| Please click each title to see the summary |
| 9:30―10:00 | Registration | ||
| 10:00―10:10 | Welcome Speech | ||
| 10:10―10:50 | Keynote Address 1 | Memory over Object OR Object over Memory | Shioya Jun（National Research Institute for Cultural Properties, Tokyo, hereafter noted as Tobunken） |
| 10:50―11:00 | Break | ||
| Session 1: Confronting Objects/“Originals” | |||
| 11:00―11:35 | Paper 1 | An Optical Investigation into Two Masterpieces of Ancient Chinese Calligraphy | Ho Chuan-hsing （National Palace Museum, Taiwan） |
| 11:35―12:10 | Paper 2 | Muromachi Period Kano Fan Paintings and Song Dynasty “Originals” | Matthew P. McKelway （Columbia University） |
| 12:10―13:40 | Lunch | ||
| 13:40―14:15 | Paper 3 | Ukiyo-e Paintings and Prints: “Original” for the Ukiyo-e Scholar | Asano Shugo （The Museum Yamatobunkakan） |
| 14:15―14:50 | Paper 4 | Photography ― A Shared Perception of the “Original” | Okatsuka Akiko （Edo-Tokyo Museum） |
| 14:50―15:25 | Paper 5 | The Original in Contemporary Art | Matsumoto Tohru （The National Museum of Modern Art, Tokyo） |
| 15:25―15:45 | Coffee Break | ||
| 15:45―16:45 | Sessional Discussion |
Coordinators: Aizawa Masahiko (Seijo University) Yamanashi Emiko (Tobunken) |
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| 16:45―16:55 | Announcements | ||
| Session 2: “Originals” beyond Objects | |||
| 9:40―10:15 | Paper 1 | Grandfather’s Axe: Authenticity and Recreation in Japanese Cultural History: The Case of Uji Bridge | Timon Screech （SOAS, University of London） |
| 10:15―10:50 | Paper 2 | Shosetsufudoki and the “Genzu”(Original) Womb Mandala | Tsuda Tetsuei （Tobunken） |
| 10:50―11:00 | Break | ||
| 11:00―11:35 | Paper 3 | Locating the “Six” Kannon Sculpture Group of Tomyoji | Sherry Fowler （University of Kansas） |
| 11:35―12:10 | Paper 4 | Transmission and Transitions in Traditional Performing Arts: A Case of the Bunraku Puppet Play | Iijima Mitsuru （Tobunken） |
| 12:10―13:40 | Lunch | ||
| 13:40―14:15 | Paper 5 | Sesshu as an Original Being: Artist’s Image as a Trap |
Watada Minoru （Tobunken） |
| 14:15―14:50 | Paper 6 | The Restoration of Buddhist Sculpture: Hollow Dry Lacquer Sculptures at the Asian Art Museum of San Francisco | Sarai Mai （Tobunken） |
| 14:50―15:25 | Paper 7 | Authenticity and Material Replacement: Concepts of the Original in Wooden Architecture | Shimizu Shigeatsu （National Research Institute for Cultural Properties, Nara） |
| 15:25―15:45 | Coffee Break | ||
| 15:45―16:45 | Sessional Discussion |
Coordinators:Katsuki Gen’ichiro (Tobunken) Morishita Masaaki (Tobunken) |
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| 16:45―16:55 | Announcements | ||
| 18:00―20:00 | Reception | ||
| 10:00―10:40 | Keynote Address 2 | Originals and Their Preservation: The Potential and the Limitations of Cultural Properties Archives | Kato Tetsuhiro （Kwansei Gakuin University） |
| 10:40―10:50 | Break | ||
| Session 3: Handing over “Originals” | |||
| 10:50―11:50 | Open Forum | Dunhuang Manuscripts and Their Archive |
Akao Eikei (Kyoto National Museum) Mark Barnard (The British Library) Nakano Teruo (Tobunken) |
| 11:50―13:20 | Lunch | ||
| 13:20―13:55 | Paper 1 | The Idea of the Institute of Art Research by Yashiro Yukio and the Sir Robert Witt Library | Yamanashi Emiko （Tobunken） |
| 13:55―14:30 | Paper 2 | Traces of Amusement Culture: Optical Investigation into the Hikone Screen and Generation of its Information | Emura Tomoko （Tobunken） |
| 14:30―15:05 | Paper 3 | The Activities of the Japan Institute for the Survey and Conservation of Outdoor Sculpture | Tanaka Shuji （Oita University） |
| 15:05―15:25 | Coffee Break | ||
| 15:25―16:35 | General Discussion |
Coordinators: Sano Midori (Gakushuin University) Tanaka Atsushi (Tobunken) |
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| 16:35―16:45 | Closing Remarks | ||
| 16:45―16:55 | Announcements | ||