The Bijutsu Kenkyu
(The Journal of Art Studies)


 Since 1932. The journal, edited by the Department of Art Research, Archives and Information Systems, carries monograms, research notes, explanations of plates, book reviews, Exhibition Reviews and materials for art research pertaining not only to Japanese and East Asian classical art but also European and American art related to modern and contemporary Japanese art (English summaries included).

The Search System(Ja.) (The Bijutsu Kenkyu No.1-410)

 

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 Contents
No. 199Dec., 1958
 On Buddhist Statues with “Flat Board” Haloes
  Kuno Takeshi
 Related Article: The Pigments Used in Painting on the Halo for One of the Attendants to Bhaisajya-guru, Ryosen-ji, Nara
  Yamasaki Kazuo
 The Statue of Ekadasamukha Dated the Year Enkyu 1
  Ikawa Kazuko
 Report of the Institute
No. 198Sep., 1958
 The Screen-painting “Landscapes of the Four Seasons” by Sesson
  Tanaka Ichimatsu
 A Typical Example of Buddhist Bronze of Hopei Style in the Cheng-Kuang Period, Northern Wei: The Maitreya Dated the Year Cheng-Kuang 5 in the Metropolitan Museum of Art
  Matsubara Saburo
 Report of the Institute
 General List of Contents of the Bijutsu Kenkyu for the Year 1957
No. 197Mar., 1958
 The Rehearsal Scenes of Kasuga Festival in the Nenju-gyoji E-maki
  Fukuyama Toshio
 A Study on Letters by Fujiwara Shunzei
  Tamura Etsuko
 Explanation of Plates: Screen-paintings “Flower-viewing at Shen-hsiang” and “Autumn in Maple Wood” (by Ikeno Taiga, Coll. Mr. Iwase Tokusaburo, Tokyo)
  Yoshizawa Chu
 Report of the Institute
No. 196Mar., 1958
 The Wall-paintings Adorning the Interior of the Five-storied Pagoda, Daigo-ji Monastery, Kyoto: A Preliminary Report of their Researches Carried out During 1956-’57
  Takata Osamu
 App. A. The Pigments Used in the Wall-paintings, Daigo-ji Monastery
  Yamasaki Kazuo
 App. B. The Scribblings in Kata-Kana and Hira-Gana Letters Found on Several Spots of the Ceiling Boards
  Ito Takuji
 Iconographical Researches on the Wall-paintings of the Five-storied Pagoda, Daigo-ji Monastery, Kyoto: Identification of Those painted Figures of the Buddhist Pantheon from the Ryokai Mandara
  Takata Osamu, Yanagisawa Taka
 Technical and Stylistic Characteristics of Wall-paintings in the Five-storied Pagoda, Daigo-ji Monastery
  Akiyama Terukazu
No. 195Mar., 1958
 The Korenori-shu in the Seikado Collection (2 fis.)
  Ito Takuji
 Uemura Shoen and Her Paintings
  Seki Chiyo
 Explanation of the Plates: Portrait of Sesshu Toyo by Tokuriki Zensethu (Coll. Mr. Yasuda Yukihiko, Kanagawa) and Unkoku Toeki (Coll. Joei-ji, Yamaguchi)
  Kumagai Nobuo
 Report of the Institute
No. 194Dec., 1957
 Wall-painting in the tomb at Takehara, Wakamiya-machi, Kurate-gun, Fukuoka-ken
  Mori Teijiro
 Roof Tiles with Fun Drawings in the Nara Period
  Naito Masatsune
 A Terra-cotta Figure of Jivajivaka from East Turkistan
  Kumagai Nobuo
 Report of the Institute
No. 193Nov., 1957
 The Korenori-shu in the Seikado Collection (1)
  Ito Takuji
 The Decoration of the Paper Base of the Sanjurokunin Kashu, Honganji Version: With Special Reference to the Under-drawings
  Shirahata Yoshi
 Explanation of the Plates: Shigeyuki-shu, Motozane-shu and Yoshinobu-shu, in Sanjurokunin Kashu, Honganji Version, Coll. Jongan-ji, Kyoto
  Shirahata Yoshi
No. 192Aug., 1957
 The Hokkedo Kompon Mandara
  Yashiro Yukio
 Western-style Painting in Japan during the Middle Part of the Meiji Period (II)
  Kumamoto Kenjiro
 Explanation of the Plates: On the Infra-red Photographs of the Hokkedo Kompon Mandara (Coll. Museum of Fine Arts, Boston, U. S. A.)
  Yamasaki Kazuo
 Explanation of the Plates: The Statue of Sho Kannon in the Jokyo-ji (Shiga)
  Kuno Takeshi
 General List of Contents of the Bijutsu Kenkyu for the Year 1956
No. 191Mar., 1957
 A Painted Casket from Kucha, East Turkistan
  Kumagai Nobuo
 The Three Wooden Caskets from Subashi in the Kucha Region, Brought Back by the Pelliot Mission
  Akiyama Terukazu
 Report of the Institute
No. 190Mar., 1957
 Portraits of Ono-no-Tofu
  Tanaka Ichimatsu
 The Statue of Bato Kannon in the Kanzeon-ji
  Ikawa Kazuko
 An Outline History of the Nippon Chokoku-kai: Okakura Tenshin and Modern Japanese Sculpture
  Nakamura Denzaburo
 Report of the Institute
No. 189Mar., 1957
 Researches on the So-called “Shingon-in Mandala,” an Old Ryokai Mandala of the Small Size, Owned by the Toji Monastery, Kyoto
  Takata Osamu
 The Painting of “Beauties in Foreign Dress” from Central Asia
  Ueno Aki
 Miyagawa Kozan and Japanese Ceramics of the Meiji Period
  Nakagawa Sensaku
No. 188Mar., 1957
 On the Wei Chin Sheng Liu Hua Tsan by Ku K'ai-chih
  Kawakami Kei
 Western-style Painting in Japan during the Middle Part of the Meiji Period
  Kumamoto Kenjiro
 Explanation of the Plates: “Flowers and Birds of the Four Seasons,” A Screen-painting by Ogata Kenzan (Coll. of Mr. Kawabata Yasunari, Kanagawa)
  Yamane Yuzo
 Report of the Institute
No. 187Mar., 1957
 A Scroll-painting, Illustrating the Pien-wen, about the Magic Competition between Sariputra and Raudraksa; Brought Back by Paul Pelliot from Tun-Huang
  Akiyama Terukazu
 The Paintings on the Backs of the Two Bija Mandalas in the Fujita Art Museum, Osaka
  Yanagisawa Taka
No. 186Dec., 1956
 The Hokke-do Kompon Mandara
  Matsushita Takaaki
 Bifrons and Vessels with Applied Human Masks from East Turkisutan
  Kumagai Nobuo
 Wooden Statues in “Nata-Bori” in the Kanto District
  Kuno Takeshi
 General List of Contents of the Bijutsu Kenkyu for the Year 1955
No. 185Sep., 1956
 The Buddhist Stone Images at Furubokke, Harima Province
  Taoka Koitsu, Takai Teizaburo
 A Study on Sesshu's Paintings in Colors
  Kumagai Nobuo
 Designs on Oribe Pottery
  Nakagawa Sensaku
 The Fusain Society
  Oka Isaburo
 Report of the Institute
No. 184Mar., 1956
 The Art of Liang K’ai
  Tanaka Ichimatsu
 App. Material of Liang K’ai
  Shimada Shujiro
 A Historical Manuscript Relating to the Construction of Shinden Style House
  Fukuyama Toshio
 App. Text Written Between the Lines of the Order Sheets of Timber
  Tamura Etsuko
 Writings on Back of Paper of “Hyisei-shu” and “Kanjo Ajari Senji Kancho” in the Shoren-in
  Ito Takuji
 “Flowers and Birds of the Twelve Months” by Kenzan
  Matsushita Takaaki
 Kano Hogai's Works in His Late Years
  Kumamoto Kenjiro
 The Naturalism Movement of the Musei-kai
  Odakane Taro
 The Seinen Shoso-kai, a Group of Japanese Sculptors in the Meiji Period
  Nakamura Denzaburo
 On the Dated Buddha Images in the Kushan Art of Mathura
  Takata Osamu
 Related Article: On the Bodhisattva and Worshippers, Relieves on Stone from Mathura, India, Coll. Mr. Yamanaka Jiro, Kyoto
  Takata Osamu
 The Shui-ying Scroll-painting from Tun-huang
  Matsumoto Eiichi
 Works of Art as Objects of Studies in Art History
  Sawayanagi Daigoro
 Report of the Institute
No. 183Feb., 1956
 The Statue of Fudo Myoo in the Sai-in, Kyoogokoku-ji Monastery
  Maruo Shozaburo
 The Statue of Yakushi Nyorai in the Kuroishi-dera Monastery
  Kuno Takeshi
 The “Gachirin” and Two Dharani of Amitabha Written on It, Found Deposited in the Cavity of the Principal Image of the Hoodo, Byodo-in Monastery
  Takata Osamu
 Explanation of the Plates: The Scroll-painting “Kibi Daijin Nitto E-kotoba” (Kibi Daijin’s Trip to T’ang China, Coll. Museum of Fine Arts, Boston, U. S. A.)
  Matsushita Takaaki
 Report of the Institute
No. 182Dec., 1955
 Researches on the “Moon Disk” Inscribed with Two Dharani of Amitabha, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
  Fukuyama Toshio
 App. I: X-ray Investigation of the “Moon Disk” Inscribed with Two Dharani of Amitabha, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
  Kuno Takeshi
 App. II: On the Fragments of Glass, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
  Yamasaki Kazuo
 The Construction and Colouring of the “Moon Disk” Inskribed with Two Dharani of Amitabha and Its Lotus Pedestal, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
  Akiyama Terukazu
 The Kana Scribblings on the Pedestal of the “Moon Disk” with Two Dharani of Amitabha, Found Inside the Statue of Amitabha in the Hoodo, Byodo-in Monastery
  Ito Takuji
 Materials for Art Research: Records Concerning the Repair of Amitabha Statue in the Hoodo, Byodo-in Monastery
  Mori Hisashi
 Explanation of the Plates: The Koto (Musical Instrument) Box with Colour-painted Design, Owned by the Kasuga Jinja (Nara)
  Okada Jo
 Report of the Institute
No. 181Aug., 1955
 Kaniska's Great Stupa and Reliquary as Stylistic Criteria in the Development of the Gandhara Art
  Takata Osamu
 White Marble Buddhist Statues in “Hanka Shiyui” Pose in the Eastern Wei to Northern Ch'i Dynasties
  Matsubara Saburo
 Explanation of the Plates: A Fragment of “Preaching Buddha” (Wall Painting from Tun-huang, Coll. Fogg Art Museum, U. S. A.)
  Matsumoto Eiichi
 General List of Contents of the Bijutsu Kenkyu for the Year 1954
No. 180Mar., 1955
 “Irises” by Tzu-t'ing Tsu-po
  Shimada Shujiro
 Notes on Designs of “Old Kutani” Porcelain
  Nakagawa Sensaku
 Materials for Art Research: Index to Old Literary Sources Regarding Scroll-paintings
  Iyenaga Saburo
 Explanation of Plate: “Mei-ku Landscape in the Style of Yang Sheng,” by Tung Ch’i-ch’ang (Coll. Mr. Ch’eng Ch’i, Hongkong)
  Kawakami Kei
 Report of the Institute
No. 179Mar., 1955
 Murals from the Sites Nos. 3 and 5, Miran
  Kumagai Nobuo
 An Old Chest (Karabitsu) in the Kyo-o-gokoku-ji Monastery and the Decorative Paintings on it
  Akiyama Terukazu
 App. Wood of the Old Chest (Karabitsu)
  Kohara Jiro
 Text Publication: The “Horyu-ji Mandokoro Narabi-ni Hozu Ryakki” (Archives of the Horyu-ji Monastery)
  Fukuyama Toshio
No. 178Mar., 1955
 Painted Bronze Mirrors of the period of Warring States
  Umehara Sueji
 Moulds and Models in Ancient Japanese Casting
  Hommma Masayoshi
 A Mural from Cave Temple No. 8, Bezeklik
  Kumagai Nobuo
No. 177Feb., 1955
 The Historical Backgrounds of the Scroll-painting “Shigisan Engi”: An Introduction to the Studies of the Same Scroll-painting
  Ogushi Sumio
 Supplement to the “Works of the Kuroda Seiki”
  Kumamoto Kenjiro
 The “Pine-trees on Beach” Motifs Found on Screen-paintings
  Mochimaru Kazuo
 Explanation of the Plates: A Clay Head of a Buddhist Statue Brought Back from Central Asia
  Kumagai Nobuo
 Report of the Institute
No. 176Nov., 1954
 The Kokuzo-Bosatsu Nenju Shidai in the Ishiyama-dera Monastery and the Manuscripts Inscribed on the Back of Its Paper
  Ito Takuji
 A Study on the Dai Hojo Building in the Nanzen-ji Monastery
  Fujioka Michio
 Reference Materials for Art Research: The Paintings of Buddhist Hells in the Jussai-do Hall of the Hojo-ji Monastery
  Ogushi Sumio
 Explanation of the Plate: "Thunder God," from Fan-paper Paintings on folding Screens, Ascribed to Sotatsu, in the Imperial Collection
  Tani Shin-Ichi
No. 175Sep., 1954
 Korean Nacre Inlay Works of the Koryo Dynasty
  Yoshino Tomio
 Korean Designs Found on Koryo Nacre Inlays and Clay-inlaid Celadons
  Nakagawa Sensaku
 The Derivation of the Tenjiku-yo Style in Korean Architecture
  Sugiyama Shinzo
 Reference Materials for Art Research: Koryo Paintings of "Five Hundred Arhats"
  Matsumoto Eiichi
 Reference Materials for Art Research: Literary Sources of Study on Koryo Nacre Inlays
  Okada Jo
 Reference Materials for Art Research: Small Screen with Sakyamuni Image in Golden Lacquer Painted by No Yong (Collection of the Korean National Museum)
  Kumagai Nobuo
 Explanation of the Plate: Koryo Celadon Box with Designs of Phoenix, Cloud and Crane in Clay Inlay (Anonymous Collection)
  Nakagawa Sensaku
 Report of the Institute
 General List of Contents of the Bijutsu Kenkyu for the Year 1953
No. 174Mar., 1954
 A Contribution to the Study of the Genji Monogatari Scroll Paintings
  Akiyama Terukazu
 Studies on the Pigments used in the Genji Monogatari Scroll Paintings
  Yamasaki Kazuo, Nakayama Hidetaro
 The Genji Monogatari Scroll Paintings from the Standpoint of Costumes and Interiors
  Suzuki Keizo
 Studies on the Text of the Genji Monogatari Scroll Paintings
  Nakamura Yoshio
 Texts and Variants of the Genji Monogatari Scroll Paintings
  Nakamura Yoshio
No. 173Mar., 1954
 A Study of the Gobu-shinkan, an Old Esoteric Buddhist Scroll Drawing: Based Mainly on the Sanskrit Text Contained in the Scroll
  Takata Osamu
 On the Framed Version of the “Kegon-gojugosho-e,” Representing the Fifty-five Localities (Visited by the Pilgrim, Sudhana-kumare) of the Gandavyuha
  Tanaka Ichimatsu
 Supplement to “Concerning the Paintings Appearing on the Three Small-size Fans Preserved in the Itsukushima Shrine”
  Akiyama Terukazu
No. 172Feb., 1954
 Concerning the Paintings Appearing on the Three Small-size Fans Preserved in the Itsukushima Shrine
  Akiyama Terukazu
 The Wall-paintings Brought from the Maya Cave of the Third Group at Qyzil
  Kumagai Nobuo
 Report of the Institute
No. 171Nov., 1953
 On Wood-core Dry-lacquer Statues: From a Series of Studies on Art Objects Through Optical Methods
  Kuno Takeshi
 Door and Screen Paintings Depicted in the Scroll-painting “Life of Honen”
  Mochimaru Kazuo
 Explanation of the Plates: Scroll-painting “Kokawadera-engi” (Origin of the Monastery Kokawa-dera), owned by Kokawa-dera, Wakayama
  Ogushi Sumio
No. 170Oct., 1953
 Legends Relating to the Scroll-painting “Shigisan Engi”: An Introduction to a Study on the “Shigisan Engi”
  Ogushi Sumio
 Supplement to “Wall-paintings Brought from Cave-temples at Bazaklik”
  Kumagai Nobuo
 Explanation of the Plates: Screen-painting "Cottage in Bamboo Grove, Horse-riding under Willow Trees" by Buson, Formerly in the Collection of Mr. Yokoe Shozo, Osaka
  Yonezawa Yoshiho
 The Third Volume of “Liang Ching Hsin Chi,” Restored and Annotated
  Fukuyama Toshio
No. 169Mar., 1953
 Again on the Sung Copy of the Scroll "Ladies of the Court" by Chou Wen-chu
  Yashiro Yukio
 Sequel to “Calligraphy by I-shan I-ning”
  Ito Takuji
 Door and Screen Paintings as Depicted in the Scroll-paintings “Ishiyama-dera Engi” and "Boki E-kotoba"
  Mochimaru Kazuo
 General Table of Contents of the Bijutsu Kenkyu for the Year 1952
No. 168Mar., 1953
 Investigations on Paintings by Means of Optical Devices: A Report of Scientific Researches in Europe and the appliance of them to Oriental Paintings
  Akiyama Terukazu
 Experiments of X-ray Penetration on Japanese Pigments
  Nakayama Hidetaro
 X-ray Experiments on the “Illustrated Inga-kyo Sutra,” the Scroll-painting “Murasaki Shikibu Nikki” and the “Resurrection of Buddha”
  Akiyama Terukazu
 Investigations on Ancient Ceramics by Means of Fluorescence or Ultra-violet Rays
  Nakagawa Sensaku
 The Scientific Examination of Works of Art in the Laboratory of Louvre Museum
  Madlaine Hours
No. 167Feb., 1953
 Damages by Fire on the Wall-paintings in the Main Hall of the Horyuji Monastery
  Tanaka Ichimatsu, Shimada Shujiro, Kuno Takeshi
 Summarized Report of Damages of the Main Hall, Horyuji
  Fukuyama Toshio
 The Chemical Studies on the Pigments Used in the Wall-painting of the Main Hall of the Horyuji and Their Colour Changes by the Fire of January 1949
  Yamasaki Kazuo
 Scientific Treatments Made on the Main Hall of the Horyuji Monastery after the Fire of 1949
  Sakurai Takakage, Iwasaki Tomokichi
 General List of Articles Relating to the Wall-paintings in the Horyuji Monastery
  Kuno Takeshi
No. 166Aug., 1952
 The Clay Statues in the Todaiji Temple, Nara: A Study on Ancient Art Objects by Optical Methods
  Kuno Takeshi
 The Repository Buildings in the Todaiji Temple and the Shoso-in Imperial Repository in the Compounds of the Same Temple
  Fukuyama Toshio
 Reference Materials for Art Research: An Essay on the Ksitigarbha Statue in the Hokke-do Hall of the Todaiji Temple
  Horiike Shumpo
 Explanation of the Plates: Vajrapani (Buddhist Guardian God, in Japanese: Shitsukongo-shin), Owned by the Todaiji Temple, Nara
  Kuno Takeshi
 Explanation of the Plates: Blue-lacquered Scripture Box with Design of Clouds and Phoenixes in Chinkinbori (Line-engraving with Gold Drawing), Owned by the Todaiji Temple, Nara
  Okada Jo
No. 165Apr., 1952
 The Style of Depiction in the “Kashiwagi” Scenes from the Scroll-painting Tales of Genji
  Shirahata Yoshi
 On the Landscape Paintings in the Koto-in Temple, Kyoto
  Shimada Shujiro
 A Second Supplement to “The Seven-bladed Sword of the Isonokami Jingu, Nara”
  Fukuyama Toshio
 Reference Materials for Art Research: The Ancient Record of Commodities Supply in the Toshodai-ji Temple, Nara
  Fukuyama Toshio
 Reference Materials for Art Research: The Technical Art Terms of the Six Canons of Hsieh Ho Translated into European Languages
  Kawakami Kei
 General List of Contents of the Bijutsu Kenkyu for the Year 1951
No. 164Jan., 1952
 Study on the Images of Hitomaro with Reference to the “Senzui” Screen in the Toji Collection
  Ogushi Sumio
 An Essay on the Artist of the Wall and Screen Paintings in the Nagoya Castle
  Mochimaru Kazuo
No. 163Nov., 1951
 Auguste Rodin in Japan Late in the Meiji Period
  Nakamura Denzaburo
 Buddhist Statues Under X-ray: From a Series of Studies on Art Objects Through Optical Methods
  Kuno Takeshi
 Reference Materials for Art Research: On the Statue of Sakyamuni in the Daianji Temple, Nara
  Kobayashi Tsuyoshi
 Explanation of the Plates: “Convenience of Drawing Water,” by Taiga, from the Album of “Juben (Ten Conveniences of Rural Living),” Collection of Mr. Kawabata Yasunari, Kanagawa
  Kumagai Nobuo
No. 162Sep., 1951
 Calligraphy by I-shan I-ning
  Ito Takuji
 The Korean Painter Sekishi Sai-Ryushin
  Kumagai Nobuo
 A Supplement to “The Seven-bladed Sword of the Isonokami Jingu, Nara”
  Fukuyama Toshio
 Explanation of the Plates: “Bugaku Dance” by Sotatsu, Owned by the Daigoji Monastery, Kyoto
  Mochimaru Kazuo
No. 161Mar., 1951
 Hsiu Wu Ceramic Kilns in the Northern Sung Dynasty, China
  Koyama Fujio
 On I-p’in, the “Extraordinary” Style of Chinese Painting
  Shimada Shujiro
 Explanation of the Plates: “Li Po Reciting Poem” by Liang K’ai, Collection of Mr. Mayuyama Junkichi, Tokyo
  Kumagai Nobuo
 General Index to the Bijutsu Kenkyu for the Year 1950
No. 160Mar., 1951
 An Outline History of the Kojikai Society
  Kawakita Michiaki
 New Tendencies of Japanese Art in the Late Meiji Period
  Oka Isaburo
 Landscape Paintings by Takahashi Yuichi
  Kumamoto Kenjiro
 Explanation of the Plate: “Red-beans Winnowing” by Kuroda Seiki, Formerly in the Collection of Mr. Uchida Shinya, Tokyo
  Kumamoto Kenjiro
No. 159Mar., 1951
 An Essay on Japanese Costumes of the Twelfth Century Depicted in the Picture Scroll “Shigisan Engi”
  Suzuki Keizo
 On the So-called Namban Karakusa Patterns in Japanese Lacquer Art
  Nakagawa Sensaku
 Studies on Art Objects Trough Optical Methods: Foreword
  Akiyama Terukazu
 Studies on Art Objects Trough Optical Methods: Studies on Buddhist Statues by Radiography
  Nakayama Hidetaro
 Studies on Art Objects Trough Optical Methods: X-ray Experiments on Sculpture
  Kuno Takeshi
 Studies on Art Objects Trough Optical Methods: Studies on the Pigments of Ancient Japanese Paintings by Ultra Violet Light
  Yamasaki Kazuo
 Reference Materials for Art Research: Paintings on the Doors of the Main Shrine of the Uji-Kami Jinja, Kyoto
  Akiyama Terukazu
 Explanation of the Plate: Image of Bodhisattva, the Octagonal Hall, Eizan-ji Temple, Nara
  Fukuyama Toshio
No. 158Feb., 1951
 On the Seasonal Subjects Treated in the Scroll-painting “Tales of Genji” Attributed to Takayoshi
  Shirahata Yoshi
 The Seven-bladed Sword of the Isonokami Jingu, Nara
  Fukuyama Toshio
 Reference Materials for Art Research: A Newly Found Material Relating to the Shichijo Omiya Guild of Buddhist Sculptors
  Nagashima Fukutaro
 Reference Materials for Art Research: On the Inscriptions Found on the Reverse of Sutra Scrolls Made by Kiyohira for the Chuson-ji Temple, Now Owned by the Kongobu-ji Temple, Wakayama
  Sakamoto Masanori
 Explanation of the Plates: “Tales of Genji” Scroll-painting, Collection of the Owari Tokugawa Reimai-kai Institution, Tokyo
 Explanation of the Plates: Suien (Finial) of the Three-storied Pagoda of Yakushi-ji Temple, Nara
  Kuno Takeshi
No. 157Dec., 1950
 The Murals at Ch’ing-lung, Mongolia (Part III)
  Tamura Jitsuzo, Kobayashi Yukio
 Material for Art Research: Pigments Used in the Murals at Ch’ing-lung, Mongolia
  Yamasaki Kazuo
 Study on the Portrait of Fujiwara-no-Toyori
  Shirahata Yoshi
 The Wall and Screen Paintings in the Kennin-ji Temple: A Study on the Ages of Yusho’s Works
  Mochimaru Kazuo
No. 156Sep., 1950
 The Modeling of Buddhist Images by the Use of Moulds
  Matsumoto Eiichi
 The Murals from the Cave Temple No. 11, Bazaklik
  Kumagai Nobuo
 The Reliquary Discovered in the Pagoda of the Kofuku-ji Temple, Keishu, Korea
  Umehara Sueji
 General Index of the Bijutsu Kenkyu for the Year 1949
No. 155Jul., 1949
 The Murals at Ch’ing-lung, Mongolia (Part II)
  Tamura Jitsuzo
 Ancient Japanese Costumes As Illustrated in the Picture Scrolls “Genji Monogatari”: With the Masuda Collection Scroll as the Main Object of Research
  Suzuki Keizo
 Study on the Ages of Sesshu’s Paintings
  Kumagai Nobuo
No. 154May, 1949
 On a Few Exhibits at the Special Exhibition of Western Art National Museum
  Kojima Kikuo
 Delacroix
  Sakazaki Shizuka
 Some Influences on Cezanne
  Tominaga Soichi
 “The Cave on the Rizer Loue” by Courbet
  Atarashi Kikuo
 On El Greco’s “Annunciation”
  Yoshikawa Itsuji
 “The Head of a Man,” Study Attributed to Rembrandt
  Kamon Yasuo
 Explanation of the Plate: “Willows Over Water” by Monet
  Kojima Kikuo
No. 153Mar., 1949
 The Murals at Ch’ing-lung, Mongolia (Part I)
  Tamura Jitsuzo
 On the Images of Fudo Myo-o and Two Attendants in the Hoko-in Temple
  Matsushita Takaaki
 The Portrait of Toyotomi Hideyoshi and Its Painter Kano Mitsunobu
  Mochimaru Kazuo
 Reference Materials for Art Research: Report on the Pigments Used in Murals at Ch’ing-lung
  Yamasaki Kazuo
No. 152Jan., 1949
 The Image of Shitsukongo-shin Enshrined in the Sangatsu-do Hall, Nara
  Kuno Takeshi
 On the Portraits of the Ashikaga Shoguns
  Akamatsu Toshihide
 Reference Materials for Art Research: Shigisan Temple and Priest Myoren
  Fukuyama Toshio
 Reference Materials for Art Research: Addition and Correction to Chemical Study on the Pigments Used in the Wall Paintings of the Main Hall, Horyu-ji Monastery
  Yamasaki Kazuo
No. 151Dec., 1948
 Study on the Portrait of Prince Shotoku in the Imperial Collection
  Kameta Tsutomu
 On the Text of the Picture Scroll Shigisan Engi
  Fujita Tsuneyo
 Reference Materials for Art Research: Comparison of the Text of the Shigisan Engi and Other Literary Works Related with the Legend of Shigisan (in Table Form)
  Fujita Tsuneyo
 Explanation of the Plates: Image of Sho Kannon (Avalokitesvara), Owned by Kakurin-ji Temple, Hyogo
  Kobayashi Tsuyoshi
 Explanation of the Plates: “Riso” by Kikkawa Reika, Mr. Nagase Tomio Collection, Tokyo
  Kawakita Michiaki
 General Index of the Bijutsu Kenkyu for the Year 1948
No. 150Oct., 1948
 “Flowers and Insects” by Lu Ching-fu: Study on “Flowers and Insects” Paintings of Ch’angchou District
  Shimada Shujiro
 The Hells and the Six Aspects of Metempsychosis Depicted in Buddhist Art
  Iyenaga Saburo
 Research on Old Copies of the Kako Genzai Inga Kyo Sutra: A Textual Study
  Ito Takuji
 Explanation of the Plates: Seitaka Doji (Cetaka), Mr. Hirakushi Denchu Collection, Tokyo
  Kobayashi Tsuyoshi
No. 149Aug., 1948
 Research on Old Copies of the Kako Genzai Inga Kyo Sutra: A Textual Study
  Ito Takuji
 On the Illustration of the Lives of Priests Gisho and Gengyo in the Picture Scroll Kegon Engi
  Umezu Jiro
 Explanation of the Plate: Noh Costume with Design of Flower Scrolls and Fans in Embroidery and Gold-leaf Applique, Katamigawari Style (Having Design on Half of the Robe Only), National Museum Collection
  Yamanobe Tomoyuki
 Explanation of the Plate: “Hotei (Pu Tai),” by Liang K'ai, Mr. Murayama Nagataka Collection, Hyogo
  Kumagai Nobuo
No. 148Jun., 1948
 An Interpretation of the Inscription on the Buddhist Image Made by Takaya-no-Taifu, Dated the Year of Hei-in
  Yabuta Kaichiro
 Study on the Mirrors with Seashore Design in the Imperials Collection
  Maeda Yasuji
 Origin and Significance of “Kasen” Picture Tablets
  Kondo Yoshihiro
 Explanation of the Plates: Images of Akasagarbha, National Museum Collection and Owned by Samboin Monastery, Kyoto
  Matsushita Takaaki
No. 147May, 1948
 Study on the Picture Scroll of Ise-Monogatari with the Sanskrit Prints
  Shirahata Yoshi
 A Genealogical Sketch on Kano Soshu: Study on the Kano School Painters of the Early Edo Period
  Tani Shin-Ichi
 On Kano Soshu
  Mochimaru Kazuo
 Explanation of the Plates: Picture Scroll of the Tales of Genji, Mr. Masuda Taro Collection, Kanagawa
  Akiyama Terukazu
 Report of the Institute
No. 146Apr., 1948
 A Study of Chinese Painting
  Sherman E. Lee
 Manners and Customs Depicted in the Picture Scroll “Ban Dainagon Ekotoba”
  Suzuki Keizo
 The Kenuki-gata Sword Having Gold-lacquered Scabbard with Nacre Inlay, Owned by the Kasuga Jinja, Nara
  Okada Jo
 Explanation of the Plate: Banner for Buddhist Ceremony Having Embroidered Design of Heavenly Beings, Mr. Ogawa Mutsunosuke Collection, Kyoto
  Shirahata Yoshi
No. 145Dec., 1947
 Wall-paintings of the Horyu-ji Pagoda
  Kuno Takeshi
 Chemical Study on the Pigments Used in the Wall-paintings of the Main Hall and Pagoda of Horyu-ji Temple
  Yamasaki Kazuo
 Study of the Original Construction of the Dempo-do Hall, Horyu-ji Temple
  Asano Kiyoshi
 Explanation of the Plate: Lotus-blossom Design on the Celling, Five-storied Pagoda, Horyu-ji Temple, Nara
  Kuno Takeshi
 General Index of the Bijutsu Kenkyu for the Year 1947
No. 144Oct., 1947
 On the Panel Paintings Behind the Amitabha Image of the Phoenix Hall, Byodoin Temple: Report on Panel and Door Paintings of the Phoenix Hall, Part I
  Akiyama Terukazu
 Chemical Studies on the Pigments used in the Panel and Door Paintings of the Phoenix Hall
  Yamasaki Kazuo
 The Scrolls Illustrating Treasures and Metal Ornaments of the Grand Shrine of Ise
  Fukuyama Toshio
No. 143Sep., 1947
 The Southern and Northern Styles of Chinese Ceramics
  Koyama Fujio
 On the Scroll-painting “Jizo Engi” Owned by Honenji Temple
  Umezu Jiro
No. 142Sep., 1947
 The Scroll-painting “Ban Dainagon Ekotoba”
  Ueno Naoteru
 The Bronze Statuette of Bodhisattva Dated the Year of Shin Gai in the National Museum Collection
  Sawayanagi Daigoro
 About the Designs in “Kirikane” on the Statues of Acala, Its Two Attendants and Vaisravana, Owned by Bujoji Temple
  Shirahata Yoshi
No. 141Jun., 1947
 New Study on “P’o-mo” or Haboku
  Tanaka Toyozo
 Kano Masanobu (Corpus of Eastern Arts, Series VIII)
  Watanabe Hajime
 Explanation of Plate: Kazari-Chatsubo (Tea Jar) with Wisteria Design, Earthenware by Ninsei, Coll. Mr. Nagao Kin-ya. Tokyo
 Report of the Institute
No. 140Mar., 1947
 Life of Aoki Shigeru (Part IV)
  Kawakita Michiaki
 Wall-painting Brought from the “Foot-washing” Cave-temple, Kizil
  Kumagai Nobuo
 Notes on the Drawings and Scribblings Discovered on the Celling of the Main Hall, Horyuji Monastery
  Kuno Takeshi
 Report of the Institute
No. 139Nov., 1946
 Scroll-Painting of the Five Planets and the Twenty-eight Stellar Mansions
  Yashiro Yukio
 Study on Designs in Kirikane (Metal Leaf Strips)
  Shirahata Yoshi
 Introduction to the “Ku-hua-p’in-lu”
  Kawakami Kei
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1944
 Report of the Institute
No. 138Oct., 1944
 Wall Paintings Brought from the Cave-temple No. 4, Bazaklik
  Kumagai Nobuo
 Some Figures in the Nascency of the Nanso School Painting in Japan (Part II)
  Tanaka Kisaku
 Life of Aoki Shigeru (Part III)
  Kawakita Michiaki
 Explanation of the Plates: The Nachi Waterfall, Coll. Nezu Museum, Tokyo
 Explanation of the Plates: Portrait of Pai Lo-tien, Coll. Mr. Muto Kinta, Hyogo
 Explanation of the Plates: “Landscape” by Baiitsu, Coll. Mr. Tanaka Heiroku, Aichi
 Report of the Institute
No. 137Jul., 1944
 On the Glazed Pottery Ware of the Imperial Repository Shosoin
  Umehara Sueji
 Notes on the Paintings in the Hokekyo Sutra Scrolls in Count Matsudaira’s Collection
  Shirahata Yoshi
 Explanation of the Plate: Portrait of Nanso-e Koji, Coll. Mr. Kimura Teizo, Osaka
 Explanation of the Plate: “Landscape” by I Fu-Chiu, Coll. Mr. Murai Ichibei, Mie
 Hyakusetsu-Osho-Gyojo, Nankai-Keifu
  Tanaka Kisaku
 Report of the Institute
No. 136May, 1944
 Notes on the Scroll-painting “Zuijin Teiki Emaki”
  Umezu Jiro
 A Few Words on Mu Ch’i (Part II)
  Fukui Rikichiro
 Life of Aoki Shigeru (Part II)
  Kawakita Michiaki
 Explanation of the Plates: “Autumn Landscape” by Shih-T’ien, Col. Mr. Nakamura Junsaku, Hyogo
 Report of the Institute
No. 135Mar., 1944
 A Few Words on Mu Ch’i (Part I)
  Fukui Rikichiro
 Clay Buddha Images in Relief Excavated from Tun-huang, China
  Yashiro Yukio
 Explanation of the Plates: “Amitabha and His Holy Crowd Coming to Receive the Dead into His Paradise,” Owned by the Kombuin Nunnery, Nara
 Explanation of the Plates: Two Zen Saints in Meditation” by Shih K’o, Owned by the Syohozi Temple, Kyoto
  Tanaka Toyozo
 Explanation of the Plates: “Riding a Buffalo” after Li T’ang, “Summer Scenery” after Hsia Kuei, “Riding a Buffalo” after Li T’ang, “Winter Scenery” after Hsia Kuei, copied by Sesshu, Coll. Marquis Asano Nagatake, Tokyo
 Explanation of the Plate: “Portrait of Sugawara Michizane” by Kagei, Coll. Marquis Hosokawa Moritatu, Tokyo
 Report of the Institute
No. 134Feb., 1944
 Life of Aoki Shigeru (Part I)
  Kawakita Michiaki
 Ceramic Kilns at Tz’u-chou, China
  Koyama Fujio
 Some Figures in the Nascency of the Nanso School Painting in Japan (Part I)
  Tanaka Kisaku
 Explanation of the Plates: “Landscape” by Taiga, Coll. Baron Dan Ino, Tokyo
 Explanation of the Plates: ”The Enlighten Sakya Leaving the Mountain” and “Snowy Landscape” by Liang Ch’iai, Coll. Court Sakai Tadahiro, Tokyo
 Explanation of the Plate: “The Resurrection of Sakya” Owned by the Tyohozi Temple, Kyoto
 Report of the Institute
No. 133Dec., 1943
 Some Specimens of Chinese Pictorial Art of the Han Period
  Umehara Sueji
 On the Rise and Spread of the “Kasuga Mandara” Painting
  Nagashima Fukutaro
 Kuroda Seiki’s Later Activities and Works (Part III)
  Kumamoto Kenjiro
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1943
 Report of the Institute
No. 132Nov., 1943
 The Works of Kazan’s Middle Years
  Suganuma Teizo
 On the Onna-e Pictures
  Shirahata Yoshi
 Kuroda Seiki’s Later Activities and Works (Part II)
  Kumamoto Kenjiro
 Heian Jinbutsushi, Address Book of Artists and Scholars in Kyoto, Published in the 2nd Year of Tenmei (1782)
  Editor
 Report of the Institute
No. 131Sep., 1943
 On the Images of Caturmaharaja Enshrined in the Kaidan-in of the Todaiji Temple
  Tanaka Kisaku
 Study on the Scroll-painting “Jizo Engi Emaki” in the Collection of the Imperial Household Museum, Tokyo
  Umezu Jiro
 Images of Manjusri Crossing the Sea
  Ogushi Sumio
 On the “Manihoshu Mandala”
  Matsushita Takaaki
 Text of the Scroll “Jizo Engi Emaki” in the Collection of the Imperial Household Museum, Tokyo
  Umezu Jiro
 Report of the Institute
No. 130Jul., 1943
 Kuroda Seiki’s Later Activities and Works (Part I)
  Kumamoto Kenjiro
 A Few Problems Concerning the Picture-scroll “Genji Monogatari” Ascribed to Takayoshi
  Tanaka Kisaku
 On Mu Ch’i
  Tanaka Toyozo
 Some Specimens of the T’ang Silverware
  Umehara Sueji
 Report of the Institute
No. 129Mar., 1943
 On the Early Works of Watanabe Kazan
  Suganuma Teizo
 “Preaching Sakyamuni” in Embroidery, Owned by the Kanjuji Temple
  Kameta Tsutomu
 The Development of Wooden Sculpture in the Early Heian Period (Part II)
  Tazawa Yutaka
 The Cowhide Keman Owned by the Kyoogokokuji Temple
  Kurokawa Mitsutomo
 Explanation of the Plates: “Kannon, Monkeys and a Crane” by Mu-sh’i, Coll. Daitokuji Temple, Kyoto
 Report of the Institute
No. 128Jan., 1943
 The Development of Wooden Sculpture in the Early Heian Period (Part I)
  Tazawa Yutaka
 Study on Tosa Yukihiro (Part II)
  Tani Shin-ichi
 Study on the Seasonal Themes in the Yamato-e Painting of the Heian Period (Part II)
  Iyenaga Saburo
 On the Painting “Chikurin Baika Zu” in the Collection of Marquis Asano
  Tanaka Toyozo
 Explanation of the Plates: Box with Wheel Pattern, Coll. Mr. Ogura Akira, Tokyo
 Explanation of the Plates: “Tenjin Engi Emaki,” Coll. Imperial Household Museum, Tokyo
 Explanation of the Plates: “Kasuga Miya Mandara,” Coll. Mr. Yuasa Shichizaemon, Kyoto
 Explanation of the Plates: “A Peacock and Pine Tree” Ascribed to Yusho, Cll. Kenninji Temple, Kyoto
 Explanation of the Plate: “Landscape” by Gyokushu, Coll. Mr. Wanaka Kinsuke, Wakayama
 Texts and Introductory Notes of the Nan-endo Gohonzon ika Goshuri Senrei (Repairs of the Nan-endo Hall of the Kofukuji Temple and Its Principal Image) and the Hasedera Shoshitsu (Destruction of the Hasedera Temple by Fire)
  Kameta Tsutomu
 Report of the Institute
No. 127Nov., 1942
 Study on Tosa Yukihiro (Part I)
  Tani Shin-Ichi
 The Origin of the Nanso School Painting in Japan
  Tanaka Kisaku
 Study on the Seasonal Themes in the Yamato-e Painting of the Heian Period (Part I)
  Iyenaga Saburo
 Explanation of the Plates: Image of Sho-kannon, Coll. Minedera, Shimane
 Explanation of the Plate: “Tea Connoisseurs” Ascribed to Ts’ien Shun-chu, Coll. Mr. Abe Kojiro, Hyogo
 Explanation of the Plates: Image of Kokuzo-bosatsu, Coll. Horinji Temple, Nara
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1942
 Report of the Institute
No. 126Sep., 1942
 Study on the Scroll-painting “Tenjin Engi” Kept in the Shrines at Kitano (by Mitsunobu) and Tsuda
  Umezu Jiro
 Wall-paintings Brought from the Cave-temple No. 20, Bazaklik
  Kumagai Nobuo
 Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part V)
  Horiguchi Sutemi
 Explanation of the Plate: “Woman Playing Guitar” Ascribed to Nobukata, Coll. Ikenaga Museum, Hyogo
 Explanation of the Plates: “Autumn Landscape,” Coll. Mr. Abe Kojiro, Hyogo
 Text of the Scrolls “Kitanotenjin Engi” Kept in Tsuda-jinja
  Umezu Jiro
 Report of the Institute
No. 125Jul., 1942
 Study on the Hakuho-style Sculpture
  Kanamori Takashi
 Utae and Ashide Paintings
  Shirahata Yoshi
 On Shiki-soka-zu Painting by Sosetsu
  Tanaka Kisaku
 Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part IV)
  Horiguchi Sutemi
 Explanation of the Plates: “Acala and Eight Attendants,” Coll. Mr. Yamamoto Hatsujiro, Hyogo
 Explanation of the Plates: “Landscape” Ascribed to Sotan, Coll. Mr. Matsunaga Yasuzaemon, Tokyo
 Report of the Institute
No. 124May, 1942
 A Female Sepulchral Figure of T’ang Dynasty, Glazed in Three Colours
  Yashiro Yukio
 On Kettles for Tea Cult
  Katori Hotsuma
 Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part III)
  Horiguchi Sutemi
 Explanation of the Plates: “A Daffodil and a Quail,” Attributed to Emperor Hui-tsung, Coll. Marquis Asano Nagatake, Tokyo
 Explanation of the Plates: “Acala” Coll. Jinmokuji Temple, Aichi
 Report of the Institute
No. 123Mar., 1942
 Scroll-Painting Mabutsu-ichinyo Ekotoba
  Umezu Jiro
 Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part II)
  Horiguchi Sutemi
 Explanation of the Plates: Image of Fugen-emmyo (Life-prolonging Samantabhadra) Coll. Matsunoodera Temple, Kyoto
 Explanation of the Plate: Portrait of Shoichi-Kokushi by Mincho, Coll. Tofukuji Temple, Kyoto
 Explanation of the Plate: Image of Prince Shotoku-taishi, Coll. Mrs. Sen Shimomura, Kanagawa
 The Text of the Scroll “Mabutsu-ichinyo Ekotoba”
  Umezu Jiro
 Report of the Institute
No. 122Feb., 1942
 Study of Kundaikan-sauchoki from the Viewpoint of Architectural History (On Shoin and Chasitsu of the Muromachi Period, Part I)
  Horiguchi Sutemi
 Wall-paintings Brought from the Cave-temple No. 19, Bazaklik
  Kumagai Nobuo
 Explanation of the Plate: “Autumn Moon on Lake Tungting” Ascribed to Mu-ch’i, Coll. Prince Iyemasa Tokugawa, Tokyo
 Explanation of the Plates: “Zenzai-doji on a Tour in Search of Enlightenment,” Coll. Mr. Kunizo Hara, Tokyo
 Text of Kundaikan-Sauchoki (Notes on Arts and Artists) Made by Soami, Formerly in the Collection of Kakokusai
  Horiguchi Sutemi
 Report of the Institute
No. 121Jan., 1942
 On the Scroll of Koetsu’s Calligraphy of Poems on the Ground-design of Flowers by Sotatsu
  Yashiro Yukio
 The Kara-e and Yamato-e Paintings of the Heian Period (Part II)
  Akiyama Terukazu
 Explanation of the Plates: “Kinkoku-en” & “Tori-en” by Ch’iu Ying, Coll. Chion-in Monastery, Kyoto
 Explanation of the Plate: Brick with Phoenix Design, Coll. Minami-hokkeji Temple, Nara
 Text of Kundaikan-sauchoki (Notes on Arts and Artists) made by Noami, Formerly in the Collection of Shuko
  Horiguchi Sutemi
 Report of the Institute
No. 120Dec., 1941
 The Kara-e and Yamato-e Paintings of the Heian Period (Part I)
  Akiyama Terukazu
 Landscape Sketches of Four Provinces Shishu Shinkei by Kazan
  Suganuma Teizo
 On the Jukkai-zu Painting (Part II)
  Ogushi Sumio
 Explanation of the Plates: “Dragon” and “Tiger” by Mu-ch’i, Coll. Daitokuji Temple, Kyoto
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1941
 Report of the Institute
No. 119Nov., 1941
 On the Images of Western Emperors, Kings and Princes Newly Discovered
  Kumamoto Kenjiro
 On the Jukkai-zu Painting
  Ogushi Sumio
 Report of the Institute
No. 118Oct., 1941
 On the Folding-screens Used on the Grand Ceremony of Daijo-e at Court
  Akiyama Terukazu
 Seiki Kuroda’s Activities and Works (Part III)
  Kumamoto Kenjiro
 Explanation of the Plates: “Senzui-byobu,” Coll. Jingoji Temple, Kyoto
 Explanation of the Plates: Landscape (One of the Eight Scenic Views of Hsiao-hsiang) attributed to Mu-ch’i, Coll. Marquis Toshitame Maeda, Tokyo
 Explanation of the Plate: Landscape (One of the Eight Scenic Views of Hsiao-hsiang) attributed to Mu-ch’i, Coll. Baron Taro Masuda, Tokyo
 Explanation of the Plates: Statue of the Priest Nichira, Coll. Tachibanadera Temple, Nara
 Report of the Institute
No. 117Sep., 1941
 Buddhistic Statuettes of Gilded Bronze in Gandhara Style
  Yashiro Yukio
 On the Official Porcelain of the Sung Dynasty
  Koyama Fujio
 Explanation of the Plate: Portrait of Go-en-yuin, by Tosa Mitsunobu, Coll. Unryuin Monastery, Kyoto
 Explanation of the Plates: Landscape with Figures, by Kano Masanobu, Coll. Mr. Ginjiro Fujiwara, Tokyo
 Report of the Institute
No. 116Aug., 1941
 On a Newly Found Copy of the Kozanji Cartoon, Handed down in the Sumiyoshi Family
  Tanaka Kisaku
 On the Construction of Jorakuden (Inner Citadel) of the Nagoya-jo Castle
  Kido Hisashi
 Explanation of the Plate: “A Returning Sail” (Part of the “Eight Scenic Views of Hsiao-Hsian”), Ascribed to Mu-ch’i, Coll. Count Naokuni Matsudaira, Tokyo
 Explanation of the Plates: “Kin-Ki-Sho-Ga” (The Four Accomplishments) and “Flowers and Birds” by Tan-yu, Coll. Nagoyajo Castle, Aichi
 Explanation of the Plates: Statuette of Buddha (Gilded Bronze) and Basin under the Statuette (Copper with Hair-lines Engraving), Coll. Todaiji Temple, Nara
 Report of the Institute
No. 115Jul., 1941
 Dated Lacquer Wares Lolang
  Umehara Sueji
 Seiki Kuroda’s Activities and Works (Part II)
  Kumamoto Kenjiro
 Study on the Raiko Painting in the Collection of Anichiji Temple
  Ogushi Sumio
 Explanation of the Plates: “Hachiman as a Buddhist Priest,” Coll. Yakushiji Temple, Nara
 Reports of the Institute
No. 114Jun., 1941
 Study on the Scroll-painting “Kitanotenjin Engi” Kept in the Shrines in Ionosho and Tsuda
  Umezu Jiro
 Some Notes on the “Heike Nokyo” Scroll
  Kameta Tsutomu
 New Study on the Portraits by Kazan
  Suganuma Teizo
 Explanation of the Plates: “Fuyo” by Ki Ti, Coll. Viscount Kosho Fukuoka, Tokyo
 Text of the Scroll “Kitanotenjin Engi” in the Collection of the Shrine in Ionosho (Reprinted from the Original)
 Report of the Institute
No. 113May., 1941
 Seiki Kuroda’s Activities and Works (Part I)
  Kumamoto Kenjiro
 Study on “Karaye” Painting of Nara and Heian Periods (Part II)
  Iyenaga Saburo
 Study on Lacquered Suan-te Bowl of Japanese Style
  Yoshino Tomio
 Explanation of the Plates: “Portrait of Priest Ikkyu,” Coll. Mr. Masaya Okazaki, Tokyo
 Explanation of the Plate: “Lake Hsi,” Coll. Mr. Issei Hatakeyama, Tokyo
 Explanation of the Plates: “Landscape with Figures” by Taiga, Coll. Henjokoin Monastery, Wakayama
 Explanation of the Plates: “Bosatsu,” Coll. Mr. Kin-ya Nagao, Tokyo
 Report of the Institute
No. 112Apr., 1941
 Study on “Juichimen Kannon” Kept in the Hase-kannon-do Temple in Yamaguchi
  Yashiro Yukio
 On the Scroll-painting “Komyoshingon-kudoku-ekotoba”
  Umezu Jiro
 Ernest F. Fenollosa’s Activities in the Field of Art (Part III)
  Odakane Taro
 Explanation of the Plate: “Heike Nokyo” (Scrolls of Hokekyo Sutra Dedicated to the Itsukushima Shrine by the Heike Family), Beginning of Gonno-bon Scroll, Coll. Itsukushima Shrine, Hiroshima
 Explanation of the Plate: “Pot with Designs of Tree-peony in Black Glaze,” Coll. Marquis Moritatsu Hosokawa, Tokyo
 Text of the Scroll “Komyoshingon-kudoku-ekotoba” Kept in the Myo-o-in Monastery, Shiga
  Umezu Jiro
 Report of the Institute
No. 111Mar., 1941
 Study on “Karaye” Painting of Nara and Heian Periods (Part I)
  Iyenaga Saburo
 Ernest F. Fenollosa’s Activities in the Field of Art (Part II)
  Odakane Taro
 Explanation of the Plate: “Sonsho-mandala,” Coll. Kodaiin Monastery, Kyoto
 Explanation of the Plates: “Lotus and Waterfowls,” Coll. Horyuji Temple, Nara
 Explanation of the Plates: Scroll of “Nozarashi-kiko,” by Buson, Formerly Owned by Mr. Tatsujiro Hashimoto, Tokyo / “Okuno-hosomichi” by Buson, Formerly Owned by Mr. Tatsujiro Hashimoto, Tokyo
 Explanation of the Plate: “Cat and Bamboo” by Gaho, Coll. Imperial Household Museum, Tokyo
 Explanation of the Plate: Letter of Shoan, Coll. Mr. Kin-ya Nagao, Tokyo
 Report of the Institute
No. 110Feb., 1941
 Study on the Technique of Cast Images
  Noma Seiroku
 Ernest F. Fenollosa’s Activities in the Field of Art (Part I)
  Odakane Taro
 Explanation of the Plates: “Images of Eight Founders of Shingon-sect,” Coll. Jingoji Temple, Kyoto
 Explanation of the Plates: “Wang Chao-chun Departing for the Country of the Huns” by Kung Su-jan, Coll. Mr. Kojiro Abe, Hyogo
 Report of the Institute
No. 109Jan., 1941
 On Preservation of Shih-fo Ssu in Ta-t’ung
  Ono Katsutoshi, Hibino Takeo
 Buddhistic Statues in Gilt Bronze of the Six Dynasties
  Yashiro Yukio
 Ting Yao Bowls with Golden Design
  Koyama Fujio
 Report of the Institute
No. 108Dec., 1940
 Study on the Tempyo Sculpture
  Kanamori Takashi
 Biography of Tessai Tomioka (Part III)
  Honda Seishi
 Explanation of the Plates: “Flowers,” Coll. Tenkyuin Monastery, Kyoto
 Explanation of the Plates: “Juichimen-kannon (Ekadasa-mukha),” Coll. Hokkeji Temple, Nara
 Explanation of the Plate: “Landscape” by Mokubei, Coll. Mr. Koji Nakano, Niigata
 Explanation of the Plates: “Landscapes” by Tessai, Coll. Mr. Etsuzo Tatsuma, Hyogo
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1940
 Report of the Institute
No. 107Nov., 1940
 On Kazan’s Works of His Later Years
  Suganuma Teizo
 Biography of Tessai Tomioka (Part II)
  Honda Seishi
 Explanation of the Plates: “A Beauty” by Kazan, Coll. Baron Koyata Iwasaki, Tokyo
 Kazan’s Diary (Reprinted from His Original MSS.)
  Suganuma Teizo
 Report of the Institute
No. 106Oct., 1940
 Study on the Six Canons of Painting, “liu fa”
  Dotani Kenyu
 Supplement to the Study of the Date of Production of “Red Acala”
  Tanaka Kisaku
 Biography of Tessai Tomioka (Part I)
  Honda Seishi
 Explanation of the Plates: Landscape “Amano-hashidate,” Attributed to Sesshu, Coll. Marquis Toyokage Yamanouchi, Tokyo
 Explanation of the Plates: “Susuki and Quails,” Coll. Count Okimune Date, Tokyo
 Explanation of the Plates: “White Goose and Swimming Fish” and “Autumnal Grasses and a Pair of Geese” by Kazan, Former Coll. Tatsujiro Hashimoto, Tokyo
 Explanation of the Plates: “Landscape” by Tessai, Coll. Mr. Makitaro Fuse, Fukui
 Explanation of the Plate: “Playing Biwa on the Lake” by Wen Chia, Coll. Mr. Kojiro Abe, Hyogo
 Report of the Institute
No. 105Sep., 1940
 Study on Amida-do at Shiramizu
  Toyooka Masuto
 Study on Menashi-kyo
  Shirahata Yoshi
 Explanation of the Plates: “Weaving in the Moonlight” by Kazan, Coll. Baron Koyata Iwasaki, Tokyo
 Report of the Institute
No. 104Aug., 1940
 The Scroll-painting “Noe-hoshi Ekotoba”
  Umezu Jiro
 Foundation of Hojoji Temple
  Iyenaga Saburo
 Explanation of the Plate: “Bowl with Flowers Pattern,” Pottery, with Three Colour Glaze, Coll. Marquis Moritatsu Hosokawa, Tokyo
 Explanation of the Plates: “Scroll of Poem and Painting” Poem by Tsai Ching, Painting by Hu Shun-tsen, Coll. Mr. Kojiro Abe, Hyogo
 Explanation of the Plates: “Snow Landscape” by Gyokudo, Coll. Mr. Tetsunosuke Shibata, Shiga
 Report of the Institute
No. 103Jul., 1940
 Study on the Position of the Painting “San-eki-sai” in the History of Painting
  Tanaka Kisaku
 Study on Tosa Mitsunobu (Part III)
  Tani Shin-Ichi
 Explanation of the Plates: “Nirvana,” Coll. Kongobuji Temple, Wakayama
 Explanation of the Plate: “Landscape” by Kao Feng-han, Coll. Mr. Kojiro Abe, Hyogo
 Explanation of the Plate: “Sakyamuni,” Coll. Chuguji Temple, Nara
 Report of the Institute
No. 102Jun., 1940
 Study on the Folded-screen on which are Pasted Pieces of Koetsu’s Ode-paper Designed by Sotatsu
  Yashiro Yukio
 Seiki Kuroda during his Stay in France (Part II)
  Kumamoto Kenjiro
 Explanation of the Plate: “Landscape” by Bunsei, Coll. Mr. Shichizaemon Yuasa, Kyoto
 Report of the Institute
No. 101May, 1940
 Seiki Kuroda during his Stay in France (Part I)
  Kumamoto Kenjiro
 Study on Tosa Mitsunobu (Part II)
  Tani Shin-Ichi
 Explanation of the Plate: “Painting of Su-wu and Li-ling” by Shunso Hishida, Coll. Mr. Juichi Taguchi, Tokyo
 Explanation of the Plates: “Cintamani-cakra,” Coll. Kanshinji Temple, Osaka
 Explanation of the Plates: “Letter of Sotatsu,” Coll. Mr. Yukihiko Yasuda, Kanagawa
 Report of the Institute
No. 100Apr., 1940
 Buddhism and Japanese Art
  Taki Seiichi
 Study on Tosa Mitsunobu (Part I)
  Tani Shin-Ichi
 Study on Portraits by Chinzan
  Suganuma Teizo
 Explanation of the Plates: “Fukuse Teaching a Text Book of Confucianism,” Coll. Mr. Kojiro Abe, Hyogo
 Explanation of the Plates: Scroll “Sanno Reikenki,” Coll. Marquis Saburo Inoue, Tokyo
 Report of the Institute

Index to Bijutsu Kenkyu
Nos. 400-
Nos. 300-399
Nos. 200-299
Nos. 001-099

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