After Returning the Gold Picture Screens

How the screens are being loaded

 In the wake of a gas fumigation incident due to an erroneous agent in 2010, five gold picture screens became discolored. Based on the method that was determined as a result of discussing a policy for addressing the issue among parties concerned, including the Tokyo National Research Institute for Cultural Properties (TNRICP), these gold picture screens’ surface had been stabilized since 2012. They were finally returned to the Ekingura (Konan City, Kochi Prefecture) on April 17th, 2017 (carried out of the TNRICP on April 14th). With the screens’ safety as top priority, as a treatment to stabilize the surface, the following measures were taken: 1) The screens were dismantled to perform cleaning to remove the agent on the paper; 2) Prevention of the exfoliation of a paint layer, repairing of the paper, mending of a rupture of the paper, replacement of the lining paper and retouching of the repaired places; and 3) replacements of the foundation, osoigi frame support, karakami lining paper and metallic materials and reconstruction into a 2-panel folding screen. Each screen was packaged in order of a gas barrier bag, a screen bag and a cardboard box and delivered by a land vehicle specifically designed to transport art objects.
 In the presence of the Kumamoto Art and Culture Promotion Foundation, to which they were returned, the five screens were stored in a treasure house safely and the Ekingura Management Committee, the Akaoka Gold Picture Screen Preservation Association and those parties concerned in Kochi Prefecture and Konan City appeared to be pleased. Though it was unfortunately rainy, when the truck arrived and the screens were carried in, it stopped raining as if the parties’ wishes came true. The TNRICP will give advice on a preservation environment for the gold picture screens from this point onward.

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