No. 396, Nov., 2008
coming soon |
Watanabe Yuji |
The Context of the Juko-in Main Hall Wall Panel Paintings |
| Watada Minoru |
A Hypothesis on the Establishment Date of Juko-in: For A Reconsideration of its Wall Panel Paintings |
| Takahashi Shuji |
Research Note: Report on the Discovery of Torn Trousers by Fuji Gazo |
| Watada Minoru |
Exhibition Review: Kano Eitoku Exhibition (Kyoto National Museum) |
No. 395, Aug., 2008
new! |
Zheng Yan |
Reflections on the Problem of Audience for Han Dynasty Funerary Carved Pictorial Images |
| Watada Minoru |
Jiboku Sotan (Part 3) |
| Tanaka Atsushi |
Research Note: Odaka Senfnosuke and Kishida Ryusei |
| Kobayashi Mioko |
Research Note: For a Smooth Surface: A Reconsideration of Koide Narashige |
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Report of the Department of Research Programming |
| No. 394, Mar., 2008 |
Watada Minoru |
Jiboku Sotan (Part 2) |
| Aizawa Masahiko |
Tosa Mitsuyoshi and Large-Format Paintings |
| Chang Chin-sung |
Between Non-Attachment and Obsession: The Collecting Culture of Late Choson Korea |
| Emura Tomoko |
Material for Art Research: Scenes from the Tale of the Soga Brothers, Pair of Six-panel Screens by Tosa Mitsuyoshi |
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Index to Bijutsu Kenkyu, Nos. 389-394 |
| No. 393, Jan., 2008 |
Katsuki Gen'ichiro |
The Reception of Amitabha Pure Land Images in Ancient Japan and Its Phases: Focusing on the True Nature of the Reception of the Horyuji Kondo Wall Painting No. 6 and the Taima Mandala and the Formation of Related Discourse |
| Sarai Mai |
The Yakushi Triad at Daigoji and the Structures of Temple Foundation
during the Early Heian Period (Part 2) |
| Watada Minoru |
Jiboku Sotan (Part 1) |
| Tanaka Atsushi |
Exhibition Review: Three Early Showa Era Painters: Kojima Zenzaburo, Tsuruoka Masao, Ai-Mitsu |
| Tsuda Tetsuei |
Book Review: Nedachi Kensuke, Japanese Medieval Buddhist Sculptors and Society: Unkei, the Kei School, and the Shichijo Busshi |
| No. 392, Sep., 2007 |
Sarai Mai |
The Yakushi Triad at Daigoji and the Structures of Temple Foundation
during the Early Heian Period (Part 1) |
| Emura Tomoko |
The Wealth from Birth on the Path to Becoming a Painter: The Environment Surrounding Ogata Korin and his Creation of Art Works |
| Shioya Jun |
Research on Kawabata Gyokusyo --I-- |
| Kuraya Mika |
The Lower Half of the Painting: Japanese Nude Paintings from 1890 to 1945 |
| Toda Teisuke |
Exhibition Review: Urgami Gyokudo Exhibition |
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Reports from the Editorial Committee and the Department of Fine Arts |
| No. 391, Mar., 2007 |
Chen Fangmei |
Seeking the Three Dynasties among the Ritual Vessels of Old: The Sung Dynasty Shift from "Investigating Antiquity" to "Appreciating Antiquity" |
| Pak Eunkyung |
A New Interpretation of the Food-Offering Figures in the Water-Moon Avalokitesvara Painting at Daitokuji in Kyoto |
| Aizawa Masahiko |
Haboku Landscape and Soen |
| Aoki Shigeru |
Exhibition Review: Mori Ogai and Japanese Modern Art |
| Tsuda Tetsuei |
Material for Art Research: Copy Figures of the Central Worship Images at Zenkoji |
| No. 390, Dec., 2006 |
Tanaka Atsushi |
Koki-Inshoha: Japanese Post-Impressionism around 1912 |
| Shioya Jun |
Explanation of Plate: Kikuchi Yosai's Kannon Sutra in the Biblioteque Nationale de France |
| Tsuruta Takeyoshi |
Explanation of the Plate: Huang Fuzhou's Shebua (Tongue Painting): Study Materials on Painting during China's Republican Period |
| Sarai Mai |
Exhibition Review: Ko-Mikkyo: The Incipient Stages of Japanese Esoteric Buddhism |
| Tanaka Atsushi |
Exhibition Review: Cubism in Asia: Unbounded Dialogues |
| Kim Hyeshin |
Exhibition Review: The Cubism of Asia as Seen in Seoul's Old Palace, Cubism in Asia: Unbounded Dialogues |
| Hida Romi |
Book Review: A Century of Chinese Sculpture Studies in Japan: Reading Ishimatsu Hinako's Buddhist Images in the Northern Wei Period |
| Yamanashi Emiko |
Book Review: Arayashiki Toru's Grez-Sur-Loin et le Japon: Deux Artistes Japonais, Kouroda Seiki et Asai Chu |
| No. 389, Jun., 2006 |
Xie Mingliang |
The Appreciation of Guan Wares in Late Ming China and the Taste for Suiqi Cracked Ware |
| Ushiroshoji Masahiro |
Public Art at an Imperial University: Aoyama Kumaji's Mural for the Engineering Department of Kyushu University |
| Asai Kyoko |
Book Review: Yoshizawa Katsuhiro's Hakuin: The World of Zen Painting |
| Kitazawa Noriaki |
Book Review: Living Painters, Or the Paradox of Distance: Tanaka Atsushi's The Place of Painter: From the basic levels of Modern Japanese Painting |
| Tsuda Tetsuei, Sarai Mai |
Material for Art Research: Seated Wooden Bodhisattva at Hoonji, Hyogo Prefecture |
| Dainobu Yuji |
Material for Art Research: Kuroda Seiki's Notebook Recording his Letter Drafts and Diary for 1888 (Part III) |
| Tanaka Atsushi |
Material for Art Research: Kuroda Seiki's Notebook recording his Letter Drafts and Diary for 1888 |
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Reports from the Editorial Committee and the Department of Fine Arts |
| No. 388, Feb., 2006 |
Christine Guth |
The Loaded Language of Cross-Cultural Evaluation: Curiosities, Curios, and Japan |
| Kim Youngna |
Lee In-sung's "Local Colors": Nationalism or Colonialism? |
| Shioya Jun |
Explanation of Plate: Kano Shosen'in Tabdanobu's Tatsuta Screen in the Baur Collections, Geneva |
| Watada Minoru |
Exhibition Review: A Feeling of "Inkiness" Hard to Position in Art History: Viewing the Takada Keiho and Koizumi Ayaru Exhibition |
| Toda Teisuke |
Exhibition Review: Sesshu and painting of the Ming Dynasty (Nezu Institute of Fine Arts) |
| Dainobu Yuji |
Material for Art Research: Kuroda Seiki's Notebook Recording his Letter Drafts and Diary for 1888 (Part II) |
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Index to Bijutsu Kenkyu, Nos. 383-388 |
| No. 387, Oct., 2005 |
Tsuruta Takeyoshi |
On Western-Style Japanese Paintings Displayed in the First National Art Exhibition Held by the Ministry of Education of the Republic China, 1929: Research on the History of Chinese Painting of the Past 100 Years --VIII-- |
| Tanaka Atsushi |
Exhibition Review: Regarding Early Showa Era Paintings |
| Nagoya Akira |
Exhibition Review: Thoughts on the Early Sutra Copies Exhibition |
| Arayashiki Toru |
Book Review: The Pantheon-kai Journal: A Social Meeting Ground for Japanese Students in Paris from 1900-1903 |
| Dainobu Yuji |
Material for Art Research: Kuroda Seiki's Notebook Recording his Letter Drafts and Diary for 1888 (Part I) |
| No. 386, Jun., 2005 |
Watada Minoru |
The Twenty-eight Patriarchs at Sofukuji: From Unkoku Toeki and Mincho to Sesshu and Bunsei |
| Christophe Marquet |
Emmanuel Tronquois and the Mid-Meiji Era Western Painting Circles |
| Kobayashi Hiromitsu |
Exhibition Review: Southern Song Paintings: Elegant and Noble in Soul (Nezu Institute of Fine Arts) |
| Omote Tomoyuki |
Book Review: Changing Antiquarian Interests in the Early Meiji Era: A Review of Suzuki Hiroyuki's Antiquarian's 19th Century |
| Namiki Seishi |
Book Review: Takagishi Akira's Power and Painting in Muromachi Japan: A Study of the Early Tosa School |
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Report of the Institute |
| No. 385, Feb., 2005 |
Yanagisawa Taka |
New Information Regarding the Yellow Acalanatha (Ki-Hudo) Painting of Onjoji: Conservation Report |
| Takada Osamu |
Reading Yanagisawa Taka's "New Information Regarding the Yellow Acalanatha (Ki-Hudo) Painting of Onjoji" |
| Choe Song-geun |
Research on the Stone Standing Triad at Gaetaesa Temple: The Emergence of the Newly Unified Goryeo Dynasty and Buddhist Sculpture |
| Toda Teisuke |
Exhibition Review: Thoughts on the Rimpa Exhibition (National Museum of Modern Art, Tokyo) |
| No. 384, Nov., 2004 |
Rong Xinjiang |
From Sogdia to China: The Transformation of Sogdian Zoroastrian Art during its Eastward Migration |
| Murakami Hiroya |
The Dialectics of Self-Image: An Interpretation of Matsumoto Shunsuke's Portrait of the Artist, Standing Figure, Five People, and Three People (Part II) |
| Shioya Jun |
Explanation of Plates: Gyoshu's Drawings of an Infant |
| Tsuruta Takeyoshi |
Material of Art Research: Publication of the Entire Set of Exhibited Works Catalogues for the Nikka (Chunichi) Kaiga Rengo Tenrankai (The Sino-Japanese Joint Exhibitions of Paintings): Research on the History of Chinese Painting of the Past 100 Years --VII, Continued-- |
| No. 383, Aug., 2004 |
Tsuruta Takeyoshi |
Regarding the Nikka (Chunichi) Kaiga Rengo Tenrankai (The Shino-Japanese Joint Exhibitions of Paintings): Research on the History of Chinese Painting of the Past 100 Years --VII-- |
| Murakami Hiroya |
The Dialectics of Self-Image: An Interpretation of Matsumoto Shunsuke's Portrait of the Artist, Standing Figure, Five People, and Three People (Part I) |
| Suzuki Hiroyuki |
Research Note: W. Anderson's "A History of Japanese Art" (1879) |
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Report of the Institute |
| No. 382, Mar., 2004 |
Shi Shouchien |
The Spirit of Immortals: Chen Zihe and the Taoist Ink Painting during the Ming Dynasty |
| Tsuda Tetsuei |
Explanation of Plates: A Portrait of Honen Shonin at Chion-in, Kyoto |
| Tanaka Atsushi |
Exhibition Review: Aoki Shigeru and Romanticism in Modern Japanese Art |
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Index to Bijutsu Kenkyu, Nos. 377-382 |
| No. 381, Mar., 2004 |
Watada Minoru |
Sesshu in China: Unique Experiences for a Monk-Painter |
| Hayashi Yoko |
The Peripatetic Artist Foujita Tsuguharu: Discovering America after Japan and France |
| Asano Toru |
Book Review: Memories and Records: Reading Kimura Shohachi Diaries, Meiji Volume, Annotation and Research |
| No. 380, Mar., 2004 |
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New Editorial Policies |
| Hong Sunpyo |
The Realm of "Self-Pleasure" and "Depicting Thoughts": Creative Trends and Painting Production Amongst Yeohang Munin during the Late Choson Period |
| Tanaka Atsushi |
Research Note: Aoki Shigeru and Kishida Ryusei |
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Report of the Institute |
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