The Bijutsu Kenkyu
(The Journal of Art Studies)


 Since 1932. The journal, edited by the Department of Art Research, Archives and Information Systems, carries monograms, research notes, explanations of plates, book reviews, Exhibition Reviews and materials for art research pertaining not only to Japanese and East Asian classical art but also European and American art related to modern and contemporary Japanese art (English summaries included).

The Search System(Ja.) (The Bijutsu Kenkyu No.1-410)

 

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 Contents
No. 421 Mar., 2017
  Principal Article: Ogata Kôrin’s Time in Edo and Changes in his Brushwork –Focusing on A Budding Plum Tree in the Freer Gallery of Art
    EMURA Tomoko
  Exhibition Review: Viewing the Kakutei on Exhibition
    YASUNAGA Takuyo
  Materials for Art Research: Reading Goseda Yoshimatsu’s Letters to Kuroda Seiki
    TSUNODA Takurô
No. 420 December., 2016
  Principal Article: Tenth-century Japanese Painters –Various Aspects of Wayô-ka (Shift to Japanese Aesthetics) as Seen from East Asian Painting History
    MASUKI Ryûsuke
  Research Note: Initial Research on Kurihara Gyokuyô
    TADOKORO Tai
  Material for Art Research: Okada Saburôsuke’s Letters to Kuroda Seiki
    TAKAYAMA Yuri
  Material for Art Research: Okada Saburôsuke and his Wife Yachiyo’s Critiques of the Artist – A Sad Encounter Between Art and Literature
    MATSUMOTO Seiichi
No. 419 Jun., 2016
  Principal Article: The Role and Status of Japanese “Nanga (南画)” Painters in Korean Modern Painting
    HWANG Bitna
  Research Note: The Cultural Properties Database of the National Research Institute for Cultural Properties, Tokyo – The Aims, Elements and Realization of Publications Archives Focused Databases
    FUKUNAGA Hachirô
  Material for Art Research: Album of Nihonga, in the Charles Stewart Smith Collection, Metropolitan Museum of Art, New York
    TOMIZAWA-Kay Eriko
No. 418 Mar., 2016
  Principal Article: Regarding the Ichiryû Sôshô keizu (Illustrated School Lineage) of the Shinran School in Medieval Japan, Through a Survey of Works Preserved at Chôshôin, Kyoto and Kôshôji, Hiroshima
    TSUDA Tetsuei
  Principal Article: Calligraphy and Everyday Life among Late Qing Officials
    BAI Qianshen
  Research Note:Akasegawa Gnpei and The Yamanote Line Incident – Anonymity as a Clue
    KAWAI Daisuke
  Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III, cont.) – Focusing on Conditions in his Pre and Post Overseas Study Years
    KOJIMA Kaoru
No. 417 Jan., 2016
  Principal Article: Transformation in Bird and Flower Painting from the Eighth to Eleventh Centuries
    CHEN Yunru
  Research Note: A Consideration of Namban Lacquer Lecterns and Their Dating
    KOBAYASHI Kôji
  Exhibition Reviews:
 

Introduction, Exhibitions Held on the 70th Anniversary of the End of World War II

    TANAKA Atsushi
 

Exhibitions Held on the 70th Anniversary of the End of World War II – As considered in terms of an awareness of the period designations “pre-war” and “post-war”

    SAWADA Keizô
 

The Curator’s Gaze: Creating History

    TANAKA Atsushi
  Material for Art Research:Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (III) – Focusing on Conditions in his Pre and Post Overseas Study Years
    KOJIMA Kaoru
No. 416 Aug., 2015
  Principal Article: Fugen Bosatsu (Skt: Samantabhadra, National Treasure, Tokyo National Museum): An Art Historical Analysis of Its Painting Methods and the “Shôgon” Concept in Heian Period Buddhist Paintings
    Kobayashi Tatsurô
  Materials for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (II) – The Early Days of the Western Painting Department at Tokyo Bijutsu Gakkô
    Kojima Kaoru
  Material for Art Research:Regarding the Shinkai Taketarô Materials
    Tanaka Shûji
  "Report of the Department of Art Research, Archives and Information Systems"
    [Editor]
No. 415 Mar., 2015
  Principal Article: A Study of Material Culture Exchanges of the Early Joseon Court Based on Korean Objects in the Môri Museum: With a Focus on the Ôuchi Clan and the Môri Clan
    Lee Sangnam
  International Symposium on the Conservation and Restoration of Cultural Property-Recovering “Form”: Towards a More Open Discussion
 

Introduction

    Yamanashi Emiko
 

The Katachi of Biennial : Katachi = Bild, Katachi = Image

    Fujikawa Satoshi
 

The Potential of Katachi [Form] in the History of Japanese Art: Thoughts from a History of Western Art Viewpoint

    Satô Naoki
  Research Note:  The “Aspects of Art Archives” Mini-Symposium
 

Introduction

    Kikkawa Hideki
 

Art History in Art Archives

    Kajiya Kenji
 

Archives and the Avant-Garde: Ephemerality of Expression and the Totality of Archive Materials

    Uesaki Sen
 

Records and Materials in the Notes Made by the Artist Nakamura Hiroshi: Focusing on the Sightseeing Art Research Institute and the Tokyo Art Pillar Exhibition

    Kikkawa Hideki
 

Discussion

    Kajiya Kenji, Uesaki Sen and Kikkawa Hideki
  Materials for Art Research: Comment on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (Ⅱ)
    Emura Tomoko
  Material for Art Research: Letters by Fujishima Takeji Addressed to Kuroda Seiki and Kume Keiichirô: Facsimiles, Transcriptions and Explanatory Notes (Ⅰ): Focusing on Conditions during his Tsu Period
    Kojima Kaoru
No. 414 Feb., 2015
  Research Note: Research on the Internet Version of Mizue: Prospects for the Digital Publication of Art-related Materials and Art Archives
    Tsuda Tetsuei, Marukawa Yuso, Yoshizaki Mayumi,
Nakamura Yoshifumi and Kikkawa Hideki
  Material for Art Research: Wooden Core, Dry Lacquer Standing Eleven-Headed Ekādaśmukha (Jûichimen-Kan’non), Kanzanji, Shiga Prefecture
    Tsuda Tetsuei
  Material for Art Research: Comments on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (1)
    Watada Minoru, Emura Tomoko, Tsuchiya Takahiro
  Material for Art Research: Gaden Yôgaku Enogu Saishiki Hitorigeiko (1834, Tenpô 5)
    Someya Kaori
  Material for Art Research: Letters from Foreign Students Studying in Japan to Kuroda Seiki: Reproductions, Transcriptions, Interpretations
    Yoshida Chizuko
No. 413 Nov., 2014
  A Reconsideration of the Seated Nyoirin Kannon Bosatsu (Cakravarti-cintamani avalokitesvara bodhisattava) at Kanshinji
    Satô Masatoshi
  Korean Buddhism in Modern Era and the Production of Buddhist Paintings
    Choi Yeob
  Exhibition Revieews : Two Exhibitions held on Namban Lacquer in 2013:-Lacas Namban (Madrid) and Date Masamune's Dream: The Keicho Envoy to Europe and Namban Culture (Sendai)
    Kobayashi Kôji
  Materials for Art Research: Introduction of a Newly Discovered Work: The Exhibition Catalogue for the 8th Hakuba-kai Exhibition
    Ueno Kenzô
No. 412 Mar., 2014
  New Discoveries at Tuyuq Grottoes in Turfan: A Discussion on Gaochang Buddhist Images in the 5th century
    Li Qingquan
  Exhibition Revieews : Kano Sanraku and Sansetsu
    Suzuki Hiroyuki
  Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. III)
    Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko
  Materials for Art Research: Transcription of Ogawa Kazumasa’s Letters to Kuroda Seiki and Kuroda Seiki’s View on Photography
    Tanaka Atsushi
  Materials for Art Research: Meiji Photography Groups and the Nobility - From Considerations of Ogawa Kazumasa’s Achievements
    Okatsuka Akiko
No. 411 Feb., 2014
  Spatial Logic and Visual Meaning (Pt. II): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers
    Li Qingquan
  Ai-Mitsu's Landscape with an Eye (Pt. II)
    Ôtani Shôgo
  Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. II)
    Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko
  Materials for Art Research: Thoughts on Hana-no-kage, a Photography journal Published by the Japanese Nobility: Activities of Noble Photography Aficionados in the Late Meiji Period and Their Interactions with Ogawa Kazumasa and Kuroda Seiki
    Saitô Yôich
No. 410 Sep., 2013
  Spatial Logic and Visual Meaning (Pt. I): A New Theory on the Furan Qimen Images in Song, Liao and Jin Dynasties Tomb Chambers
    Li Qingquan
  The Subject and Source of Kikkawa Reika's Encountering Sorro
    Tanaka Den
  Ai-Mitsu's Landscape with an Eye (Pt. I)
    Ôtani Shôgo
  Materials for Art Research: An Explication of the Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki)
    Watada Minoru
  Materials for Art Research: The Guimet Version Illustrated Handscrolls of the Legend of Tenjin, (Dajôitokuten-engi-emaki) - Transcription of All Text Passages and Reproduction of All Painting Sections (Pt. I)
    Watada Minoru, Tsuchiya Takahiro, Ôtsuki Chifuyu and Sato Naoko
No. 409 Mar., 2013
  The Changed Principle of the Placement Form of the Four Deva’s Images and Their Names in the Joseon Dynasty
    "Park Eun-kyung, Han Jung-ho"
  Research Note: "Kokuzo Bosatsu (Skt: Akasagarbha, National Treasure, Tokyo National Museum): An Art Historical Analysis of its Painting Methods"
    Kobayashi Tatsuro
  "Exhibition Review: Two Exhibitions of Chen Cheng-po in Taipei: Journey through Jiangnan - A Pivotal Moment in Chen Cheng-po’s Artistic Quest (Taipei Fine Arts Museum), and Under a Searing Sun - A Solo Exhibition by Chen Cheng-po (Taiwan Soka Association’s Chih-shan Art and Culture Center)"
    Yamanashi Emiko
No. 408 Jan., 2013
  Regarding the Dating of the Bukkoji Version of the Illustrated Life of Shinran (Shinran-e)
    Tsuda Tetsuei
  "Standing Image of Jizo Bosatsu at Jinkoin, Kyoto"
    Sarai Mai
  The On-E-Kagami: A Printed Painting Manual from 1700 (Genroku 13)
    Watada Minoru
No. 407 Sep., 2012
  "A Preliminary Methodology on Han Dynasty Carvings: Taking “The Retrieval of the Tripod Carving” as an Example"
    Hsing I-tien
  "Paintings Inscribed by Chikuan Daien in 1435 (Eikyo 7): The Matsuoka Museum of Art’s Shubun Painting and the Museum of East Asian Art, Cologne’s Girl Ling-chao"
    Watada Minoru
  Akimoto Shatei and Meiji Era Nihonga (Part II)
    Shioya Jun
  "Book Review: Ito Daisuke, Shozoga no Jidai: Chusei Keiseiki ni okeru Kaiga no Shisoteki Shinso [The Age of Portraits: The Philosophical Depths of Painting During Japan’s Early Medieval Period]"
    Tsuda Tetsuei
  "Report of the Department of Art Research, Archives and Information Systems"
    [Editor]
No. 406 Mar., 2012
  Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part II)
    Tsukamoto Maromitsu
  The Production of Portrait Sculptures of Deceased Medieval Period
    Tsuda Tetsuei
  Index to Bijutsu Kenkyu, Nos. 401-406
No. 405 Jan., 2012
  Special Edition: Japanese-Korean Symposia “The Dynamics of Interaction between People and Objects: ‘Appraisal’ in Art History”
  Foreword for Special Edition
    Tanaka Atsushi
  Report of Two Symposia
    (Editor)
  The Glory and Failure of a Nationalist Korean Art History: The Interpretation and Evaluation of Late Choson Painting
    Hong Sun-pyo
  Creativity and Value: Focusing on Yorozu Tetsugoro’s Woman with a Balloon
    Tanaka Atsushi
  The Long Landscape Handscroll: Towards a Re-Evaluation of Sesshu
    Watada Minoru
  The Fallacy of Love: How to Interpret and Write about the Life and Work of Chong Son
    Chang Chin-sung
  The Expressive World of Early Edo Period Genre Paintings
    Emura Tomoko
  Shi Tao, the Sight of Evaluation as the Modern Individualism
    Moon Jung-hee
  Review of the Symposium in Tokyo
    Tanaka Atsushi
  Review of the Symposium in Seoul
    Inaba Mai
No. 404 Aug., 2011
  Imperial Cultural Properties and Kaifeng in the Early Northern Song Dynasty: The Culture of the Imperial Court and the Buddhist Temples Qishengchanyuan and Daxiangguosi (Part I)
    Tsukamoto Maromitsu
  Akimoto Shatei and Meiji Era Nihonga (Part I)
    Shioya Jun
  The Original Context of the Modern History of Craft Reflected in a Photograph
    Choi Gongho
  Material for Art Research: Standing Image of Yakushi Nyorai at Jinkoin, Kyoto
    Sarai Mai
  Material for Art Research: Standing Image of Prince Shotoku at Korinji, Iwate
    Tsuda Tetsuei
  Book Review: Kojima Michihiro, Egakareta Sengoku no Kyoto
    Matthew P. McKelway
  Report of the Department of Art Research, Archives and Information Systems
No. 403 Mar., 2011
  Historical Consideration of the Yakushi Nyorai Image at Jingoji
    Sarai Mai
  The Studio That Painted the Tengu Soshi
    Tsuchiya Takahiro
No. 402 Feb., 2011
  From Xia Wenyan to Sesshu: The Precious Mirror of Painting and the Shaping of Historical Knowledge of Landscape Painting in East Asia in the 14th and 15th centuries
    Shih Shou-chien
  Explanation of the Plates: Works by Kuroda Seiki Donated to the Tokyo National Museum in the Fiscal Year of 2009: Boat, Peonies, Battle of Niryusan in Sino-Japanese War and Two Portraits of Hayashi Masahumi
    Yamanashi Emiko
No. 401 Aug., 2010
  An Iconographic Study of Birth of Sakyamuni Imagery in the Joseon Dynasty Korea
    Chung Woo-thak
  Study of Kawabata Gyokusho (Part III)
    Shioya Jun
  Material for Art Research: Standing Image of the Two-year-old Prince Shotoku (Namu-butsu Taishi) in the Nara National Museum
    Tsuda Tetsuei
  Book Review: Tomishima Yoshiyuki, Mikkyo Kukan Shiron [Research on the History of Esoteric Buddhist Spaces]
    Sarai Mai
  Report of the Department of Research Programming
No. 400 Mar., 2010
  Southern Dynasty Buddhist Stone Sculptures in Wenchuan County, Sichuan Province
    Lei Yuhua, Li Yuqun, Luo Jinyong
  Study of Unkoku Togan’s Crows in Plum Trees: From the Guest House at Najima Castle to the Audience House at Fukuoka Castle
    Watada Minoru
  Research Note: Contemporary Art and Museums: Artist Interview Archives of the Tate and the INCCA
    Morishita Masaaki
  Book Review: Yoshida Chizuko, Kindai Higashi Asia Bijutsu Ryugakusei no Kenkyu [Research on Modern East Asian Overseas Art Students]: Imagining a Transnational Archive
    Park So-hyun
  Index to Bijutsu Kenkyu, Nos. 359-400

Index to Bijutsu Kenkyu
Nos. 300-399
Nos. 200-299
Nos. 100-199
Nos. 001-099

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