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The Bijutsu Kenkyu (The Journal of Art Studies)

 Since 1932. The journal, edited by the Department of Art Research, Archives and Information Systems, carries monograms, research notes, explanations of plates, book reviews, Exhibition Reviews and materials for art research pertaining not only to Japanese and East Asian classical art but also European and American art related to modern and contemporary Japanese art (English summaries included).

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Contents
No.1~No.99 No.100~No.199 No.200~No.299 No.300~No.399 No.400~

No. 99Mar., 1940
Tanaka KisakuStudy on the Date of Production of “Akafudo or Red Acala”
Umezu JiroStudy on the Scrolls “Sanno Reikenki” (on Reigenji’s Scroll etc.)
 Explanation of the Plate: Flower Basket, Coll. Mr. Yukihiko Yasuda, Kanagawa
 Explanation of the Plate: Scroll “Thirty-Six Priest-Poets” (Fragment), Coll. Mr. Masaharu Kato, Tokyo
 Report of the Institute
Umezu JiroThe Text of the Scrolls “Sanno Reikenki”
 Records of the Koami Family
No. 98Feb., 1940
Yashiro YukioStudy on the Album of “Ise Monogatari” Painted by Sotatsu
Yoshino TomioStudy on a Group of Furniture Decorated with Makie in Western Style
 Explanation of the Plates: Paintings of “Ise Monogatari,” Album, Collection of Baron Ino Dan, Tokyo
 Report of the Institute
 Koami Kadensho (Chronology of Koami)
 Koami Kadenkan (Records of Koami)
No. 97Jan., 1940
Masaki TokuzoStudy on the Scroll-painting “Nezame Monogatari”
Nishimura TeiPaintings of “Society of Jesus” in Japan and Those of Western Style at the End of Ming Dynasty
Watanabe HajimeWorks by Little Known Painters (Part III)
Watanabe HajimeWorks by Little Known Painters (Part III)
 Explanation of the Plate: “Landscape” by I Fu-chiu, Collection of Mr. Jirobei Hasegawa, Mie
 Explanation of the Plates: “Vaisravana,” Collection of Uesugi Shrine, Yamagata
 Report of the Institute
No. 96Dec., 1939
Kumamoto KenjiroG. V. Cappelletti and A. Giovanni
Mori SenzoStudy on the Biography of Uragami Gyokudo (Part II)
 Explanation of the Plates: “Painted Basket,” Excavated out of the Tomb at Lo-Lang, Chosen, Collection of Government General of Chosen
 Explanation of the Plates: “Vajra-dhara,” Collection of Todaiji Temple, Nara
 Explanation of the Plate: “Landscape” by Fang Ts’ung-i, Collection of Mr. Kojiro Abe, Hyogo
 Explanation of the Plate: “Landscape” by Kyosho, Collection of Mr. Shigetaro Moriya, Gumma
 Report of the Institute
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1939
No. 95Nov., 1939
Suganuma TeizoStudy on Portraits of Goto Yujo and His Descendants
Mori SenzoStudy on the “Biography of Uragami Gyokudo” (Part I)
 Explanation of the Plates: “Landscape of Four Seasons on Su Tung-P'o's Poems,” by Shih-T'ao, Collection of Mr. Kojiro Abe, Hyogo
 Explanation of the Plate: Fragment of Wall-Painting of Fukiji Temple, Collection of Mr. Yasuzaemon Matsunaga, Tokyo
 Report of the Institute
No. 94Oct., 1939
Tanaka KisakuStudy on the Technique of Shitogwa (Finger-Drawing)
Kumamoto KenjiroAntonio Fontanesi and His Works in Japan
 Explanation of the Plates: Panel Paintings of Kichijoten Shrine of Joruriji Temple,Collection of the Imperial Art School of Tokyo
 Explanation of the Plate: “Five Hundred Arhats,” by Ikeno Taiga, Collection of Manpukuji Temple, Kyoto
No. 93Sep., 1939
Yashiro YukioStudy on Koetsu's Shikishi Dated November 11th, Keicho 11th Year
Umezu JiroStudy on the Scroll “Thirty-Six Priest-Poets”
 Explanation of the Plates: “Acala and Two Boys,” Collection of Ruriji Temple, Hyogo
 Explanation of the Plate: “Buddha,” Collection of The Tokyo Imperial Art School
 Report of the Institute
Umezu JiroThe Text of the Scroll “Thirty-Six Priest-Poets” Reprinted from the Sketches by Tsunenobu
No. 92Aug., 1939
Tani Shin-IchiStudy on Portraits of Hideyoshi Toyotomi
Kumamoto KenjiroEdoardo Chiossone and His Works in Japan (II)
 Explanation of the Plates: “Flowers,” by Yun Nan-T'ien, Collection of Mr. Kojiro Abe, Hyogo
 Explanation of the Plates: “Hermit Looking Up at the Moon,”Collection of Marquis Naganari Kuroda, Tokyo
 Explanation of the Plate: “Amitabha,” Collection of Nenbutsuji, Mie
 Report of the Institute
No. 91Jul., 1939
Morisue GishoHistorical Study on “Shogun-Jizo”
Kumamoto KenjiroEdoardo Chiossone and His Works in Japan (I)
 Explanation of the Plate: “Portrait of Confucius,” Collection of Mr. Yukihiko Yasuda, Kanagawa
 Explanation of the Plates: “Landscape” (The River Hozugawa), by Okyo, Collection of Mr. Sozaemon Nishimura, Kyoto
 Explanation of the Plates: “Birds and Trees,” by Shen T'ien-Jang, Collection of Mr. Kinpei Takeuchi, Tokyo
 Explanation of the Plate: “Apsara,” Collection of Mr. Inosuke Setsu, Tokyo
 Report of the Institute
No. 90Jun., 1939
Dotani KenyuOn Li-Tal-Ming-Hua-Chi (Part I)
Yashiro YukioOn Two Unusual Korean Statuettes
 Explanation of the Plates: “God of Thunder and God of Wind” by Sotatsu, Collection of Kenninji Temple, Kyoto
 Explanation of the Plates: “Arhats,” Collection of Mr. Kotaro Nishimura, Tokyo
 Explanation of the Plate: “Landscape,” Collection of Baron Koyata Iwasaki, Tokyo
 Explanation of the Plates: “God of Thunder and God of Wind” by Hoitsu, Collection of Viscount Keizo Shibusawa, Tokyo
 Explanation of the Plates: “Avalokitesvara,” Collection of Mr. Ziro Ichida, Korea
 Report of the Institute
 The Honcho-Ga-San (Illustrated Biographies of Japanese Painters), Newly Compiled and Reprinted From Various Editions (Part V)
No. 89May, 1939
Umezu JiroOn Scroll-Painting “Ashibiki-e”
Mori SenzoStudy on Ikeno Taiga Kafu (Chronicles of Ikeno Taiga Family)
 Explanation of the Plates: Ink-Stone Box:: “Hana-No-Shirakawa,” Collection of Mr. Kaichiro Nezu, Tokyo
 Explanation of the Plates: “Buddha-locani Mandala,” Collection of Shinagawa-Dera, Tokyo
 Explanation of the Plates: “Landscape,” Collection of Baron Koyata Iwasaki, Tokyo
 Explanation of the Plate: “Landscape” by Mokubei, Collection of Mr. Kinya Nagao, Tokyo
 Report of the Institute
 The Honcho-Ga-San (Illustrated Biographies of Japanese Painters), Newly Compiled and Reprinted From Various Editions (Part IV)
No. 88Apr., 1939
Umehara SuejiOn the Stone Daggers Excavated in An-yang, China
Kumamoto KenjiroSeiki Kuroda and the Japan-China War
 Explanation of the Plate: “Portrait of a Lady,” Collection of Mr. Kinya Nagao, Tokyo
 Explanation of the Plate: “Amitabha Appearing with Twenty-five Bodhisattvas,” Collection of Jofukuji Temple, Kyoto
 Explanation of the Plate: “Waterfall” by Motonobu (Attributed), Collection of Mrs. Sueko Hara, Yokohama
 Report of the Institute
 The Honcho-Ga-San (Illustrated Biographies of Japanese Painters) Newly Compiled and Reprinted From Various Editions (Part III)
No. 87Mar., 1939
Tani Shin-IchiLife of Fujiwara Yukimitsu and His Work
Ogino MinahikoOn the Inscriptions of the Buddhistic Statues of Kampukuji Temple
 Explanation of the Plate: “A Bird on Peach-Tree,” Collection of Mr. Sueko Hara, Yokohama
 Explanation of the Plate: “A Tiger in a Bamboo Grove” by Sesson, Collection of the Imperial School of Fine Arts, Tokyo
 Explanation of the Plate: “A Tiger in a Bamboo Grove” by Hogai, After “A Tiger in a Bamboo Grove” by Sesson, Collection of Mr. Kannosuke Hara, Hiroshima
Watanabe HajimeReisai (Corpus of Eastern Arts, Series VII)
 The Honcho-Ga-San (Illustrated Biographies of Japanese Painters). Newly Compiled and Reprinted From the Various Editions (Part II)
No. 86Feb., 1939
Suganuma TeizoAlbum of Insect and Fish, Painted by Kazan
Shimada ShujiroOn the “Moryo-Ga” Style of Zen Painting (Part II)
Tanaka KisakuOn the Compilation of the Honcho-Ga-San by Buncho
 Explanation of the Plate: Korean Jar of the Li Dynasty, Collection of the Nippon Mingei Kan, Tokyo
 Report of the Institute
 The Honcho-Ga-San (Illustrated Biographies of Japanese Painters). Newly Compiled and Reprinted from the Various Editions
No. 85Jan., 1939
Yashiro YukioAlbums of Koetsu's Shikishi in the East Asiatic Collection, Berlin
Tanaka KisakuArtists' Seals on Old Paintings
 Explanation of the Plates: “Iris” by Korin, Collection of Mr. Kaichiro Nezu, Tokyo
 Explanation of the Plate: “Yatsu-Hashi” by Kenzan, Collection of Mr. Saburo Yamaguchi, Kyoto
 Gaki (Descriptive Catalogue of Chinese and Japanese Paintings in Kyoto), Compelled by Rin Roen in An-Ei Era (1772-1780). Reprinted From the Original Mss
 Report of the Institute
No. 84Dec., 1938
Fujikake ShizuyaHarunobu and His Paintings
Shimada ShujiroThe “Moryo-Ga” Style of Zen Painting
Umezu JiroScroll Painting: the Kobo Daishi Gyojo Emaki
 Explanation of the Plate: Two Men Under a Tree, the Yamamaka Co., Kyoto
 Explanation of the Plate: Mahavairocana, Collection of Baron Okura, Tokyo
 Explanation of the Plate: One of Four Lokapalas, Collection of Mrs. Sen Shimomura, Kanagawa
 Report of the Institute
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1938
No. 83Dec., 1938
Umezu JiroScroll Paintings: the Koya Daishi Gyojo Zue of Jizoin
Suganuma TeizoPortrait of Takizawa Kinrei by Kazan
 Explanation of the Plates: Sakyamuni, Jindaiji, Tokyo
 Explanation of the Plate: Flower Vase with Jewel Design, by Ninsei, Ninnaji, Kyoto
Watanabe HajimeShubun (Corpus of Eastern Arts, Series VI)
No. 82Nov., 1938
Yashiro YukioNewly Discovered Fragment of the Yamai Zoshi
Odakane TaroOn the Record of Travels of Tessai Tomioka
Nishimura TeiStudy on the “Fifteen Mysteries of St. Mary” Painted in Japan (Part II)
 Explanation of the Plate: “Avalokitesvara,” Collection of Mr. Masaya Okazaki, Tokyo
 Explanation of the Plate: “Flocks of Crows” by Toeki, Konchiin, Nanzenji, Kyoto
 Explanation of the Plate: “Female Figure,” Collection of Mr. Kozo Moriya, Kyoto
 Report of the Institute
Odakane TaroRecord of Tessai Tomioka's Travels, Reprinted From the Original Mss.
No. 81Oct., 1938
Yashiro YukioGilt Bronze Statuette “Seven Buddhas” of Early T’ang Period
Tani Shin-IchiLife of Sesshu, with Particular Reference To His Sojourn in China
Nishimura TeiStudy on the “Fifteen Mysteries of St. Mary” Painted in Japan
Tanaka KisakuSupplementary Comments on the Zusho-Koryaku-Ki (Notes on Art and Artists)
 Explanation of the Plates: “Peony Garden,” Daikakuji, Kyoto
 Explanation of the Plates: “Kariba Myojin” and “Nibu Myojin,” Kongobuji, Wakayama
 Explanation of the Plate: Landscape, Imperial School of Art, Tokyo
 Report of the Institute
Tanaka KisakuRyukakuji Engi (History of Ryukakuji Temple)
No. 80Aug., 1938
Watanabe HajimeShubun (Corpus of Eastern Arts, Series V)
 Explanation of the Plate: “Portrait of Shotoku Taishi,” Ninnaji, Kyoto
No. 79Jul., 1938
Mochizuki ShinjoPortraits of Honen Shonin
Kumamoto KenjiroTogai Kawakami and His Works in European Manner
 Explanation of the Plate: Portrait of Daito Kokushi, Daitokuji, Kyoto
 Explanation of the Plates: Hermits at Leisure, by Yusho, Reidoin, Kyoto
 Report of the Institute
Ogino MinahikoKawachi-koku Sairinji Engi
No. 78Jun., 1938
Yashiro YukioChinese Repousse Plaques with Buddhistic Figures
Umezu JiroScroll Paintings: the Kobo Daishi Eden of the Ikeda Family and the Koso Daishi Himitsu Engi
Tanaka KisakuFurther Notes on the Screen and Wall Paintings of the Momoyama Period
 Explanation of the Plates: European Nobleman on Horseback, Collection of Mr. Takashi Suetsugu, Kyoto
 Report of the Institute
No. 77May, 1938
Shirahata YoshiStudies on the “Thirty-Six Poetical Geniuses,” Formerly Owned by Marquis Satake
 Report of the Institute
Watanabe HajimeJosetsu (Corpus of Eastern Arts, Series III)
Watanabe HajimeBunsel (Corpus of Eastern Arts, Series IV)
Tanaka KisakuZusho-Koryaku-Ki or Notes on Art and Artists (Part II), Reprinted from the Original, Printed in 1701
No. 76Apr., 1938
Yashiro YukioScroll Painting “Jizo Engi” of the Freer Gallery of Art
Suganuma Teizo“Portrait of Fujiwara Nobumitsu” by Korin
 Report of the Institute
Tanaka KisakuZusho-Koryaku-Ki or Notes on Art and Artists (Part I), Reprinted from the Original, Printed in 1701
No. 75Mar., 1938
Toyooka MasutoPanel Wall Paintings of Fukiji Temple
Odakane TaroKogyo Terazaki as a War Art-Correspondent
 Explanation of the Plates: “Portrait of Hatto Kokushi” by Kakue, Kokokuji, Wakayama
 Explanation of the Plates: Four Landscapes (Cloud and Mountains, Autumn Fog, After Rain, Summer Moon), by Kogyo Terazaki, The Department of Education
 Report of the Institute
Watanabe HajimeMuto Shui (Corpus of Eastern Arts, Series II)
Mori Senzo“Shihekisai Gawa” or Talks on Art by Shihekisai, Reprinted from the Original MSS.
No. 74Feb., 1938
Umezu jiroScroll Painting “Tengu Soshi”
Mori SenzoStudies on the Biography of Kaiseki Noro (Part III)
 Explanation of the Plate: Nabeshima Bottle with Floral Design, Collection of John Gadsby, Tokyo
 Explanation of the Plates: “Wild-Geese and Reed” by Niten, Collection of Marquis Moritatsu Hosokawa, Tokyo
 Report of the Institute
Umezu JiroText of the Scroll Painting “Tengu Soshi,” Reprinted from the Original
No. 73Jan., 1938
Yashiro YukioScreen-Painting of Matsushima by Sotatsu
Suganuma TeizoTaiga's Journal of the Trip to the Three Mountains
Suga ToshioEquestrian Statue of Kusunoki Masashige
 Explanation of the Plates: “Aryacalanatha with Two Boy Attendants,” Collection of Marquis Saburo Inoue, Tokyo
 Explanation of the Plates: “Landscape” by Taiga, Formerly in the Collection of Mr. Minoru Otsuka Collection, Tokyo
 Report of the Institute
Mimura SeizaburoMiscellaneous Letters of Japanese Artists (II)
No. 72Dec., 1937
Umehara Sueji, Mizuno SeiichiWooden Cranes and Snakes Decorated with Lacquer, Said to Have Been Discovered in Chang-sha, China
Mori SenzoStudies on the Biography of Kaiseki Noro (Part II)
Nakane KatsuScientific Methods in the Connoisseurship of Far Eastern Arts
 Explanation of the Plate: “Pine Trees and Hawks,” The Imperial School of Art, Tokyo
 Explanation of the Plate: Lacquer Painting on Four Doors of a Buddhistic Shrine, Museum of Fine Arts, Boston, Collection of Mr. Kozo Uchida, Tokyo and The Imperial School of Art, Tokyo
 Classified Bibliography of the Bijutsu Kenkyu for the Year 1937
No. 71Nov., 1937
Yashiro YukioA Stone Statue of Aryacalanatha of the T'ang Period
Toyooka MasutoThe Yoshino Mandala of Reiun-ji Temple
Mori SenzoStudies on the Biography of Kaiseki Noro (Part I)
Odakane TaroPoetical Work by Tessai Tomioka, Reprinted From the Original Mss. (Part II)
 Report of the Institute
No. 70Oct., 1937
Yashiro YukioOn the Compilation of “Corpus of Eastern Arts”
Watanabe HajimeMokuan Reien (Corpus of Eastern Arts, Series I)
Katori HotsumaStudy on the Votive Plaque in Japan
Odakane TaroPoetical Work by Tessai Tomioka, Reprinted From the Original Mss. (Part I)
 Explanation of the Plate: “Beauty Under the Cherry-Blossoms,” by Toyonobu, Collection of Mr. Shigekichi Mihara, Tokyo
 Explanation of the Plate: Landscape, by Tessai Tomioka, Collection of Mr. Kenkichi Naito, Kyoto
 Report of the Institute
No. 69Sep., 1937
Umezu jiroStudies on the "Aryacalanatha with Two Boy Attendants" by Chuan Bonshi
Nishimura TeiThe “Mother and Child” (Etching) Issued by the Society of Jesus of Japan
Morisue GishoOld Records of Uchiyama Eikyu-ji Temple
Toyooka MasutoExplanation of the Plates: Tusita-deva Mandala, Enmei-ji Temple, Osaka
Masaki TokuzoExplanation of the Plates: Bhaisajyaguru, Kozan-ji Temple, Kyoto, Nikko Bodhisattva, Imperial Household Musum, Tokyo and Gakko Bodhisattva, Imperial Art School of Tokyo
No. 68Aug., 1937
Yashiro YukioA Bronze Statuette of Bodhisattva
Kumamoto KenjiroVincenzo Ragusa and His Work in Japan
Tani Shin-IchiStudies on the Subject of the Mounted Warrior in Japanese Painting (Part II)
EditorExplanation of the Plate: Wall-Painting, Emman-in Temple, Shiga
Watanabe HajimeExplanation of the Plates: “Sages Among Mountains,” by Chokuan, Henjoko-in Temple, Wakayama
No. 67Aug., 1937
Tani Shin-IchiStudies on the Subject of the Mounted Warrior in Japanese Portrait Painting (Part I)
Suganuma TeizoSeigai Sakurama and His Work
Watanabe HajimeExplanation of the Plate: Mahapratisarah, Kanshin-ji Temple, Osaka
Tanaka KisakuExplanation of the Plates: Maitreya, Horyu-ji Temple, Nara
 Report of the Institute
 Classified Bibliography of Far Eastern Arts for the Year 1936
No. 66Jun., 1937
Shimomise SeiichiProblems of the Text of the Scroll-Painting “Shigisan Engi”
Yashiro YukioA Bronze Statuette of the Suiko Period
Shirahata YoshiPortraits of Poet-Saint Hitomaro, A Historical Study
Watanabe HajimeWorks by Little Known Painters (Part II)
Tanaka KisakuExplanation of the Plate: Portrait of Daimin-Kokushi. Nanzen-ji Temple, Kyoto
Watanabe HajimeExplanation of the Plate: “Eagle,” by Nichokuan, Collection of Mr. Chuzaburo Ogino, Tokyo
Masaki TokuzoExplanation of the Plate: “Azalea,” by Korin, Collection of Baron Ino Dan, Tokyo
Umezu JiroArt News
Umezu JiroArt News
Yamada ChisaburoArt News
 Report of the Institute
Shimomise SeiichiText of the Scroll-painting “Shigisan Engi,” Reprinted from the Original
No. 65May, 1937
Yashiro YukioMarble Statue of Maitreya in Marquis Hosokawa's Collection
Moriya KenjiPortrait of the Blomhoff Family by Keiga Kawahara
Odakane TaroAutographic Documents of the Life of Tessai Tomioka, Reprinted From the Original Mss.
Suganuma TeizoExplanation of the Plate: Portrait of Aigai Takaku, by Chinzan,Collection of Mr. Kitaro Otani, Shizuoka
Suganuma TeizoExplanation of the Plates: Maitreya, Yachu-ji Temple, Osaka
Tanaka KisakuExplanation of the Plates: Landscape, Kongobu-ji Temple, Wakayama
Masaki TokuzoExplanation of the Plates: “Fishermen,” by Ch'en-sing, Imperial School of Art, Tokyo
Masaki TokuzoExplanation of the Plate: Avalokitesvara, Collection of Mr. Seiji Yamada, Kyoto
Umezu JiroArt News
Suganuma TeizoArt News
 Report of the Institute
No. 64Apr., 1937
Tani Shin-IchiAppointment of Jocho to the Ecclesiastical Rank of Hokkyo
Yashiro YukioScroll-Painting “Hundred Wild-Geese,” by Ma Fen
Yoshino TomioLacquer-Ware Treasured by the Ainu
Masaki TokuzoExplanation of the Plates: “Cherry-Blossoms and Maple Leaves,” Chishaku-in Temple, Kyoto
Umezu jiroExplanation of the Plate: Vaisravana, Chion-in Temple, Kyoto
Suganuma TeizoExplanation of the Plate: “Yu Constructing A Gate,” by Kazan Watanabe, Collection of Mr. Chutaro Nakano, Niigata
EditorArt News
Kumamoto KenjiroArt News
 Report of the Institute
Tanaka KisakuThe “Naniwa-Kyoyu-Roku,” Who’s who of Scholars and Artists in Osaka, Reprinted from the Original, Published in 1790 A. D.
No. 63Mar., 1937
Kumagai NobuoOn the Origin of the Brush Name of Sesshu
Yashiro YukioTwo Masterpieces of Buddhistic Painting in American Collections (Part II)
Morisue GishoDestruction by Fire and Reconstruction of Hase-Dera Temple in the Middle Ages (Part II)
Tanaka KisakuWorks by Little Known Painters (Part I)
Tanaka KisakuWorks by Little Known Painters (Part I)
Tanaka KisakuWorks By Little Known Painters (Part I)
Tanaka KisakuWorks by Little Known Painters (Part I)
Tanaka KisakuWorks by Little Known Painters (Part I)
Tanaka KisakuWorks by Little Known Painters (Part I)
Suganuma TeizoExplanation of the Plate: Dance, Collection of Mr. Ryuzaburo Umehara, Tokyo
Tanaka KisakuThe “Naniwa-Kyoyu-Roku,” Who’s who of Scholars and Artists in Osaka, Reprinted from the Original, Published in 1775 A. D.
Tanaka KisakuExplanation of the Plate: Portrait of Ex-Emperor Gouda Hoo, Daikaku-ji Temple, Kyoto
Watanabe HajimeExplanation of the Plates: Landscape, Collection of Mr. Saichi Kawase, Oita
Umezu jiroExplanation of the Plate: “Vineyard and Fowl,” by Shojo, Collection of Mr. Jirobei Hasegawa, Mie
 Report of the Institute
No. 62Feb., 1937
Morisue GishoDestruction by Fire and Reconstruction of Hase-dera Temple in Middle Ages (Part I)
Kumagai NobuoLandscape by Sesshu in the Ohara Collection
Misumi MasahiroBairei Kono and His Work
Morisue GishoRecord of the Reconstruction of Hase-dera Temple in Middle Ages
Nakagawa SensakuExplanation of the Plate: Large Nabeshima Plate with Floral Design, Collection of Mr. Matasaku Shiobara, Tokyo
Tanaka KisakuExplanation of the Plates: Aizen Myoo, Soji-ji Temple, Shiga
Suganuma TeizoExplanation of the Plate: Portrait of Yuki Nakado, by Chinzan, Collection of Mrs. Yae Suzuki, Kanagawa
Umezu jiroExplanation of the Plates: Landscape with Birds, by Goshun, Collection of Mr. Shinsuke Ueno, Shiga
Tanaka KisakuExplanation of the Plates: Eleven-Headed Avalokitesvara, Collection of Mr. Jissho Sakamoto, Gifu
 Report of the Institute
No. 61Jan., 1937
Yashiro YukioTwo Masterpieces of Buddhistic Painting in American Collections (Part I)
Maruo ShozaburoSupplementary Study of Avalokitesvara in Fujio-Kannon-do Hall, Nagano
Uratsuji KendoScroll-Painting, Honen-Shonin Eden, Belonging to Zojoji Temple
Watanabe HajimeExplanation of the Plate: Yamantaka, Kyoogokoku-ji Temple, Kyoto
Watanabe HajimeExplanation of the Plates: Yamantaka, Toshodai-ji Temple, Nara
Watanabe HajimeExplanation of the Plate: Landscape with a Chinese Poet, by Ryosen, Imperial School of Art, Tokyo
Tanaka KisakuArt News
Kumamoto KenjiroArt News
Tanaka KisakuArt News
Suganuma TeizoArt News
 Report of the Institute
Uratsuji KendoLiterary Text of Scroll-Painting, Honen-Shonin Eden, Belonging to Zojo-ji Temple
No. 60Dec., 1936
Watanabe HajimeScreen Painting, Juni-Ten, Belonging to To-ji Temple
Nishimura TeiOtotsudo Nakagai and His Etchings (Part II)
Tanaka KisakuFamily Documents of Korin and Sketches Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (IV)
Tanaka KisakuExplanation of the Plate: Wild Goose and Reed, by Shugetsu, Collection of Mr. Zenjuro Watanabe, Tokyo
Toyooka MasutoExplanation of the Plate: Portrait of Hideyoshi Toyotomi, Saikyo-ji Temple, Shiga
Umezu jiroExplanation of the Plate: Landscape, by Sekiho Okano, Collection of Mr. Shuzo Komori, Mie
Tanaka KisakuArt News
Masaki TokuzoArt News
Kumamoto KenjiroArt News
Suganuma TeizoArt News
 Report of the Institute
 Classified Index of the Bijutsu Kenkyu for the Year 1936
No. 59Nov., 1936
Ogino Minahiko“Shoko Mandala” Painting of Horyu-ji Temple
Kumamoto KenjiroYuichi Takahashi and His Works
Tanaka KisakuFamily Documents of Korin and Others Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (III)
Toyooka MasutoExplanation of the Plates: Maitreya Mandala, Reiun-ji Temple, Tokyo
Umezu jiroExplanation of the Plates: Portrait of Shian, Kigen-in Temple, Kanagawa
Watanabe HajimeExplanation of the Plates: Flowers, by Hoitsu, Collection of Count Muneyoshi Tokugawa, Tokyo
Nakagawa SensakuBook Review
Toyooka MasutoBook Review
 Report of the Institute
No. 58Oct., 1936
Tanaka Kisaku“Sixteen Lohans” in Yamato-e Style
Yashiro YukioSupplementary Study of the Hokkedo Kompon Mandala in the Boston Museum
Nishimura TeiOtotsudo Nakagai and His Etchings (Part I)
Tani Shin-IchiOn the “Gomotsu-Onye Mokuroku” or the Catalogue of Chinese Paintings in the Collections of the Ashikaga Shoguns, Complied by Noami
Toyooka MasutoExplanation of the Plate: A Screaming Butcher Bird on a Dead Branch, by Niten, Collection of Mr. Kinya Nagao, Tokyo
Watanabe HajimeExplanation of the Plates: Fisherman in Landscape, by Hsu Tsu, Collection of Marquis Saburo Inoue, Tokyo
Watanabe HajimeArt News
 Report of the Institute
Kameta TsutomuThe “Honzon Mokuroku“ or the Catalogue of Treasures of Kofuku-ji Temple, Nara, Autografic MSS. Left by Jinson
No. 57Sep., 1936
Umehara SuejiOn a Group of Ancient Bronzes Said to Have Been Found at Lo-yang
Yashiro YukioJapanese Sculptures with Inscriptions in the Museum of Fine Arts, Boston
Tanaka KisakuFamily Documents of Ogata Korin and Sketches Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (II)
Shirahata YoshiExplanation of the Plates: Image of Varuna, Kyoo-Gokokuji Monastery, Kyoto
Suganuma TeizoExplanation of the Plate: Portrait of Priest Honen, Jofukuji Monastery, Ibaraki-ken
Umezu jiroExplanation of the Plates: Fishermen at Their Leisure, by Ikeno Taiga, in the Possession of Mr. Yohei Matsuyama, Osaka
Yamada ChisaburoArt News: Death of Dr. Wilhelm Solf
 Report of the Institute
 Classified Bibliography of Far Eastern Arts for the Year 1935
No. 56Aug., 1936
Yashiro YukioA New Fragment of the Sung Copy of the Scroll Painting “Ladies of the Court” by Chou Wen-chu
Tani Shin-IchiRitual Procedure of Carving a Buddhist Image in Ancient Japan (Part III)
Tanaka KisakuDocuments Regarding to the Family of Ogata-Korin, and Studies Attributed to Him, Formerly in the Possession of Mr. Toji Konishi, Kyoto (Part I)
Tanaka KisakuExplanation of the Plates: The Sakyamini Triad, Kenchoji Monastery, Kamakura
Suganuma TeizoExplanation of the Plate: “Monkeys” by Hasegawa Tohaku, Ryusen-an Monastery, Kyoto
Watanabe HajimeExplanation of the Plates: Wooden Figure of Maha Vairocana by Kaikei, Imperial School of Art, Tokyo
Umezu JiroArt News
Misumi MasahiroArt News
Odakane TaroArt News
Kumamoto KenjiroArt News
 Report of the Institute
Mimura SeizaburoMiscellaneous Letters of Japanese Artists (I)
No. 55Jul., 1936
Masaki TokuzoOn the Scroll Painting, “Pictorial Biography of Shotoku Taishi” in the Joguji
Tani Shin-IchiRitual Procedure of Carving a Buddhist Image in Ancient Japan (Part II)
Watanabe HajimeExplanation of the Plates: Miniature Shrine Decorated with Pictures Representing the Deities of the Hokke Sutra, Property of the Shoryo-in Monastery, Hyogo-ken
Tanaka KisakuExplanation of the Plates: Landscape, Attributed to Shubun, in the Collection of Mr. Tomitaro Hara, Kanagawa-ken
Watanabe HajimeExplanation of the Plates: Monju Bosatsu Riding on a Lion, in the Yakuoji Monastery, Fukushima-ken
Watanabe HajimeBook Review
Masaki TokuzoBook Review
Nakagawa SensakuBook Review
 Report of the Institute
Nishimura Tei“Shikkyu Hiroku” Notes on Lacquering Art by Takamori Kanko
Tani Shin-IchiRitual Procedure of Carving a Buddhist Image in Ancient Japan (Part I)
No. 54Jun., 1936
Tanaka KisakuShutoku, a Painter of the Ashikaga Period
Yashiro YukioOn a T’ang Terra-cotta Figure of Standing Woman in the Collection of Marquis Moritatsu Hosokawa
Umezu jiroLetters of Kitayama-Kangan
Watanabe HajimeExplanation of the Plate: Image of Buddha Maitreya, Yakuoji Monastery, Fukushima-ken
Umezu jiroExplanation of the Plate: “Landscape” by Kitayama-Kangan, Owned by Mr. Takahiko Tomoeda, Tokyo
Watanabe HajimeExplanation of the Plates: Image of Acala and Eight Statues of “Hachidai Doji” in the Kongobuji Monastery, Wakayama-ken
EditorArt News
Watanabe HajimeArt News
 Report of the Institute
EditorHeian-Jimbutsushi, Address Book of Artists and Scholars in Kyoto Published in 1767 A. D.
No. 53May, 1936
Watanabe HajimeOn Pictures Representing the Image of Kujaku-myoo
Uratsuji KendoStudies on Noami and His Art
Watanabe HajimeExplanation of the Plates: Ten Disciples of Tendai Sect, in the Ichijoji Monastery, Hyogo-ken
Suganuma TeizoExplanation of the Plates: Avalokitesvara, Sealed “Shinno,” and Kanzan and Jittoku, Sealed “Shinso,” in the Collection of Marquis Chokun Asano, Hiroshima-ken
Suganuma TeizoExplanation of the Plate: Demon under a Willow, by Soga-Shohaku, in the Possession of the School of Fine Arts, Tokyo
Umezu JiroArt News
Umezu JiroArt News
Masaki TokuzoArt News
Toyooka MasutoBook Review
Umezu JiroBook Review
Watanabe HajimeBook Review
 Report of the Institute
EditorHeian-Jimbutsushi, Address Book of Artists and Scholars in Kyoto Published in 1768 A. D.
No. 52Apr., 1936
Tani Shin-ichiOn The Pictures Designated As “Kara-e” in the Muromachi Period
Nakagawa SensakuA Bell with Five Pointed Vajra in Mr. Nagao's Collection
Tanaka KisakuSupplement to my “Studies on Painting by Kano Sanraku”
Hika ChokenBiographies of Old Luchuan Potters (Part III)
Watanabe HajimeExplanation of the Plates: “Hokke Mandara” Owned by the Kaijusenji Monastery, Kyoto-fu
Misumi MasahiroArt News
EditorArt News
Umezu JiroArt News
 Report of the Institute
Tani Shin-ichiRecord of Decoration of Hosokawa-Takakuni’s Mansion on the Occasion of Ashikaga-Yoshitada’s Visit, Originally Written by Soami
No. 51Mar., 1936
Tanaka KisakuOn the Screens Decorated with Pictures in the Shape of a Fan
Nishimura TeiEtchings by Aodo-Denzen (Part II)
Mori SenzoBiographical Studies of Ike Taiga (Part II)
Umezu JiroExplanation of the Plates: Scroll-painting of “Taima Mandala Engi,” i. e., the Story of the So-called Taima-mandara in the Taimaji Monastery, in the Possession of the Komyoji Monastery, Kanagawa-ken
Watanabe HajimeExplanation of the Plates: Image of Maha-Vairocana, Owned by Mr. Kinta Muto, Hyogo-ken
Watanabe HajimeBook Review: The Twin Pagodas of Zayton, by G. Ecke and P. Demieville
Watanabe HajimeBook Review: Japanese Screen Paintings, by R. T. Paine, Jr.
Watanabe HajimeBook Review: An Illustrated History of Japanese Art, by H. Minamoto, Translated by H. G. Henderson
Watanabe HajimeBook Review
 Report of the Institute
Umezu JiroText of the Scroll-painting “Taima Mandara Engi”
No. 50Feb., 1936
Watanabe HajimeOn The Small Wooden Niche Carved with Buddhist Images in the Possession of the Chimanji Monastery
Mori SenzoBiographical Studies of Ike Taiga (Part I)
Hika ChokenBiographies of Old Luchuan Potters (Part II)
Umezu JiroExplanation of the Plate: Scroll-painting “Tenguzoshi,” Owned by Mr. Kaichiro Nezu, Tokyo
Tanaka KisakuExplanation of the Plate: “Landscape of Dotei and Sekiheki,” by Ikeno-Taiga, Owned by Mr. Kokwan Konishi, Tokyo
Masaki TokuzoBook Review
Masaki TokuzoBook Review
Watanabe HajimeBook Review
Toyooka MasutoBook Review
Watanabe HajimeBook Review
Tanaka KisakuBook Review
Tanaka KisakuBook Review
 Report of the Institute
Umezu JiroText of the Scroll-painting, “Tenguzoshi,” Printed from the Scroll in the Possession of Mr. Kaichiro Nezu
No. 49Jan., 1936
Toyooka MasutoStudies on the Picture Representing Amitabha Rising over Hills
Wakimoto SokuroOn the Albums of “Juben Jugi” Painted by Taiga and Buson
Nishimura TeiOn the Etchings by Aodo Denzen
Hika ChokenBiographies of Old Luchuan Potters (Part I)
Nakagawa SensakuExplanation of the Plate: Plate of Kokutani Painted with Birds and Flowers, in the Collection of Mr. Matasaku Shiobara, Tokyo
Watanabe HajimeExplanation of the Plate: Melon and Bamboo Shoots, by Yogetsu, Property of the Hojuin Monastery, Wakayama
Nakagawa SensakuExplanation of the Plates: Kei with Pattern of Peacock, in the Collection of Mr. Nagatake Asano, Tokyo
 Report of the Institute
Tani Shin-ichi“Kundaiksachoki,” a MS. of “Kundaikansayuchoki” Printed from the MS. “Jitsugyoki” Belonging to Marquis Maeda
No. 48Dec., 1935
Tanaka KisakuThe Beginning of Wall and Screen Painting of the Momoyama Period
Tani Shin-ichiA Biographical Study of Kojo, A Japanese Buddhist-Sculptor of the Fujiwara Period
Shirahata YoshiOn the Technique of the Embroidery Representing Sakyamuni Preaching, Belonging to the Kanshuji Temple
Hika ChokenBiographies of Old Luchuan Painters (Part II)
Watanabe HajimeExplanation of the Plates: Image of Buddha Sakyamuni, in the Jingoji Monastery, Kyoto
Watanabe HajimeExplanation of the Plates: Field Work, Attributed to Sesshu, in the Collection of Mr. Shintaro Ohashi, Tokyo
Watanabe HajimeExplanation of the Plate: Portrait of Lady Hosokawa, the Wife of Hosokawa-Akimoto, in the Ryuamiji Temple, Kyoto
Toyooka MasutoExplanation of the Plate: Flowers and Birds, by Nakabayashi Chikuto, in the Zogein Temple, Kyoto
Suganuma TeizoExplanation of the Plates: Portrait of Uesugi Shigefusa, in the Meigetsuin Temple, Kanagawa-ken
Tanaka KisakuArt News
Aoyama ShinArt News
Umezu JiroArt News
Tanaka KisakuArt News
Umezu JiroArt News
 Report of the Institute
 Table of Contents of the Bijutsu Kenkyu, 1935
No. 47Nov., 1935
Mochizuki ShinjoStudies on the “Jingoji-Shodo-Ki” (The Chronicle of the Buildings and Other Affairs of the Jingoji Monastery) Written in the 2nd Year of Karoku Era and the “Takaozan-Jingoji-Kimoshusho-no-Jojo,” the Later Documents Written in the Oei Era
Suganuma TeizoStudies on the “Koyo-Tansho-Zu,” Sketches Made in the Izu and Sagami Provinces by Buncho
Tanaka ShinbiOn the Technique of Decoration of the So-Called Heike Nokyo, the Scrolls of Buddhist Sutras Dedicated to the Itsukushima Shrine by Tairas
Watanabe HajimeExplanation of the Plates: “Heike Nokyo,” the Scrolls of Buddhist Sutras Dedicated to the Itsukushima Shrine, Hiroshima-ken
Umezu JiroExplanation of the Plates: Portrait of Taira-no-Shigemori, Attributed to Fujiwara Takanobu, Property of the Jingoji Monastery, Kyoto
Tanaka KisakuExplanation of the Plate: “Swallows and Willow-tree,” “Wagtail and a Bamboo,” by Saian, in the Possession of Mr. Shuzo Komori, Mie-ken
Toyooka MasutoExplanation of the Plates: Image of Saint Nichiren, Property of the Honmonji Monastery, Tokyo
Kumamoto KenjiroArt News
Tanaka KisakuArt News
 Report of the Institute
Mochizuki Shinjo“Jingoji-Shodo-Ki” (Printed from the MS. in the Possession of Jingoji Monastery)
Mochizuki Shinjo“Takaozan-Jingoji-Kimoshusho-no-Jojo” (Printed from the MS. in the Possession of Jingoji Monastery)
No. 46Oct., 1935
Tani Shin-ichiCritical Studies on Chinese Paintings Imported into Japan in the Kamakura and Ashikaga Periods (on the Appreciation of Chinese Painting in the Japanese Middle Ages, Part II)
Tanaka KisakuOn Books of Seals of Famous Chinese and Japanese Painter Published in the Tokugawa Period
Umezu JiroOn the Scroll Painting “Ono Yukimi Goko Ekotoba” or “The Emperor Shirakawa's Visit to Ono for Enjoying Snowy Landscape”
Watanabe HajimeSupplement to the “Explanation of the Plate: ‘Tenjin in Sung,’ by Yogetsu, in the Property of Taizoin Monastery, Kyoto”
Watanabe HajimeExplanation of the Plate: Sixteen Arhats, by Chao Chu, in the Hokkekyoji Temple, Chiba-ken
Umezu JiroExplanation of the Plate: A Pair of Mandarin Ducks, by Okada Kanrin, in the Collection of Mr. Ichihei Murai, Mie-ken
Watanabe HajimeExplanation of the Plate: Image of Achala, in the Shochiin Temple, Wakayama-ken
Nakagawa SensakuExplanation of the Plate: Receptacle of the Nosashogyoku, in the Chofukuji Temple, Nara-ken
Watanabe HajimeArt News
Watanabe HajimeArt News
Masaki TokuzoArt News
EditorArt News
Masaki TokuzoBook Review
Kumamoto KenjiroBook Review
Suganuma TeizoBook Review
Toyooka MasutoBook Review
Aoyama ShinBook Review
 Report of the Institute
Tanaka KisakuWakan-Rekidai-Gashi-Meiin-Shazu, the Book of Seals of Famous Chinese and Japanese Painters, Published in 1647 A. D., Reproduced in Half Size
No. 45Sep., 1935
Wakimoto SokuroStudies on the Scroll-Painting “Haseo Zoshi”
Watanabe HajimeSome Signed Chinese Paintings of the Sung and Yuan Periods
Hika ChokenBiographies of Old Luchuan Painters
Shirahata YoshiExplanation of the Plates: Series of Six Panels Representing 22 Japanese Deities, Yakushiji Temple, Nara
Ishizawa MasaoBook Review
EditorBook Review
 Report of the Institute
Wakimoto SokuroText of the Scroll-painting “Haseo-zoshi”
Watanabe HajimeRecord of Certificates of Authenticity Given by Kano-Hidenobu, Reprinted from the Original MS. in the Possession of Art Academy, Tokyo
No. 44Aug., 1935
Mochizuki ShinjoStudies on the Scroll-Painting, “Zegaibo Ekotoba”
Suganuma TeizoScreen-Paintings of the “Chashitsu” in the Konchiin Monastery
Umehara SuejiStudies on the Newly Found Bell, Chung, Ornamented with Phoenix, P'an-Ch'ih and Other Animals
Nakagawa SensakuExplanation of the plate: Dish of Kokutani Painted with Birds and Flowers, in the Possession of Mr. Matasaku Shiobara, Tokyo
Tanaka KisakuExplanation of the Plate: Chrysanthemums and Pig-weed, by Kumashiro-Yuhi, in the Possession of Mr. Jirobei Hasegawa, Mie-ken
Toyooka MasutoExplanation of the Plate: Eleven-faced Avalokitesvara, Property of the Sugimotodera Monastery, Kanagawa-ken
EditorArt News
Ishizawa MasaoBook Review: Tombs of Old-Lo-yang, by William C. White
Tanaka KisakuBook Review
EditorBook Review
 Report of the Institute
Umezu JiroText of the Scroll-painting, “Zegaibo-Ekotoba,” Printed from the Original in the Possession of the Manjuin Monastery
Watanabe HajimeRecord of Certificates of Authenticity Given by the Name of Kano-Shushin, Reprinted from the MS. of Nasu-Eitan Belonging to the Art Academy, Tokyo
No. 43Jul., 1935
Tani Shin-ichiOld Japanese Documents Concerning Mu-Chi's Paintings (On the Appreciation of Chinese Paintings in the Kamakura and Ashikaga Periods, Part I)
Tanaka KisakuBuddhist Images Hanging on the Walls of the Hoodo Temple (Part II)
Watanabe HajimeExplanation of the Plates: Assemblage of Ancestors of Kusha Sect, Property of the Todaiji Monastery, Nara
Tanaka KisakuExplanation of the Plate: Image of Amitabha in the Hoodo Temple, Kyoto-fu
Watanabe HajimeExplanation of the Plate: “Tenjin in Sung,” by Yogetsu, in the Property of Taizoin Monastery, Kyoto
Umezu JiroExplanation of the Plate: A Sage Enjoying the Moon-light Night, by Okamoto Toyohiko, in the Possession of Mr. Minoru Otsuka, Tokyo
Watanabe HajimeExplanation of the Plate: Priest Yunmen-Wenyen in Conversation and Priest Chinliang-Weni in Conversation, Owned by the Tenryuji Monastery, Kyoto.
Tanaka KisakuArt News
Suganuma TeizoArt News
 Report of the Institute
 Classified Bibliography of Eastern Art for the Year 1934
No. 42Jun., 1935
Tanaka KisakuBuddhist Images Hanging on the Walls of the Hoodo Temple
Umezu JiroStudies on Okano-Sekiho, One of Japanese Forerunners of the Nanga School
Tanaka KisakuCompilation of Old Documents Concerning the Hoodo Temple
Watanabe HajimeExplanation of the Plates: Star Mandala, Property of the Hojuji Monastery, Nara-ken
Nakagawa SensakuArt News
Umezu JiroArt News
Masaki TokuzoArt News
Masaki TokuzoArt News
Tanaka KisakuArt News
Watanabe HajimeArt News
 Art News
 Report of the Institute
Watanabe HajimeRecord of Certificates of Authenticity Given by Kano Yasunobu
Watanabe HajimeRecord of Certificates of Authenticity Given by Kano Takanobu
No. 41May, 1935
Yashiro YukioScroll-Painting of “Ladies Preparing Newly Woven Silk,” Copied by the Emperor Hui Tsung after the Original by Chang Hsuan
Toyooka MasutoStudies on the Paintings of “Bodhisattva Samantabahdra with Ten Female Attendants”
Morisue GishoStudy on the Guilds of the Buddhistic Painters at Nara of the Kamakura and Muromachi Periods
Toyooka MasutoExplanation of the Plate: Fragment from the Scroll of the Inga-kyo Sutra, Collection of Mr. Z. Yasuda, Tokyo
Watanabe HajimeExplanation of the Plate: Portrait of Butsuo Zenji, Property of the Unganji Temple, Tochigi-ken
Tanaka KisakuExplanation of the Plate: Painting Representing Lin Tsi Planting a Pine-tree, by Yamada Doan, Tokyo Art Academy
Umezu JiroExplanation of the Plate: Painting of the Nachi Waterfall, by Taiga, Collection of Mr. G. Takata, Osaka
Tanaka KisakuArt News
Umezu JiroArt News
Tanaka KisakuArt News
Tanaka KisakuArt News
Masaki TokuzoBook Review
Masaki TokuzoBook Review
Nakagawa SensakuBook Review
 Report of the Institute
Tani Shin-ichiButsu Bosatsu Mokuroku (Iwashimizu-Hachimangu Kiroku) or the Catalogue of Buddhist Images Preserved in the Iwashimizu-Hachimangu Shrine, Kyoto (Printed from the MSS. in the Possession of Mr. T. Tanaka, Kyoto)
No. 40Apr., 1935
Tanaka KisakuStudies on the Paintings by Kano Sanraku
Watanabe HajimeOn the Painting Representing “An Anecdote of Hui-neng (the Sixth Inheritor of the Zen Sect),” Attributed to Tsu-weng
Morisue GishoStudy on the Guilds of the Buddhistic Painters at Nara of the Kamakura and Muromachi Periods
Toyooka MasutoExplanation of the Plates: MS. of Sutra with Painting on a Fan-shaped Sheet of Paper, Property of the Horyuji Temple, Nara-ken
Watanabe HajimeExplanation of the Plates: “Narihira on the Way to the Eastern Province,” “Chrysanthemun” and “Peony” by Sakai Hoitsu, Formerly in the Collection of Marquis Hachisuka, Tokyo
Watanabe HajimeExplanation of the Plates: Bronze Statue of Eleven-headed Avalokitesvara, in the Property of Kanpukuji Temple, Chiba-ken
 Art News
Masaki TokuzoArt News
Masaki TokuzoArt News
Ishizawa MasaoBook Review: A Catalogue of Chinese Pottery and Porcelain in the Collection of Sir Percuval David, by R. L. Hobson
Aoyama ShinBook Review
Toyooka MasutoBook Review
 Report of the Institute
Tanaka KisakuRecord of Certificates of Authenticity Given by the Painter Family Sumiyoshi, Part III, Reproduced from the Original MS. Belonging to the Art Academy, Tokyo
No. 39Mar., 1935
Morisue GishoOn the Buddhist Painter Guilds of the Kamakura and Ashikaga Periods
Watanabe HajimeOn the Scroll-Painting Representing the Story of the Chigo-Kannon in the Ikedo Collection
Suganuma TeizoWall and Sliding-Screen Paintings in the Kanran-tei in Matsushima
Nishimura TeiSome Old Japanese Paintings in European Style Pretended as Signed “Nobukata”
Shirahata YoshiExplanation of the Plates: Image of the Goddess Nakatsuhime, One of Hachiman Triad, in the Yakushiji Temple, Nara-ken
Tanaka KisakuExplanation of the Plate: Cherry-Trees, by Yamamoto-Baiitsu, Formerly Belonged to Marquis Masauji Hachisuka, Tokyo
Yamada ChisaburoArt News
 Report of the Institute
Watanabe HajimeText of the Scroll-painting Representing the Story of the Chigo-Kannon
Tanaka KisakuRecord of Certificates of Authenticity Given by the Painter Family Sumiyoshi, Part II, Reproduced from the Original MS. Belonging to the Art Academy, Tokyo
No. 38Feb., 1935
Wakimoto SokuroAshikaga-Yoshimitsu and his Collection of Chinese Paintings
Irita SeizoThe Portrait of Princess Maeda-Kiku Hime in the Saikyoji Temple
Umezu JiroOn the Scroll-Painting of Obusuma-Saburo
Watanabe HajimeExplanation of the plate: Four Seasons, by Kaisen, Chikudo, Shunkin and Baiitsu respectively, Formerly Belonged to Marquis Masauji Hachisuka, Tokyo
Watanabe HajimeBook Review
Watanabe HajimeBook Review
Nishimura TeiBook Review
Masaki TokuzoBook Review
Toyooka MasutoBook Review
 Report of the Institute
Umezu JiroText of the Scroll-painting of Obusuma-Saburo in the Collection of Marquis Chokun Asano, Hiroshima-ken
Tanaka KisakuRecord of Certificates of Authenticity Given by the Painter Family Sumiyoshi, Part I, Reproduced from the Original MS. Belonging to the Art Academy, Tokyo
No. 37Jan., 1935
Yashiro YukioOn the Hokkedo Kompon Mandala in the Boston Museum
Katori HotsumaOn the Bronze Statue of Bhesajaguru in the Ryukakuji Temple
Watanabe HajimeExplanation of the Plates: Two Fragments of Painted Panelling in the Pagoda in the Daigoji Monastery, Kyoto, in the Collection of the Art Academy, Tokyo
Toyooka MasutoExplanation of the Plate: Portrait of Priest Gyokuin Eiyo, in the Meigetsuin Temple, Kanagawa-ken
Tanaka KisakuExplanation of the Plates: Flower Feast, by Kano-Naganobu, in the Collection of Mr. Kunizo Hara, Tokyo
Wakimoto SokuroExplanation of the Plates: Image of Vimalakirti, by Ogata-Korin, in the Collection of Mr. Junji Hosaka, Tokyo
Nakagawa SensakuArt News: Death of Dr. Berthold Laufer
Tanaka KisakuArt News
Masaki TokuzoArt News
 Report of the Institute
Tanaka KisakuEssays on Painting by Kano-Yasunobu, Reprinted from its Copy in the Possession of Mr. Tadanobu Kano
No. 36Dec., 1934
Tanaka KisakuOn the “Rakuchu-Rakugai-zu,” Paintings Representing Numerous Places in and near Kyoto
Mori SenzoBiographical Notes on Maruyama-Okyo
Suganuma TeizoOn Sliding-screen Paintings by Rosetsu in the Shoju-ji Temple
Watanabe HajimeExplanation of the Plates: Portrait of Priest Amoghavajra, in the Kozan-ji Temple, Kyoto
Watanabe HajimeArt News
Kumamoto KenjiroArt News
Suganuma TeizoArt News
Watanabe HajimeArt News
Nakagawa Sensaku, Toyooka MasutoBook Review
Watanabe HajimeBook Review
Yamada ChisaburoBook Review
 Report of the Institute
 Table of Contents of the Bijutsu Kenkyu, 1934
No. 35nov., 1934
Aoyama ShinStudies on the Portrait of Jion-Daishi, a Chinese Buddhist Priest of the 7th Century
Watanabe HajimeOn Scroll-paintings Representing the Story of “Nakifudo”
Wakimoto SokuroOn the Sohokaku Shogaki (Notes on Paintings and Calligraphies in the Sohokaku Collection and Its Author Asano-Baido
Tanaka KisakuExplanation of the Plate: A Pair of Fowl and Nestlings, by Soga-Chokuan, in the Ringe-in Temple, Kyoto
Tanaka KisakuBook Review
Kumamoto KenjiroBook Review
Watanabe HajimeText of the Scroll-painting Called “Fudo-Riyaku-engi” i. e., Story of a Responsive Image of Acala in Mr. Ohara’s Collection
Wakimoto SokuroThe Sohokaku-Shogaki (Notes on Paintings and Calligraphies in the Sohokaku Collection), Part I
No. 34Oct., 1934
Tani Shin-ichiOn Japanese Buddhist Sculptors of the Olden Time and Their Activities
Wakimoto SokuroOn the “Arabori” i. e., Roughly Carved Sculpture
Wakimoto SokuroSketches by Kita-Busei after Old Masterpieces of Painting
Wakimoto SokuroExplanation of the Plates: Image of the Bhesayaguru Triad, in the Hojo-bo Temple, Kanagawa-ken
Tanaka KisakuExplanation of the Plates: Image of Yamantaka, in the Danzan-jinja Shrine, Nara-ken
Tanaka KisakuExplanation of the Plate: A Heron and Ravens, by Unkoku-Toyo, in the Enkaku-ji Temple, Kanagawa-ken
Suganuma TeizoExplanation of the Plates: Three Scrolls of Sketches from Life by Maruyama-Okyo, in the Collection of Mr. Sozaemon Nishimura, Kyoto
Kumamoto KenjiroArt News
Watanabe HajimeBook Review
Nakagawa SensakuBook Review
Watanabe HajimeBook Review
Masaki TokuzoBook Review
Watanabe HajimeBook Review
 Report of the Institute
Ogino MinahikoThe Inventory of Effects of the Shari-den in the Horyu-ji Monastery, Verified in 1550, 1591, and 1652 A. D. and the Inventory of Buddhist Images and Other Effects of the Goma-do in the Horyu-ji Monastery, Reprinted from the MSS. Recently Discovered in the Horyu-ji Monastery, Nara-ken
No. 33Sep., 1934
Yashiro YukioA Chinese Gilt Bronze Sculpture Representing Sakyamuni and Prabhutaratna Dated 489 A. D.
Watanabe HajimeAn Illustrated Scroll of the Tch’ouan-fa-tcheng-tsong-ting-tsou-t’ou in the Kanchi-in Temple, Kyoto
Umezu JiroMaruyama-Okyo-den, Biography of Maruyama-Okyo, Reprinted from the MSS. Originally Written by Hosui Okamura
Kumagai NobuoExplanation of the Plates: Wooden Statue of Priest Mangan, in the Hakone-Jinja Temple, Kanagawa-ken
Wakimoto SokuroExplanation of the Plates: “Senchu-yugen-Kannon,” Avalokitesvara as Appeared to Kukai on His Homeward Voyage, in the Ryuko-in Temple, Wakayama-ken
Tanaka KisakuExplanation of the Plates: Scroll-painting “Honen-shonin-eden,” i. e. Life of Priest Honen in the Collection of Baron Ino Dan, Tokyo
Watanabe HajimeExplanation of the Plates: Sketches for the Scroll-painting “Seven Hardships of the Life” by Maruyama-Okyo, the Property of the Enman-in Temple, Shiga-ken
Aoyama ShinBook Review
Tanaka KisakuBook Review
 Report of the Institute
Tanaka KisakuText of the Scroll-painting “Honen-shonin-eden,” i. e. Life of Priest Honen in the Collection of Baron Ino Dan, Tokyo
Tanaka KisakuLetters of Nakayama-Koyo, Selected from the MSS. of His Biography by Nojima-Baioku
No. 32Aug., 1934
Tanaka KisakuA Biographical Study of Nakayama-Koyo
Wakimoto SokuroOn the “Arabori” (i. e. Roughly Carved) Sculpture of the Fujiwara Period
Wakimoto SokuroExplanation of the Plate: “An Angler in the Winter Solitude,” Attributed to Ma Yuan, the Property of the Mitsui Gomei Kaisha, Tokyo
Watanabe HajimeExplanation of the Plates: The “Gohimitsu” Mandala, an Assemblage of Five Buddhist Deities, in the Collection of Mr. Kinta Muto, Hyogo-ken
Suganuma TeizoExplanation of the Plates: Sakyamuni Seated, Bodhisattva Seated in Lalitasana and Two Avalokitesvaras, in the Kanshin-ji Temple, Osaka-fu
Watanabe HajimeArt News
Aoyama ShinBook Review
Masaki TokuzoBook Review
Masaki TokuzoBook Review
Watanabe HajimeBook Review
 Report of the Institute
Wakimoto SokuroKanwagashi-shu, a Manual of Chinese and Japanese Painters with Critical Notes, Printed from the MSS., by an Unknown Author of the 17th Century in the Collection of Mr. Wakimoto, Tokyo
Tanaka KisakuHanabusa-Iccho-ki, Anecdotes of Hanabusa-Iccho, Printed from the MSS., Written in c. 1830 by Makino-Seichaku, the Property of Mr. Tanaka, Tokyo
No. 31Jul., 1934
Yashiro YukioOn a Chinese Bronze Group of Amitabha and His Attendants from the Sui Period in the Museum of Fine Arts, Boston
Wakimoto SokuroUragami-Gyokudo, Some Biographical and Critical Notes
Kumagai NobuoExplanation of the Plate: Image of Bodhisattva Ksiti-garbha, in Count Yanagiwara’s Collection, Toyama-ken
Kumagai NobuoArt News
Masaki TokuzoArt News
Aoyama ShinArt News
Tanaka KisakuBook Review
Nishimura TeiBook Review
 Report of the Institute
 Special Supplement: Classified Bibliography of Far Eastern Arts for the Year 1933
No. 30Jun., 1934
Tanaka KisakuOn the Iconography of “Rokujison”
Tani Shin-ichiA Biographical Study of Ensei-hoin, a Japanese Buddhist-sculptor of the 12th Century
Watanabe HajimeExplanation of the Plate: “Bamboo with Insects” in the Collection of Mr. Kazukiyo Hatakeyama, Tokyo
Kumagai NobuoExplanation of the Plates: Portrait of Ashikaga-Mitsuakira, in the Yotoku-in Temple, Kyoto
Masaki TokuzoExplanation of the Plates: Landscape by Buncho, Paintings on Sliding-screens in the Honko-ji Temple, Shizuoka-ken
Wakimoto SokuroExplanation of the Plate: Kazari-Chatsubo (Teajar) with Wisteria Design, Earthware by Ninsei, in the collection of Mr. Kin’ya Nagao, Tokyo
Masaki TokuzoArt News
Tanaka KisakuArt News
Watanabe HajimeArt News
Kumamoto KenjiroArt News
Kumamoto KenjiroArt News
Nishimura TeiBook Review
Watanabe HajimeBook Review
Nishimura TeiBook Review
 Report of the Institute
Tazawa Yutaka“Namuamidabutsu-Sakuzenshu” a List of Buddhistic Temples and Images Erected by Priest Chogen, Printed from the MSS. Belonging to the Institute of Historical Research (Shiryo-hensanjo), Tokyo
No. 29May, 1934
Yashiro YukioThree T’ang Sculptures from American Collections
Umezu JiroStudies on the Scroll-painting “Shinmeisho-e Uta-awase”
Watanabe HajimeArt News
Watanabe HajimeArt News
Watanabe HajimeArt News
Suganuma TeizoArt News
 Report of the Institute
Umezu JiroText of the Scroll-painting “Shinmeisho-e Uta-awase” (Printed from the Scroll in the Chokokan Museum, Mie-ken)
No. 28Mar., 1934
Wakimoto SokuroInfluence of Korean Painting on Japanese Ink-painting
Wakimoto Sokuro“Kao Jan-hui” and “Zenami, a Landscape-architect of the Ashikaga Period and His Seal of Ownership” Addendum
Kumagai NobuoPaintings in the Hokekyo Sutra in Mr. Muto’s Collection, Hyogo-ken
Suganuma TeizoPaintings by Miyagawa Choshun
Wakimoto SokuroExplanation of the Plates: The “Sonkai Tokainikki” Screen and “Eight Views of the Hsiao and Hsiang Rivers” on the Back of the Sonkai Tokai Nikki Screen in the Daigan-ji Temple, Hiroshima-ken
Tanaka KisakuExplanation of the Plates: “Landscape” by Aoki Shukuya, and “Cherry-blossoms” by Mikuma Katen, in Baron Konoike’s Collection, Osaka
Watanabe HajimeArt News
Watanabe HajimeArt News
Suganuma TeizoArt News
Watanabe HajimeBook Review: A History of Early Chinese Painting, by Osvald Siren
Atarashi KikuoBook Review
Sugita MasujiroBook Review
 Report of the Institute
Wakimoto SokuroSogen Gamei Roku: “Manual of Chinese Painters in the Sung and Yuan Periods,” Printed from the MS. Probably by Asano Baido in Mr. Wakimoto’s Collection
No. 27Mar., 1934
Ogino MinahikoThe Picture-Scroll “Tohokuin Shokunin Uta-awase” or “Pictures of Different Professions” in the Manshuin Temple, Kyoto
Umehara SuejiSome Recentry-discovered “Ch’in Mirrors”
Tanaka KisakuThree Hitherto Unpublished MSS. of Commentaries on Japanese Painters by Arai Hakuseki
Wakimoto SokuroExplanation of the Plates: “Sketches of Poppies,” a Picture-Scroll by Hirafuku Hyakusui, in the Collection of the Imperial School of Art, Tokyo
Maruo ShozaburoExplanation of the Plates: A Statue of Yakushi Nyorai, in the Sorinji Temple, Kyoto
Yashiro YukioBook Review
Aoyama ShinBook Review
 Report of the Institute
Tanaka Kisaku“Honcho Eshi” or “Japanese Painters” and “Gaka Keizu” or “Family and Artistic Lineage of Japanese Painters” Both Newly Printed from Arai Hakuseki’s Autographical MSS. in the Imperial Household Library, Tokyo
No. 26Mar., 1934
Yashiro YukioApsaras and Other Bas-reliefs from T’ien-lung-shan in Mr. Winthrop’s Collection, New York
Sekino TadashiA Chinese Bronze Bell of the Liao Dynasty
Wakimoto SokuroZenami, a Landscape-architect of the Ashikaga Period and His Seal of Ownership
Tanaka KisakuExplanation of the Plates: “Portrait of Sogi,” in Count Nanbu’s Collection, Tokyo
Shirahata YoshiArt News
Suganuma TeizoBook Review
Aoyama ShinBook Review
 Report of the Institute
Tanaka Kisaku“Gako Binran” or “Manual of Japanese Painters,” Printed from Arai Hakuseki’s Autographic Manuscripts in the Imperial Household Library, Tokyo
No. 25Jan., 1934
Yashiro YukioA Sung Copy of the Scroll “Ladies of the Court” by Chou Wen-chu
Umehara SuejiLacquered Toilet-cases of the Han Dynasty Found in China
Maruo ShozaburoA Statue of Thousand-armed Avalokitesvara in the Fujio-Kannondo Temple, Nagano-ken
Tanaka KisakuAn Album of the “Rites and Ceremonies of the Year”
Kumagai NobuoExplanation of the Plate: “Pine Trees” by Hasegawa Tohaku, in Viscount Fukuoka’s Collection, Tokyo
Wakimoto SokuroExplanation of the Plates: “The Gods of Wind and Thunder” by Ogata Korin in Count Tokugawa’s Collection, Tokyo
Aoyama ShinBook Review
 Report of the Institute
Tanaka Kisaku“Zue Hokan Kinyu Yasunobu Kantei Ikkagenshu” or “Commentaries of the T’u-hui-pao-chien by Kano Yasunobu” (Printed from Yasunobu’s Autographic Manuscripts)
No. 24Dec., 1933
Suganuma TeizoA Study on the Picture Scroll “Nayotake Monogatari”
Sugita Masujiro“A Monk Narrating the Romance of Lady Kogo” by Kuroda Seiki
Aoyama Shin“Portrait of Desiderius Erasmus,” a Dutch Sculpture of 1598 A. D. in the Ryuko-in Temple, Tochigi-ken
 “Butsunichi-an Kumotsu Mokuroku” or “Catalogue of Art Objects in the Butsunichi-an of Engakuji Monastery”
Watanabe HajimeExplanation of the Plates: “Akasagarbha,” in the Engakuji Temple, Kamakura
Tanaka KisakuExplanation of the Plate: “Two Chinese Sages Hsu-you and Ch’ao-fu” by Eitoku in Mr. Ogura’s Collection, Tokyo
Watanabe HajimeExplanation of the Plate: Gilt Bronze Statuette of Eleven-faced Avalokitesvara in Baron Morimura’s Collection, Tokyo
Kumamoto KenjiroArt News
 Book Review
 Report of the Institute
Suganuma TeizoText of the Picture Scroll “Nayotake Monogatari”
 Table of Contents of the Bijutsu Kenkyu, 1933
No. 23Nov., 1933
Masaki TokuzoStudies on the Picture Scrolls “Murasaki-shikibu Nikki” or “Diary of Lady Murasaki-shikibu”
Tanaka KisakuStudies on Stotatsu (Concluded)
Wakimoto SokuroTwo Letters of Okyo
Watanabe HajimeArt News
Watanabe HajimeArt News
Watanabe HajimeArt News
Watanabe HajimeArt News
Watanabe HajimeArt News
Watanabe HajimeArt News
Kinoshita TatsuyaBook Review
Watanabe HajimeBook Review
Kumagai NobuoBook Review
 Report of the Institute
Masaki TokuzoText of the Picture Scrolls “Murasaki-shikibu Nikki”
No. 22Oct., 1933
Watanabe HajimeWall and Screen Paintings by Maruyama Okyo in the Kotohira Shrine, Kagawa-ken
Wakimoto SokuroStudies on the Seal “Zakka-shitsu,” a Mark of Ownership Probably of Ashikaga Yoshimasa
Wakimoto Sokuro“‘Landscape’ Attributed to Hsia Kuei in Marquis Asano’s Collection” Addendum
Watanabe HajimeExplanation of the Plate: Portrait of Chisho Daishi, in the Konsoji Temple, Kagawa-ken
Wakimoto SokuroExplanation of the Plate: “Sparrows on a Withered Tree” Attributed to Mu C’hi in Mr. Nezu’s Collection, Tokyo
Masaki TokuzoExplanation of the Plate: A Marble Statuette of a Woman Playing Genkan of the Imperial School of Art, Tokyo
Kumagai NobuoBook Review
 Report of the Institute
Tanaka KisakuKazan Sensei Manroku; Diary of Watanabe Kazan about the Year 1816 (Printed from his Autograph)
No. 21Oct., 1933
Yashiro YukioThe Scroll of Kibi’s Adventure in China
Wakimoto Sokuro“Landscape” Attributed to Hsia Kuei in Marquis Asano’s Collection
Watanabe HajimeMaruyama Ruisei Inpu, an Album of Seals Used by the Painters of Maruyama School
Tanaka ToyozoExplanation of the Plate: “Birds Sleeping on a Plum-tree” by Chikuden, formerly in Mr. Matsumoto’s Collection, Osaka
 Art News
Watanabe HajimeBook Review
Masaki TokuzoBook Review
Masaki TokuzoBook Review
Suganuma TeizoBook Review
Suganuma TeizoBook Review
 Report of the Institute
 Text of “The Scroll of Kibi’s Adventure in China”
No. 20Sep., 1933
Kumagai NobuoA Study on the Painting “Ninno-gyo Mandara”
Tanaka KisakuStudies on Sotatsu
 Report of the Institute
Wakimoto SokuroKundaikan Sayu Choki (in the Tohoku Imperial University Library): Comments on the Art Objects in Ashikaga Yoshimasa’s Collection by Soami
No. 19Aug., 1933
Inaba Iwakichi“Commentaries on Painting” by Shin-shukushu
Oguchi MasaoA Stylistic Study of the Buddhistic Images of Ten-nin (Aspara) of the Northern Wei Period (China) Especially at Yun-kang and Lung-men
Sekino TadashiA Stone Stupa of the Silla Dynasty in the Bukkokuji Temple, Korea
Aoyama ShinExplanation of the Plates: Statue of Fugenbosatsu (Samantabhadra) in the Okura Shukokan Museum, Tokyo
Wakimoto SokuroExplanation of the Plates: “Feng-kan, Han-shan, Shih-t’e and Tiger” by Mokuan, in Marquis Maeda’s Collection
Kumagai NobuoExplanation of the Plate: “Mountain in Snow” by Senka, in Mr. Yamada’s Collection, Toyama-ken
Ozaki NatsuhikoExplanation of the Plate: “River-side Village in Rain” by Gyokudo, Formerly in Mr. Matsumoto’s Collection, Osaka
Masaki TokuzoExplanation of the Plate: “Gilt-bronze Flower Tray” in the Shinshoji Temple, Shiga-ken
Watanabe HajimeArt News
Kumamoto KenjiroArt News
 Report of the Institute
 Classified Bibliography of Oriental Arts for the Year 1932
No. 18Jun., 1933
Suganuma TeizoPortrait Paintings by Watanabe Kazan
Tanaka KisakuA Picture Scroll “Juni-innen Emaki” in Mr. Nezu’s Collection, Tokyo
Umehara SuejiA Bronze Dagger with a Sheath in Marquis Hosokawa’s Collection, Tokyo
Kumagai NobuoExplanation of the Plate: “Landscape” in the Shokokuji Temple, Kyoto
Masaki TokuzoExplanation of the Plate: “Landscape” by Yun Nan-tien in Mr. Hashimoto’s Collection, Tokyo
Wakimoto SokuroExplanation of the Plate: Two Pitchers from the Banko Kiln in Baron Furukawa’s Collection, Tokyo
Suganuma TeizoArt News
Ozaki NatushikoArt News
Kinoshita TatsuyaArt News
Watanabe HajimeBook Review
Masaki TokuzoBook Review
Masaki TokuzoBook Review
 Report of the Institute
Tanaka KisakuText of the Picture Scroll “Juni-innen Emaki”
No. 17May, 1933
Hamada KosakuBricks with Ornamental Patterns in Relief of Silla Dynasty, Chosen
Masaki TokuzoOkada Tamechika and His Paintings on the Sliding-screens in the Daijuji, Aichi-ken
Wakimoto SokuroA Technique of Casting Buddhist Images in the Kamakura Period
Kobayashi TsuyoshiA Survey of Mutilated Buddhist Images Found in the Yakushiji Temple, Nara
Watanabe HajimeExplanation of the Plate: “Aizen-Mandara” in the Zuishin-in, Kyoto
Kumagai NobuoExplanation of the Plate: Portrait of Bukkan Zenji in the Engakuji, Kamakura
Masaki TokuzoExplanation of the Plate: “A Monkey” Attributed to Mao Sung, in the Manshuin, Kyoto
Aoyama ShinArt News
Aoyama ShinArt News
Suganuma TeizoArt News
 Art News
 Art News
 Report of the Institute
No. 16Apr., 1933
Tanaka ToyozoOn the Archaic Type of the Buddhist Temples in China
Torii RyuzoA Fragment of a Mirror Incised with Figures of Kongo-doji and Attendants and with the Date of the Third Year of Choho (1001)
Tanaka KisakuOn the “Gakofuryaku” or “Family and Artistic Lineage of Painters”
Wakimoto Sokuro“Buncho’s Sketches from Old Paintings” in Mr. Yamada’s Collection
Watanabe HajimeExplanation of the Plate: “Amitabha and Bodhisattvas Coming from Heaven to Welcome the Faithful” in the Chion-in Temple, Kyoto
Suganuma TeizoExplanation of the Plate: Illustrated MS. of Sutra on Fan-shaped Paper in the Saikyoji Temple, Shiga-ken
Kumagai NobuoExplanation of the Plate: “Heron” by Tan-an in the Tokyo Imperial Museum Collection
Wakimoto SokuroExplanation of the Plate: “Landscape” by Ko Cheng-ch’i in Mr. Matsuoka’s Collection, Tokyo
Tanaka KisakuExplanation of the Plates: “Festival of the Sanno Shrine” in the Horinji Temple, Kyoto
 Book Review: Portfolio of Chinese Paintings in the Museum of Fine Arts, Boston, Han to Sung Periods
 Report of the Institute
No. 15Mar., 1933
Joseph HackinBuddhist Sculpture of Hadda: Translation from “L’oeuvre de la Delegation Archeologique Francaise en Afghanistan (1922-1932)”
Kumagai NobuoBonpo, a Biographical Study
Tanaka KisakuOn Buson
Odaka SennosukeExplanation of the Plate: A Head of Bodhisattva of Northern Wei from Temple Shih-k’u-ssu, Kung-hsien, in Mr. Nishiyama’s Collection, Tokyo
Watanabe HajimeExplanation of the Plate: Bodhisattva Akasagarbha in Baron Dan’s Collection, Tokyo
Masaki TokuzoExplanation of the Plate: Boddhidharma by an Anonymous Painter, Pu-tai and Feng-kan by Li Chueh, a Triptych in the Myoshinji Temple, Kyoto
Wakimoto SokuroExplanation of the Plate: “A Hermit Riding to See Plum Blossoms” by Gensai in the Chosen Government Museum, Keijo
Odaka SennosukeBook Review: Arthur Waley, A Catalogue of Paintings Recovered from Tun-Huang by Sir Aurel Stein
Watanabe HajimeBook Review: E. A. Voretzsch, Chinesische Gemalde
 Report of the Institute
Sekino TadashiThe Architecture of the F’en-kuo Temple in Manchukuo
No. 14Feb., 1933
Maruo ShozaburoA Statue of the Deva Vaisramana in Mr. Hashimoto’s Collection
Wakimoto SokuroA Study of the Haboku-Style in the Oriental Painting
Odaka SennosukeExplanation of the Plate: A Votive Stele with Figures of Seven Buddhas of Eastern Wei, Formerly in Mr. Yamanaka’s Collection, Osaka
Tanaka KisakuExplanation of the Plate: A Picture Scroll “Legends of Katsurakake-Jizo” in the Rokuharamitsuji Temple, Kyoto
Wakimoto SokuroExplanation of the Plate: “Tan-hsia Burning an Image of Buddha” by Yin-t’o-lo in Marquis Kuroda’s Collection, Tokyo
Wakimoto SokuroExplanation of the Plate: “Landscape” by Sesshu, in the Tokyo Imperial Museum
Masaki TokuzoExplanation of the Plate: “Plum-Trees” by Korin in Count Tsugaru’s Collection, Tokyo
Suganuma TeizoExplanation of the Plate: “Sketches of Insects” by Okyo in the Tokyo Imperial Museum
Odaka Sennosuke, Sugita MasujiroArt News
Sugita MasujiroArt News: Death of Salmon Reinach
Odaka SennosukeBook Review
Kumagai NobuoBook Review
Aoyama ShinBook Review
 Report of the Institute
Kumagai NobuoText of the Picture Scroll “Miracle of Hoyake-Amida” in the Kosokuji Temple, Kamakura
No. 13Jan., 1933
Umehara SuejiAn Inlaid Bronze Mirror in Marquis Hosokawa’s Collection
Wakimoto SokuroKao Jan-hui
Kumagai NobuoStatues of Amitabha Trinity and the Picture Scroll “The Miracle of Hoyake Amida” in the Kosokuji Temple, Kamakura
Masaki NaohikoA Carved Lacquer Tray in the Engakuji Temple, Kamakura
Wakimoto SokuroExplanation of the Plate: “A Cock” by Lo-ch’uang” in Marquis Asano’s Collection, Tokyo
Masaki TokuzoExplanation of the Plate: “Landscape” by Kimura-Tangen in Count Watanabe’s Collection, Tokyo
Ozaki NatsuhikoArt News
Tanaka KisakuArt News
Odaka SennosukeArt News
Aoyama ShinArt News
Kumamoto KenjiroBook Review
Masaki TokuzoBook Review
Watanabe HajimeBook Review
 Report of the Institute
No. 12Dec., 1932
Noma SeirokuClay Sculpture and Its Development
Ogino MinahikoPeculiar Seals on the Early Ukiyoe Paintings in Mr. Nezu’s Collection, Tokyo
Ozaki Natsuhiko“Hibo-Kannon” by Kano Hogai
Nishimura TeiAraki-Jogen and Wakasugi-Isohachi
Tanaka KisakuOn the Loan Exhibition of Paintings of the Nagasaki School
Masaki TokuzoExplanatory Note of the Plates: Gilt Bronze Statuette of Bodhisattva in the Collection of the Imperial School of Art, Tokyo
Watanabe HajimeExplanatory Note of the Plates: “Butsugen-Butsumo” in the Kozanji Temple, Kyoto
Masaki TokuzoArt News
Kinoshita TatsuyaArt News
Masaki TokuzoBook Review
Kinoshita TatsuyaBook Review
Sugita MasujiroBook Review
Kumamoto KenjiroBook Review
 Report of the Institute
 Table of Contents of the Bijutsu Kenkyu, 1932
No. 11Nov., 1932
Kobayashi TsuyoshiA Study on the Transmission of the Statues of the “Ten Disciples” and the “Eight Guards of Buddha,” Now in the Kofukuji Temple
Maruo ShozaburoStatues of Senjukannon (Thousand-armed Avalokitesvara Bodhisattva) in the Renge-o-in
Mochizuki ShinjoA Canopy in the Kyoogokokuji Temple
Suganuma TeizoExplanatory Note of the Plates: Statues of Subhuti and Asura in the Kofukuji Temple, Nara
Wakimoto SokuroExplanatory Note of the Plate: “Young Sparrows” Attributed to Hsu Ch’ung-ssu in Marquis Asano’s Collection, Tokyo
Masaki TokuzoExplanatory Note of the Plates: “Enjoying the Evening Cool” by Kuzumi Morikage in Count Makino’s Collection, Tokyo
Ozaki NatsuhikoExplanatory Note of the Plate: “Portrait of Okakura Tenshin” by Shimomura Kanzan in the Collection of the Imperial School of Art, Tokyo
Aoyama ShinArt News
Sugita MasujiroArt News
Sugita MasujiroArt News
Watanabe HajimeArt News
 Report of the Institute
Tanaka KisakuDaibusshi Keizu or Lineage of Buddhist Sculptors in Japan (Printed from an Old MS.)
No. 10Oct., 1932
Ishida MikinosukeA Study on the Life of Lang Shih-ning (Gioseppe Castiglione)
Kumagai NobuoOn the Portrait of Rankei Doryu
Tanaka Kisaku“Scenes from the Genji Monogatari,” a Pair of Folding Screens by Sotatsu
Tanaka KisakuBook Review
Watanabe HajimeBook Review
Tanaka KisakuBook Review
Suganuma TeizoBook Review
Tsuchida KyosonLetter: On Screen-painting in the Myoren-ji Temple, Kyoto
 Report of the Institute
No. 9Sep., 1932
Yashiro YukioOn the Loan Exhibition of Modern European Paintings
Kojima KikuoA Few Thoughts on the Exhibition
No. 8Aug., 1932
Sekino TadashiThe Tu-yueh-szu Temple in Chi Hsien, China: The Oldest Wooden Architecture and the Largest Clay Statue, Exiting in China
Kumagai Nobuo“Banana-tree under the Nightly Rain,” an Anonymous Fifteenth Century Painting
Tanaka KisakuScreen-painting in the Myoren-ji Temple, Kyoto
Wakimoto SokuroExplanatory Note of the Plates: Sketches of Villa Toyama by Buncho in Mr. Yamada’s Collection, Tokyo
Suganuma TeizoExplanatory Note of the Plate: Tan’yu’s Sketches of Flowers in the Tokyo Imperial Museum Collection
Masaki TokuzoExplanatory Note of the Plate: Statue of Shotoku Taishi in the Zenju-ji Temple, Ibaraki
Ozaki NatsuhikoArt News
Kinoshita TatsuyaArt News
Sugita MasujiroArt News
Sugita MasujiroArt News
Masaki TokuzoBook Review
Aoyama ShinBook Review: Mohenjo-daro and the Indus Civilization, Edited by Sir John Marshall
Tanaka KisakuBook Review
Watanabe HajimeBook Review
 Report of the Institute
No. 7Jul., 1932
Watanabe Hajime“Arhats” in the Collection of the Imperial School of Art, Tokyo
Masaki Tokuzo“Legends from the Life of Shotoku-Taishi” in Mr. Kawai’s Collection
Tanaka KisakuExplanatory Note of the Plates: Wall-painting of the Genre Subject in the Enman-in Temple, Shiga
Tanaka KisakuExplanatory Note of the Plate: “Fruits” by Yun Nan-t’ien in Mr. Hashimoto’s Collection, Tokyo
Sugita MasujiroArt News
Ozaki NatsuhikoArt News
Sugita MasujiroArt News
Atarashi KikuoArt News
Suganuma TeizoArt News
Tanaka KisakuBook Review: Sharaku von Friz Rumpf
Ozaki NatsuhikoBook Review
 Report of the Institute
 Classified Bibliography of Oriental Arts for the Year 1931
No. 6Jun., 1932
Wada EisakuSketch-books of Seiki Kuroda
Maruo ShozaburoStatues of Kichijoten in the Joruriji and the Seiunji Temples
Tanaka KisakuPicture Scrolls Gugan-Bon of “The Legends from the Life of Honen”
Masaki TokuzoExplanatory Note of the Plates: Statue of Kichijoten in the Joruriji Temple, Kyoto
Suganuma TeizoExplanatory Note of the Plate: Statue of Amitabha in Mr. Yatsuhashi's Collection, Tokyo
Watanabe HajimeExplanatory Note of the Plate: Bronze Tube Inlaid with Gold in the Tokyo Fine Art School Collection
Tanaka KisakuArt News
Tanaka KisakuArt News
Masaki TokuzoArt News
Aoyama ShinArt News
Masaki TokuzoArt News
Sugita MasujiroArt News: Death of Georg Gottfried Dehio
Aoyama ShinArt News
Kinoshita TatsuyaArt News
Masaki TokuzoBook Review
Sugita MasujiroBook Review
 Report of the Institute
No. 5May, 1932
Tanaka KisakuA Picture Scroll “Legends from the Lives of the Five Founders of the Jodo-Sect”
Masaki TokuzoResearches on “The Apparition of Maitreya to the Faithful” in Japanese Painting
Suganuma TeizoExplanatory Note of the Plate: “Pine Tree” by Kaiho Yusho in the Zenkyo-an Temple, Kyoto
Masaki TokuzoExplanatory Note of the Plate: “Loquat” by Kai Ch'i in Mr. Takezoe’s Collection, Tokyo
Kinoshita TatsuyaArt News
Masaki TokuzoArt News
Atarashi KikuoArt News
Kinoshita TatsuyaArt News
Masaki TokuzoArt News
Aoyama ShinArt News
Kinoshita TatsuyaBook Review
Aoyama ShinBook Review
Aoyama Shin, Watanabe HajimeBook Review
Watanabe HajimeBook Review: Uber die Stilentwicklung der chinesischen Grabfiguren, von Osvald Siren
 Report of the Institute
Tanaka Kisaku“Gako-furyaku” (Family and Artistic Lineage of Painters) Newly Printed from an Old MS.
No. 4Apr., 1932
Masaki NaohikoAntique Documents and Antiquarian albums in the Reitokaku Collection
Tanaka KisakuA Fragment of the Bunkanshirin MS. in the Reitokaku Collection
Kumagai NobuoPaintings with Poetical Inscriptions during the Oei Years (1394-1427)
Wakimoto SokuroTannyu's Sketches from Old Paintings
Watanabe HajimeExplanatory Note of the Plates: “Departure of a Japanese Monk”
Watanabe HajimeExplanatory Note of the Plate: A Version of the Taima-Mandala in Mrs. Yoshida’s Collection, Hyogo
Masaki TokuzoExplanatory Note of the Plate: An Octangular Mirror Incised with a Figure of Zaogongen in the Tokyo Fine Art School Collection
Sugita MasujiroArt News
Sugita MasujiroArt News
Nakane KatsuArt News
Suganuma TeizoBook Review
Masaki TokuzoBook Review
 Report of the Institute
No. 3Mar., 1932
Aoyama ShinSculptures of Tak-i-Bustan in Persia (Continued)
Maruo ShozaburoOne Thousand Statues of Senju-Kannon in the Renge-o-in
Kumagai Nobuo“Flowers and Birds,” a Pair of Six Folded Screens Attributed to Sesshu
Wakimoto SokuroTenryudojin, a Painter of Vine, from Shinshu
Kumagai NobuoExplanatory Note of the Plates: “T’ung-shan Wading a Brook” Attributed to Ma Yuan in Mr. Tanaka’s Collection, Tokyo
Yashiro YukioArt News
Wilhelm SolfArt News: On the Exhibition of Japanese Painting in Berlin
Watanabe HajimeBook Review
Masaki TokuzoBook Review
Masaki TokuzoBook Review
Suganuma TeizoBook Review
Watanabe HajimeBook Review
 Report of the Institute
No. 2Feb., 1932
Yashiro YukioOn Making a Collection of Copies and Replicas of Masterpieces
Tanaka KisakuWall and Screen Paintings in the Dai-an-ji
Maruo ShozaburoStatues of Bodhisattva by Tankei in the Rebge-o-in
Kuroda Genji“Portrait of a Boy” by Ikkyu
Watanabe HajimeExplanatory Note of the Plate: “Portrait of Myonen” in Mr. Wakimoto’s Collection, Tokyo
Tanaka KisakuExplanatory Note of the Plate: “Maki and Hinoki Trees,” a Six Folded Screen by Sotatsu in Mr. Yamakawa’s Collection, Kanazawa
Wakimoto SokuroExplanatory Note of the Plate: “A Man under a Pine-tree” by Li Shih-cho in Mr. Takezoe’s Collection, Kanagawa
Watanabe HajimeArt News
Masaki TokuzoArt News
Masaki TokuzoArt News
Masaki TokuzoArt News
Aoyama ShinArt News
Suganuma TeizoArt News
Masaki TokuzoArt News
Tanaka KisakuBook Review: The Ryerson Collection of Japanese and Chinese Illustrated Books, by Kenji Toda
Suganuma TeizoBook Review
Tanaka KisakuBook Review
 Report of the Institute
No. 1Jan., 1932
Yashiro YukioThe Establishment of the Institute of Art Research
Aoyama ShinSculptures of Tak-i-Bustan in Persia
Yashiro YukioNews Abroad
Sugita MasujiroNews Abroad
Yashiro YukioNews Abroad: Death of Charles Ricketts, R. A.
Watanabe HajimeExplanatory Note of the Plates: “Portrait of Ri Seiken” by Chen Chien-ju in the Yi Royal Family Museum, Keijo
Suganuma TeizoExplanatory Note of the Plate: “A Horse (a Votive-tablet)” by Kano Shuri (Sanraku) in the Myohoin Temple, Kyoto
Tanaka KisakuExplanatory Note of the Plate: "A Beautiful Woman" by Miyagawa Choshun in Mr. Odaka’s Collection, Tokyo
 Report of the Institute
 The “Tohaku Gasetsu” or “Talks on Art” by Hasegawa Tohaku (Newly Reprinted from Old MSS)
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