 2014
Li Qingquan New Discoveries at Tuyuq Grottoes in Turfan: A Discussion on Gaochang Buddhist Images in the 5th century
Suzuki Hiroyuki Exhibition Revieews : Kano Sanraku and Sansetsu
Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. III)
Tanaka Atsushi Materials for Art Research: Transcription of Ogawa Kazumasa’s Letters to Kuroda Seiki and Kuroda Seiki’s View on Photography
Okatsuka Akiko Materials for Art Research: Meiji Photography Groups and the Nobility - From Considerations of Ogawa Kazumasa’s Achievements
No. 411 Feb., 2014
Li Qingquan Spatial Logic and Visual Meaning (Pt. II): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers
Ôtani Shôgo Ai-Mitsu's Landscape with an Eye (Pt. II)
Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. II)
Saitô Yôich Materials for Art Research: Thoughts on Hana-no-kage, a Photography journal Published by the Japanese Nobility: Activities of Noble Photography Aficionados in the Late Meiji Period and Their Interactions with Ogawa Kazumasa and Kuroda Seiki
No. 410 Sep., 2013
Li Qingquan Spatial Logic and Visual Meaning (Pt. I): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers
Tanaka Den The Subject and Source of Kikkawa Reika's Encountering Sorro
Ôtani Shôgo Ai-Mitsu's Landscape with an Eye (Pt. I)
Watada Minoru Materials for Art Research: An Explication of the Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki)
Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. I)
No. 409 Mar., 2013
"Park Eun-kyung, Han Jung-ho" The Changed Principle of the Placement Form of the Four Deva’s Images and Their Names in the Joseon Dynasty
Kobayashi Tatsuro Research Note: "Kokuzo Bosatsu (Skt: Akasagarbha, National Treasure, Tokyo National Museum): An Art Historical Analysis of its Painting Methods"
Yamanashi Emiko "Exhibition Review: Two Exhibitions of Chen Cheng-po in Taipei: Journey through Jiangnan - A Pivotal Moment in Chen Cheng-po’s Artistic Quest (Taipei Fine Arts Museum), and Under a Searing Sun - A Solo Exhibition by Chen Cheng-po (Taiwan Soka Association’s Chih-shan Art and Culture Center)"
No. 408 Jan., 2013
Tsuda Tetsuei Regarding the Dating of the Bukkoji Version of the Illustrated Life of Shinran (Shinran-e)
Sarai Mai "Standing Image of Jizo Bosatsu at Jinkoin, Kyoto"
Watada Minoru The On-E-Kagami: A Printed Painting Manual from 1700 (Genroku 13)
No. 407 Sep., 2012
Hsing I-tien "A Preliminary Methodology on Han Dynasty Carvings: Taking “The Retrieval of the Tripod Carving” as an Example"
Watada Minoru "Paintings Inscribed by Chikuan Daien in 1435 (Eikyo 7): The Matsuoka Museum of Art’s Shubun Painting and the Museum of East Asian Art, Cologne’s Girl Ling-chao"
Shioya Jun Akimoto Shatei and Meiji Era Nihonga (Part II)
Tsuda Tetsuei "Book Review: Ito Daisuke, Shozoga no Jidai: Chusei Keiseiki ni okeru Kaiga no Shisoteki Shinso [The Age of Portraits: The Philosophical Depths of Painting During Japan’s Early Medieval Period]"
[Editor] "Report of the Department of Art Research, Archives and Information Systems"
No. 406 Mar., 2012
Tsukamoto Maromitsu Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part II)
Tsuda Tetsuei The Production of Portrait Sculptures of Deceased Medieval Period
  Index to Bijutsu Kenkyu, Nos. 401-406
No. 405 Jan., 2012
  Special Edition: Japanese-Korean Symposia “The Dynamics of Interaction between People and Objects: ‘Appraisal’ in Art History”
Tanaka Atsushi Foreword for Special Edition
(Editor) Report of Two Symposia
Hong Sun-pyo The Glory and Failure of a Nationalist Korean Art History: The Interpretation and Evaluation of Late Choson Painting
Tanaka Atsushi Creativity and Value: Focusing on Yorozu Tetsugoro’s Woman with a Balloon
Watada Minoru The Long Landscape Handscroll: Towards a Re-Evaluation of Sesshu
Chang Chin-sung The Fallacy of Love: How to Interpret and Write about the Life and Work of Chong Son
Emura Tomoko The Expressive World of Early Edo Period Genre Paintings
Moon Jung-hee Shi Tao, the Sight of Evaluation as the Modern Individualism
Tanaka Atsushi Review of the Symposium in Tokyo
Inaba Mai Review of the Symposium in Seoul
No. 404 Aug., 2011
Tsukamoto Maromitsu Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part I)
Shioya Jun Akimoto Shatei and Meiji Era Nihonga (Part I)
Choi Gongho The Original Context of the Modern History of Craft Reflected in a Photograph
Sarai Mai Material for Art Research: Standing Image of Yakushi Nyorai at Jinkoin, Kyoto
Tsuda Tetsuei Material for Art Research: Standing Image of Prince Shotoku at Korinji, Iwate
Matthew P. McKelway Book Review: Kojima Michihiro, Egakareta Sengoku no Kyoto
  Report of the Department of Art Research, Archives and Information Systems
No. 403 Mar., 2011
Sarai Mai Historical Consideration of the Yakushi Nyorai Image at Jingoji
Tsuchiya Takahiro The Studio That Painted the Tengu Soshi
No. 402 Feb., 2011
Shih Shou-chien From Xia Wenyan to Sesshu: The Precious Mirror of Painting and the Shaping of Historical Knowledge of Landscape Painting in East Asia in the 14th and 15th centuries
Yamanashi Emiko Explanation of the Plates: Works by Kuroda Seiki Donated to the Tokyo National Museum in the Fiscal Year of 2009: Boat, Peonies, Battle of Niryusan in Sino-Japanese War and Two Portraits of Hayashi Masahumi
No. 401 Aug., 2010
Chung Woo-thak An Iconographic Study of Birth of Sakyamuni Imagery in the Joseon Dynasty Korea
Shioya Jun Study of Kawabata Gyokusho (Part III)
Tsuda Tetsuei Material for Art Research: Standing Image of the Two-year-old Prince Shotoku (Namu-butsu Taishi) in the Nara National Museum
Sarai Mai Book Review: Tomishima Yoshiyuki, Mikkyo Kukan Shiron [Research on the History of Esoteric Buddhist Spaces]
  Report of the Department of Research Programming
No. 400 Mar., 2010
Lei Yuhua, Li Yuqun, Luo Jinyong Southern Dynasty Buddhist Stone Sculptures in Wenchuan County, Sichuan Province
Watada Minoru Study of Unkoku Togan’s Crows in Plum Trees: From the Guest House at Najima Castle to the Audience House at Fukuoka Castle
Morishita Masaaki Research Note: Contemporary Art and Museums: Artist Interview Archives of the Tate and the INCCA
Park So-hyun Book Review: Yoshida Chizuko, Kindai Higashi Asia Bijutsu Ryugakusei no Kenkyu [Research on Modern East Asian Overseas Art Students]: Imagining a Transnational Archive
  Index to Bijutsu Kenkyu, Nos. 359-400
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