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The Bijutsu Kenkyu (The Journal of Art Studies)

 Since 1932. The journal, edited by the Department of Art Research, Archives and Information Systems, carries monograms, research notes, explanations of plates, book reviews, Exhibition Reviews and materials for art research pertaining not only to Japanese and East Asian classical art but also European and American art related to modern and contemporary Japanese art (English summaries included).

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Contents
No.1~No.99 No.100~No.199 No.200~No.299 No.300~No.399 No.400~

No. 299 Nov., 1975
Miya Tsugio The Toji Version of Scroll Painting of the Story of Priest Kukai
Kono Motoaki Interior Paintings of Gyokurin-in, Daitokuji, by Tan-yu and His Collaborators (Part II)
  Report of the Institute
Kumamoto Kenjiro Explanation of Plates: “Priest Nichiren” by Yuichi Takahashi (The Myohoji, Tokyo)
No. 298 Mar., 1975
Miya Tsugio Illustrated Scroll of the Story of “Yatori Jizo”
Kono Motoaki Interior Paintings of Gyokurin-in, Daitokuji, by Tan-yu and His Collaborators
Kuno Takeshi Bronze Avalokitesvara Image in the Hasedera, Oita
  Report of the Institute
  Index to Bijutsu Kenkyu, Nos. 293-298
No. 297 Mar., 1975
Tamura Etsuko An Old Document in Fujiwara no Kozei’s Handwriting Concerning Prince Atsuyasu’s First Audience of His Father Emperor, Newly Found in the Imperial Collection
Oka Isaburo The Founding of Sodosha
Kuno Takeshi Buddhist Images of the Inner Precinct of the Tempukuji, Usa
Ikawa Kazuko Explanation of the Plates: The Cultural Background of the Tempukuji Buddhist Images
  Report of the Institute
No. 296 Mar., 1975
Sekiguchi Masayuki Bodhisattva Painted on the Four Columns in the Saimyoji Three Storied Pagoda
Matsubara Saburo North and South in the Styles of Chinese Buddhist Sculpture
  Report of the Institute
No. 295 Feb., 1975
Egami Yasushi A Late Heian Sutra Set with Landscape Paintings on the Outside of the Cover
Mizuno Keizaburo Problems Concerning the Inscriptions on Buddhist Statues in the So-called Ex-emperors’ Period
Sakamoto Mitsuru Rubens and Western-style Painting in the Edo Period
Kagesato Tetsuro Explanation of the Plate: “Lion” by Moko Ishikawa (Mr. Soshiro Yabumoto, Tokyo)
  Report of the Institute
No. 294 Dec., 1974
Ikawa Kazuko Bhaisajyaguru of Kodenji and Inscribed Poem of Sanekata Fujiwara
  Report of the Institute
Kamiya Eiko Six Pieces of Armour Underwear Handed Down by The Uesugi Family (Part II): Report on Costume Used by Uesugi Kenshin and Uesugi Kagekatsu (Part VI)
Tsuruta Takeyoshi Material of Art Research: Index to Chinese Painters of the Last One Handled Years (Part II)
  Report of the Institute
No. 293 Nov., 1974
Ueno Aki Paintings of Fu-hsi and Nu-wa from Astana (Part II)
Ariga Yoshitaka Explanation of the Plates: Paintings of Five Great Vidyarajas Owned by the Kiburuji
Tsuruta Takeyoshi Material of Art Research: Index to Chinese Painters of the Last One Handled Years (Part I)
  Report of the Institute
No. 292 Mar., 1974
Ueno Aki Paintings of Fu-hsi and Nu-wa from Astana (Part I)
Ueno Kenji Compositional Restoration of Scroll I of “Scrolls of Charicaturistic Animals, Birds and Human Figures”
  Report of the Institute
Akiyama Terukazu Explanation of the Plates: Two Fragments of the “Animal Scroll” (Choju Giga): A Newly Discovered Fragment and the Fragment from the Former Masuda Collection
  Index to the Bijutsu Kenkyu, Nos. 287-292 (May, 1973-March, 1974
No. 291 Mar., 1974
Kuno Takeshi Ancient Bronze Images in the Chubu District
Kono Motoaki The Scroll of “Real Forms of Birds” by Shiko Watanabe (Part II)
  Report of the Institute
Kamiya Eiko Six Pieces of Armour Underwear Handed Down by The Uesugi Family (Part I): Report on Costume Used by Uesugi Kenshin and Uesugi Kagekatsu (Part VI)
  Report of the Institute
No. 290 Mar., 1974
Kono Motoaki The Scroll of “Real Forms of Birds” by Shiko Watanabe (Part I)
Nakamura Denzaburo Ogihara Morie, the Sculptor: His Life and Works (Part VI)
Kagesato Tetsuro The Life and Works of Tetsugoro Yorozu (Part V)
No. 289 Feb., 1974
Sekiguchi Masayuki Painted Panels for Ritual Palanquin of Usa Shrine
Miya Tsugio The Position of Illustrated Scroll of Heiji War among the Versions of Epic of the Heiji War
  Report of the Institute
No. 288 Dec., 1973
Tamura Etsuko Emperor Fushimi’s Masterpiece of Calligraphy Supported to be a Detached Segment of the Tales of Ise Picture Scroll Formerly in Mr. Hara’s Collection
Matsubara Saburo The Establishment of the Sui Style in Buddhist Sculpture
  Report of the Institute
Kagesato Tetsuro Explanation of Plates: “European Park” by Denzen Aodo and Its Model “A View of Fontainebleau” by Jacques Rigaud
Kono Motoaki Material for Art Research: Text of Catalogue of the Painting Exhibition Held in Memory of the Late Rosetsu
  Report of the Institute
No. 287 Oct., 1973
Ikawa Kazuko Statues in the Gokokuin, Wakayama, And Contemporaneous Bodhisattva Statues in Adjoining Regions
Ebine Toshiro The Trip of Chung-yu Tsu-ch’an and Wu-i K’o-ch’in to Japan and Their Inscriptions on Paintings
  Report of the Institute
Tamura Etsuko Material for Art Research: Text of the Manuscript of Kowata no Shigure Owned by Mr. Yadashi Yoshida (Part II)
No. 286 Mar., 1973
Kamiya Eiko A Gilt and Embroidered Dobuku Handed Down by the Kikkawa Family
Seki Chiyo Drawings by Hogai Kano (Part I): Drawings of Nara District Art Treasures
  Report of the Institute
Ueno Aki Banner Paintings Representing Buddha’s Life from Tun-huang (Part II)
  Index to the Bijutsu Kenkyu, Nos. 281-286
No. 285 Mar., 1973
Yanagisawa Taka An Example of the Mahosnisacakra Mandala in the Hinohara Collection
Sugano Yoh Material of Art Research: Engravings of Early Japanese Christendom
  Report of the Institute
No. 284 Mar., 1973
Egami Yasushi The Art Historical Position of Painted Decoration in Atakagire Version Wakan Roei Shu
Kuno Takeshi The Stylistic Development of Buddha Statues in the Early Heian Period (Part III)
  Report of the Institute
No. 283 Mar., 1973
Tsuruta Takeyoshi Painting Manual of Mustard Seed Garden and its Influence to Japan
Kuno Takeshi The Stylistic Development of Buddha Statues in the Early Heian Period (Part II)
Akiyama Terukazu, Yanagisawa Taka Explanation of Plate: La Decoration des Petales de Lotus en Bois, Entourant la Partie Superieure du Socle de la Statue de Miroku (Maitreya), Conservee au Temple Jison-in
No. 282 Dec., 1972
Miya Tsugio The Hoto Mandara Owned by the Ryuhonji
Sakamoto Mitsuru Explanation of Plates: Moko Ishikawa’s “Girl Holding a Cat” and the English Print “Miss Trimmer”
Tamura Etsuko Material for Art Research: Text of the Manuscript of Kowata no Shigure Owned by Mr. Yadashi Yoshida (Part I)
  Report of the Institute
No. 281 Oct., 1972
Kuno Takeshi The Statues of Twelve Divine Generals of the Shin-yakushiji
Ishikawa Rikuo X-ray Investigation of Catura Image of the Shin-yakushiji
Miya Tsugio Materials for Art Research: Illustrated Scroll of the Story of Priest Saigyo and its Text Collation
  Report of the Institute
No. 280 Apr., 1972
Ikawa Kazuko A Kyoto School of Sculpture in the Fourteenth Century
Kamiya Eiko Thirteen Baby Clothes of the Momoyama and Early-Middle Edo Periods (Part III): Study of Kodachi and Chudachi of the Recent Ages (Part I)
Sekiguchi Masayuki Explanation of Plates: Painted Image of Ragaraja Preserved by the Bureau for Cultural Affairs
  Index to the Bijutsu Kenkyu, Nos. 275-280 (May, 1971-March, 1972)
No. 279 Apr., 1972
Ueno Aki A Pranidhi Scene Mural from Bezeklik Preserved by the Hermitage Museum
Kawakami Kei Life and Painting of Ch’i Chih-chia (Part I)
Nakamura Denzaburo Ogihara Morie, the Sculptor: His Life and Works (Part V)
Oka Isaburo Biography and Works of Yamashita Rin
Kumamoto Kenjiro Explanation of the Plates: “Trees” by Kawakami Togai
No. 278 Mar., 1972
Kuno Takeshi The Stylistic Development of Buddha Statues in the Early Heian Period (Part I)
Miya Tsugio Material of Art Research: Text Collation of Painted Scroll of the Story of Hasedera
  Report of the Institute
No. 277 Feb., 1972
Egami Yasushi Ornamental Painting of the Buddhist Scripture Joyuishikiron Owned by Kofukuji
Tamura Etsuko A Study of a Manuscript of the Kowata no Shigure, a Japanese Medieval Novel (Part II)
No. 276 Nov., 1971
Toda Teisuke Painting of Sakyamuni Triad Owned by the Rokuoin
Tamura Etsuko A Study of a Manuscript of the Kowata no Shigure, a Japanese Medieval Novel (Part I)
Miya Tsugio Material for Art Research: Versions of Painted Scroll of the Story of the Hasedera (Part II)
Fukuyama Toshio Material for Art Research: A Western Ch’in Period Dedication Inscription at a Cave Temple of Ping-ling-ssu Monastery
  Report of the Institute
No. 275 Nov., 1971
Nakagawa Sensaku Two Early Kutani Bowls with Circular Patterns
Matsubara Saburo Chronological Study of Gilt Bronze Images of the Silla Periods
Miya Tsugio Material for Art Research: Versions of Painted Scroll of the Story of the Hasedera (Part I)
  Report of the Institute
No. 274 Mar., 1971
Sekiguchi Masayuki Painted Image of Ragaraja Owned by the Hosomi Family
Kuno Takeshi Statue of Eleven-headed Avalokitesvara Carved by Kenko
Nakamura Denzaburo Ogihara Morie, the Sculptor: His Life and Works (Part IV)
  Index to the Bijutsu Kenkyu, Nos. 269-274 (May, 1970-March, 1971)
No. 273 Mar., 1971
Tamura Etsuko Explanations of the Pictures of the Tale of Ise Scroll Formerly in Mr. Hara’s Collection
Kagesato Tetsuro The Life and Works of Tetsugoro Yorozu (Part IV)
No. 272 Mar., 1971
Ikawa Kazuko Statue of Avalokitesvara, The Main Image of the Ishiyamadera
Kamiya Eiko Thirteen Baby Clothes of the Momoyama and Early-Middle Edo Periods (Part II): Study of Kodachi and Chudachi of the Recent Ages (Part II)
Tsuji Nobuo Study of Kano Motonobu (Part V)
No. 271 Dec., 1970
Tsuji Nobuo Study of Kano Motonobu (Part IV)
No. 270 Nov., 1970
Tsuji Nobuo Study of Kano Motonobu (Part III)
  Report of the Institute
No. 269 Nov., 1970
Ueno Aki Banner Paintings Representing Buddha’s Life from Tun-huang (Part I)
Kawakami Kei Material for Art Research: The Date of Birth of Ch’i Chih-chia
No. 268 Sep., 1970
Egami Yasushi Cover Paintings of Honganji Version Anthology of Thirty-six Leading Poets
  Index to the Bijutsu Kenkyu, Nos. 263-268 (May, 1969-March, 1970)
No. 267 Aug., 1970
Kamiya Eiko Thirteen Baby Clothes of the Momoyama and Early-Middle Edo Periods (Part I): Study of Kodachi and Chudachi of the Recent Ages (Part I)
Matsubara Saburo Problems of Early Gilt Bronze Buddhist Images in China: With Special Reference to Two Newly Found Examples
Kato Hideyui Material for Art Research: Draft Painting of the Section of Spring of “Hawking of Courtiers in Spring and Winter”
No. 266 May, 1970
Yanagisawa Taka Drawing of Hawk Discovered under the Cartouche of Painted Screen from Shingongo Hall, the Eikyuji
Sugano Yoh The Literary Source of the Etching Method of Kokan Shiba (Part II)
Nakamura Denzaburo Ogihara Morie, the Sculptor: His Life and Works (Part III)
Kuno Takeshi Explanation of Plates: Standing Statues of Sahasrabhuja and Bodhisattva of Hiyoshi Shrine (Shiga)
No. 265 May, 1970
Sugano Yoh The Literary Source of the Etching Method of Kokan Shiba (Part I)
Ikawa Kazuko Images of Four Lokapalas: With Special Reference to Formalistic Study of Tenth Century Specimens (Part II)
Kumagai Nobuo Explanation of Plates: Painting of Ksitigarbha of Zendoji (Fukuoka)
No. 264 Mar., 1970
Seki Chiyo Paintings on Cedar Screens of the Meiji Palace
Nakamura Denzaburo Ogihara Morie, the Sculptor: His Life and Works (Part II)
No. 263 Feb., 1970
Ikawa Kazuko Images of Four Lokapalas: With Special Reference to Formalistic Study of Tenth Century Specimens (Part I)
Sakamoto Mitsuru Legend of Saint Erasmus and the Figure of Erasmus of Rotterdam (Part II)
  Report of the Institute
No. 262 Dec., 1969
Sakamoto Mitsuru Legend of Saint Erasmus and the Figure of Erasmus of Rotterdam (Part I)
Kagesato Tetsuro The Life and Works of Tetsugoro Yorozu (Part III)
  Index to the Bijutsu Kenkyu, Nos. 257-262 (May, 1968-March, 1969)
No. 261 Dec., 1969
Nakagawa Sensaku Japanese Ceramic Art at the Beginning of 1900’s
Tamura Etsuko Tuan-ch’iao Miao-lun’s or Dongyo Myorin’s Calligraphic Works
Toda Teisuke An Yuan Painting of Eighteen Arhats
Toda Teisuke Explanation of Plate: “Hearing the Spring Sound in Bamboo Grove” by Li Shih-ta (Private Collection, Tokyo)
No. 260 Sep., 1969
Kuno Takeshi Buddhist Images of the Enryakuji in Early Heian Period
Miya Tsugio Illustrated Scroll of Fox Tale Once Owned by Yoshihisa Ashikaga
No. 259 Mar., 1969
Tamura Etsuko Fragments of the Choshu Ki Diary Copied by Fujiwara no Teika
Kamiya Eiko Eight Jimbaori Used by Uesugi Kenshin: Report on Costume Used by Uesugi Kenshin and Uesugi Kagekatsu
No. 258 Mar., 1969
Kumamoto Kenjiro The Early Years of Tenshin Okakura
Oka Isaburo “The Twelve Sacred Events” by Rin Yamashita Owned by Christ’s Orthodox Church, Hakodate
Kagesato Tetsuro The Life and Works of Tetsugoro Yorozu (Part II)
No. 257 Mar., 1969
Takata Osamu Visunu Sculptures in the Early Periods
Matsubara Saburo Development of Chinese Sculpture from the High T’ang Afterward
Sato Akio Iron Image of Amitabha with the Date of 1264
No. 256 Mar., 1969
Nakagawa Sensaku Patterns on the Lacquered Container for the Sacred Ball Owned by the Ninnaji
Yanagisawa Taka Wooden Plaques of Four Lokapalas in the Sacred-ball Container of the Ninnaji
Emoto Yoshimichi Analysis of the Pigments for Four Lokapalas in the Sacred-ball Container of the Ninnaji
Kawakami Kei Material for Art Research: Portrait of Hsin-lo-shan-jen by Chang Ssu-chiao: A Material for Biography of Hua Yen
  Report of the Institute
  Index to the Bijutsu Kenkyu, Nos. 252-256 (May, 1967-March, 1968)
No. 255 Mar., 1969
Miya Tsugio Illustrated Scripture of the Story of Mokuren’s Salvation of his Mother
Kagesato Tetsuro The Life and Works of Tetsugoro Yorozu (Part I)
  Report of the Institute
No. 254 Feb., 1969
Yanagisawa Taka Painted Image of Vajramoghasamayasattva with Date of 1153
Miya Tsugio Some Problems of the Illustrated Scroll Gosannen Kassen Emaki (Part II)
  Report of the Institute
No. 253 Mar., 1968
Takata Osamu A Set of Twenty-one Vajrayanistic Statues Installed in the Lecture Hall of the Toji (Kyoogokokuji), Kyoto: An Iconographical Study on the Unique Karma-Mandala Composed by These Images
Kuno Takeshi Sculpture of the Toji in Its Earliest Period
  Report of the Institute
No. 252 Mar., 1968
Ikawa Kazuko Statues of Zao Gongen and Kongo Doji
Tamura Etsuko A Textual Fragment of the Battle of Rokuhara Scroll of the Heiji War Scroll Paintings: With a Minute Examination of the Calligraphy of the Texts of the Three Existing Scrolls
Akiyama Terukazu Explanation of Plates: Une Peinture de Touen-Houang au Musee Guimet Representant le Paradis d’Amitabha
No. 251 Feb., 1968
Ikawa Kazuko Statues of Zao Gongen at the Sambutsuji and the Documents Contained inside the Main Image
Miya Tsugio Some Problems of the Illustrated Scroll Gosannen Kassen Emaki (Part I)
Egami Yasushi Material of Art Research: Supplementary Study of the Book of Landscape Gardening Senzui narabini Yagyo no Zu Accompanied by Doji Kudensho
  Report of the Institute
  Index to the Bijutsu Kenkyu, Nos. 246-251 (May, 1966-March, 1967)
No. 250 Dec., 1967
Matsubara Saburo Trends of Buddhist Stone Images of Silla, with Special Reference to the Triad Newly Found at Kunwi
Egami Yasushi Material of Art Research: Text Collation of the Medieval Book of Landscape Gardening, Senzui narabini Yagyo no Zu Accompanied by Doji Kudensho (Part II)
Miya Tsugio Explanation of Plates: “Maitreya Descending to Receive the Soul of the Dead” (Owned by Mr. Asada Chohei, Hyogo)
Ikawa Kazuko Explanation of Plates: Statues of Ten Great Disciples in the Jorakuin, Kyoto
No. 249 Oct., 1967
Tsuji Nobuo Study of Kano Motonobu (Part II)
Ueno Aki Explanation of Plate: Fragmentary Painting with Two Figures of Women Excavated at Toyuk, State Museums, Berlin
Tsuji Nobuo Explanation of Plates: “Screen Painting of Four Seasons Landscape” traditionally Attributed to Kano Eitoku
Sato Akio Explanation of Plate: Statue of Vaisravana, Owned by the Kuramadera, Kyoto
  Report of the Institute
No. 248 Mar., 1967
Yanagisawa Taka On the “Shunanzan Mandara” Owned by the Matsuodera: A Rare Mandala Painting of Variant of the “Hokuto Mandara,” Mandala of the Plough, Based on the Chinese Original
Kawakami Kei On “A Boat Sailing Back to the Capital” with an Inscription by Shao Pao
Murase Miyeko Material of Art Research: The Tenjin Engi Emaki in the Metropolitan Museum of Art, New York (Part II)
No. 247 Mar., 1967
Nakamura Yoshio Illustrated Scroll Toyonoakari Esoshi in Relation to the Literary Work Towazugatari: A Hypothesis on the Authorship of the Scroll
Tamura Etsuko The Identity of the Awata-Gire Fragments
Murase Miyeko Material of Art Research: The Tenjin Engi Emaki in the Metropolitan Museum of Art, New York (Part I)
Egami Yasushi Material of Art Research: Text Collation of the Medieval Book of Landscape Gardening, Senzui narabini Yagyo no Zu Accompanied by Doji Kudensho (Part I)
No. 246 Mar., 1967
Nakagawa Sensaku An Old Imari Ware with Coloured Decoration of Female Figures
Tsuji Nobuo Study of Kano Motonobu (Part I)
Sakamoto Mitsuru Screen Painting of the Battle of Lepanto: A Study of Early Western Style Painting in Japan and Its Background in Europe (Part I)
No. 245 Feb., 1967
Kuno Takeshi A Statue of Acalanata with the Inscription of the 7th Year of the Kohei Era (1064)
Ikawa Kazuko Buddhist Sculpture of Paired Armed Guardians (Part II)
Ikawa Kazuko Explanation of Plate: Eleven-headed Kannon of the Hagadera, Fukui
Toda Teisuke Explanation of Plate: Plum Blossoms in Ink by Lu Fu (Owned by the Chorakuji, Gumma)
  Report of the Institute
  Index to the Bijutsu Kenkyu, Nos. 240-245
No. 244 Dec., 1966
Miya Tsugio Problems of the Original Order in the Ippen Hijiri E Scroll and its Copy
Ikawa Kazuko Buddhist Sculpture of Paired Armed Guardians (Part I)
Kamiya Eiko Eight Dobuku Used by Uesugi Kenshin (Part III)
  Report of the Institute
No. 243 Sep., 1966
Takata Osamu Buddhist Background of the Gandharan Art, Specially in Connection with the Origin of Buddha Image
Kamiya Eiko Eight Dobuku Used by Uesugi Kenshin (Part II)
Tsuji Nobuo Explanation of the Plates: Nijushiko-Zu Screen by Kano Shoei (Owned by Iwamura Heisuke, Hiroshima)
Toda Teisuke On Liu Chieh’s “Fish and Water Plants” Addendum
No. 242 Mar., 1966
Kamiya Eiko Eight Dobuku Used by Uesugi Kenshin (Part I)
Yanagisawa Taka An Ink-drawing Scroll Representing the Vajradhatu-Mandala Images in the Shoren-in Temple (Part II)
Takata Osamu Buddhist Stories Depicted in Bas-relief on the Stupa Railings of Bharhut
  Report of the Institute
No. 241 Mar., 1966
Tamura Etsuko Fragmentary Text of the Kagero no Niki Diary Possibly in the Form of a Picture Scroll
Yanagisawa Taka An Ink-drawing Scroll Representing the Vajradhatu-Mandala Images in the Shoren-in Temple (Part I)
No. 240 Mar., 1966
Kuno Takeshi Daibusshi Zen-en and His Works
Toda Teisuke Some Notes on Liu Chieh’s “Fish and Water Plants”
Nakagawa Sensaku Aspects of Ceramic Art in the Late Meiji Period
  Report of the Institute
No. 239 Mar., 1966
Kumamoto Kenjiro Yamamoto Hosui: His Life and Works
Akiyama Terukazu Explanation of Plates: Une Scene du Rouleau des Malades (Yamai-no-soshi): Femme Souffrant D’insomnie
Egami Yasushi Material of Art Research: Newly Found Manuscripts of a Book of Japanese Medieval Gardening (Part II)
  Index to the Bijutsu Kenkyu, Nos. 234-239
No. 238 Feb., 1966
Akiyama Terukazu Deux Peintures de Touen-houang, sur Soie, Representand un “Pelerin Portant des Sutras et Accompagne d’un Tigre”
Kuno Takeshi Material of Art Research: Tablets Enclosed in the Statues of Seitaka (Cetaka) and Kongara (Kimkara), Owned by the Ganjojuin Temple
Egami Yasushi Material of Art Research: Newly Found Manuscripts of a Book of Japanese Medieval Gardening
No. 237 Oct., 1965
Miya Tsugio Oshu Juninen-kassen Emaki (Picture Scroll of Twelve War in Mutsu Province)
Ikawa Kazuko Seiryoji Style Sakyamuni Statues in the Kanto Area
  Report of the Institute
No. 236 Mar., 1965
Suzuki Kei A Study of Yu-chien Jo-fen
Toda Teisuke Hu-chou Bamboo School: Study of Literati Painting in the Sung Period I
Kawakami Kei “Picture Embodying the Ode to an Autumnal Voice” by Hua Yen
Toda Teisuke Explanation of Plate: “Bamboo in Ink” by Wu Hung (Coll. Mr. and Mrs. D. C. Carter, New York)
  Report of the Institute
No. 235 Mar., 1965
Umezu Jiro A Memorandum Concerning the Illustrated Scroll of Minister Kibi's Adventure in China: Three Painted Scrolls Handed Down in Wakasa Province
Nakagawa Sensaku An Ink-slab Box with So-called Kodaiji Makie Decoration and Lacquer Wares with Makie in the Kodaiji
Nakamura Denzaburo Ogihara Morie, the Sculptor: His Life and Works (I) Introduction
Takata Osamu A Gandharan Example of Bodhisattva Seated in Thinking pose
Yanagisawa Taka Explanation of Plates: An Example of Amitabha Mandala Painting
No. 234 Mar., 1965
Takata Osamu The Chronology of Mathura Buddhas in the Kushan Period
Kuno Takeshi A Wooden Half-Cross-Legged Seated Bodhisattva with Flowing Hair if Copper Sheets: In the Current of Japanese Sculpture of the Ninth and Tenth Centuries
  Report of the Institute
  Index to the Bijutsu Kenkyu, Nos. 228-233 (May 1963 - March 1964)
No. 233 Feb., 1965
Kamiya Eiko Four Katabira Purporting to Have Been Used by Uesugi Kenshin: The Third Report on Costumes Said to Have been Used by Uesugi Kenshin and Uesugi Kagekatsu
Tamura Etsuko Material of Art Research: A Study and Collection of Hino-gire Fragments of the Senzai Wakashu
Yanagisawa Taka Explanation of Plates: Portrait of Priest Ryoe of Eikyuji (Private Collection, Tokyo)
  Report of the Institute
No. 232 Oct., 1964
Miya Tsugio Remaining Scrolls from the Scroll Painting of the Life of Priest Kobo Formerly Owned by the Inoue Family
Seki Chiyo Memorandum on “Le Chat Noir” and “Le Masque”: A Small Movement of Two Painters’ Groups in Kyoto in the Last Years of Meiji Era
Kawakami Kei Explanation of Plate: “Landscape” by Wang E (Coll. Mr. Kimura Tosuke, Tokyo)
  Report of the Institute
No. 231 Oct., 1964
Yanagisawa Taka Three Examples of the Temborin Cylinder with Painted or incised Figures Used for a Buddhist Esoteric Ritual in Japan
Matsubara Saburo Buddhist Sculpture in the Five Dynasties Period and the Sung Period: With Special Reference to Seated Figures of Buddha and Bodhisattva
Nakano Genzo Material of Art Research: Column Paintings of the Kanjo-in in the Toji
Nakano Genzo Material of Art Research: Appendix (Text Publication): Toji Kondo Kodo Kanjo-in Honzon Zai (Arrangement of Cult Images in the Main Hall, the Lecture Hall and the Ordination Hall of the Toji Monastery)
No. 230 Mar., 1964
Tsuji Nobuo Repertory of the Work of Iwasa Matabei
Ueno Aki Material of Art Research: Some Painted Pieces of Paper Brought from Turfan by the Otani Expedition
Toda Teisuke Explanation of Plate: “Strolling in Moonlight around the Yu-shan Hermitage” by Ch’ien Tu (Osaka Municipal Art Museum, Osaka)
  Report of the Institute
No. 229 Mar., 1964
Nakagawa Sensaku A Vase of Ying-ch’ing Glaze with Carved Design of Boys in Floral Scroll Patterns
Ikawa Kazuko Statues of Bishamonten Supported by Chiten: A Research on so-called Tobatsu-bishamonten
Kohara Jiro Material of Art Research: Report on the Investigation of Wood as the Material of Old Japanese Sculptures
Takata Osamu Explanation of Plates: Two Examples of the Mathura School of Sculpture
No. 228 Mar., 1964
Oka Isaburo Koide Narashige’s Early Works and Life
Kamiya Eiko Twelve Kosode Purporting to Have Been Used by Uesugi Kenshin: The Second Report on Costumes Said to Have Been Used by Uesugi Kenshin and Uesugi Kagekatsu
Kuno Takeshi Buddhist Sculpture in Northeastern Japan Centering around the Chuson-ji Temple (III)
  Report of the Institute
No. 227 Mar., 1964
Akiyama Terukazu The Tale of Genji with Black and White Illustrations: Chapter of Ukifune and Kagero
Suzuki Keizo Costumes and Interiors Seen in the Black and White Illustrations of the Chapter of Ukifune
Nakamura Yoshio The Text of the Tokugawa Collection’s Tale of Genji with Black and White Illustrations and its Characteristics
Nakamura Yoshio Material of Art Research: The Tale of Genji with Black and White Illustrations owned by the Reimeikai Foundation and the Museum Yamato Bunka-kan: Chapters of Ukifune and Kagero
  Report of the Institute
  Index to the Bijutsu Kenkyu, Nos. 222-227 (May 1962 - March 1963)
No. 226 Nov., 1963
Umehara Sueji Multi-colour Glazed Pottery in Japan
Umezu Jiro Material of Art Research: Ishiyama-dera Ekotoba (Text for the Picture Scroll of the History of the Ishiyama-dera)
Kawakami Kei Explanation of Plate: Plum Blossoms in Ink, by P’an Tz’u (Private Collection, Kyoto)
  Report of the Institute
No. 225 Oct., 1963
Kuno Takeshi Buddhist Sculpture in Northeastern Japan Centering around the Chuson-ji Temple (II)
Tsuji Nobuo Material of Art Research: A Manuscript Relating to Iwasa Matabei Owned by the Houn-ji Temple in Fukui
No. 224 Mar., 1963
Yanagisawa Taka Pictures of Priest Subhakarasimha at the Kaniska Stupa and priest Nagarjuna at the Iron Caitya in the Fujita Collection, Reframed from the Screens of Shingon-do Hall of Eikyu-ji Temple: Its Date and Artist
Akiyama Terukazu L’enluminure du Chapitre “Samantamukha” (Kouan Che Yin P’ou Sa P’ou Men P’in) du Sutra de Lotus de la Bonne Loi, Copie au Japon vers le Millieu du XIIe Siecle
  Report of the Institute
No. 223 Mar., 1963
Nakagawa Sensaku The Ornament of Chia-ching Gilded Vases
Miya Tsugio The Hokke Mandara Owned by the Danzan Jinja (III)
Oka Isaburo Koide Narashige’s College Life and His Early Paintings
No. 222 Feb., 1963
Kuno Takeshi Buddhist Sculpture in Northeastern Japan Centering around the Chuson-ji Temple (I)
Miya Tsugio The Hokke Mandara Owned by the Danzan Jinja (II)
Tamura Etsuko Explanation of the Plate: A Detached Segment from Obusuma Saburo Emaki (Coll. Mr. Shimbi Tanaka, Tokyo)
  Report of the Institute
  Index to the Bijutsu Kenkyu for the Year 1961
No. 221 Nov., 1962
Kawakami Kei The Scroll of Poems and Painting Given to Minamoto Nagaharu as a Farewell Gift on His Departure for Home from Ming and the Life and Works of Wang E
Miya Tsugio The Hokke Mandara Owned by the Danzan Jinja (I)
Ueno Aki Explanation of the Plate: A Wooden Piece with Hunting-scenes from Kara Khoja (Coll. Tachibana Zuicho, Nagoya)
  Report of the Institute
No. 220 Oct., 1962
Akiyama Terukazu L’emploi du Violet et sa Composition dans la Peinture Japonaise du VIIIe Siecle au XIIe Siecle
Emoto Yoshimichi X-ray Fluorescence Analysis as Applied to the Identification of Ancient Cultural Properties
Yanagisawa Taka An Example of Fuiwara Painting of Fugen Bosatsu (Samantabhadra)
No. 219 Aug., 1962
Takata Osamu On Yaksa and Yakusi Statues in the Maurya Period
Kamiya Eiko The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (II)
Ikawa Kazuko Explanation of the Plates: Two Eleven-headed Kannons at Fukuchi-in, Hiroshima
  Report of the Institute
No. 218 Mar., 1962
Kumagai Nobuo Paintings of Pranidhi Scenes in the Otani Collection
Hirano Shinkan A Study of the Pranidhi Scene according to the Inscriptions of the Cave Temple No. 9, Bazaklik
Kumagai Nobuo Explanation of the Plate: Mural Showing Musicians from Cave 20 (?), Bazaklik (Owned by Mr. Kimura Teizo, Tokyo)
No. 217 Mar., 1962
Kuno Takeshi On the “Standing-tree” Style of Buddhist Sculpture
Kumamoto Kenjiro Aoki Shigeru’s Illustrations for “Story of Bible”
Tazawa Yutaka Material of Art Research: Collected Materials Concerning the Great Buddha of Kamakura
No. 216 Jan., 1962
Nakagawa Sensaku On Ninsei’s Ceramic Designs
Kamiya Eiko The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (I): Report on Costumes Said to Have Been Used by Uesugi Kenshin and Uesugi Kagekatsu
Nakamura Denzaburo Material for Art Research: Materials about the Shijo School of Painting: The “Brief Genealogy of the Matsumura Family” and Biographies of Matsumura Goshun and Matsumura Keibun
Kawakami Kei Explanation of the Plate: “Bamboos” by Tai Ming-shuo (Coll. Mr. Wada Kanji, Osaka)
  Index to the Bijutsu Kenkyu for the Year 1960
No. 215 Mar., 1961
Tanaka Ichimatsu A Few Problems Concerning Sotatsu: Introducing Recently Discovered Works of Sotatsu Style
Akiyama Terukazu On the Picture-scroll “Love Romance of Lord Takafusa”: The Identification and Historical Character of the Scroll Known as “Fujinami-e Soshi”
Nakamura Yoshio The Picture-scroll “Heike Kindachi Soshi” and Fujiwara Takafusa: The Source of the text of its "Seigaiha" Section
  Report of the Institute
No. 214 Mar., 1961
Ito Takuji The Letter in Kana Characters Inscribed on Reverse of a Document among the “Tonan-in Archives” Preserved in the Shoso-in
Tamura Etsuko Studies on Saigyo’s Calligraphy: Based Especially on a Kana Letter Written by En-i (alias Saigyo) in the Imperial Collection
  Report of the Institute
No. 213 Mar., 1961
Kumamoto Kenjiro Goseda Yoshimatsu
Kumagai Nobuo Reference Materials for Art Research: The Dated Manuscripts Brought Back from Turfan by Reverend Tachibana
Kawakami Kei Explanation of the Plates: Landscapes, Attributed to Hsia Kuei (Coll. Mr. Nakamura Masae, Kanagawa)
  Report of the Institute
No. 212 Feb., 1961
Takata Osamu The Earliest Buddha Images in the Gandhara Art, an Approach to the Origin of the Buddha Image
Yamasaki Kazuo Reference Materials for Art Research: Pigments in the Wall-paintings in Central Asia
Akiyama Terukazu Explanation of the Plates: The Painted Dado of Cella M. V at Miran Site (Coll. Section of Central Asian Antiquities, National Museum, New Delhi)
Tazawa Yutaka Explanation of the Plates: Wooden Bodhisattva (Maitreya) of Chusho-in, Todai-ji (Nara)
No. 211 Dec., 1960
Akiyama Terukazu Pien-wen and Paintings at Tun-huang: Again with Special Reference to the “Magic Competition between Sariputra and Raudraksa (Chiang-mo-pien)”
Kuno Takeshi Statues in the Tohoku District (II)
Kohara Jiro A Study on the Material Used for Old Wooden Statues in Japan
  Report of the Institute
No. 210 Sep., 1960
Kuno Takeshi Statues in the Tohoku District (I)
Ikawa Kazuko Statues of Kichijo Ten
  Report of the Institute
  Index to the Bijutsu Kenkyu for the Year 1959
No. 209 Jun., 1960
Kumagai Nobuo The Halo Donated by O-Enson Dated 594 A. D.
Komatsu Shigemi The Discovery of a Segment of the Text of “Hotaru” Chapter, Genji Monogatari Emaki
Seki Chiyo The Ugo-kai Society
Tani Shin-ichi Explanation of the Plate: Portrait of Manzai Jungo, Owned by Sambo-in, Kyoto
Kumagai Nobuo Explanation of the Plate: Buddhist Triad with Inscription Donated by Pao-hua Dated 623 A. D., Coll. Mr. Chun Hyungpil, Seoul
Kuno Takeshi Explanation of the Plate: Sho Kannon (Avalokitesvara), Owned by Myoo-ji, Okayama
  Report of the Institute
No. 208 Jun., 1960
Yanagisawa Taka Iconography of Ichiji Kinrin Mandara Paintings and Art-historic Researches on their Existing Specimens
Kumagai Nobuo The Gilt Bronze Padmapani Dated 484
Kumagai Nobuo “Three Buddhist Bronzes of the Earliest Age in China” Addendum
Akiyama Terukazu “Sumi-gaki” (Ink Drawing) in the Heian Period
  Report of the Institute
No. 207 Jun., 1960
Takata Osamu On the Art of the Saiva Temple Banteay Srei: Its Stylistic Position in the Art History of Cambodia
Nakagawa Sensaku On the “Old Kutani” Porcelain with Roundel Medallion Patterns of the So-called Shonzui Style
Matsubara Saburo Chinese Buddhist Sculpture of the Five Dynasties
No. 206 May, 1960
Kumamoto Kenjiro Western-style Painting in Japan during the Early Meiji Period
Yamane Yuzo The Screen-painting “Autumn Grasses” by Korin
Mizuno Keizaburo Materials of Art Research: Materials Concerning the Buddhist Sculptor Kojo
No. 205 Apr., 1960
Yonezawa Yoshiho The “Snow Landscapes along the Liver Chang-chiang” Attributed to Wang Wei
Miya Tsugio The “Ippen Hijiri-e” and the Artist En-i
  Report of the Institute
No. 204 Jan., 1960
Ito Takuji The Poem Scrolls by Koetsu with Katsuga Decoration: Essays on Hon'ami Koetsu, I
Kuno Takeshi Unkei and the Statues in Joraku-ji
Ikawa Kazuko Related Article: Objects and Inscriptions Inside the Statues in Joraku-ji
Ikawa Kazuko Supplement to “The Statue of Bato Kannon in the Kanzeon-ji”
  Report of the Institute
  General Table of Contents of the Bijutsu Kenkyu for the Year 1958
No. 203 Mar., 1959
Kuno Takeshi Natabori and Unfinished Statues
Yoshimura Rei A Study on “Jen Chung” Images of Vairocana Dharmakaya
Kumagai Nobuo Three Buddhist Bronzes of the Earliest Age in China
Matsushita Takaaki Explanation of the Plate: “Manjusri as a Boy” (a Decorative Painting on Reverse of Cover of Kongo Hannya Haramitsu Sutra, Coll. Daitokyu Kinen Bunko, Tokyo)
  Report of the Institute
No. 202 Mar., 1959
Fukuyama Toshio The Five-storied Pagoda at the Kaijusen-ji, Kyoto
Matsubara Saburo Eastern Wei Sculpture: Its Characteristics and its Connection with Japanese Tori Style Sculpture of the Aska Period
Nagashima Fukutaro Material for Art Research: Recently Discovered Materials of Art Research: Soju and “Juko's Secrets on Tea-ceremony”
  Report of the Institute
No. 201 Mar., 1959
Nakagawa Sensaku Designs on “Old Seto” Porcelain
Yoshizawa Chu The Work of Taiga during his Twenties: With his Dated Paintings as the Criteria
Kumamoto Kenjiro Western-style Painting in Japan during the Middle Part of the Meiji Period (III)
No. 200 Mar., 1959
Kumagai Nobuo A Gilt-bronze Head of Buddha Brought from Khotan
Kim Che-won On Buddhist Statues Found at the Ruins of Sooksoosa Temple Korea
  Report of the Institute
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