ブックタイトル近代テキスタイルの保存と修復

概要

近代テキスタイルの保存と修復

参考文献1 Blank, S., Rubber in museums, Australian Institute for Conservation of Cultural Material Bulletin vol.14, 1988, pp.53-93.2 Cook, J.G., Handbook of Textile Fibres, Merrow Publishing, England, 1968.3 Fenn, J. (ed. Heuman, J.), The cellulose nitrate time bomb: using sulphonephthalein indicators to evaluate storage strategies,From Marble to Chocolate: The Conservation of Modern Sculpture, Archetype, London, 1995, pp. 87-92 (Postprints of TateGallery Conference, 18-20 September) .4 Grattan, D. (ed.), Saving the Twentieth Century: The Conservation of Modern Materials, Canadian Conservation Institute, 1993．(Proceedings of a conference, 15-20 September 1991in Ottawa) .5 Haslam, J., Willis, H. A. and Squirrell, D. C. M., Identification and Analysis of Plastics (2nd edition), Heyden, London, 1972．6 Katz, S., Classic Plastics: From Bakelite to High-Tech with a Collector’s Guide, Thames and Hudson, London, 1988．7 Kenegan, B. and Egan, L., Plastics: Looking at the Future, Learning from the Past, Archetype, London, 2009．8 Madden, O. and Lerner, T., Preserving plastics: An evolving material, a maturing profession, conservation of plastics, GettyConservation Institute Newsletter, 2014.9 Morgan, J., Conservation of Plastics; An Introduction to Their History, Manufacture, Deterioration, Identification and Care,The Conservation Unit of the Museums & Galleries Commission and the Plastics Historical Society, 1991.10 Odegaard, N., Carroll, S. and Zimmt, W. S., Material Characterization Tests for Objects of Art and Archaeology (2nd edition),Archetype, London, 2005.11 Paulocik, C. and Williams, R. S., Modern materials in costume collections: A collaboration between scientist and conservator,Strengthening the bond: science & textiles, Preprints of the North American Conservation Conference, April 5 & 6, 2002 pp78-89.Philadelphia, North American Textile Conference．12 Paulocik, C. and R. S. Williams, The chemical composition and conservation of late 19th and early 20th century sequins,Journal of the Canadian Association of Conservators 35, 2010．13 Roff, W. J., Scott, R. and J. Pacitti., Handbook of Common Polymers: Fibers, Films, Plastics and Rubbers, CRC Press,Butterworth, London, 1971．14 Shashoua, Y., Research in plastics and rubbers in the British Museum, conservation science in the UK, 1993 (Preprints ofMeeting, Glasgow, May, pp.44-47) .15 Shashoua, Y., Conservation of Plastics: Materials Science and Degradation and Preservation, Elsevier/Butterworth ? Heineman,Oxford, 2008.16 Then, E. and V. Oakley., A survey of plastic objects at the Victoria & Albert Museum, Conservation Journal January, Victoria& Albert Museum, London, 1993, pp.11-14.17 Williams, R. S., Care of objects made from rubber and plastics, CCI Note 15/1, Canadian Conservation Institute.18 Williams, R.S., Display and storage of museum objects containing cellulose nitrate, CCI Note 15/3, Canadian ConservationInstitute.スポットテストについて1 Odegaard, N., Carroll, S. and Zimmt, W. S., Material Characterization for Objects of Art and Archaeology, Archetype, 2005.Test for nitrate (cellulose nitrate) using diphenylamine pp.164-165.Test for acidic vapors using cresol red pp.186-187.2 Williams, R. S., The beilstein test: Screening organic and polymeric materials for the presence of chlorine, with examples ofproducts tested, CCI Note 17/11, Canadian Conservation Institute, 1993.3 Williams, R. S., The diphenylamine spot test for cellulose nitrate in museum objects, CCI Note 17/2 Revised and Reissued,Canadian Conservation Institute, 1994.70